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John Oliver Explains The American Bail System

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Last Week Tonight with John Oliver explains why America’s bail system is better for the reality tv industry than it is for the justice system.

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‘Star Wars: The Force Awakens’ C-3PO Has A Red Arm

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Jedi News has some screen shots of potential Star Wars: The Force Awakens merchandise and in one of the photos it shows C-3PO with a red left arm.

This is just the beginning of merchandising leaks, cover your eyes.

From Disney Studios Media:
Lucasfilm and visionary director J.J. Abrams join forces to take you back again to a galaxy far, far away as “Star Wars” returns to the big screen with Star Wars: The Force Awakens.

Episode VII in the Star Wars Saga, Star Wars: The Force Awakens, opens in theaters December 18, 2015.

Star Wars: The Force Awakens, directed by J.J. Abrams from a screenplay by Lawrence Kasdan & Abrams, features a cast including actors John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Academy Award winner Lupita Nyong’o, Gwendoline Christie, Crystal Clarke, Pip Andersen, Domhnall Gleeson, and Max von Sydow. They will join the original stars of the saga, Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels, Peter Mayhew, and Kenny Baker.

The film is being produced by Kathleen Kennedy, J.J. Abrams, and Bryan Burk, and John Williams returns as the composer.

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Intense Trailer For Owen Wilson’s “No Escape”

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Jack (Owen Wilson) is a man desperate to protect his family in this intense, fast-paced action thriller that will leave you breathless.

As he relocates his family to Asia, with wife Annie (Lake Bell) and their two young girls, Jack has no idea of the terror that lies in store. Within days of their arrival, a violent political uprising has swept through the city and the family are on the run frantically searching for safety as rebels mercilessly attack, executing all foreigners.

With seasoned expat Hammond (Pierce Brosnan) as their only ally, time is against Jack and his family as they are viciously hunted down. Desperately attempting to survive in a country under siege, their courage is put to the ultimate test.

No Escape will be in theaters on September 2.

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“The Martian” Trailer Has Arrived

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THE MARTIAN | Official Trailer: During a manned mission to Mars, Astronaut Mark Watney (Matt Damon) is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney’s safe return. Based on a best-selling novel, and helmed by master director Ridley Scott, THE MARTIAN features a star studded cast that includes Jessica Chastain, Kristen Wiig, Kate Mara, Michael Peña, Jeff Daniels, Chiwetel Ejiofor, and Donald Glover.

The Martian arrives in theaters on November 25.

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Meet Mark Watney, Ares Crew In New Promo Video For ‘The Martian’

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A new promo video for The Martian has been released introducing us to Matt Damon’s character, Mark Watney, as well as the rest of the Ares crew member. Watney is the botanist of the crew who, after a storm leaves him stranded and presumed dead, is marooned on the Red Planet with limited resources to try and survive.

Here is the promo video from the new YouTube channel tying in with The Martian:

The humor in this promo video is very promising for those who read Andy Weir’s 2012 novel and know that Mark Watney, aside from being absolutely brilliant, is a wonderfully funny character. The humor of Watney is the perfect balance to the hard science in play.

Aside from starring the crew members Michael Pena, Jessica Chastain, Sebastian Stan, Kate Mara, and Aksel Hennie, The Martian also stars Kristen Wiig, Jeff Daniels, Chiwetel Ejiofor and Donald Glover as team members back on earth working to save Watney.

The Martian, directed by Ridley Scott hits theaters November 25.

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UPDATE: Is The Jason Statham ‘Daredevil’ Deal Dead?

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Thursday, rumors began swirling that Jason Statham was in talks with Marvel to join Daredevil season 2 on Netflix as the villain, Bullseye. The initial news stirred up a firestorm of positive buzz and excited the Daredevil fans. But is the deal dead because of the leaked information?

The original news was leaked via The Latino Review, but the fact that the meeting between Statham and Marvel execs was let out could have unraveled the negotiation process, perhaps skewing the contract numbers too high in the wake of the overwhelming excitement.

The rumor mill has gone from the news that Statham is Bullseye to the speculation as to whether to not he exited talks. Bloody Disgusting claims the talks ended after the leaked information, and during press tours for his new comedy Spy, Statham had some unflattering comments about Marvel that may have signaled his disinterest in the project altogether:

It’s too bad that Jason Statham may have left Daredevil, because the thought of him as Bullseye, squaring off against Charlie Cox’s Matt Murdock was enough to make fans of the series salivate. Alas, it looks as if the two have parted ways, but there is always hope.

PHOTO CREDIT: [Heroic Universe]

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“Little Witch Academia 2” to premiere at Anime Expo

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Anime Expo has announced that they will host both Hiroyuki Imaishi and Yoh Yoshinari as convention guests. Together they will present the premiere of Little Witch Academia: The Enchanted Parade, the Kickstarter funded sequel to the popular Anime Mirai short. It will premiere on July 3rd at 5:45pm and run till 7:15. Following the premiere will be a Q&A by Imaishi and Yoshinari. Following this convention exclusive showing the short will premiere in Japanese theaters October 2015

AX introduces the guests:

Graduating from Tokyo Design Academy, Yoh Yoshinari entered GAINAX as an animator and illustrator. Aside from his breathtaking illustrations, Yoshinari’s animation work is explosive while exhibiting an eccentric fluidity. As a respected figure in the Japanese animation industry and with fans all over the world, Yoshinari has taken part in many popular titles such as Neon Genesis Evangelion (1995), Valkyrie Profile (1999), FLCL (2000), Gurren Lagann (2007), Panty & Stocking with Garterbelt (2010), Kill La Kill (2013). Currently, he works as the lead animator at Studio TRIGGER.

Hiroyuki Imaishi is an acclaimed animation director/animator of Studio TRIGGER. Previously staffed at Studio GAINAX, Imaishi began as in-betweener for Neon Genesis Evangelion. After his directorial debut with DEAD LEAVES in 2004, Imaishi went on to direct the hit series Gurren Lagann;which won him an award during the 12th Animation Kobe ceremony. Founding Studio TRIGGER in 2011, Imaishi directed the studio’s first series KILL la KILL in 2013. Currently, he is a character designer on TRIGGER’s latest animation series NINJA SLAYER from Animation.

Studio Trigger the animation studio responsible for Little Witch Academia 2 and its predecessor have posted a short trailer on YouTube previewing the crowd funded short.

Nerdy facts about Little Witch Academia:

Little Witch Academia was produced by Trigger as part of the Anime Mirai 2013 project, which funds young and upcoming animators alongside other animation houses. After the wide success of Little Witch Academia, Trigger announced a sequel to the widely popular short at Anime Expo 2013. While originally suppose to be a twenty minute episode sillier in length to the first installment, Trigger went to Kickstarter asking for $150,000 to extend the runtime to 40 minutes. They met their goal within five hours. And once it completed its time promotion they had made $625,518. Masahiko Otsuka the writer of both shorts said that if the sequel performs well, they may consider making a television series or a full-length movie.

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Secret Wars #3 – In Doom We Trust

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After a bumpy first issue, Secret Wars #2 managed the re-deem itself with an intriguing premise and strong characterisation as the aftermath of the incursion began to reveal itself. The revelations continue in Secret Wars #3.

Doom

For those of you out of the loop, here is a quick recap. Everything died. The old multiverse; everything that ever was and ever would be died as the heroes of two worlds fought for survival. Doctor Doom, through a power play with the Beyonders, gained Godly powered and created a new Battleworld; a composite planet created from what remained of the dead universes. Doctor Strange acts as his right-hand; the Sheriff of Agamotto and through the Thor Corps, Doom’s will is enforced. There had been some level of confusion as to whether characters remember their past lives and whether the versions we saw were wholly new characters or stragglers from older universes. Thankfully this issue has done much to resolve that problem, making it clear that besides God Emperor Doom (it still sounds silly), and a select few confidants, this is all anyone present on Battleworld has ever known.

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Issue 3 acts very much as a character study of our two good doctors. Strange has engaged in a unlikely alliance with Doom and it is clear that the two men have grown to respect each other over the course of their collaboration. As the universe collapsed around them at the end of Secret Wars #1, the two men came to an understanding. A final gambit to save the universe, one that came with a cost and one that forced them to play unlikely roles in a drama of their creation. Structurally, the book gives us a number of chapters which each focus on a different aspect of the lives of Doom and Strange.

doom and susan

It is apparent that Godhood has changed Doom. The man who was once a megalomaniac with delusions of grandeur has become a loving deity. Doom truly cares about those under his charge and does what he feels is necessary in order to maintain the delicate peace he has created. He sometimes questions whether he should have excluded himself from the new universe and operated in the background. Doom often wonders if he is the only flawed thing left in “perfect” world he has created. The readers are left with a fascinating insight into the man behind the iron mask. Its also worth noting that we get a literal look behind the mask, in what to my knowledge is the first time that Doom’s face has been revealed to the reader. The issue takes Doom to a very interesting place which is compounded by the fact that though Doom has arguably achieved Godhood before, this is the first time he used it for something positive; creation. In a sense, he is the hero of the piece as he did what two universes worth of heroes could not: save the world.  His conversation with Susan Storm is perhaps the highlight of the series thus far, demonstrating that fragility of a human who is given the burden of Godhood. This is a Doom, we haven’t seen before and needless to say, I like where Hickman is taking him.

(On a side-note, it is rather bizarre that Marvel have made Doom the central character of the series given their recent hostility towards the Fantastic Four franchise. Maybe Secret Wars represents a detenté of sorts for Marvel’s prodigal son.)

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In a similar vein, Strange, in collaborating with Doom, has taken an interesting turn. He comes off as a weary soul who will do anything to maintain the peace that came at such high a cost. The issue portrays Strange as quite the Machiavellian. His relationship with Doom is fascinating, revealing what appears to be true fealty as opposed to the forced subservience the reader may have assumed to be the case. Strange believes that supporting Doom was the best course of action and though he keeps certain things from his master, that belief has not faltered. When surviving heroes from the old universe confront him about his alliance with the former-dictator, Strange remains largely un-phased noting “[Doom] is very good at playing God”. This is all sure to have a long-lasting impact on his relationship with the other heroes post- Secret Wars.

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Ribic’s art is still quite brilliant, and the environments have an energy to them that perfectly encapsulates the science-fantasy setting. It perfectly complements the world-building that Hickman has engaged in when designing Battleworld and the feel of its central kingdom. That being said, problems remain in the facial expression department. For whatever reason, every now and then Ribic inexplicably draws a face akin to something out of an early 3D video game. In particular, he seems to have trouble drawing the female characters that approach uncanny valley levels of discomfort. Ribic is best when he is dealing with characteristically inhuman features (pun not intended) or masked characters. While this may sound negative, I do like Ribic (his steam-punk take on Galactus still astounds me), but the off-putting facial expressions can sometimes take me out of the story and when the story is this good that can be pretty fatal. Alex Ross’ cover art remains what all artists should aspire to, would that he could paint the entire book ala Kingdom Come.

Secret Wars #3 is a fantastic issue with the central conflict slowly building in the background. It does what many an event has failed to do (DC’s Convergence, I’m looking at you), it focuses on characterisation and how the event impacts those who experience it. It gives us reasons to care for characters you might not have ever seen yourself caring for.  Most series would have rushed to give us the “war”, but Secret Wars has instead opted to give us reasons to give a damn. The “bad guys” may have begun to consolidate their position, but their actions in the preceding issues have been motivated by survival, not malice. It is a series that lives in the grey areas of morality. Doom may have originally sought out the Beyonders for selfish reasons, but his use of their powers is seemingly selfless. So what do our characters do? Do they seek to overthrow Doom; the man who saved reality? Do they destroy the balance that has been created? We are approaching the tipping point. I, for one, can’t wait to see where the rest of the series goes and where it leaves the Marvel Universe.

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‘Bridge Of Spies’ Trailer: Tom Hanks, Steven Spielberg Dive Into Cold War Drama

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The trailer for Bridge of Spies, the long awaited teaming between Tom Hanks and Steven Spielberg, is finally here. Hanks and Spielberg have collaborated on a number of projects over the years, but rarely are they in their traditional roles as actor/director.

Check out the Bridge of Spies trailer here:

Here is the official synopsis for Bridge of Spies:

“A dramatic thriller set against the backdrop of a series of historic events, “Bridge of Spies” tells the story of James Donovan (Hanks), a Brooklyn lawyer who finds himself thrust into the center of the Cold War when the CIA sends him on the near-impossible task to negotiate the release of a captured American U-2 pilot. Screenwriters Matt Charman and Ethan Coen & Joel Coen have woven this remarkable experience in Donovan’s life into a story inspired by true events that captures the essence of a man who risked everything and vividly brings his personal journey to life.”

It looks like Spielberg and Hanks have devoted a lot to Bridge of Spies, from their personal passion for the subject matter, to their willingness to truly make the film an epic thriller. A nice little addition to the proceedings is the mention of screenwriters Joel and Ethan Coen, along with Matt Charman.

Bridge of Spies opens October 16. Expect it to be a big player in Awards season.

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Antonio “Huggy Bear” Fargas On His Career And COZI TV

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Antonio Fargas, best known as “Huggy Bear” took some time to talk with Matthew Sardo about his acting career that spans 50 plus years and his current gig as brand ambassador for NBC’s COZI TV.

Antonio Fargas, best known as “Huggy Bear” from Starsky & Hutch, has signed on as the first brand ambassador for NBC’s COZI TV.

In this role, he’ll star in exclusive musical promos for the network, which airs iconic series including Starsky & Hutch as well as Magnum, P.I., Charlie’s Angels, The Bionic Woman, Six Million Dollar Man and Lone Ranger, plus classic movies.

Fargas kicked off his relationship with COZI TV on Monday, with the premiere of the first of three network identity spots featuring Fargas and his swing band, The New Jump Blues. The musical promos feature soundtracks created exclusively for COZI TV. The other two promos will premiere later in the year.

In his new role as brand ambassador, Fargas will also host other projects for the network.

“We are thrilled to have Antonio be part of the COZI TV family,” said Diane Petzke, director of programming and promotion. “Antonio’s career embodies our programming philosophy and the warm, inviting and laid-back attitude of our network.”

After Starsky & Hutch ended its run in 1979, Fargas continued his stage, film and television career with roles in such movies as Foxy Brown, Don’t be a Menace… and Car Wash and appearances on shows including All My Children, House of Lies, Miami Vice, Lie to Me and Everybody Hates Chris

COZI TV launched on Jan. 1, 2013, on the multicast channels of the NBC Owned Television Stations and is now available in about 80 million homes nationally.

ANTONIO FARGAS BIO

Antonio Juan Fargas was born on August 14, 1946, in New York City, to a Puerto Rican father and a Trinidadian mother. He and his ten siblings grew up in a housing project on Manhattan’s Lower West Side. Fargas’s father was a garbage man who later worked in public relations, and his mother, Fargas told Boston Herald reporter Paul Sullivan, “was a great domestic engineer…. There was always bread on the table, not in abundance, but we always had what we needed.”

When Fargas was a sophomore in high school in 1961, he noticed a story in New York’s Amsterdam News saying that auditions were being held for an independent film called Cool World. He got the part. Around the same time, Fargas was a member of a youth group called Harlem Youth Opportunities Limited that offered theater programs to aspiring actors. After receiving instruction from actor Robert Hooks in Hooks’ apartment, which wasn’t far from that of Fargas’s family, he got a part in an off-Broadway stage production called The Toilet in 1963.

Early in his career, Fargas was known primarily as a stage actor. He made the first of what would become a lifetime’s worth of trips to England in 1965 to appear in the play The Amen Corner, and he won positive reviews back in New York two years later when he appeared as Scipio in the original Broadway production of The Great White Hope, a play about the life of boxer Jack Johnson. Just 20 years old, Fargas convincingly played the part of a 90-year-old witch doctor. Fargas also made notable appearances in a 1968 New York Shakespeare Festival production of Romeo and Juliet and in the 1969 play Ceremonies in Dark Old Men.

Dividing his time between New York and Los Angeles, Fargas began to break into movies. He had parts in some of the popular black-oriented films of the early 1970s, like Shaft (1971), Cleopatra Jones (1973), and Foxy Brown (1974). In 1974 he also played Quickfellow in Conrack, a film made from author Pat Conroy’s autobiographical novel about his experiences teaching in an African-American community on one of South Carolina’s coastal islands. Fargas also garnered roles in episodes of such hit television series as The Bill Cosby Show, Police Story, Kojak, and Sanford and Son.

Fargas had appeared in the 1972 film Across 110th Street, directed by Barry Shear, and when Shear was signed to direct the pilot episode of the ABC network’s Starsky and Hutch in 1975, he cast Fargas in the role of Huggy Bear. The role wasn’t initially intended to be an ongoing part of the show, but producers noticed the chemistry that quickly evolved among Fargas and stars David Soul and Paul Michael Glaser. Fargas ended up remaining with the cast through the entire run of Starsky and Hutch, which left primetime airwaves in 1979 but lived on for years in syndication.

Huggy Bear was a bar owner and streetwise police informant who directed tips to police officers Starsky and Hutch. Dressed to the nines in a leather trench coat that was widely imitated during the run of the series, he was often surrounded by beautiful women; his status as a pimp was suggested but never directly stated. Huggy Bear was charismatic, fashionable, a bit lovable, and unfailingly entertaining. Such traits anticipated the rise of rap music’s “gangsta” variant, and thus it was no surprise that Fargas was later cast in films such as the Wayans Brothers’ I’m Gonna Git You Sucka (1988), even if he took some criticism from activists of the 1970s for perpetuating stereotypes of blacks in the entertainment industry. Fargas was matter-of-fact about his role, telling Mark Grossi of the Providence Journal that “I was a character actor and it was a typical role for a black actor at the time. It was good for me because it helped my career.” The role of Huggy Bear was played by rapper Snoop Dogg in a 2004 film based on the series.

The end of Starsky and Hutch barely slowed Fargas’s career. He returned to the stage for a time in the 1980s, explaining to the Providence Journal that “I hadn’t been on stage for a long time. Your acting muscles atrophy when you don’t use them.” He had the lead role in a 1985 play called Toussaint, Angel Warrior of Haiti, which traced the life of the 19th-century Haitian independence leader Toussaint L’Ouverture. That year he also appeared in a New York Shakespeare Festival production of Shakespeare’s Measure for Measure, and in 1986 he had a role in a Philadelphia production of The Amen Corner, the play that had taken him to England as a teenager.

Fargas continued to act in films, and in the 1990s he kept up a steady schedule of television guest star appearances in such series as The Fresh Prince of Bel-Air, Martin, Living Single, and The Steve Harvey Show. Married and divorced twice, he moved in with his partner, real estate executive Sandi Reed, in the late 1980s, raising her two children and Fargas’s two from a previous marriage. One son, Justin Fargas, became a football star with the Oakland Raiders of the National Football League. The early 1990s offered real challenges for Fargas. He conquered alcohol and tobacco addictions. The 1994 earthquake centered north of Los Angeles trapped him and his wife in different parts of their Northridge, California, home, with each thinking the other had been killed, but Fargas broke down a door and they were reunited.

Traveling to England as often as four times a year, Fargas had the chance to test his survival skills once again in 2002 as a member of the cast of the British reality television show I’m a Celebrity, Get Me Out of Here! He also toured in a stage version of the film The Blues Brothers that had been rewritten to include a Huggy Bear role, and he teamed with David Soul in a serious play called The Dead Monkey. His theatrical career rolled on in the U.S. as well as he starred in 2003 in a St. Louis production of the acclaimed The Gospel at Colonus, an African-American adaptation of a drama by ancient Greek author Sophocles. And Huggy Bear remained a household name after three decades.

Argentine band Babasónicos released a song in their 1998 B-sides album Vórtice Marxista called Antonio Fargas. The song’s chorus repeats the phrase “Antonio Fargas is Huggy Bear”, in Spanish, and is meant to be homage to Antonio.

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