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‘American Gods’ Season 1 Episode 3 Spoiler Review – Head Full of Snow

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Thus far on the American Gods TV series, we have seen a goddess consume people with her vagina, a spider God convince slaves to burn their ship with them on it, and a saucy offer from Lucy Ricardo to show off her tits. Where can Head Full of Snow, the third episode in the series, take viewers this time around?

In this episode, we see, for the most part, how comforting the Gods of old can be. And, in the world we live in today, we could all use a little more comfort.

Anubis, the Egyptian God of death, is comforting to an older woman coming to the realization she has passed on. Though the God is an intimidating physical presence, he offers the woman solace, and even a little humor, as he takes her on to the next life.

Shadow, angered and confused by the world he has been thrust into, is comforted by Zorya Polunochnaya, who offers him the moon in the form of a coin, in exchange for a kiss. With a boost of confidence, he proposes a second game with Czernobog, after attacking his ego that he might not be able to kill Shadow with just one blow. Shadow taunts Czernobog, and eventually wins the rematch, so the Old God agrees to come with him and Wednesday to Wisconsin… and then kill him after.

Wednesday offers comfort to Shadow as well, in the midst of a planned bank robbery. Shadow, not wanting to go back to prison a week after being released, is inspired by Wednesday to make it snow, using only the power of his mind. Shadow, as logical a mind as any, sees the world as science and fantasy. But Wednesday offers Shadow a new perspective, that the world isn’t so black and white, but on a spectrum.

The bank robbery gave this episode a humor that previous episodes had not had a chance to do. Wednesday may be dangerous and enigmatic, but, here, he is also a delight – clever, charismatic, and confident in his plan. His only fear, as is with anyone, is being forgotten.

Lo and behold, Shadow makes it snow, and also plays along in Wednesday’s robbery, and plays it well. He is becoming more and more comfortable in this world, standing toe-to-toe with Gods.

The Gods can also be of comfort sexually. An immigrant, Muslim salesman, down on his luck, finds an unexpected romance in his taxi-driver – who happens to be a Jinn. What happens is one of the most honest scenes of graphic sexuality to ever appear on television. The two took comfort in one another, finding a companionship they had yet to find in their new home.

Oh yes, and Mad Sweeney returns. Only this time, he is a bit down on his luck, and taking down others in his path. His lucky coin is missing, and Shadow is the only one who knows where to find it. When Shadow reveals where he left the coin, Sweeney goes to retrieve it, only to find it missing still. The result leaves the episode on a cliffhanger that will make Shadow believe that the things that he once presumed impossible are anything but.

After only three episodes, American Gods has set the bar high for others to follow, in terms of striking visuals and compelling messaging.

If you haven’t yet, read the Monkeys Fighting Robots reviews of the previous episodes:

Do you still believe in American Gods? What was your favorite moment from Head Full of Snow? Let us know in the comments.

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‘Alien: Covenant’ Review: The Terror Of The Xenomorphs Is Lost In Translation

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Alien: Covenant is an improvement on Prometheus but falls short of being a great science fiction film due to Ridley Scott belaboring key points of the narrative.

Summary

The film set out on a strong course with an incredibly creepy prologue that lays the groundwork for the narrative. The Covenant is a vessel carrying 2,000 people including a crew of 15 meant for colonization. A tragic space accident occurs involving solar flares and the crew’s captain is killed. The second in command (Billy Crudup) assumes control of the vessel and does his best to maintain the momentum of the previous captain. However, he can sense that the crew is restless and the idea of six more years on this ship is becoming less and less appealing. Luck appears to finally break their way when the sensors pick up a planet that seems entirely habitable and it’s less than a week away. The science officer (who happens to be a terraforming expert played by Katherine Waterson) doesn’t agree with the captain’s decision but he won’t listen to reason. Among the crew is an android named Walter (Micheal Fassbender). The android bears a striking resemblance to David who was a member of Prometheus’s crew (a little bit of foreshadowing). When the crew eventually reaches the surface, they quickly realize that this seemingly harmless planet is home to a terror just waiting to spread across the cosmos.

Alien: Covenant

What Worked

It’s safe to reveal, as it already has been in multiple trailer releases, that one of the highlights of the film was the dynamics between Walter and David. Walter is clearly created with the purpose of serving his crew while David was created with the purposes of forethought. His creators instilled in him the idea that man can and should evolve and we could create a better species. Walter believes in limits and David doesn’t see any limitation, even it means harming others, or in this case, a planet.

I thought Katherine Waterson did a good job in the film. While some might have wanted her to slip into a role similar to that of Sigourney Weaver, her character was equal parts logical and badass.

Danny McBride is great as well in playing his typical role of a hothead with heart. One of the more powerful moments in the film is between Waterson’s character and McBride’s as she has to break the news to him that his wife is dead.

The production design was good and really added elements that helped to enhance the scare factor in the film. For example, David’s laboratory wasn’t the most well lit and easily accessible place on the planet.  It was dark and dreary (partially due to the weather) making those Aliens seem scarier than they probably were.

While we are talking about the Aliens, the special effects were on par with what we’ve come to expect from Ridley Scott.

What Didn’t Work

Scott spends a great deal of time discussing creationism in the film. David’s purpose is to explore and seek out the best version of ourselves. Walter’s is to serve and provide for others. While the dichotomy between the two characters is certainly compelling, the discussion goes on and on to the point where it weighs down the film.

Other than perhaps Waterson’s character, there is a supreme lack of character development during the picture. It’s almost as if the cast is meant to play “stereotypes” not actual people. McBride plays the hot-headed pilot. Waterson is a level-headed science officer. Crudup’s is someone who relies less on data and more on faith.

 

Overall

Alien: Covenant is an effective science-fiction thriller that attempts to recapture the franchise’s past glory but falls short. If the picture had focused more on the terror of Xenomorphs and less on why they existed then it would have lead to a more enjoyable experience. It’s certainly an upgrade over the dreadful experience that was Prometheus and makes us hopeful for what’s to come.

 

 

 

 

 

 

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Along With Robert Zemeckis, Matthew Vaughn Is In Talks For ‘The Flash’

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Zemeckis and Now Matthew Vaughn? ‘The Flash’ Is In Good Hands!

At first, it was just rumors of Robert Zemeckis vying for the director role for ‘The Flash‘. But now it seems there is someone else! And it’s someone with experience in the comic book movie genre. Unnamed sources for Variety have said that Warner Bros. is close to locking down a director and it might be Matthew Vaughn!

Going with either choice, ‘The Flash‘ film is walking away with a solid director. The project seemingly can’t keep a director but every choice has been great. While it does hurt to keep losing directors, fans are hopeful the end result is still strong. Losing Seth Grahame-Smith at first was hard but Rick Famuyiwa leaving served as the biggest blow. The project has been in limbo ever since so this rumbling of director news is a good sign.

Given Vaughn’s experience in the genre with films like ‘Kick-Ass‘ and ‘X-Men: First Class‘ shows, he has what it takes. It’s just all about finding that perfect script and the best story to tell. Joby Harold recently worked on re-writes to the script but with a visionary like Matthew Vaughn, things might be tweaked again. With a solid cast and plenty of stories to work off of, landing this director is the final piece to a nearly perfect puzzle.

The Flash‘ is still scheduled for a 2018 release. No release date information currently.

You can find Ezra Miller playing Barry Allen/The Flash in this year’s ‘Justice League‘. That film will hit theaters on November 17. Cameoing in ‘The Flash‘ is another member of the Justice League, Victor Stone A.K.A Cyborg. Seeing those Ray Fisher and Ezra Miller together on-screen will give you a good indication of the upcoming film.

What do you think of these choices? Who do you think should direct DCEU’s ‘The Flash‘? Let me know in the comments below!

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Massive tie-in Event “Wonder Woman Day” Planned For June 3rd

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After catching some heat for a lack of advertising, DC is switching gears and partnering with comics book shops and chain retailers alike to celebrate “Wonder Woman Day” on June 3rd, according to The Hollywood Reporter.

Wonder Woman Turns 75

Wonder Woman DayDiana Prince burst onto the comics scene 75 years ago in 1941. At the time, her creation as a female superhero was revolusionary. Even now Wonder Woman is easily the most popular independent female superhero. She didn’t emerge from an existing franchise and is not exclusively a member of the Justice League. This anniversary is certainly worth celebrating–regardless of the years passing by, Wonder Woman remains popular across all media formats. This year, her first full-length live action film premieres on June 2nd, and DC is helping promote the film with a massive event simply called “Wonder Woman Day”.premieres on June 2nd, and DC is helping promote the film with a massive event simply called “Wonder Woman Day”.

Wonder Woman Day

To celebrate, DC Entertainment coupled with over 2,000 comic book shops, book stores and libraries. Locations include retail chains such as Barnes & Noble, Books-A-Million, Walmart, and Costco. Hollywood Reporter says that the outlets will each have exclusive in-store promotions. Amazon will also participate with online content. Warner Brothers Interactive Entertainment and Consumer Products will also push the event, though details on that are still a mystery. “Wonder Woman Day” certainly won’t make up for DC’s lackluster advertising campaign for Wonder Woman, it certainly demonstrates that DC understands the love fans of all ages have for Diana.

If you’re out celebrating this June 3rd, spend Wonder Woman Day picking up one of our favorite origin stories if you haven’t already.

Based on DC Comics characters, Wonder Woman releases in American theatres on June 2nd, 2017. Patty Jenkins (Monster, Arrested Development) directs. The writing team includes Zach Snyder, Allan Heinberg and Jason Fuchs. Wonder Woman stars Gal Gadot (Wonder Woman/Diana Prince) and Chris Pine (Steve Trevor).

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Moosehead Pale Ale: 150 Years Later – A Sesquicentennial Review

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As most North Americans who live above the 49th parallel know, Canada turns 150 this year. And, debates over the appropriateness of observing this colonial development aside (there are many), canucks are undeniably subject to a deluge of patriotically dressed products. Independent brewing giant Moosehead Breweries Ltd. is no exception. But, more than other Canadian companies, Moosehead has a lot to celebrate this year: Moosehead is also turning 150.

Originally named The Army & Navy Brewery, Susannah and John Oland opened for business in Nova Scotia in 1867. Originally boasting an employee list of just 11 people, the Army & Navy Brewery changed name and location, eventually ending up in St. John, New Brunswick. Surviving two fires, the deaths of John, Susannah, and Conrad Oland, and the Halifax explosion, the company that became Moosehead Breweries Ltd. in 1947 stayed in the hands of the Oland family. And, 150 years and five generations after Susannah and John opened their doors, Moosehead Breweries Ltd. is still owned and operated by the Oland family.

So, what better way to celebrate Moosehead’s sesquicentennial year than enjoying the brew that put Moosehead on the map? No, I’m not talking about the previously reviewed and ever-popular Moosehead Lager. I’m talking about Moosehead Pale Ale, the first brew to sport the Moosehead name. I’ve never tried this beer before — in fact, I didn’t know it existed — but as a lover of pale ales I’m excited to sample this piece of Canadian brewing history.

Moosehead Pale Ale – First Sip

Moosehead Pale Ale pours a transparent light golden colour with a thick layer of foam that gradually fades to a film at the top of my glass. I notice a grainy aroma as I take my first sip and enjoy its well-rounded flavour, similar to that of Moosehead Lager. In fact, I’m a bit surprised at just how similar Moosehead Pale Ale is to Moosehead Lager. I’m ashamed to say that in a blind taste test this reviewer would be hard pressed to tell the difference. Moosehead Pale Ale has a slightly more bitter finish than its lager counterpart, but in terms of mouthfeel the two brews are, again, very similar.

Moosehead Pale Ale – Last Sip

Though Moosehead Pale Ale may be similar to Moosehead Lager, that’s no great strike against it. Both are tasty all-occasion brews with well-rounded flavours and semi-sweet aftertastes. I got mine in a tall can, basically a pint, and though I had but one I would’ve drunk many more if I had the opportunity.

Again similar to its lager counterpart, Moosehead Pale Ale has a respectable 5% ABV rating that makes it a good beer to have a few of along with the comfort food of your choice.

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Marvel’s Inhumans Gets ABC Friday Night Time Slot

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Marvel's Inhumans Logo

The Inhumans are coming to network television.

The Marvel show will be getting a unique Friday time slot, according to reports.

After recent cancellations and renewals, ABC is mapping out its plans for Marvel’s Inhumans.

The Inhumans series will make its debut in style, which happens to be in IMAX theatres. On Labor Day, the first two episodes will be shown in cinemas across North America for two weeks. Following the two week IMAX run, ABC will begin airing the show on Fridays at 9:00 p.m. The rest of the episodes will include additional content for the network.

Marvel's Agents of S.H.I.E.L.D.
The team is divided, but who cares?

Agents Of S.H.I.E.L.D is getting a fifth season, but it won’t be coming back right away. Rather, the series will take a break during the Inhumans run in fall 2017. It is going to return on Fridays in 2018.

Meanwhile, Once Upon a Time is also moving its timeslot. The fantasy drama is switching to Fridays, during which it will air one hour before the Inhumans show. This news come just after OUAT‘s renewal for a seventh season.

According to Entertainment Weekly, the Inhumans has a new log-line. The new information provides a bit more content as to the events that kick off the series. It is as follows:

“Marvel’s Inhumans explores the never-before-told epic adventure of the royal family in Black Bolt, the enigmatic, commanding King of the Inhumans, with a voice so powerful that the slightest whisper can destroy a city. After the Royal Family of Inhumans is splintered by a military coup, they barely escape to Hawaii where their surprising interactions with the lush world and humanity around them may prove to not only save them, but Earth itself.”

The cast includes Anson Mount, Serinda Swan, Iwan Rheon, Ken Leung, Erne Ikwuakor, Mike Moh, and Isabelle Cornish. Scott Buck, Jim Chory and Jeph Loeb are going to serve as producers.

Marvel’s Inhumans is set for launch on September 1 2017.

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DC on CW: Week in Review – ‘Arrow’ Is Back In The Hood

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This series will be a brief, semi-comedic review of the CW superhero shows. You can check out last week’s review post here, or see the tally of winners below. The only shows discussed will be ‘Arrow’, ‘Flash’, and ‘Supergirl’. There WILL be some spoilers discussed, so only look at the reviews you’re up to date on!

Supergirl, “City of Lost Children” (May 8)

Supergirl
“You would not believe how much I used to matter on this show”

James Olsen realizes how much it stinks to be a super sidekick on a CW show. He’s bummed out that no one’s in love with Guardian (though that’s partially because his voice modulator apparently allows for ZERO vocal inflection). Finally, in this episode, James gets to spend some time as James. He helps coach an alien boy to track down his villainous mother. It’s confusing how the portal drove the aliens psycho, but it kicked off an exciting war time for Supergirl & friends. Now, Rhea will get to do more villainy beyond deleting Kara’s number from Lena’s phone. Which, by the way, did Rhea think that would somehow stop Kara and Lena being friends? As far as evil plots go, that is almost as dumb as the latest episode of The Flash.

SCORE: 7.5/10 Exploding Milkshakes

The Flash, “Cause And Effect” (May 9)

The Flash
We can’t be together! I have a responsibility to talk about inspiring stuff with Barry sometimes!

This episode is so confusing it made me feel like I had amnesia. Certainly, “Bart” was a fun way to break up the Savitar-Iris-Flashpoint drama. The explanation of how Savitar’s a Time Remnant also makes some sense. But how did erasing Barry’s memory wipe the memory of Savitar? Can Savitar feel everything Barry does? How does Savitar losing his memory de-power Kid Flash? Why was Barry the only one who could prove the arsonist – who did not wear a mask – was an arsonist? Was Caitlin’s thing always brain science? How do Cisco’s teleprompter glasses get destroyed by A SINGLE DROP OF SWEAT? CW lets The Flash be fun, but it also lets it get too dumb.

SCORE: 6.5/10 High School Photos

Arrow, “Honor Thy Fathers” (May 10)

Arrow
Who is this guy again? Is this Vigilante?

The Green Arrow is finally back in his hood! I wasn’t sure what he would call himself without the mask, since Vigilante is taken. While that character is still absent, Thea Queen and Dolph Lundgren return to the show this week. Oliver and Thea fret about revealing their father’s tainted legacy – forgetting that both of them are former partiers and drug addicts, I guess? Rene’s custody plot line seems to end with him ducking out, which is hopefully because if he was kidnapped. If he just wussed out, that will be really agitating. We’ve been deprived of fun ass-kicking Wild Dog for too long. Prometheus is “beaten,” but there’s no way he’s actually been beaten. Don’t forget his conversation with young William Queen. Chase definitely has more up his sleeves than throwing stars.

SCORE: 7/10 Chemicals

WEEKLY WIN TALLY:

Supergirl: 8 Weeks

Arrow: 7 Weeks

The Flash: 5 Week

What show did you think won the week? Does Legends of Tomorrow take your vote? Do you think A.o.S. or Gotham outshines all the CW shows? Let us know in the comments below!

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Meet Dr. Hyde in This New Featurette for ‘The Mummy’

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The Mummy is going to be one batshit crazy summer movie, potentially launching a new universe of Universal Monsters. And in this new featurette we meet the architect of this new world, Dr. Henry Jekyll, and his evil alter ego, Mr. Hyde.

Check this out, and let me know if you have any more confidence in this thing:

It looks like the only difference between Jekyll and Hyde here are some cool amber contacts. They seem to have an abundance of them on The Mummy set.

Aside from the Hyde introduction, we learn a little more about The Mummy and what is going to happen in this launchpad movie. It doesn’t instill much confidence in me that this will be anything worth remembering once the summer ends. On the other had, it might be just too wild to ever forget, but I doubt it will be legitimately good. Hopefully it will be better than two of the three Brendan Fraser movies.

I’m also a little confused as to why Jekyll is even involved. He wasn’t a traditional Universal Monster, but that’s probably one question too many for this thing.

The Mummy stars Crowe as Jekyll, Tom Cruise of course, Annabelle Wallis, and Sofia Boutella as the title character. We will see what this all looks like on June 9.

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Robert Pattinson is Unrecognizable in This Trailer For A24’s ‘Good Time’

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Following his career as a sparkly vampire in the Twilight movies, Robert Pattinson has made it his goal in life to challenge himself in weird and offbeat roles in smaller films. Case in point: A24’s new crime thriller, Good Time.

Check out this awesome trailer:

Pattinson is almost unrecognizable here as a crook looking to bail his brother out of jail following a botched robbery, one for which he was clearly responsible on some level. Since Twilight, Pattinson has worked with David Cronenberg a couple of times, he starred in the terrific Australian road thriller The Rover, and most recently starred alongside Charlie Hunnam in the massively underrated Lost City of Z. The guy has the goods, and he may never be recognized for it. But I don’t think he cares.

Robert Pattinson is a great actor. There, I said it.

Jennifer Jason Leigh also pops up in this trailer, and Barkhad Abdi is there too. The rest of the cast looks green. Good Time is directed by the Safdie Brothers, who directed the 2014 indie drama Heaven Knows What.

It will open August 11.

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‘Battle of The Sexes’ Trailer: Emma Stone, Steve Carell Square Off On The Tennis Court

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Battle of the Sexes, the new movie telling the story of a tennis match between stars Billie Jean King and Bobby Riggs, has a new trailer. It stars Emma Stone and Steve Carell as the dueling tennis pros, but it looks like the movie is more about their lives than the match.

Check it out:

The 1973 tennis match between Billie Jean King (Emma Stone) and Bobby Riggs (Steve Carell) became the most watched televised sports event of all time. Trapped in the media glare, King and Riggs were on opposites sides of a binary argument, but off-court each was fighting more personal and complex battles. With her husband urging her to fight for equal pay, the private King was also struggling to come to terms with her own sexuality, while Riggs gambled his legacy and reputation in a bid to relive the glories of his past.

This looks pretty interesting, and it seems to have a little more on its mind than a simple tennis showdown. It also has an added bit of weight as its Stone’s follow up to her Oscar win. Not to mention the two actors are dead ringers for their real-life counterparts.

Battle of the Sexes is directed by Jonathan Dayton and Valerie Faris, and it opens September 22.

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