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Movie Reviews
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‘The Crooked Man’ Review: This SyFy Movie Delivers Exactly What You’d Expect…
EJ Moreno
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‘Before I Fall’ Review: A Young Adult Novel That Should Have Never Been Turned Into A Movie
Dewey Singleton - Film Critic
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Review: Dolph Lundgren is A Mississippi Demon Hunter in B-Movie Gore-Fest ‘Don’t Kill It’
Larry Taylor - Managing Editor
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Episode 112: ‘Get Out,’ Tony Cox Talks Star Wars, Brett Kelly Loves Octavia Spencer
Matthew Sardo
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‘Toni Erdmann’ Review: The Funniest Three-Hour German Drama You’ll See This Year
Will Ashton
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‘Get Out’ Review: A Brilliant Balance Of Horror, Humor, and Poignancy
Dewey Singleton - Film Critic
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‘A Cure For Wellness’ Review: Insanity Is Sometimes The Best Medicine (For Boredom, At Least)
Will Ashton
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Review: ‘The Girl with All the Gifts’ Proves The Zombie Genre Still Has Life
Larry Taylor - Managing Editor
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‘The Great Wall’ Review: A Stunning Display of Pure Mediocrity
Will Ashton
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‘Fist Fight’ Review: Charlie Day and Ice Cube Shine In This Hilarious Raunch Fest
Dewey Singleton - Film Critic
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The Spectacle of ‘The Great Wall’
Merinda Brayfield
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My 5 Favorite Films from the Year I was Born: 1993
Joseph Rejent
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Review: ‘Logan’ From A Comic Superfan’s Perspective
Anthony Composto - EIC
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Spoiler-Free Review: ‘Logan’ A Fantastic Superhero Film That Transcends The Genre
Dewey Singleton - Film Critic
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Episode 111: Is ‘Logan’ Already The Best Superhero Film Of 2017?
Matthew Sardo
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Indie Review: ‘Road to The Well’ a Crafty Noir With Echoes of Early Coen Brothers
Larry Taylor - Managing Editor
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‘The Great Wall’ Review: Moments Of Visual Splendor Not Enough To Overcome Blase Narrative
Dewey Singleton - Film Critic
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‘A Cure For Wellness’ Review: An Effective Thriller That Is Far From Perfect
Dewey Singleton - Film Critic
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Deadpool Remains The Surprise Hit Film Of 2016
Jonathan Bruce
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’50 Shades Darker’ Review: The Franchise Finally Becomes “So Bad, It’s Good’
EJ Moreno
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