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Vince Vaughn Is Unhinged In First Trailer For ‘Brawl In Cell Block 99’

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Vince Vaughn is on a mission to bring the pain to himself and anyone around him in ‘Brawl In Cell Block 99.’ RLJE Films released the first trailer Tuesday afternoon.

If you are not familiar with filmmaker S. Craig Zahler’s work, you need to watch the brutally violent western ‘Bone Tomahawk.’ If Zahler can make Vaughn half the badass Kurt Russell was in ‘Bone Tomahawk,’ ‘Brawl In Cell Block 99’ will be an insane ride.

Craig Zahler’s second film will hit the film festival circuit with the Venice Film Festival first, followed by the Toronto International Film Festival, and then Fantastic Fest.

About the film:
In ‘Brawl In Cell Block 99,’ a former boxer named Bradley (Vince Vaughn) loses his job as an auto mechanic, and his troubled marriage is about to end. At this crossroads in his life, he feels that he has no better option than to work for an old buddy as a drug courier. This improves his situation until the terrible day that he finds himself in a gunfight between a group of police officers and his own ruthless allies. When the smoke clears, Bradley is badly hurt and thrown in prison, where his enemies force him to commit acts of violence that turn the place into a savage battleground.

‘Brawl In Cell Block 99’ is written and directed by S. Craig Zahler, and stars Vince Vaughn, Jennifer Carpenter, Udo Kier, Marc Blucas, and Don Johnson.

‘Brawl In Cell Block 99’ hits theaters on October 6.

Brawl in Cell Block 99


Do you think Zahler can turn Vaughn into a brutal killer? Comment below.

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‘Brigsby Bear’ Review: The Best Film Of The Summer… That Nobody Saw

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A touching performance by Kyle Mooney and a narrative which is equal parts uplifting and heart breaking makes Brigsby Bear fantastic.

Summary

James (Kyle Mooney) is a super fan of Brigsby Bear, which is a very unsettling show which chronicles the adventures of a human sized bear. The bear looks like Teddy Ruxpin but teaches unusual lessons like “don’t be curious. It’s unnatural” and “only trust family.” He tries to share his love of this oversized bear with people on the internet as well his parents (played by Mark Hamill and Jane Adams) who he lives with in an underground bunker. James appears happy with his life, but that is shattered when the FBI raids their bunker. Detective Vogel (Greg Kinnear) proceeds to tell Brigsby’s biggest fan that all of this was a lie. The people he thought were his parents kidnapped him from the hospital when he was born, and Brigsby Bear was a tool to brainwash him created by his “father.” His birth parents (played by Matt Walsh, Michaela Watkins) pick him up from the police station and bring him home for the first time. The narrative quickly pivots to just how stunted he’s been living in that bunker and what an adjustment it will be for James to assimilate in the modern world.

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What Worked

Mooney’s performance as James was undeniably nuanced which made it unique. He gave his character a sensibility that was childlike and completely oblivious to what was transpiring around him. It’s that sensibility that placed under a microscope when he’s reunited with his family at the police station. Life in the bunker leads him to believe we lived in a “Betamax” kind of world when in reality, everything is in “HD.” He doesn’t know how to respond to the news reporters outside the station because of their modern looking equipment, doesn’t know how power grids work, and the only smart phones he’s heard of are ones with an answering machine.

Mooney and Kevin Costello wrote the script for the film. The narrative carefully weaves in themes of wonderment, loss, love, and acceptance. The ultimate question in this picture is whether or not his real family will accept James for who he is now (A Brigsby loving superfan) or will they mourn the loss of what might have been.

Director Dave McCray and Cinematographer Christian Sprenger gave the film a documentary-like feel. Sprenger used unconventional angles to give the audience a feeling of eavesdropping on the characters’ profound personal moments. McCray allowed for moments where the characters appeared to be talking directly to the audience. This stylization of the film gave an intimate feel to the movie. When James is making video blogs about his favorite show, he breaks the third wall and gives us his recap.

What Didn’t Work

Why didn’t 311 Productions fight for a wider distribution? This release is a hidden gem that needs an audience but how can it find one if it’s not marketed effectively?

Overall

It’s safe to say that Brigsby Bear is the best film of the summer that very few people went to the theaters to see. Mooney’s performance will tug at your heart strings. The story has a Truman Show vibe to it, the difference being in Brigsby Bear we get to see what happened after he was retrieved from the controlled environment. Just like Truman, James just wants to feel normal again, and Brigsby is the only connection he has to his previous life. Once his birth family realizes this, James understands that family is made up of the people who love you unconditionally.

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Fall TV 2017: Guide To Sci-Fi, Superhero and Geeky Shows

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In just a few weeks, fall television will return—and with it, a slew of spinoffs, reboots, and revivals.

The lineup also includes several new sci-fi, superhero and geek-centric offerings. To help you navigate, we created this handy guide. Mark your calendars. Here’s a look at the shows coming your way:

The Tick (Now available – Amazon)

Prepare for the misadventures of eccentric superhero The Tick (Peter Serafinowicz) and his sidekick Arthur in this reboot from Amazon.


The Orville (Sept. 10 – Fox)

Fox has a Star Trek series of its own this fall. Well, sort of. Seth MacFarlane takes a crack at spoofing Star Trek in The Orville.


Star Trek: Discovery (Sept. 24 – CBS All Access)

Venturing back into the universe Gene Roddenberry created in 1966, CBS hopes to boldly go where it’s gone before with Star Trek: Discovery. Starring Sonequa Martin-Green (Walking Dead), Michelle Yeoh and Jason Isaacs, the series take places before the events of the original series. Discovery will be available on CBS All Access, the network’s subscription-based streaming service.


Young Sheldon (Sept. 25 – CBS)

See what life was like for a young Sheldon Cooper in this spin-off of The Big Bang Theory. Hint: He was just as smart and just as annoying.


Marvel’s Inhumans (Sept. 29 – ABC)

Inhumans premieres Sept. 29 on ABC. However, it’ll get the big screen treatment earlier in the month. The first two episodes will screen at IMAX theaters on Sept. 1. So what is it about? Well, after a military coup, members of The Royal Family of Inhumans fight to protect themselves.


Ghosted (Oct. 1 – FOX)

This comedy is about two guys (played by Craig Robinson and Adam Scott) who have to deal with paranormal problems when a government agency recruits them to investigate “unexplained” activity in Los Angeles.


The Gifted (Oct. 2 – FOX)

The world of the X-Men comes to TV in The Gifted, a series that follows a family forced to go on the run after they discover the children have mutant powers.


Future Man (Nov. 14 – Hulu)

Janitor by day, superhero by night. That’s the premise of Hulu’s new original series Future Man. The janitor in question, played by Josh Hutcherson, travels through time to save the human race from invaders.


Marvel’s Runaways (Nov. 21 – Hulu)

Runaways deals with six teens who discover that they each have unique abilities. In a twist, they also learn that they have a common enemy: their parents, who are part of an evil organization. The teen/superhero drama comes from Gossip Girl creators Josh Schwartz and Stephanie Savage.


The Punisher (TBA – Netflix)

After being featured in Marvel’s Daredevil, Frank Castle, aka The Punisher, (Jon Bernthal) gets his own series.

‘Dave Made A Maze’: A Review Of A Horror-Fantasy Almost Entirely Made Of Cardboard

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Due to unforeseen circumstances, reviews of the fantastic horror movies showcased at the Popcorn Frights Festival trickle out slowly. In some cases, we’re not allowed to discuss the film or even talk about having seen it, but I saw you, and you know who you are. Through that coherent opening lingual labyrinth, we reach Dave Made A Maze. The film is a horror/fantasy with a premise that seems downright silly when trying to explain it to other people. However, like any movie, the suspension of belief is all you need and in Dave Made A Maze, if you get lost with the titular character it’s a joy-filled film that’s downright amazing in its execution.

LONGLINE: A man who never finishes anything starts to build a cardboard maze in his living room. But when it becomes real, Dave has to complete his maze or die trying.

Viewers will argue whether or not Dave Made A Maze is a horror movie in the strictest sense of the term.

Dave (Nick Thune) is a 30-something suffering from wanderlust and an inability to see things through in life. Regardless of his shortcomings, Dave lands a gorgeous girlfriend, Annie (Meera Rohit Kumbhani) who comes home from a trip to find a maze in their living room. Missing from the living space, however, is Dave, who is trapped inside the maze because “It’s bigger on the inside.” Dave is lost inside, and Annie is now determined to help. Unfortunately, destroying the cardboard construct would kill Dave. So, Annie enlists the help of friends. Friend-by-friend, an impromptu party forms in the apartment before the decision to launch a rescue mission sends (nearly) everyone inside.

Dave Made A Maze begins with a confession by Dave from within the maze. We know nothing about the structure at all at this point, so we only learn that Dave is responsible for the death of people. And as the people head in, viewers are made to wonder which one of the oddball characters, including Adam Busch (Warren to Buffy fans).

It only takes a few seconds for each person to realize that the maze is magically bigger on the inside. The cardboard labyrinth deserves endless praise. The filmmakers took heaps and heaps of cardboard and created sets that bring to life the ever-present maze surrounding the story. In one sequence, the maze comes alive with a talking wall. In another moment, a character is trapped in a cardboard body and manipulated like a puppet.

Variety threw some shade on the film saying that it’s “never particularly funny or meaningful” which, if you want to be a cynical asshat then you’d be right.

Viewers will argue whether or not Dave Made A Maze is a horror movie in the strictest sense of the term. It’s not. It is a fantasy film with horror elements, particularly those that subvert the genre in some fun ways. For instance, origami birds coming to life and attacking Dave and Annie or beheadings that result in silly string blood.

No self-respecting maze would be complete without a minotaur. As Dave and his gang work their way around the labyrinth, a stomping beast, played by WWE wrestler John Hennigan, roams the passages. On top of Hennigan’s thick, muscular body is a full bull head, horns, snout, and all, made out of intricately detailed cardboard.

Variety threw some shade on the film saying that it’s “never particularly funny or meaningful” which, if you want to be a cynical asshat then you’d be right. However, Dave Made A Maze touches on a sense that every generation and perhaps everyone goes through which is the weight of feeling inadequate; like you haven’t done enough. Dave Made A Maze isn’t some deep dive into the underlying psychology of that feeling. But the film’s simple metaphors work. The humor isn’t piss-your-pants funny, but it wouldn’t make sense for it to be. It’s a fantasy, not The Hangover or Rick & Morty. The film comes to life with likable characters, supremely smart sets, and fun, creative sequences (including animation and puppetry).

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Bruce Cohen Talks Producing Rebel In The Rye Biopic, Cast And Release Date

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Bruce Cohen is on a roll this year.

Last spring, the Oscar-winning producer had the premiere of When We Rise on the ABC network.

Always looking forward, Cohen is preparing the release of his next film project, Rebel in the Rye.

The movie is a biopic of J.D. Salinger. The cast includes Nicholas Hoult as Salinger, Kevin Spacey, Zoey Deutch, and Victor Garber.

Cohen knew about The Catcher in the Rye, but he was not as familiar with Salinger. While doing research, Cohen would discover the man behind Holden Caulfield was quite a character in his own right.

Bruce Cohen

“I didn’t know a lot about J.D. Salinger,” he says. “So it’s been a great journey for me to learn about his incredible life and his contribution to American literature.”

Rebel in the Rye concerns the early years of Jerome David Salinger, his talent, military service and post-traumatic stress. As a college student, Jerry struggles with finding his literary voice, but he finds encouragement from mentor Whitt Burnett (Spacey).

Upon submitting his stories to magazines, Jerry begins developing as a prolific author. During WWII, he joins the military and sees action during D-Day. After returning home, he struggles with post-traumatic stress from his ordeal.

All of these factors culminate in Salinger writing The Catcher in the Rye, which makes him a celebrity. In later years, he gradually withdraws from public life and gives fewer interviews. He later moves to New Hampshire and becomes a recluse. The film, however, ends in the early 1960s with Salinger still typing away in his private bunker.

The film is slated for a fall release in September. “We premiered at Sundance,” Cohen says. “IFC has come on board to distribute the film, which we’re thrilled about.”

He gives special praise to first-time director Danny Strong and the cast. “I’m really proud of the film,” he says. “Kevin Spacey, Nicholas Hoult, Sarah Paulson, Victor Garber, Hope Davis and Zoey Deutch all give extraordinary performances, so it’s a great cast.”

So far, the film is gaining positive buzz. The Hollywood Reporter’s Scott Feinberg cites Hoult and Spacey’s performances as “great”, and he also praises Strong’s direction.

J.R. Kinnard shares a similar opinion “The scenes between the cocky young writer and the cynical Burnett are a delight,” he says. “What starts as a father-son dynamic quickly evolves into an abiding professional respect.” Kinnard singles out the Utah Beach war sequence as one of the film’s best scenes.

Rebel in the Rye is set for release in NY and LA on September 8, 2017, and a national rollout will follow.

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‘Doctor Who’ Rumor: The Doctor to Have a Feline Companion

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Recently, it was reported that TV personality Bradley Walsh is joining Jodie Whittaker’s Thirteenth Doctor as her new companion on the next season of Doctor Who. According to a rumor that’s quickly circling the web, Walsh might not be the only one the Doctor will have with her in the TARDIS come season 11.

There’s speculation that the Time Lady will have a pet cat with her on her upcoming adventures in time and space. It’s unknown if the feline would be a living, breathing one (perhaps with superior intellect), or like the iconic mechanical dog K-9.

New showrunner Chris Chibnall might try to recapture the kid-friendly appeal that some critics claim Doctor Who has lost in the recent, darker episodes with Peter Capaldi’s incarnation.

What do you think of this latest, feline casting rumor? Share in the comments!

 

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“Spider-Man: Homecoming” Gets Chinese Posters With PANDAS

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Marvel had a bumpy road towards a Spider-Man: Homecoming marketing campaign that actually worked. However, once they settled on the now familiar “lounging Peter” pose, the film’s posters started working much better. Homecoming finally makes its way to China this September, and Comicbook.com has the iPhone style poster campaign to go with the Chinese release.

Spider-Man: Homecoming on Tour

Chinese posters for Spider-Man:Homecoming certainly capture the teenage Peter in all his glory. From cuddling with pandas to slinging a web hammock across the Great Wall, the collection screams “high school”. The first in the series is even a selfie, complete with iPhone screen controls.

We do not recommend attempting to duplicate any of these poses. Not even the panda one, no matter how tempting it may be.

After a strong debut weekend for the second Spider-Man franchise reboot, the film continued doing well both domestically and internationally. Homecoming hits Chinese theatres next month, and is expected to continue its success before Peter semi-officially joins the team in Infinity War.

Based on Marvel’s Spider-Man, Homecoming was co-produced by Marvel and Sony studios. The film stars Tom Holland (Peter Parker), Zendaya (MJ) Michael Keaton (Vulture) and Jacob Batalon (Ned). Check out any (or all) of our staff reviews for Spider-Man: Homecoming at Monkeys Fighting Robots.

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Brock & Misty Are Returning To The ‘Pokemon’ Anime

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In a piece of news that will excite Pokemon fans like myself, Brock and Misty will be returning to the anime for two episodes.

The first episode will air on the 14 of September, with the second coming a week later on the 21. Apparently, Ash and Pikachu will be taking a trip back to Kanto and will be reuniting with pals from many years ago.

It’s been confirmed that Brock will be using a Mega Steelix and Misty will have a Mega Gyarados in her arsenal.

This story just makes me happy. I have such fond memories of watching the original Pokemon anime that included this dynamic trio, and prospect of them uniting again will surely encourage me to check out both episodes.

Are you looking forward to Ash meeting up with Brock and Misty again? Which of the three is your favorite character? Comment below, let us know.

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GWAR: Orgasmageddon #3 – Hail Oderus!

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After a quick recap page to catch readers up on GWAR’s time-travel antics, the third issue of Matt Miner and Matt Maguire’s mini-series continues fleshing out the band’s latest misadventure.

The second issue of GWAR: Orgasmageddon ended with the Scumdogs of the Universe (i.e. the core members of the band) locked in battle amid the sinking wreckage of the Titanic with a vagina-faced Lovecraftian squid monster fittingly dubbed “The Krakunt.” Our lords and masters’ latest trip into the past resulted in the aforementioned ship’s sinking as a result of a hole torn in its side by the dick-shaped spacecraft they hijacked from current arch-nemesis, Mr. Perfect.

A fair amount of carnage ensues, the beast is defeated, and GWAR finds themselves jumping back in time to 16th-Century Italy, where they cross paths with their bodyguard, The Sexecutioner. In that time period, Sexy is still waiting for the Scumdogs to be unthawed from their Antarctic slumber.

While this addition to the story is welcome enough, the real treat comes a few pages later when GWAR jumps to 1997 and crosses paths with their younger selves — including a still-living Oderus Urungus, whose dialogue is all pulled from tweets, interviews, and movies. As Miner stated regarding the decision, “I didn’t want to put words in the man’s mouth.”

The issue also once again features a handful of backup stories, including two more following the follies of GWAR’s slaves and one written and drawn by Sleazy P. Martini himself, Don Drakulich.

The art continues to serve up a nice throwback to the ’90s, and the story is bridging the gap from the band’s last album to the upcoming “The Blood of Gods” well with explanations built-in for Oderus’ in-canon death, changes to the characters’ appearances and more. If you like GWAR, this is still a must-buy. If not, did you really read this far?

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‘Game of Thrones’ Continues to Smash Ratings to Pieces

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At this point, it may be old news, but Game of Thrones is the biggest show on television. The finale, which aired on Sunday, only confirmed this.

The most recent episode, which was entitled “The Dragon and the Wolf”, was viewed an astonishing 16.5 million times, based only on those who tuned into HBO live while the episode was airing, and those who streamed it that night. Considering that every other episode this season, of which there were only six, logged an average of about 31 million viewers total, this number is likely to skyrocket once live views, time-shifted views, on-demand orders, and stream numbers are tallied. It cannot be understated that 16.5 million is quite the record breaking number; to put that into perspective, if you took the countries with the top ten lowest populations, including Liechtenstein, American Samoa, Monaco, and Palau, you would not have half the number of people who watched Game of Thrones.

Domestically alone, the finale was viewed about 12.10 million times, which is a significant increase from the previous episode, “Beyond the Wall”, which logged about 10.24 million views. That roughly calculates to a 13% increase. The fact that a show this far in its run is still shattering its own records is surely something the showrunners did not foresee when they began writing the show. (In fact, David Benioff and D.B. Weiss, the showrunners, have claimed that they didn’t expect to even make it to the Red Wedding, an event which surely helped the show rise to the level of prestige it now holds.)

At this point, Game of Thrones has surpassed The Sopranos as the most watched HBO series of all time, and it has usurped AMC’s The Walking Dead, which was at one time the unquestioned, and seemingly infallible, giant of television. It will be interesting to see how the final view tally shapes up after all has been accounted for, and whether or not the show continues to smash its own records when it returns in an estimated 18 months.

What do you think? Is Game of Thrones rightfully the most watched show on television, or is it over-hyped trash?

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