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Requiem for a Robin

batman-inc-8DC Comics hasn’t been very discreet when it comes to the dire nature of Batman Incorporated #8, urging retailers to order additional copies, implying something big was going to happen. Then of course there was the recent media blitz where DC basically spoiled the fact that Robin AKA Batman’s son Damian would be killed. While the character has only been around for six years, he went through immense changes over several comic book series that caused him to grow as a more complete and heroic character.

The concept of Batman fathering a child with Talia al Ghul (daughter of enemy Ra’s al Ghul) was originally explored in Mike Barr’s popular 1987 one-shot “Batman: Son of the Demon.” It wasn’t until 2006 when Grant Morrison re-introduced the idea in Batman #655, which kicked off the arc “Batman and Son” as well as Morrison’s book-spanning run on the Dark Knight. It’s no secret that I am a huge Grant Morrison fan, especially of the things he has done with Batman in the past six years. And while I plan to take a greater look at that years-long story when it reaches its conclusion, right now I want to take a retrospective look at the character of Damian.

In “Batman and Son,” Damian was introduced as a nightmare version of Robin, a petulant brat with a taste for blood. Annoyances aside, he was merely a pawn in Talia’s war with Batman. Fans (including me) absolutely hated the character, which was Morrison’s intention. He originally had planned for Damian to die early on in his Batman run, in a drastic situation that demanded a heroic sacrifice, therefore redeeming the little snot. Things did not pan out this way, of course. Damian would make a few cameos here and there in Batman’s nightmares along with scenes where he was faithfully at his mother’s side. In the appropriately named Batman #666 Morrison took readers to a hellish future of Gotham where Damian had inherited the mantle of Batman, still seeking approval from his long-dead father. After the apparent death of Bruce Wayne/Batman in Batman R.I.P. and Final Crisis, a new Batman and Robin team stepped up: former Robin turned Nightwing Dick Grayson as Batman and the arrogant Damian as Robin. It was during the new Batman & Robin series that the character really started to grow, and readers actually began to like him. Damian was allowed to thrive in his role as Robin, under the guidance of the more lenient and understanding Dick Grayson Batman. Damian became a true hero in the 16 issues that Morrison wrote, facing struggles of humility, independence and in one case, physical disability. Once Bruce Wayne “returned from the dead” Morrison seemingly shelved Damian for the most part. It wasn’t until the first volume finale of Batman Incorporated that Damian came back into the fold, breaking his no-killing rule and realizing that Talia was the master villain that our heroes were up against. But despite growing into a hero alongside Dick Grayson, Damian had to prove himself once again to his father; both as Robin and as a son.

Damian Wayne was fearless and headstrong from the get-go. His violent nature and overconfidence made him the perfect pint-sized Batman, undoubtedly the son of Bruce Wayne. The humorous dichotomy of a dark vengeance seeker of justice in the form of a little boy is one of the reasons he was so well received as Robin. In the real world, the concept of Robin is obviously ridiculous. But Damian was truly a product of the comic book world: a 10-year-old boy trained by assassins, with the know-how to operate high-tech motorcycles and Batmobiles and stare the Joker in the face without even flinching. It is fitting that Grant Morrison, the man created Damian, would be the one to kill him; “The Lord gives and The Lord takes away.” Morrison, along with current Batman & Robin scribe Pete Tomasi really shaped one of the most compelling and interesting Batman characters in a long time. Morrison’s tale has obviously been about Batman, but after today it feels like it has simultaneously been Damian’s. He went out heroically, with “The Boy Wonder” fighting his evil clone no less. Comic book deaths can fall victim to being played for cheap shocks, but the death of Damian Wayne felt more deserving. Damian’s “Hero’s Journey” is over; a fitting end for a hero redeemed.

Robin R.I.P.

Source: Michael DeLaney, Comic Books: Requiem for a Robin

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Tales From the Water Cooler #103

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Welcome to Tales From the Water Cooler!

Join Infinite Speech, Decapitated Dan, and the Canadian Webslinger each week as they gather around the water cooler of stories to talk about comics.

Listen in this week as Decapitated Dan and Infinite Speech play some Black History Month Jeopardy and go over this weeks books, Powers: Bureau #1, Batman #17, Todd the Ugliest Kid on Earth #2 and Uncanny X-Men #1.

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Tales from the Water Cooler: Episode #103

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Tales From the Water Cooler #102

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Welcome to Tales From the Water Cooler!

Listen in this week as the guys are joined by the Comic Book Clergyman to play some Valentines Day Jeopardy and go over this weeks books, I Love Trouble #3, Think Tank #5, All New X-men #7, Dia De Los Muertos #1 and Ultimate Comics Spider-Man #20.

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Tales from the Water Cooler: Episode #102

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Tales From the Water Cooler #101

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Welcome to Tales From the Water Cooler!

Listen in this week as the guys are welcome the Canadian Webslinger to the team, play some Superhero Jeopardy and go over this weeks Futurama #65, Teen Titans #16 and Superior Spider-Man #2.

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Tales from the Water Cooler: Episode #101

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Tales From the Water Cooler #100

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Welcome to Tales From the Water Cooler!

It’s time to celebrate this week as the Water Cooler reaches Episode #100, and one Cooler member will not make it to #101! Listen in as the guys are joined by the Comic Book Clergeyman to do some Superhero Jeopardy and go over this weeks picks X-O Manowar #9, Bedlam #3, Hellblazer #299 and TMNT: The Secret History of the Foot Clan #2.

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Tales from the Water Cooler: Episode #100

 

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Tales From the Water Cooler #99

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Welcome to Tales From the Water Cooler!

Listen in this week as the guys play another round of Super Hero Jeopardy and then go over this weeks picks Saga #9, Todd the Ugliest Kid on Earth #1 and Batman #16.

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Tales from the Water Cooler: Episode #99

 

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Tales From the Water Cooler #97

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Welcome to Tales From the Water Cooler!

The guys are back from vacation and are ready to rock and roll with some Super Hero Jeopardy! Listen in as they go over this weeks picks Vampirella Strikes #1,Ultimate Comics Spider-Man #19 and Colder #3.

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Tales from the Water Cooler: Episode #97

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Thor God of Thunder #4 A Thunder God Wishes for Death

thorgodofthunder4coverThor God Of Thunder #4

Story By: Jason Aaron

Art By; Esad Ribic

Jason Aarons work on Thor thus far has been great. Focusing on Thor in three different points in his life has provided a very unique and fresh take on the character. The God Butcher arc this far has been pretty bleak for The God of Thunder. This new villain is creepy and down right cruel towards the gods. Treating them as mere sport for him to slaughter. Thor has made it his responsibility to stop The God Butcher from killing any other gods and that seems to be the basic premise thus far.

As I said earlier whats nice about this story is seeing young Thor and Old Thor also dealing with the God Butcher. It gives this story an epic scope that fits nicely into Marvel Now’s relaunch strategy. I especially like seeing an Old Thor as King of Asgard. He’s not the confident and defiant  god were familiar with. Instead he is actively hoping to seek a Vikings death and welcomes the God Butcher and his shadow pets to take his life. I appreciate the lengths at which Jason Aaron has went to make Thor his own without losing all the myth of the character.

Just as important is the art of Esad Ribic. Ive been a fan of his work ever since I saw him on art duties for Silver Surfer Requiem . His work here again reminds me that he is one of the most talented artists working in the industry. Each page is constructed beautifully behind whatever backdrop suits the action. He invokes feelings of Frank Frazzetta’s art but still stays true to his style. Every facial expression reads perfectly and the action never feels stale. Each version of Thor reads and feels different and this is as much a testament to Ribic’s rendering of the character as it is Aaron’s writing.  This is a very pretty book. Also wanted to give a special mention to I’ve Svorcina the colorists. He juggles a lot this issue introducing us to three different worlds making sure each one has its own unique color palette.

At the end of this issue it seems that the three separate stories being told are staring to come together. It will be interesting to see what Thor thinks of his older self and what he’s become next issue. I’m thoroughly enjoying this book and appreciate what Jason Aaron and Esad Ribic are trying to with each issue. If you haven’t yet check out this series it does a great job of capturing all the elements that make Thor such a great character while injecting some new life into Asgard as well.

Review Score: 8/10

Mike DeVivo

Follow me on Twitter @pandasandrobots

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Review: Amazing Spider-Man #700 – “Final” Issue!

Amazing Spider-Man #700
Writer: Dan Slott [Back-up stories by J.M. DeMatteis and Jen Van Meter]
Art: Humberto Ramos [Pencils], Victor Olazaba [Inks] and Edgar Delgado [Colors] [Art on back-ups by Giuseppe Camuncoli, Sal Buscema, Antonio Fabela and Stephanie Buscema]

[SPOILER ALERT:  THIS REVIEW IS FULL OF SPOILERS THAT YOU PROBABLY ALREADY SAW ON THE INTERNET A FEW WEEKS AGO]

Amazing Spider-Man #700Given the way spoilers for this issue leaked a few weeks ago, it’s likely that you might already have your mind made up about it. As the “final” issue of Amazing Spider-Man, #700 is also the highest number any Marvel comic has ever reached, and it just happened to coincide with the 50th anniversary of the series’ first issue. (Now it kind of makes sense why they did the thrice-monthly and bi-monthly schedules the last few years, huh?  Solid planning.)

Anyways, the book’s final storyline has seen Dr. Octopus swap his consciousness from his dying body into the body of Spider-Man and vice-versa.  Peter Parker, now in Doc Ock’s body, is using that body’s final hours to try to swap the consciousnesses back into the right bodies.

I think we’ve covered before that mind-swap stories are one of two types of stories I hate because I can’t suspend disbelief for them.  (The other type is time travel, because the minute you go to another time period and do anything, you risk creating a time paradox that screws up everything that happens from then on.)

Spoiler alert: Peter Parker fails to swap minds back into the right body and dies in Doc Ock’s body, while Ock will be Spider-Man from now on in Peter Parker’s body. The catch is that, since Ock has all of Peter’s memories, Peter pulled a fast one on him at the end of #700 and made him remember everything that ever happened to him, thus somehow turning him “good.” This is the set-up fornext month’s new series, Superior Spider-Man. I think I’ve reached my jumping-off point.

The one thing that’s been pushed on Spidey fans lately is that Doc Ock is somehow Spider-Man’s greatest enemy of all time. As someone who has read Spider-Man comics for nearly 20 years (I’m including the period of time where Ben Reilly took over as Spider-Man in the mid-90s even though I hated that idea, quit reading new issues for several years at that time and only bought back issues), I’ve never cared much for Ock. Spider-Man consistently beat him so decisively time and again so much that he had to get a bunch of other villains together as the Sinister Six to help him out. And even then, he still couldn’t hurt Spider-Man on the same level as the Green Goblin.  In my book, Norman Osborn will always be the arch-enemy because he killed Gwen Stacy. What did Ock do besides sleeping with Aunt May and being an occasional annoyance? He should’ve stayed dead after Kaine killed him during the Clone Saga.

Which brings up another issue: Does anyone really believe that Peter Parker is going to stay “dead” and that Doc Ock won’t eventually end up in his own body? If Peter isn’t back from the dead, in his own body, bythe time the sequel to Amazing Spider-Man hits theaters, then he will be by the time they make another movie with Dr. Octopus as the villain. Only the “Forever Dead Four” (Uncle Ben, Gwen Stacy, and Bruce Wayne’s parents) stay dead in comics, especially now that the big companies want to make things as accessible as possible to the casual readers they hope will buy these books after seeing the movies.  They need an easy in, and how do you explain to someone who’s never picked up an issue that Doc Ock is now Spider-Man, but in Peter Parker’s body, without opening the floodgates of confusion. Peter Parker and Doc Ock both will be back sooner or later, just like Captain America, Professor X (multiple times), Jean Grey (again, multiple times), Batman, Superman, and many others before them.

That said, this issue is very well written and I did enjoy reading it. Humberto Ramos turns in the best art of his career here, as well. Hell, it’s even the best art on the book this entire year (no offense to anyone else who worked on the book this year), and that’s coming from a guy who used to be on the fence about the guy’s art.

Look, I’ve loved Slott’s entire run on the book, but I’m just not feeling the new direction. I’ve got nothing against the guy.  At least, unlike some people you may have heard about through various media sources, I have enough class to not threaten the guy’s life over a comic book story. If you feel like me and see this as a good jumping off point, I recommend Batman and Batman & Robin, which arguably the two best superhero books out right now.

As for the issue’s two back-up stories, they’re both short, fun stories that exist, as far as I know, outside of continuity. Are they filler? I don’t know, but I really liked the one by DeMatteis.  I do wish this issue had some more of the gag pages like #600, but I guess there was plenty here to justify the $7.99 price tag. (Be still, my throbbing wallet.)

STORY: 9/10 (It was well-done.  I just don’t care for the direction.)
ART: 10/10

 

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Discussions with Decapitated Dan #123: Douglas Paszkiewicz

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Horror comics have scared readers for years. Is there anyone brave enough to sit down with their creators? This is Discussions with Decapitated Dan.

With only 3 episodes of Discussions left, Dan is joined by creator Douglas Paszkiewicz to talk about Arsenic Lullaby and so much more.

You can find out more about Doug at http://www.arseniclullabies.com

You can find out more about musical guest Heaven Shall Burn at http://www.heavenshallburn.com/

The show is sponsored by CuriousGoodsandComics.com

Deep Discussions #123

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