What is a great director? Is it Stanley Kubrick using the language of film in a way that makes his movies a delight to understand but not-so-great at the box office? Perhaps it’s the anti-Kubrick, Michael Bay, who makes movies that seem motion captured from kids playing with toys but make a billion dollars? Or maybe Spielberg who exists as both a critical and commercial mastermind? The work required to direct a film is not easy, so anyone who completes even one film is a great director in my book. So, on this day of his birth, we look at the films of Zack Snyder, a great director in his own right. What makes him great? The fact that most people reading this either love him or hate him, for starters.
One of our great critics here at MFR, EJ Moreno, sums up Zack Snyder in a way that I completely agree with. Zack Snyder is Michael Bay after a stint at art school. It’s true, Snyder presents all the stunning, visceral visuals of a Bay movie with the slick design and composition of a graphic designer. Even the biggest haters of Snyder’s work have to admit that the man’s movies are beautiful.
7. Man of Steel, Batman Vs. Superman, and Beyond!
Snyder’s last two films are Man of Steel and Batman Vs. Superman. Man of Steel released in 2013, which I call the year that broke me as a movie fan. It was clear that year that the Save the Cat formula and Michael Bay-esque films were the rule, not the exception. Snyder is another reinforcement of that reality. Like during the late 40s and 50s, Hollywood is back around to going full steam ahead on big, studio sanitized movies.
We’ve reached the most polarizing film of recent memory; Batman vs. Superman features all the best (and worst) of Zack Snyder. As much as I hate that the movie wasted time on Batman’s origin, I also love it because that sequence with the pearls is filmmaking porn to cinephiles. Snyder’s undeniable style exists in every frame. Some scenes bristle with that same level of cinematic porn as the pearls. But, movies aren’t just supposed to be pretty moving pictures. The pictures are supposed to connect for a greater whole. In our modern age of “talkies,” the pictures should connect and dance with dialogue and music, again, for the greater whole. As Snyder’s visuals continue to reach new heights, his desire or ability to make those connections seems unbending.
So, is Snyder a great director? The simple answer is yes. One of the hallmarks of truly great directors is having a style or signature. Like a painter whose works are unmistakable, Snyder’s films are undeniably his. Snyder’s signature is gorgeous and flawless like an airbrushed supermodel. Dominant signatures like Snyder’s or Kubrick’s, or Spielberg’s are also often polarizing which means they’re also unforgettable.
Happy birthday, Zack Snyder!
I love your work, for better and worse. I do enjoy our director/viewer relationship, though, even if it is complicated.

Batman #18
With this story arc, King has pushed Batman to his limit and also shown us how Bane is as much a psychological threat as he is a physical one. Bane, like this story, assaults on all fronts and has maximum impact.
It’s not too early at all to rule this new run of Batman as a classic. If you loved everything 





