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Sense8 Finale Thoughts

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Well it’s finally over. I’d be lying if I said I hadn’t had fun writing these reviews for this rollercoaster of a show. But I sure am glad to be done with it. Not particularly because I didn’t like this show, but because this show just took it out of me. Which is a good thing. So with all that buffer out-of-the-way let’s get into the Sense8 finale. That is season finale, I heard they have at least four more under contract.

young will

They start of the episode with something I think most of the viewers have been waiting to be fleshed out. Will is in a therapy session talking about how he can see the girl who is missing. The therapist of course doesn’t believe him and tells him by lying it hurts the people around him. This scenes satisfying in a number of ways. The first is obvious because it gives us some good character development and justifies the actions that Will is about to take. The other is a look at how society sees people who claim to have special abilities. They are often seemed as crazy and liars. I think that was important to show since most of the characters dealing with the sensates so far have been very accepting.

Riley's baby

As for the whole coma trauma going on with Riley, it’s not quite compelling enough for me. And I really tried to get into it considering I love Rileys character. But it just seemed to be there for the sake of trauma. Maybe a little development. But we already got that when she talked to Capheus in the graveyard. We really don’t need it here and especially in this big of an amount. Also these real birth scenes are getting old real fast. I know that it’s a miracle and all, but I don’t need to see that.

And continuing from the last episode, Wolfgang continues his rampage on his family and storms the house taking out everyone and everything. Plenty of cool effects are sure to be seen in this scene, but that’s about it. So the only question for Wolfgang is what he will do now. He said something earlier about going to India, but we’ll just have to wait and see.

Now this whole sensate ability is seeming to fall on itself. I thought Jonas said that you can’t just make it happen, you have to let it happen. So how can they just all come into the scene when they are needed for a specific skill? What about that time Capheus tried to get help from Sun? It certainly looks cool seeing them all help Mission Impossible their way in, but it just seems kinda cheap in how easy it is. There is never really any tension on whether Wills going to make it in or not.

will mysteries

So as you’d imagine they get out basically unscathed with the only hiccup being that Will locked eyes with Mysteries. Which means that they’re connected now. So then another question pops up. Do you not have any control over who is seeing what you are? If not, it’s almost like your mind is being raped. But whatever, now they’re screwed because wherever they go, whispers will know exactly where Will is.  And while this is just good for the show in general to have an increase in stakes, I feel that it will be hard to write around this advantage in future episodes. Or they will just gouge Wills eyes out and make him blind.

best couple

So the Sense8 finale was pretty good for the most part. Sure it had problems but I feel those problems equate to the show as a whole and not just this episode. Actually I thought that this was one of the better episodes. Which it should be considering that it’s the episode that will decide if you wait however many months for the next season. As for me, well… I think I’ll have to let the Sense8 finale sit with me a little longer before deciding. I also might wanna go back and watch some things over again. But I went into this show wanting something interesting and that’s certainly what I got. So while I don’t necessarily feel like I wasted my time, I’m skeptic on wanting to continue any further with this show.

But I’m also very fickle, so I could change my mind.

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How Hollywood Has Paved The Way For Same-Sex Rights

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Today was one of those days that I will never forget. The United States Supreme Court in a 5-4 decision legalized same-sex marriages throughout the country setting off massive displays of celebration and love. This groundbreaking legal ruling doesn’t directly affect me in my personal life(I’m married with a wife and a 2 1/2-year-old son)but this ruling did get me thinking in a very different manner. It occurred to me that Hollywood has been dealing with both the political and social aspects of same-sex marriage for many years in both a direct and indirect way. As I sat down and quickly jotted down a few movie titles it became crystal clear that Hollywood may have just paved the way for the Supreme Court. Let’s take a look at a few titles.

Philadelphia – 

Tom Hanks and Antonio Bandraes in Philadelphia.
Tom Hanks and Antonio Banderas in Philadelphia.

The movie centers around  lawyer Andrew Beckett (Tom Hanks) who hides his homosexuality and HIV status at a law firm. But his secret is exposed when someone spots the illness‘s telltale lesions. Fired shortly afterwards, Beckett resolves to sue for discrimination. Now many of you are probably looking at this and saying,how in the world does this tie into same-sex marriage? Look no further than a simple scene involving Antonio Banderas and Tom Hanks while he’s in the hospital. Antonio(who plays his boyfriend) wants to go into the hospital room with him initially but is told he can’t because he isn’t family. The pain you see in his face breaks your heart because he would give anything to be next to the man he loves.

In that simple scene,Johnathan Demme touched on a very controversial issue of whether or not same-sex couples should be treated equally in the most dire of times. Through just the simplicity of the pain that was displayed by Antonio in that scene it leads us to the only logical conclusion that same-sex couples should be treated equally all of the time.

Brokeback Mountain 

Jake Gyllenhall and Heath Ledger in Brokeback Mountain
Jake Gyllenhall and Heath Ledger in Brokeback Mountain

This movie is about a cowboy named Jack Twist (Jake Gyllenhaal) and a ranch hand named Ennis Del Mar (Heath Ledger). One night on Brokeback Mountain, Jack makes a pass at Ennis that is eventually returned. This movie is testament to the taboo nature that society regarded same-sex relationships. Jack and Ennis are so driven to conform to what society want that both end up marrying women that they don’t necessarily love. While having the typical family life they continue the relationship in secret for 20 years. 

If ever a movie showed the torture that some same-sex couple go through it’s this movie. Societal norms forced these guys to find a wife and the stress of living a lie leads to nothing but disaster. All they simply wanted was each other. They simply wanted love.

Milk-

Sean Penn as Harvey Milk
Sean Penn as Harvey Milk

This movie tells the story of Harvey Milk (Sean Penn) and his life as he moves into the Castro district in San Francisco. Through his photography business he ends up assisting in transforming that area into a mecca for gay and lesbians couples. In 1977 he becomes the first openly gay man elected to office and one year later he was shot dead by Dan White (Josh Brolin).

This movie really shows one of the more perfect example of how all gay and lesbian people just want to live a normal life.Harvey Milk wanted a normal life that included love,happiness,and a chance to make a living. However,again and again Harvey was faced with societal hurdles that no one should have to deal with.It was these hurdles that pushed him towards advocacy for Gay and Lesbian rights which put him in the national spotlight drawing the negativity of others(which eventually leads to his tragic death). I remember watching this movie and thinking that he died wanting something that most people just take for granted.

Conclusion – 

I am almost positive that someone will comment that I have missed out on some very important movies and my response would be that I probably did. Hollywood has been paving the way for not only the Supreme Court but society as well by showing us the struggle of same-sex couples. Hollywood will continue to show this in 2015 when Freeheld(due October 2)which stars Julianne Moore and Ellen Page which tackles the issue of LGBT rights head on.

Hollywood will continue to use its power to show the real life struggles of same-sex couple in the hopes that one day this debate will finally become a thing of the past.

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Get Eaten Up By The Unsettling New Trailer For Eli Roth’s ‘The Green Inferno’

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A new trailer has been released for Eli Roth’s The Green Inferno. The long-gestating cannibal horror pic from the king of torture porn may promise more of the same in a sense, but at least the environment is something fresh and not wholly familiar for audiences who never saw Cannibal Holocaust.

Here is the new trailer for The Green Inferno:

https://www.youtube.com/watch?feature=player_embedded&v=mOse9ggKWJ4

The Green Inferno has been bouncing around without distribution for some time, even showing up at the 2013 TIFF and picking up a few reviews. Eventually, it found distribution and will hit theaters September 25.

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Ant-Man Movie Has First Reference To Spider-Man

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Thursday night was the first round of press screenings for Ant-Man and journalists rushed to Twitter to sound off on the nerdier side of the film.

Apparently there are two post-credits scenes and the first reference of Spider-Man in the Marvel Cinematic Universe.

From reading the teas leaves of social media, this is what could be in the post-credits of Ant-Man. The first post-credit scene teases a character from the Ant-Man comics. The second is a direct tie-in to Captain America: Civil War. One of the Avengers is already in the film, I’m sure more show up to welcome him to the team.

The international trailer below has new footage of Ant-Man with an interesting look at an iPhone during a battle.

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Film Review: Mark Duplass Is Skin-Crawlingly Great In ‘Creep’

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Mark Duplass is one of the few renaissance men in Hollywood, not tied down to a genre, a medium, or really anything beyond the desire to approach interesting, challenging, and often small work. In Creep, Duplass delves into the darkest avenues of his performing. The film, from director Patrick Brice, is yet another found footage horror/suspense, but it works because the found footage is less gimmick and more necessity for the story.

Brice also stars as Aaron, a young man in need of some work. He answers a cryptic ad that promises $1,000 for one day of filming. The job takes him to a cabin in nondescript mountains, where he meets Joseph, a curiously energetic and forward eccentric who tells Aaron he has a brain tumor and wants to film a segment of his life for his unborn son. “You ever see that movie My Life?” he asks Aaron. “It’s like that.”

Only filming Joseph’s day-to-day activities is nothing like the Michael Keaton melodrama. Especially since it begins with Joseph inviting Aaron into the bathroom to film him having a bath with his imaginary son that sets the stage for just how off kilter Joseph may actually be. From there, things only get stranger, as Joseph works his damnedest to scare the hell out of Aaron regularly. Aaron realizes something is wrong fairly soon, but goes along with everything. To a point, that is. The two hike into the woods, they discuss the strange wolf mask Joseph has in his closet, and they drink some whisky. When it comes time for Aaron to leave, wouldn’t you know his keys are nowhere to be found?

Creep takes off in some interesting directions after the first half. It doesn’t go down some typical road of madness, an innocent man held captive by a crazy person. It shifts gears, and Joseph remains an enigma. Duplass shifts from threatening, to himself frightened, to aloof and lonely, but whatever emotion he exudes never feels real.

Brice makes sure to never break apart the found-footage angle in Creep, even when the scene shifts from the cabin to Aaron’s home. Too many times, cameras cut and edits unravel the structure, therein ruining the entire found footage gimmick and distracting from the story at hand. Creep is Mark Duplass shining in a deeply unsettling role, and when everything is all said and done, the final scene leaves you aghast, horrified, yet unable to look away from Joseph as he speaks directly to the camera.

You can watch Creep on VOD now. In mid July it will have a theatrical release before hitting Netflix shortly thereafter.

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William Friedkin Bringing ‘To Live and Die in LA’ To The Small Screen

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Director William Friedkin is adapting his 1985 action thriller To Live and Die in LA for the small screen, in a deal struck with WGN America.

Deadline broke the news earlier today, saying Friedkin will direct as well as executive produce the project for WGN America, which seems to be throwing its hat into the ring of original (or semi-original) programming with authority.

The TV series will be based on the same source material as the stylish hyper-noir thriller starring William Petersen and Willem Dafoe, that being a novel by former Secret Service Agent Gerald Petievich. To Live And Die In LA captured the essence and energy of the 80s, yet remains a tense action picture with essential elements that keep it readily accessible. It also helped launch the careers of Dafoe and Petersen.

Friedkin will be teaming up with screenwriter Bobby Moresco, who won an Oscar for Crash, to pen the series.

Just in case you forgot, here’s the trailer for the original To Live And Die in LA. Bask in its 80s glory:

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Exclusive Interview: Brian Wilson Reflects On “Love and Mercy”

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Brian Wilson of the Beach Boys spoke with Matthew Sardo about the film “Love Mercy.”

The film was made with the full cooperation of Wilson and his wife Melinda , Love & Mercy offers a never-before-seen glimpse of Wilson, the boy genius who co-wrote such ebullient pop hits as “Surfer Girl” and “Fun, Fun, Fun” and the game-changing masterpieces “Good Vibrations” and “God Only Knows” before disappearing from the public eye for years. Actors Paul Dano and John Cusack share the role of the troubled musical virtuoso who defined the “California sound” with sumptuous harmonies and visions of endless summers of surf and sand.

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‘Legend’ Full-Length Trailer: What’s Better Than Tom Hardy? Two Tom Hardys.

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The full-length trailer for Legend, starring Tom Hardy and… Tom Hardy, has been released. Hardy will play both notorious Kray twins as they rise to power in the London underworld in the 60s.

Here is the Legend trailer. Click on the lower right below the time bar to go full screen:

This looks like a special film, something entirely unique to the gangster genre. Humor seems to play a large role, and Hardy appears to be able to flex his acting muscles in two different roles in the same film. With Reggie Kray, Hardy plays the buttoned-down gangster, and with Ronald Kray, the slightly unhinged heavy with some strange tics that are becoming signature Hardy.

The film, directed by L.A. Confidential screenwriter Brian Helgeland, also has a smooth, gliding style and looks to capture the surface joys of a swinging 60s London.

There are few things better than Tom Hardy, except maybe twice the Hardy in the same films. Legend hits theaters October 2.

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William Hurt Hints At Red Hulk In “Captain America: Civil War”

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William Hurt was out promoting AMC’s Humans and talked with The Wall Street Journal about his part in Captain America: Civil War.

Hurt was sporting his General Thaddeus ‘Thunderbolt’ Ross mustache.

On the difference between The Incredible Hulk and Captain America: Civil War.

“It’s very very different from the other, from the Hulk. It’s real different, cause it’s done different The style is completely modernized. I’m not playing the graphic novel version of Thaddeus, I’m playing a better suit,” said Hurt.

When asked if we will see the Red Hulk on screen.

“I don’t know… I wouldn’t mind feeling I had that much power I created Thaddeus originally as an ego the same size as the monsters. With the same degree of messed-up-ness. I would love to have a shot at it,” said Hurt.

Set for release in the United States on May 6, 2016, “Captain America: Civil War” is directed by Anthony and Joe Russo (Marvel’s “Captain America: The Winter Soldier,” “Community”) from a screenplay by Christopher Markus & Stephen McFeely (“Captain America: The Winter Solider,” Marvel’s “Captain America: The First Avenger”). The film returns Chris Evans (“Captain America: The Winter Soldier,” Marvel’s “Avengers: Age of Ultron”) as the iconic Super Hero character Steve Rogers/Captain America along with Robert Downey Jr. (“Avengers: Age of Ultron,” Marvel’s “Iron Man 3”) as Tony Stark/Iron Man, Scarlett Johansson (“Avengers: Age of Ultron,” “Captain America: The Winter Soldier”) as Natasha Romanoff/Black Widow, Sebastian Stan (“Captain America: The Winter Soldier,” “Captain America: The First Avenger”) as Bucky Barnes/Winter Soldier, Anthony Mackie (“Avengers: Age of Ultron,” “Captain America: The Winter Soldier”) as Sam Wilson/Falcon, Paul Bettany (“Avengers: Age of Ultron,” “Iron Man 3”) as The Vision, Jeremy Renner (“Avengers: Age of Ultron,” Marvel’s “The Avengers”) as Clint Barton/Hawkeye, Don Cheadle (“Avengers: Age of Ultron,” “Iron Man 3”) as Jim Rhodes/War Machine and Elizabeth Olsen (“Avengers: Age of Ultron,” “Godzilla”) as Wanda Maximoff/Scarlet Witch.

After his debut in Marvel’s “Ant-Man” on July 17, 2015, Paul Rudd (“Ant-Man,” ”Anchorman 2: The Legend Continues”) will make his first appearance alongside the Avengers as Scott Lang/Ant-Man in “Captain America: Civil War.”

The film also includes outstanding additional cast, including Chadwick Boseman (“42,” “Get on Up”) as T’Challa/Black Panther, Emily VanCamp (“Captain America: The Winter Soldier,” “Revenge”) as Sharon Carter/Agent 13, Daniel Brühl (“Inglourious Basterds,” “Bourne Ultimatum”), Frank Grillo (“Captain America: The Winter Soldier,” “Warrior”) as Brock Rumlow/Crossbones, William Hurt (“A History of Violence,” Marvel’s “The Incredible Hulk”) as General Thaddeus “Thunderbolt” Ross and Martin Freeman (“The Hobbit: An Unexpected Journey,” “The Hobbit: The Battle of the Five Armies”).

“Captain America: Civil War” picks up where “Avengers: Age of Ultron” left off, as Steve Rogers leads the new team of Avengers in their continued efforts to safeguard humanity. After another international incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability and a governing body to determine when to enlist the services of the team. The new status quo fractures the Avengers while they try to protect the world from a new and nefarious villain.

Marvel’s “Captain America: Civil War” is produced by Marvel Studios’ president, Kevin Feige, with Louis D’Esposito, Alan Fine, Victoria Alonso, Patricia Whitcher, Nate Moore and Stan Lee serving as executive producers.

Directors Joe and Anthony Russo’s creative team also includes director of photography Trent Opaloch (“Captain America: The Winter Soldier,” “Elysium”), production designer Owen Paterson (“Godzilla,” “Matrix”), and three time Oscar®-nominated costume designer Judianna Makovsky (“Captain America: The Winter Soldier,” “Harry Potter and the Sorcerer’s Stone”).

Based on the Marvel comic character first published in 1941, “Captain America: Civil War ” continues the lineage of epic big-screen adventures chronicled in “Iron Man,” “The Incredible Hulk,” “Iron Man 2,” “Thor,” “Captain America: The First Avenger,” “Marvel’s The Avengers,” “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy,” “Avengers: Age of Ultron” and the upcoming release schedule, which includes Marvel’s “Ant-Man” on July 17, 2015, Marvel’s “Doctor Strange,” on November 4, 2016, Marvel’s “Guardians of the Galaxy 2,” on May 5, 2017, and Marvel’s “Thor: Ragnarok,” on November 3, 2017.

Source: Marvel Entertainment Media

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Kevin Feige, Marvel Will Not Reboot Iron Man Films

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The Sony hack has reached Marvel and now we can interpret what direction the Marvel Cinematic Universe will go.

Kevin Feige is the President of Marvel Studios and mastermind behind the MCU, some of his emails have surfaced following the Sony hack. As we all sadly know, Robert Downey Jr. can not play Tony Stark forever. There will come a time when another actor will take up the mantle of Iron Man and we now know what that film will be based on.

“In a million years I would not advocate rebooting the Iron Man MCU. To me it’s James Bond and we can keep telling new stories for decades even with different actors,” said Feige.

This second quote is why fans love the MCU and have absolute faith that they will put the best product in theaters. Marvel respects the audience.

“I think that is very risky thing to do with a movie audience following. Okay for comic books but I wouldn’t even do it with cartoon animation,” said Alan Fine.

When the time comes to cast a new Iron Man who would like to see? The earliest an Iron Man film would come out is late 2019 or the summer of 2020. That would put Downey at 55, Leonardo DiCaprio would be 45, Adrien Brody 46, Zac Efron 33, Gerard Butler 50, and Jamie Dornan 38.

Iron Man 4 – Summer 2020

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