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Image Comics’ 10 Most Captivating New Series of 2016

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2016 has been another outstanding year for Image Comics. In addition to the continuing success of bestsellers like Paper GirlsSaga, and The Walking Dead, the publishing house has also cranked out a slew of new series. Today, we’re taking a look at ten of those series that hooked us with issue one and refused to let us go.

Honorable Mentions:

  • Cannibal
  • Eclipse
  • Demonic
  • Lake of Fire
  • Glitterbomb

Moonshine

Moonshine Image Comics

Do you like 1920s ganger tales? Pick up Moonshine. Do you like werewolf tales? Pick up Moonshine. New York City gangster Lou Pirlo goes to the backwoods of West Virginia to cut a deal with a moonshiner, but quickly gets in over his head after discovering the family secret. From the team that brought you 100 Bullets.

Snotgirl

Snotgirl Image Comics

Lottie Person is a fashion blogger and a social media celebrity. But while she may seem perfect on Instagram, Lottie has horrendous allergies that render her a mess. The new series from Bryan Lee O’Malley and Leslie Hung starts out as a study of internet culture, but quickly evolves into a story of paranoia and delusion where nothing is as it appears.

A.D. After Death

A.D. After Death Image Comics

This is what Image Comics is all about: experimentation. A.D. is a mix of illustrated prose and traditional comics storytelling, making it probably the most unique and most daring title on this list. Jeff Lemire’s raw artwork shines behind Scott Snyder’s poignant words in this story about a world that’s cured death. Their protagonist is Jonah Cooke, a thief with a big secret and mysterious plans. At about 70 pages, A.D. delivers a beautiful and captivating tale about life (and death).

Violent Love

Violent Love Image Comics

It’s Bonnie and Clyde, meets Romeo and Juliet, meets Natural Born Killers. Frank J. Barbiere and Victor Santos’ crime/romance is more of a tragedy at its core, promising to break its readers hearts from the outset. It looks to be a fun ride, but through all the violence, deep down this is going to be a story about loss and what people are capable of when they have nothing left to lose. Read our full review of Violent Love #1 here.

Seven To Eternity

Seven To Eternity Image Comics

The God of Whispers rules the kingdom of Zhal. He can offer you whatever your heart desires, but in hearing that offer, you surrender your freedom. Seven To Eternity is the story of Adam Osidis, whose father refused the God of Whispers long ago and forced his family into exile. Now Adam is faced with the same decision: should he hear the God’s offer, or should he fight to free the kingdom? Magic and sci-fi are seamlessly interwoven in this series from Rick Remender and Jerome Opeña.

Hadrian’s Wall

Hadrian's Wall Image Comics

Hadrian’s Wall is a classic murder mystery set aboard a space station. When an astronaut is found dead, a pill addict detective is sent to “rubber stamp” the investigation. But he quickly realizes that there’s more to the scene than meets the eye, and begins to unravel a plot greater than he ever imagined. Everybody’s a suspect in this gripping miniseries from Kyle Higgins, Alec Siegel, and Rod Reis.

Reborn

Reborn Image Comics

Where do we go when we die? Mark Millar and Greg Capullo’s epic fantasy is about the world after death, a world where we are reborn as our younger selves and thrust into a battle between good and evil. It’s one of those rare series that perfectly balances action with captivating emotional drama. And Capullo’s artwork is out-of-this-world (literally and figuratively). Read our full review of Reborn #1 here.

The Fix

The Fix image comics

The team behind The Superior Foes of Spider-Man deliver another brilliant crime comedy in The Fix. Roy and Mac are corrupt Los Angeles cops looking to make some quick cash. Their misfortunes make for a hilarious read, but then an actual mystery reveals itself, and makes the series that much more compelling. If you’re looking for nonstop jokes coupled with intrigue, look no further.

Renato Jones: The One%

Renato Jones One% image comics

Here is maybe the most cathartic series of 2016. Renato is a billionaire by day, but by night be becomes The Freelancer, the one percent’s worst nightmare. The Freelancer takes out fat cats whose sole purpose is to expand their own wealth, regardless of who they step on in the process. This series is the definition of over-the-top, gratuitous violence, and it’s absolutely amazing. It’s all the fun of a mindless action movie, with valuable social commentary wrapped inside.

Kill Or Be Killed

Kill or be Killed Image Comics

A new Image Comics noir from Ed Brubaker and Sean Phillips? Of course Kill Or Be Killed makes our list; it’s everything fans have come to expect from this dream team and more. Protagonist Dylan has to kill others to stay alive (read it to find out why), so he turns his sights on “bad” people. But as his “night job” picks up steam, his day-to-day life begins to fall apart. Kill Or Be Killed is gritty, exhilarating, and it’s a fascinating look at vigilantism and the value of life.


What were your favorite new Image Comics from 2016? Tell us in the comments, or tweet us @monkeys_robots (and tweet me @The_Great_Ace)!

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Lin-Manuel Miranda Will Adapt ‘The Kingkiller Chronicle’ for TV

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Lin-Manuel Miranda is a busy man these days, having moved on from Hamilton to tackle Hollywood next. And it seems he is ready to adapt The Kingkiller Chronicle into a musical for TV.

Like most things are in fantasy literature, The Kingkiller Chronicle is a series of books, and Miranda will serve as executive producer on book one, The Name of The Wind. Oh, and he’ll also be writing and producing original songs for it, which is pretty great news.

Here’s a synopsis for The Name of The Wind:

So begins the tale of Kvothe—from his childhood in a troupe of traveling players, to years spent as a near-feral orphan in a crime-riddled city, to his daringly brazen yet successful bid to enter a difficult and dangerous school of magic. In these pages you will come to know Kvothe as a notorious magician, an accomplished thief, a masterful musician, and an infamous assassin. But The Name of the Wind is so much more—for the story it tells reveals the truth behind Kvothe’s legend.

I don’t know much about The Kingkiller Chronicle, but it definitely has legions of fans, ones who are likely fired up about this news. There’s no word on schedules or release dates as of yet, so stay tuned.

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Hot Rumor: Obi-Wan’s Connection To Rey Revealed In ‘Star Wars: Episode IX’

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Rogue One is a mere few weeks away, Episode VIII is in the midst of post-production with a trailer release any day now, Han Solo casting is heating, yet the Ewen McGregor Obi-Wan Kenobi film that seems obvious to fans has no movement from Lucasfilm’s Chief Kathleen Kennedy.

Rebel Force Radio interviewed Entertainment Weekly’s Anthony Breznican and he might have some answers to why the film seems delayed. Breznican’s answer also impacts Episode IX.

“Um, I have heard rumors that the one reason they haven’t moved sooner on Obi-Wan is that they’re not done with Obi-Wan quite yet… in the Saga films. So I wouldn’t be surprised to see an Obi-Wan thing happen beyond Episode IX,” said Breznican.

Check out our theory: Rey a Descendant of Obi-Wan Kenobi

“So I don’t think that’s controversial to say, but I think that there’s bound to be some reference to Obi-Wan – and I’m not being coy here, this is literally all I know is that [Lucasfilm’s thinking is] ‘Ehh, if you want to tell an Episode IX story, it’s better that it happens after this first trilogy, because things that happen in it can maybe reference The Force Awakens trilogy,’ if that makes any sense. Some of this is sort of like doing CIA spywork, where you get little pieces of information and then you try to connect them. But I think that they’ll probably be some reference to Obi-Wan in the Saga films, and his connection to whatever characters he happens to have a connection with. I’ve already written that I think that Rey has some kind of connection to him – family connection. So if that’s the case, maybe we see a part of that play out in the future Obi-Wan movie. Ewan McGregor would be the perfect age to reprise that [character]. So he seems game to do it, and I think [the movie] hasn’t been one they’ve greenlit just yet, but partly because they’re still shaping that story. So we’ll see. I think it’s – again – kind of a no-brainer,” said Breznican.

What do you think this all means, is Obi-Wan Rey’s grandfather?

Rey took her first steps into a larger world in Star Wars: The Force Awakens and will continue her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the continuing Star Wars saga, Star Wars: Episode VIII.

Star Wars: Episode VIII, is written and directed by Rian Johnson and continues the storylines introduced in Star Wars: The Force Awakens, welcomes back cast members Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, and Andy Serkis. New cast members will include Academy Award® winner Benicio Del Toro, Academy Award® nominee Laura Dern, and talented newcomer Kelly Marie Tran.

Star Wars: Episode VIII is produced by Kathleen Kennedy and Ram Bergman and executive produced by J.J. Abrams, Jason McGatlin and Tom Karnowski. Joining the production crew will be some of the industry’s top talent, including Steve Yedlin (Director of Photography), Bob Ducsay (Editor), Rick Heinrichs (Production Designer), Peter Swords King (Hair and Make-Up Designer), and Mary Vernieu (US Casting Director). They will be joining returning crew members Pippa Anderson (Co-Producer, VP Post Production), Neal Scanlan (Creature & Droid FX Creative Supervisor), Michael Kaplan (Costume Designer), Jamie Wilkinson (Prop Master), Chris Corbould (SFX Supervisor), Rob Inch (Stunt Coordinator), Ben Morris (VFX Supervisor), and Nina Gold (UK Casting Director).

Star Wars: Episode VIII is scheduled for release December 15, 2017.

Colin Trevorrow directs the final installment, from a screenplay by Trevorrow, Rian Johnson, and Derek Connolly. Star Wars: Episode IX hits theaters May 23, 2019.

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‘Gilmore Girls’ Become Women In Return On Netflix

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The remake, reboot, revival craze continues in Hollywood and even Netflix is in on the fun! Why not? It’s a ratings goldmine that comes with a built-in aurdience. Rehashing Full House last year with Fuller House became a pop culture success leading to second season in 2017. Arrested Development was an early success for the streaming service as are Trailer Park Boys and Longmire now. Now comes a revival of Gilmore Girls. But does the next nostalgia missile explode into awesome or fall like a dud?

If you don’t know, the Gilmore Girls ran from 2000 to 2007, first on The WB and then on CW. It stars Lorelai Gilmore (Lauren Graham), a single mom raising an extraordinary overachieving teenage daughter, Rory Gilmore (Alexis Bledel). The pair struggle with school, work, life, and family as they chug coffee in the small town of Stars Hollow. Gilmore Girls is a comedy and drama, but a bit of a fantasy too as the idyllic Stars Hollow exists in a world with a town troubadour, quirky townspeople, and pop culture references galore.

Gilmore Girls is like living inside a Norman Rockwell painting only everyone has whip-smart things to say.

The show’s three strengths were it’s rapid-fire and pop culture-infused dialogue, fantastic acting, and fluid directing. Long, one-shot takes put you in Stars Hollow along with acclaimed performances from Graham, Bledel, and Kelly Bishop as matriarch Emily Gilmore.

Gilmore Girls grew into a strong ratings performer. But it’s that final season that fans complain about. And for that reason, Netflix decided to fill a void by offering Gilmore Girls: A Year In The Life. It’s four episodes, each taking place during a different season (Summer, Fall, etc.) that recaps the lives of the Gilmore Girls and puts a better bow on the entire Gilmore Girls package than the original, weak series finale.

Gilmore Girls: A Year In The Life hits the ground running. The overall story takes a bit to get going. But from the opening moments, the dialogue is shooting out the mouths of the cast. The camera is carefully following. And the wacky, small town is buzzing again.

stars hollow-gilmore girls-netflix
For fans of the series, it’s a must-see. It’s four more episodes to enjoy with these great characters and the brilliant way the show mixes humor and drama. For those who have never watched Gilmore Girls it’s still entertaining, if only for the dialogue and performances. However, without the benefit of the series, a lot of the feels will get lost, as will those joyful moments when old characters pop up.

Is it perfect? No. A lot of questions are left unanswered. And there are a few song and dance numbers that feel a little tacked on or are longer than they should be. Not all the old Stars Hollow folks return or are around like they should be. And the ending will be a point of discussion for fans for years to come. As a personal nitpick, why didn’t they use the theme song. “Where You Lead” by Carole King?

I’m generally not a fan of reboots, remakes, or otherwise uses of weaponized nostalgia. I like to look forward and in the end that’s the message behind this new Gilmore Girls. Emily, Rory, and Lorelai all  leave old fears behind to face new, exciting fears as the bonded, confident women they are.

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Editorial: X-Men Series ‘Death of X’ Made No Sense

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Marvel’s recent X-Men event, Death of X, just wrapped up this past Wednesday. It focuses on Cyclops and the rest of the X-Men reacting to a mist that was killing mutants. The event took place before the events of the All New, All Different relaunch, and was set to answer some questions, as well as build up to the next superhero vs. superhero brawl Inhumans VS. X-Men. Because Marvel clearly needs more events where superheroes fight each other and not supervillains.

SPOILERS AHEAD

The main goals of this particular miniseries were to kill Cyclops, explain why Mutants and Inhumans hate each other, and give a reason why there are more Inhumans now. So obviously there’s a lot riding on this four issue series as the other comics in the universe were building up to this. Cyclops’ actions raised a lot of controversy and debate among other heroes. Specifically something that he did labels him as a terrorist.

The “too long; didn’t read” version goes like this: the superhero group The Inhumans discover that their sacred gems, The Terrigen crystals, can turn normal humans into Inhumans.  The Terrigen crystals are ground up into two mist clouds and released around the world turning humans into Inhumans. However, the mist kills mutants, and The Inhumans don’t really seem to care. So Cyclops and a few other mutants band together to try and stop the mist clouds.

Something tells me the editors stopped listening to the writers.
Something tells me the editors stopped listening to the writers.

 

There’s more to the story, but the focus of this editorial is about Cyclops’ actions that lead him to terrorist level notoriety (and something else that comes up). Cyclops was never much of a liked character, both in the fictional Marvel universe and among fans. But keep in mind that this was built up as the supposed final straw. Cyclops would never be redeemed after this. So, what did he do?

He and another mutant named Alchemy manage to make one of the Terrigen mists useless.

That’s it.

How does that make Cyclops a villain? He saved a good chunk of his own kind, and chose not to attack the Inhumans. He did something heroic, and yet he’s being punished for it. His legacy is as a no good mutie douchenozzle terrorist who cheats at scrabble and smells bad. He is not in the wrong here, and there’s no reason for anyone to hate him. Because when we look at this conflict, there’s no justification for the other side. If anything, The Inhumans should be the ones vilified.

NO. HE. DIDN'T.
NO. HE. DIDN’T.

The X-Men and mutants are dying, and The Inhumans aren’t interested in stopping that. They want to expand their race; to hell with the consequences of others. But even if we took out the whole “your perfume is killing an entire species of people,” The Inhumans didn’t consider that maybe people don’t want to be Inhumans. Not everyone wants their DNA changed to become a superhero; The Inhumans are forcing this on the general populace. The point of this event (I’m guessing) was to create a scenario that would leave the readers divided in their feelings. This way they could lead effortlessly into Inhumans vs. X-Men. But I don’t identify with The Inhumans; I don’t see Cyclops’ fault here. I’m having a hard time believing that anyone does.

If the Terrigen Mist was the only way Inhumans could survive on Earth, or if Cyclops snapped and started killing Inhumans that would lead to a better ethical dilemma. But for some reason this perfectly reasonable response from Cyclops is what’s supposed to make the audience pick a side for the Inhumans/X-Men conflict. It doesn’t though, because this is something that both groups should have thought of from the get go. And as I was reading this the whole time I kept thinking, “why do people like The Inhumans again?”

But then there’s a twist thrown in at the very end. It’s a bizarre shake up that just raises more questions. It turns out Cyclops died in the first issue, and everything after that has been a psychic projection created by Emma Frost. While this is an interesting concept, it doesn’t really add anything unique. Again, maybe if she did something more drastic to the Inhumans that would be one thing; in fact it would be in line with her character if she did act aggressively against the Inhumans. That would make sense why people hate mutants again, and specifically Cyclops.

Man this remake of The Sixth Sense is really weird.
Man this remake of The Sixth Sense is really weird.

 

Overall it feels like Death of X is the symptom of  one of Marvel’s much larger problems. Because they focus so heavily on event stories and yearly relaunches, there isn’t enough editorial oversight on planning the stories properly or giving them time to develop. It feels like the editorial staff just throws everything at the wall, sees what sticks, and then connects the dots later. This doesn’t allow the comics to stand on their own two feet or develop naturally. They have to connect to event, or acknowledge an event coming up. This creates great build up for said future story, but if Marvel can’t deliver a satisfying pay off, then it was all for nothing.

Let’s hope the upcoming Resurrexion will bring back what fans loved about the X-men.

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This Third ‘Passengers’ Trailer Turns The Movie Into a Pop Music Video

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To this point, the trailers for Passengers have been at least intriguing. The balance of romance and sci-fi action has been carefully managed.

Well, it looks like the studio wanted to heighten the whimsical pop romance aspect of the movie in this third trailer, which is kind of ridiculous. I’m not sure what this song is (and I’m not much of an authority when it comes to modern pop music… now get off my lawn), but it’s terrible here. UPDATE: Hey Larry, it’s Imagine Dragons “Levitate.” – Monkey

At least it is to me, see for yourself…

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early.

The existence of this trailer seems pretty pointless, on top of the fact it makes the entire movie look like some mid-90s alt-rock music video. The Goo Goo Dolls in Space!

Of course, this trailer might exist to bring in the younger female audience and teens on date night. If that’s the case they probably succeeded because this looks a lot like that new movie where the kid from Mars falls in love with the girl from Earth. Maybe they let Nicholas Sparks in the room to do a little editing.

Passengers stars Chris Pratt and Jennifer Lawrence, is directed by Morten Tyldum, and releases December 21.

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‘Moonlight’ Starts The Award Season With 4 Wins At Gotham Awards 2016

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‘Moonlight’, One Of The Most Important Films Of The Year, Is Already Winning!

At the 26th annual Gotham Awards, ‘Moonlight‘ kicked off what looks to be an interesting award season. The timeless drama took home four awards at the event in New York. The wins includes Best Feature, Best Screenplay, a Special Jury Award For Ensemble Performance, and the Audience Award.

It ended up beating out other critically praised movies like ‘Hell or High Water‘ and ‘Manchester By The Sea‘ to the shock of some. Is this a preview of what’s to come?

This could be the best film to counteract all the #OscarSoWhite controversy from this year. ‘Moonlight‘ is an insanely raw depiction of a young black man from childhood to adulthood. It dives into struggles of finding his place in the world and growing up in Miami. The film’s real look at life as an African-American living in America is shown on-screen perfectly by the predominantly black cast & crew. Never a cheap ploy to get back at the Academy Award or for attention, it’s genuine. So thrilled the Independent Filmmaker Project recognized the importance.

For the upcoming award season, I’d love to see Trevante Rhodes get Best Actor nominations for his performance as Chiron. Even director Barry Jenkins getting a nomination or two for Best Director would be a lovely nod to his masterful work on this project. His screenplay already won at the Gotham Awards so it’s not a stretch!

Do you think ‘Moonlight‘ by Barry Jenkins will continue to play a major part in the upcoming award season? Let me know in the comments below!

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Rita Repulsa Takes Over ‘Power Rangers’ Social Media

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The official Power Rangers Facebook page has released a new image of Elizabeth Banks as Rita Repulsa.

The caption read:

“After eons locked away, she’s taken over Power Rangers Movie! You can bet we’re monitoring all further developments, Ranger Nation! ⚡️#RepulsaTakesOver

Additionally, the Power Rangers Instagram released another image of the character.

Rita Repulsa

“Saban’s Power Rangers follows five ordinary teens who must become something extraordinary when they learn that their small town of Angel Grove – and the world – is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discoverer they are the only ones who save the planet. But to do so, they will have to overcome their real-life issues and before it’s too late, band together as the Power Rangers.”

The film hits theaters on March 24, 2017.

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First Look At CW’s New ‘Riverdale’ TV Series

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Archie Comics has given us a first look at the new CW show Riverdale.  You can check out the promo below.

https://youtu.be/NMcrvok-7r0

Riverdale will be written by Archie Comics Chief Creative Officer Roberto Aguirre-Sacasa, known for the breakout hit title Afterlife With Archie. It produced by Warner Brothers Studios and Berlanti Productions (Supergirl/Arrow/The Flash/Legends of Tomorrow). The show’s description is

a subversive take on the classic Archie mythos. The live-action series offers a bold, compelling take on Archie, Betty, Veronica, and their friends, exploring small-town life and the darkness and weirdness bubbling beneath Riverdale’s wholesome facade. The show will focus on the eternal love triangle of Archie Andrews, girl-next-door Betty Cooper, and rich socialite Veronica Lodge, and will include the entire cast of characters from the comic books—including Archie’s rival, Reggie Mantle, and his best friend, Jughead Jones.

The show will debut on the CW January 26, 2017. It stars KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, Ashleigh Murray as Josie McCoy, Luke Perry as Fred Andrews, Cole Sprouse as Jughead Jones, Madelaine Petsch as Cheryl Blossom, Ross Butler as Reggie Mantle, Casey Cott as Kevin Keller, Mädchen Amick as Alice Cooper, and Marisol Nichols as Hermione Lodge.

For more information about Riverdale and everything Archie Comics, visit the official Archie Comics website.  You can also follow them on TwitterFacebook, and Instagram.

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“The Simpsons”: When Homer Met Fidel

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“Will this horrible year never end?” There are many reasons that the earlier season of The Simpsons are fondly remembered and often viewed as timeless. Yet, given the type of year we’ve had, for “The Trouble with Trillions” to begin with such a lament makes it more apt than it was when it first aired on April 4th, 1998. Casual viewers and Simpsons fanatics will no doubt remember this episode as the one where Mr. Burns was found to have stolen a trillion-dollar bill from the American government. They will also recall this episode as the one featuring Homer’s hilarious, albeit short, meeting with the late former-President of Cuba; Fidel Castro. It goes without saying that Mr. Castro had a powerful impact on world affairs as the one of the last remaining Cold War strongmen. He survived over 600 assassination attempts and reigned over Cuba during an  embargo that lasted nearly 60 years, decimating much of the country’s economy. Mr. Castro was a complex figure, revered and reviled in equal parts. This is not the forum for an evaluation of his character or policies, but rather to mark the enduring persona that was Fidel Castro and the one time he made us all laugh.

2f13_fidel_castroThe looming figure of Castro was no stranger to Springfield. Years earlier, in the seminal “Bart vs. Australia”, he had a “blink and you’ll miss it” cameo poking fun at the CIA’s never-ending attempts to have him killed. By the time that Homer, Mr. Burns and Smithers arrived in Cuba, a pop cultural zeitgeist had emerged around the Cuban leader and his relationship with the US. Those American hoping to visit Cuba must have been there for one of two reason; to smuggle cigars or assassinate El Presidente. Much like those tourists that became enamored with the facade that Cuba presented, our band of misfits splurged themselves on donkey meat and reveled in the classic motif of an island frozen in time. Unsurprisingly, Homer and Burns are eager to remain in their “socialist paradise” even if the poster using Che Guevara to advertise Duff beer hints that it may be more capitalist than it let on.

It is fitting that the fictional Cuba reflects its real-life counterpart in its economic woes as Castro begrudgingly admits their nation would have to abandon their Communist  “mumbo-jumbo” in the wake of embedding bankruptcy. The fictional Castro didn’t take his failed assassinations to heart, willing to concede defeat to Washington, even if he was less than pleased with his namesake. Using their trillion dollar bill as leverage, would-be Springfield oligarchs manage to gain an audience with Castro. True to form, Mr. Burns was unaware of that Batista had been, in fact, been overthrown and instead settled for negotiations with El Comandant himself. Even Castro himself is taken aback by their desire to remain in Cuba, knowing the mask it wears on the international plain. As always, a fool and his money are quickly parted when Burns, urged by an all-too trusting Homer, relinquishes the bill. Like Vladimir Putin’s response to accusations that he stole Robert Kraft’s super-bowl ring, Castro’s reaction to being asked to return the trillion-dollar bill is classic strongman. “Give what back?”

1156254The Simpsons, at its best, is an extremely clever show that can be enjoyed on many levels. Its not just that the show pokes fun at capitalist culture by having Burns be given the trillion-dollar bill on the assumption that his wealth made him trustworthy. Its not just the shows ability to capture an absurd, but accurate facsimile of political leaders past and present. Its the confidence in which he switches from family comedy to dry satire that has made it endure over its nearly thirty years lifespan. Its political humour often flies above many heads, but its understanding of the cultural perception towards Cuban-American relations, when pitched to the right audience made for one of its finer moments. Of course, if anyone ever asks, I think you can trust the President of Cuba.

PS. Please end soon.

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