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DOCTOR WHO: Story 280 “Arachnids in the UK” – New Take on An Old Plot

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On Sunday, DOCTOR WHO viewers saw more evidence of the preoccupation this series’ creative team appears to have with classic DOCTOR WHO fare. “Arachnids in the UK” was, more or less, a take on 1973’s “The Green Death” story arc, featuring Jon Pertwee as the Third Doctor. Although the mutated animals were different this time — in “The Green Death” a toxic waste dump’s influence on the surrounding environment resulted in the appearance of gigantic maggots — the idea is basically the same. A company’s unsatisfactory environmental policies result in the rapid and extreme growth of the local creepy-crawlies.

DOCTOR WHO: “Arachnids in the UK” – Spiders v. Maggots

I’m not accusing the show’s writers and producers of being derivative. In a franchise that’s been around since the early ’60s, there’s bound to be some overlap. It’s important, though, to exhume an old idea only if there’s room for improvement. And, although “Arachnids in the UK” could be accused of being gimmicky, it did provide a contemporary and interesting stage for the environmental message and condemnation of corporate indifference that “The Green Death” featured back in the rebelliously groovy ’70s, baby! Yeah! Ahem…sorry.

DOCTOR WHO: “Arachnids in the UK” – Spiders v. Other Spiders

In addition to the similarities between “Arachnids in the UK” and “The Green Death,” this episode also bears similarities to 1974’s “Planet of the Spiders,” another Third Doctor classic that similarly features giant spiders.

Although both of the classic episodes I’ve mentioned used artistic and creative methods to represent their giant maggots and spiders, respectively, these two classics suffer from a lack of immediacy. The puppets back then just didn’t seem real, and, although CGI has a long way to go before it seems real, it can at least produce a reasonable facsimile of a monster chasing a victim. Mobile monsters are obviously an important element in a show where the main character tells people to run all the time.

DOCTOR WHO: “Arachnids in the UK” – “Grace, for you, the chase is over.”

“Arachnids in the UK” showed Graham grieving for his dead wife Grace, killed in “The Woman Who Fell to Earth.” But, rather than Graham’s grief being something that stops him from joining the crew of the TARDIS, along with Yaz and Ryan, he describes his grief as informing his decision. We all grieve differently, and I can’t think of a better way to do it than on an adventure through space and time.

DOCTOR WHO: “Arachnids in the UK” – Jacknald Trumpertson

In addition to giant spiders, this episode also featured manic billionaire investment tycoon turned 2020 US presidential candidate Jack Robertson, portrayed by none other than Mr. Big/Detective Logan himself, Chris Noth.

Noth’s character’s overall attitude was one of slimy indifference in this episode, but it was the trademark “You’re fired,” early on that solidified for me who Noth was really portraying by way of Jack Robertson. Donald Trump was even mentioned by name in the episode: Robertson hates Trump and wants him out of office.

This was the gimmick I referred to earlier. But, gimmicky though it might be to have a Trump proxy in an episode, that Robertson was a thoroughly unsympathetic character with all the wrong motivations allowed him to act as a kind of anti-Doctor.

DOCTOR WHO: “Arachnids in the UK” – “How many days of rain will we have now?”

Though Robertson wants to hunt each spider down and shoot it, the Doctor comes up with a more humane response. She herds the less giant spiders into a panic room, allowing the spiders to die naturally rather than being killed.

Still, she probably could’ve transported them to an uninhabited world or created a room for them in the TARDIS rather than euthanizing them. Ah well! There are plenty of giant spiders to go around.

Finally, the group confronts the mother spider. The Doctor determines that the spider’s immense size is making it difficult for the animal to breathe, but while the ragtag team is working out a solution to the problem, Jack Robertson walks in and shoots the mutant arachnid dead faster than you can say…well…“Jack Robertson.”

DOCTOR WHO: “Arachnids in the UK” – Team TARDIS

I’m glad to see that the Doctor has a solid team of companions now rather than just a trio of hangers-on. Ryan has yet to win me over, but I do like the other two. It’s always a treat to see how groups of companions form relationships and influence the plot.

DOCTOR WHO: “Arachnids in the UK” – Final Thoughts

Amazing famous guest actor aside, I thought “Arachnids in the UK” was a bit of a miss. Sure, the effects have improved since the days of “The Green Death,” but Jack Robertson was a weak proxy for President Trump. Noth did an admirable job with what he had — I especially liked his hand-washing. It’s just that Robertson was a bit thin as a character, but the character wasn’t quite thin enough to pass as a caricature either.

I like Jodie Whittaker as the 13th Doctor quite a bit. So far, though, her adventures have all stood on their own, not introducing characters or villains from previous iterations of the Doctor. I look forward to when series 11 gets to a point where the creative team stops being shy about going to the old character well.

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Review: VAULT OF SPIDERS #1 Offers Shorts from the Periphery of the Spider-Verse

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Vault of Spiders #1 is a series of vignettes tied loosely into the broader Spider-Geddon event. Herein, we find four very different Spideys each doing their part to make the multiverse a better place.

These spider-stories don’t yet seem to have any direct impact on the broader event so far.  It’s early, of course, and given that Spider-Geddon already involves plenty of timey-wimey stuff, we may yet see these figures find their way into the broader narrative. Even if not, they’re still some interesting takes on the standard web-slinging formula.

The Writing

Different authors take up writing duties for each of the four tales here. A brief prologue sees Karn scanning the different worlds in search of more spider-people to recruit, providing a framing device for the book.

Two stories in Vault of Spiders #1 borrow concepts inspired by the Ultimate Spider-Man animated series. First up is The Web-Slinger, a cartoonish spider-cowboy story about a Lone Ranger figure armed with web-blasting six shooters. The fourth tale, Savage Spider-Man, features a young Peter Parker raised by giant spiders in The Savage Land.

An original story, Spider-Byte, offers a world that seems based around a very early-90s impression of the future of the internet. People experience the world wide web (get it?) plugged-in to clunking VR headsets. We also meet a new spider-person, Margo, whom I’m hoping we’ll see later.

All three are engaging, though we don’t get to know our characters all that well. That said, I think the real standout story of Vault of Spiders #1 is Final Galaxy Battle! This one is based on the legendarily-weird, Super Sentai-styled Supaidāman live action series produced in Japan in the late-70s. The settings and dialogue mirror the original show’s off-the-wall vibe. Plus, any Spider-Man story involving the line: “Dictator! You were not democratically elected! You cannot extinguish the burning vigor of a man! I yearn for your destruction!” …is fine in my book.

The writing can feel a bit stilted through these four stories, and most of the plot points are completely absurd. However, that is a large part of the charm.

The Artwork

The visuals throughout Vault of Spiders #1 vary as much as the stories they illustrate. In The Web-Slinger, artist Javier Pulido and colorist Muntsa Vicente go for a very bright, cartoonish look with limited detailing. In contrast, artist Juan Gedeon goes for a more realistic, kinetic feel with Savage Spider-Man.

Spider-Byte is reminiscent of the look of Marvel’s Ultimate universe comics from the early-2000s, providing a nice throwback to match the story.

As with the writing, though, Final Galaxy Battle! stands out most among the tales. The artwork pays homage to classic mecha manga of the ‘80s, with stellar, stylized lettering work to match. It’s fun and flashy, and doesn’t take itself too seriously.

Final Thoughts

It’s unclear as of yet how much the characters introduced in Vault of Spiders #1 will play into the broader Spider-Geddon event. But even if they go unused in the narrative, it’s still a fun little batch of standalone stories. Nonessential, but I’d recommend it.

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TRAILER: SPIES IN DISGUISE Stars Will Smith And Tom Holland Saving The World

Spies in Disguise stars the voice of Will Smith as Lance Sterling, the world��s most awesome spy who has to team up with Walter, a gadget nerd voiced by Tom Holland to save the world. The animated Spies in Disguise comes to theaters in 2019.

 

About Spies in Disguise

Official Description: Lance and Walter. One is a super cool and charming spy, and the other invents the super cool gadgets Lance uses. When an event happens, they must learn to rely on each other like never before in order to save the world.

Spies in Disguise is loosely based on the animated short called Pigeon: Impossible which explains why Smith’s super-cool man-in-black hero turns into a bird halfway through the trailer. Debuting in the director’s chair are Nick Bruno & Troy Quane. Nick and Troy are no strangers to animation having worked on The Peanuts Movie, The Smurfs and much more. The trailer hits all the notes it’s supposed to, presenting an exciting, family-friendly adventure.

 

Spies in Disguise features a cast that includes …

Will Smith as Lance Sterling
Tom Holland as Walter Beckett
Rashida Jones as Marcy Kappel
Karen Gillan as Eyes
DJ Khaled as Ears
Ben Mendelsohn
Masi Oka

 

Slick animation, Will Smith, and Tom Holland; what’s not to like here? Will Smith is doing his best Will Smith impersonation and Tom Holland sounds wholly unrecognizable as Smith’s nerdy tech friend. It’ll no doubt be a fun little action ride. However, the film’s release schedule has shifted three times now and it’s unclear when that fun ride will start. The film was set to release in January, then pushed back to April, and then pushed back again to September. Will it stay there? April would be suicide for this film as it would be going up against Hellboy, Shazaam!, and Pet Sematary. September seems like a much better time of the year for this film.

 

Did this trailer get you excited for Spies in Disguise?
Leave your comments below!

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Advance Review – William Gibson’s ALIEN 3

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Dark Horse brings fans of the Alien franchise a unique experience. 20th Century Fox Uncovered presents the unproduced screenplay of Alien 3 in comic book form. William Gibson, Johnnie Christmas and Tamra Bonvillain bring us the Aliens sequel we deserved.

Alien 3 cvr

The Aliens 3 film that we got is a well documented mess, but we’re not here to dive into that again. With this series we get to take a look at what could have been with Gibson’s unused 1987 screenplay.

Our story picks up right from Aliens and does so without killing all of the surviving character besides Ripley. We go in a totally different direction, leaving heavily into the “Marxist space empire” politics that exist.

This first issue sets up our new cast and setting, just barely giving us any of Ripley, Hicks, Bishop, or Newt. Right away there’s a familiar tone and atmosphere from Aliens that we didn’t get in 1992’s Alien 3.

Johnnie Christmas and Tamra Bonvillain do a wonderful job thrusting readers into a familiar landscape. William Gibson’s different direction for the sequel mixed with pleasing and nostalgic visuals makes for a satisfying reader experience.

While there isn’t a lot of emotion or acting on display with these characters, one major success the art achieves is in it’s texture. There are so many different surfaces throughout that all come across so real you can easily imagine what they would feel like on your hand. Johnnie Christmas does a stupendous job connecting the reader to how this world feels and looks.

For a screenplay from 1987 being adapted by artists in 2018, this is no disjointed effort. This feels like a comic book adaptation of the Alien 3 movie we never got, which is exactly what readers will be coming here for. This is only the tip of the iceberg, the screenplay itself was always lauded as being action-packed, there’s much more in store for readers the deeper we get into this story.

Whether you’re a fan or not of the final Alien 3 released in 1992, this will be an interesting experience. It’s a unique opportunity for fans of the franchise regardless of how they feel about David Fincher’s directorial debut.

The first issue of Alien 3 is a quiet setup more than anything, but one that perfectly establishes the tone and atmosphere fans want from the follow-up to Aliens. This is a one-of-a-kind experience for anyone with a love for xenomorphs.

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Exclusive Preview: THE CURSE OF BRIMSTONE #8

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The Curse Of Brimstone #8 hits your local comic book store on November 7, but thanks to DC Comics, Monkeys Fighting Robots has an exclusive five-page preview for you.

The Curse Of Brimstone #8 is written by Justin Jordan, with art by Eduardo Pansica, Júlio Ferreira inked the book, with colors by Rain Beredo, and letters by Wes Abbott. Philip Tan worked on the cover with Beredo.

The art and panel design in these five-pages is off the charts! Jordan’s writing brings a sense of urgency, Pansica and Ferreira compound the emotion with the detail in the face of each character. When you break down the panels of the first five pages, the book becomes scary powerful.

About the issue:
Talk about a horror show—and the demonic lead character ain’t even the half of it! Siblings Joe and Annie find themselves in a town terrorized by the omnipotently evil Bel Dame, who uses an army of the maimed undead to do her bidding—such as torturing Joe (a.k.a. Brimstone). The Bel Dame decides to teach our fiery hero a lesson in sacrifice, and it’s one so horrifying, it may just rip the brother-sister duo apart for good.

Check out the preview:
Exclusive Preview: THE CURSE OF BRIMSTONE #8

Exclusive Preview: THE CURSE OF BRIMSTONE #8

Exclusive Preview: THE CURSE OF BRIMSTONE #8

Exclusive Preview: THE CURSE OF BRIMSTONE #8

Exclusive Preview: THE CURSE OF BRIMSTONE #8

Exclusive Preview: THE CURSE OF BRIMSTONE #8

Exclusive Preview: THE CURSE OF BRIMSTONE #8


Do you have The Curse Of Brimstone on your pull list? Comment below with your thoughts.

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TRAILER #3: IRON SKY Sequel Brings Us More Nazis From The Moon

Iron Sky The Coming Race is the sequel to the cult action-comedy film from 2012 that featured Nazi from the moon, and things here look delightfully crazier than ever. Iron Sky The Coming Race is set for release January 16, 2019.

 

About Iron Sky The Coming Race

Official Description: A follow-up to the film Iron Sky (2012) in which Nazis plan to take over the world after lying dormant in a secret military base on the moon.

A sequel Iron Sky was promised soon after the original film hit cult hit status but, as you can see, it took a while to get it done. The movie was largely crowdfunded through Indiegogo and required additional funding to finish effects shots, delaying its release. However, Wolfgang is back, and with him come dinosaurs, wild sci-fi action, the introduction of the Hollow Earth, and aliens. It’s a cornucopia of crazy here. Director and producer Timo Vuorensola returns along with actor Udo Kier. In for the fun is also Tom Green who apparently plays the leader of the “Jobsists” a religion centered around Steve Jobs. Gotta love it!

 

Iron Sky The Coming Race features a cast that includes …

Julia Dietze as Renate Richter
Udo Kier as Wolfgang Kortzfleisch
Lara Rossi as Obi Washington
Tom Green as Donald
Stephanie Paul as the President of the United States
Jukka Hilden as Vril Jesus Christ
Kari Ketonen as Vril Vladimir Putin
Kit Dale as Malcolm
John Flanders as Gary
Ricky Watson as Steve Petersen

 

What is there to say? If you loved the original Iron Sky, then you’re going to want to see where they go with the next one. Watching a Nazi riding a dinosaur brings me great joy as a big fan of absurdist storytelling. Iron Sky The Coming Race looks like it’s going to do what it’s supposed to do and just take the crazy of the first movie to new heights.

 

Did this trailer get you excited for Iron Sky The Coming Race?
Leave your comments below!

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Kimmel to Appear in WEST COAST AVENGERS #4, Joining Letterman as Official Marvel Canon

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Not since David Letterman has a late-night talk show host been on the cover of a Marvel comic book, but later in November, another talk show personality will be joining the ranks.

That’s right, the publisher has confirmed that Jimmy Kimmel will make an appearance in the fourth issue of West Coast Avengers, the awesome ongoing series by creators Kelly Thompson and Stefano Caselli, of which you absolutely should be reading.

The series assembles the avengers … on the West Coast! The squad includes both Hawkeye characters, Clint Barton and Kate Bishop, along with a guy named, Fuse, but also Miss America, aka America Chavez, Gwenpool and Kid Omega. The team has to figure out how to save the world because BIG things are heading out West, specifically, a huge giant version of Tigra (and a few of her supersized friends as well).

In West Coast Avengers #4, the ‘Superheroes of the West’ will have a sit with Kimmel on his show, Jimmy Kimmel Live!, and, judging by the exclusive preview below, it doesn’t look like the visit will go very well for Kate Bishop.

Letterman made his appearance in Avengers #239 back in 1984 when he invited the then-assembled team of Hawkeye, Black Panther, Wonder Man, Vision, Black Widow and Beast, to Late Night with David Letterman. In a weird twist of events, the now-former talk show host saved the day, instead of any of the superheroes on stage or in attendance.

Look for West Coast Avengers #4 to land on shelves on November 21.

What do you think, is this the first of many appearances for the late-night talk show personality? What should his superhero costume look like? What other hosts would you like to see in the pages of Marvel Comics? Let us know in the comments section below.

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Ewan McGregor Joins Cast Of BIRDS OF PREY As Black Mask

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A Star Wars alum is making his way into the DCEU. According to Umberto Gonzalez at The Wrap, Ewan McGregor is joining the cast of Birds of Prey as the villain, Black Mask.

McGregor will join the cast which already includes Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, and Rosie Perez. His filmography includes Star Wars, Trainspotting, and a stint on the Fargo TV series, where he met his girlfriend and co-star, Mary Elizabeth Winstead.

Black Mask made his first comic appearance in 1985 as a minor mob boss. The character rose to prominence following his role in the Batman: Arkham video games.

Birds of Prey will see Harley Quinn (Robbie) team up with Black Canary (Smollett-Bell), Huntress (Winstead), and Renne Montoya (Perez). The plot will center around the group attempting to rescue Cassandra Cain from the main antagonist of the film, Black Mask (McGregor).

Cathy Yan, best known for her film Dead Pigs, is set to direct the female-centric film. Robbie is also attached as a producer and has been heavily involved in the development of the film.

Robbie had this to say about the project:

“Actually, the ones that excite me most don’t have superpowers at all but they have, you know, pretty great backstories and all could kind of live in the world with Harley and create this cool dynamic. Because I don’t think girl groups… I mean all my girlfriends, we’re a huge girl gang and we’re not all the same person, everyone’s very different. I guess I was really trying to put that on screen — the way we exist in everyday life as a big girl gang. Why can’t we watch that in films more?”

Are you excited for McGregor to take on the role of Black Mask? Let us know in the comments below!

Birds of Prey hits theaters February 7, 2020

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Review: Smackdown Live is the Land of Opportunity for Owens & Zayn in WWE #20

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After a heated feud with the McMahon family, Daniel Bryan saves Kevin Owens and Sami Zayn from being sent to the unemployment line in BOOM! Studios’ WWE #20.

WWE_020_A_Main
BOOM! Studios – WWE #20

STORY

Owens and Zayn have done everything to push Smackdown Live Commissioner Shane McMahon’s buttons, and perhaps it’s finally gone too far. General Manager Daniel Bryan is a voice of reason to McMahon and convinces him to let the pair fight to keep their jobs.

WWE_020_PRESS_3-DB Voice of Reason
BOOM! Studios – WWE #20

Through Dennis Hopeless’s intense storytelling, Owens and Zayn have done just that. They’ve worked their way through the WWE roster, winning along the way, and solidifying their employment status on Smackdown Live. But, there’s a bigger plan in the works: a six-pack challenge for the WWE Heavyweight Championship at the Fastlane pay per view. Six men enter, but only one can be victorious. With Owens and Zayn as two of the entrants, only one can win. If it comes down to it, will one lay down for the other to capitalize on the opportunity?

ART

As always, Serg Acuna’s artwork is second to none. He understands the facial expressions of a frustrated Daniel Bryan, an angry Sami Zayn, and an overconfident Kevin Owens. But, there’s one face we see hardly any of, and that’s Shane McMahon. The panels position McMahon’s back to the audience, or the panel keeps McMahon’s head out of the layout.

WWE_020_PRESS_5-Headless Shane
BOOM! Studios – WWE #20

I also love the inclusion of the Lumberjack match in this issue; it’s a great way to include WWE talent who haven’t had a storyline featured yet, but they still hold a place in the overall storyline that is Smackdown Live.

Doug Garbark’s color choices are always on point. The arena panels almost seem to glow, and the backstage scenes have more muted tones. Jim Campbell’s lettering weaves in-ring conversation and commentary well, giving us story and background at the same time.

SIDE STORY

The choral voices of the vocalists singing the gloriousness of Bobby Roode are angelic, and writer Julian May & artist Rodrigo Lorenzo have the superstar dancing among the clouds. He defends and won’t give in against an unknown opponent, and he will remain glorious until the end.

CONCLUSION

This was a great wrap-up to the Kevin and Sami Show. Owens has been pushing Zayn this whole time, and now it seems that Zayn is finally taking the advice, standing on top… alone.

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Review: MONSTER PARTY Is A Killer Good Time

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Monster Party is a new horror film from writer-director Chris von Hoffman. And no, this is not a movie about Dracula, the Wolfman, and Frankenstein’s monster getting together to have fun. Instead, this is about three teenagers who infiltrate a dinner party secretly held by a serial killer cult for the social elite.

Ultimately, this film needs to be praised for its ambition above all else. It has some very lofty goals, and while it doesn’t accomplish them all as thoroughly as it would like, it is much more successful than a majority of the B-horror movies that come out today.

The best part about this film is that it never takes itself too seriously. It is self-aware enough to realize that it isn’t ever going to be great, so it embraces the schlockiness of the genre and becomes a truly fun midnight movie. There are quite a few ironic moments that stand out, in which the extremely violent imagery is juxtaposed with the elegant and uplifting score.

monster party killers
(L-R) Julian McMahon as Patrick, Lance Reddick as Milo, and Robin Tunney as Roxanne in the horror/thriller film “MONSTER PARTY,” a RLJE Films release. Photo courtesy of RLJE Films.

The film also introduces some very interesting ideas. The thought of a serial killer cult for the wealthy is quite fascinating, and the fact that they are treating the dinner like an AA meeting is even more intriguing. This gives the movie a lot of room to include socioeconomic commentary on the privilege of the upper class.

Additionally, there are some really solid kills. The climax of the film is particularly crazy, as the blood begins to pour and the plot begins to make unexpected twists and turns. It is easy to turn a blind eye to some of the inconsistencies because it is so high-speed and fun to watch.

That being said, there are some elements that were rather lackluster. The character of Mickey is thoroughly confusing. It just seemed like a bad decision to include that scene. Specifics won’t be discussed as to avoid spoilers, but that scene felt largely unexplained, tonally different, and like a mistake in terms of characterization.

Sam Strike as Casper in the horror/thriller film “MONSTER PARTY,” an RLJE Films release. Photo courtesy of RLJE Films.

There is also a subplot about the protagonist’s father that is unnecessary. Yes, it gives him motivation, but there are other ways in which this could have been done. In fact, the movie has another one written in that it just didn’t use. This also contributes to the ending being mostly unsatisfying.

Furthermore, the execution of the film has some weak spots, but that can be expected of a lower-budget horror movie. At least it embraces this. Some of the gorier kills aren’t particularly impressive, as the practical effects aren’t of the highest quality. There is a scene involving a severed hand that is almost laughable.

Overall, Monster Party was a surprisingly enjoyable film. It isn’t the most well-made, but it is quite a bit of fun and offers some interesting ideas.

Monster Party is in theaters and on VOD beginning November 2.

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