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Review: Dragon Ball Z Resurrection F

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We must be living in some sort of golden age to be getting another Dragon Ball Z movie with Akira Toriyama being behind it no less. I mean “Battle of Gods” just released last year and we already get another DBZ film in “Dragon Ball Z Resurrection F“. Now to be honest I never was a real Dragon Ball fan at all. Sure I watched episodes on Toonami when I was a kid but I don’t hold it as close to my heart as others who grew up with it. That being said I really loved this movie, maybe not as much its predecessor but I’ll be sure to get into that later. I tried watching Kai when it aired but even with the cleaned up plot lines I still couldn’t really get into it, until these movies. And for what seemed like a dying franchise to me, has turned into something new and fresh.

Right off the bat, so many things are going on coming from the fallout of “Battle of Gods”. Goku and Vegeta are training with Whis (probably the most powerful being in the universe). Frieza is being brought back to life by the dragon balls and is serious about taking revenge on the saiyans. Meanwhile on earth the whole gang is having to react to Frieza’s “invasion” until Goku and Vegeta arrive back. So many things going on and never does it feel cramped or rushed.

Now when I look at these new Dragon Ball movies I feel that this is the way that Dragon Ball Z specifically, needs to be experienced in. Theres just something about watching these characters in a movie setting that makes everything better. Since it’s a movie version there really isn’t much time for stupid bullshit waiting around, and I love that! For example, the first time Goku goes “SuperSaiyan God SuperSaiyan” (yeah I know it’s a mouthful but that’s what it’s called) the only explanation we get is that it’s an extension of SuperSaiyan God, and that’s all I need. I don’t need to watch a scene of him unlocking it or see him working towards it, its freaking Goku. I know he’s always training and so if he shows up with a new power, it seems rather obvious to me and doesn’t really need an explanation.

Frieza on the other hand does get a little more explanation in his power boost since they have to make it believable that he can go toe-to-toe with current strength Goku. And it’s handled pretty well. It really makes sense to Frieza’s character that he never would have trained a day in his life. And now that he is training, he can reach a power level comparable to Goku. This is the part honestly I had the most trouble with coming in to the movie, because I mean come on, Goku beat Frieza like a million episodes ago and has only gotten stronger. But nope, turns out that Frieza just needed to swallow his pride and train for a few months to reach a level Goku had to train for years to obtain. This also makes Frieza’s terror seem somewhat revitalized again because he has so much raw potential that he can catch up to Goku in such little time. and even though towards the end it was still clear that Goku was stronger than him, it didn’t make his anger and desperation any less potent to the movies atmosphere, even up until his final moments.

He’s cocky and boastful and isn’t afraid to make jokes that other people wouldn’t like. He’s very animated as a character and that makes watching him so good. This was a huge part that needed to get right because for a good chunk of the movie Frieza has to carry it until Goku and Vegeta show up.

But sadly he doesn’t get enough time to carry the story as much as he’s able to do because of the Z fighters battle. And that battle was the most low point the movie had. This part was the padding of the movie that felt like I was back in the Dragon Ball Z television show. I mean Dragon Ball has always sort of held Goku away somehow until the last-minute, but now its starting to get old. I honestly think if the character wasn’t Frieza waiting for Goku I would have been severely bored until he showed up. Which is sad because “Battle of Gods” managed to get away from adding pointless filler fight scenes. Instead they focused on developing Beerus and making his interactions with the cast seem like it was worth caring about even though it wasn’t the main thing you wanted to see. And seeing that “Resurrection F” went back to the TV show formula, makes me a little pissed.

Literally the only thing keeping those scenes from being boring was having the new character Jaco be involved in the battle. As soon as he comes to earth he seems like he’ll just be a minor character but he sticks around for the whole movie. And whether he’s cracking jokes, being weird, or helping the Z fighters fight, every time he’s on-screen, he makes it fun. And fun is the main thing that I want when seeing Dragon Ball Z. Hopefully Jaco will show up in future installments because he’s a hoot and he made the scenes where I was waiting for Goku to show up more bearable.

The only other thing that was enjoyable about these scenes were the little throw backs when characters would use their signature attack. If anything felt like pandering in the show that was it. Just the need to throw in that many characters felt off to me. I know its Goku’s nature to be away training, but jeez can’t he just be there from the start at least once? Then we wouldn’t have to deal with all these background characters for so much of the movie. I’m not saying I don’t like Master Roshi, but I’d choose Goku over him any day.

Maybe if Lord Beerus were around during these scenes to be making jokes through out it would have made it better in someway. Because they certainly do that in the Goku v. Frieza battle. Having them standing there seems natural and adds a funny dynamic to everything that’s going in, even if it involves a maniacal Frieza. Their demeanor during this whole confrontation really makes me realize what this movie is as a whole. Even though its played as a giant battle with Frieza, it’s still just a calm before the storm. This battle is only leading up to something greater. And the film hints at that all the way through. Its made obvious that this isn’t our heroes limit, and it brings room for growth back into the Dragon Ball universe. Because now I know that if Beerus or Whis ever get astonished by something, shit is for real, and just knowing that possibility excites me.

Seeing that this is a film at the end of a long list of content for Dragon Ball, the movie can’t help but bring up things that reference other things that happened in past installments. While it may seem like fan pandering at the start, it feels just so natural that it doesn’t really ruin whats going on in the context of the movie. Never was I distracted by feats of the past because the movie is keeping you extremely invested in whats going on now. The only exception to this is probably back to the Z fighters section of the movie. Sure they acknowledge past happenings and honestly that’s sort of how people talk. When things happen to you that remind you of something else, you bring it up. That’s the same thing going on here.

Another problem with having characters like these ones who have been around so long is that they start to get stale. Everything they do becomes predictable and it can make the story stagnant. But with the previous additions of Beerus and Whis as mentors to both Goku and Vegeta, they’re bringing up issues that have plagued their characters since day one. Whether it be Vegeta thinking too much and being too tense, or Goku being too compassionate and cocky, all that is brought up in this movie and played out to where it actually turns into character growth. And anything that can show character growth after how many years deserves a fair amount of credit. However no matter how much they seem to change, Goku and Vegeta still refuse to team up together. “sigh” I guess they’ll get there eventually.

So while for the most part “Dragon Ball Z Resurrection F” was enjoyable, it still had some noticeable hiccups through out its run to make me walk away with a rather varied opinion. And honestly I would rate “Battle of Gods” higher than I do this one. But I will gladly take what I got from this movie and sure hope that when they go into future installments they get rid of a few glaring issues. But seeing that its progressing the universe of Dragon Ball in an interesting way I can’t be too hard on it. I mean come on that insert Frieza song is enough to give this movie two thumbs up.

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‘Bad Boys’ 3 And 4 Are Coming For You!

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Sony Pictures is not having a very good 2015, but they look to turn the company around with the announcement of dates for 16 films today.

Fans get not one, but two Bad Boys films. The Dark Tower could be another franchise that could pull in some serious box office numbers as well.

The Dark Tower is a series of books written by Stephen King, which incorporates themes from multiple genres, including fantasy, science fantasy, horror, and Western.

The full list of films and their release dates added to the slate includes:
Money Monster – 4/8/16
The Shallows – 6/24/16
Ghostbusters – 7/15/16
Patient Zero – 9/2/16
The Magnificent Seven – 9/23/16
Underworld 5 – 10/21/16
Passengers – 12/21/16
Jumanji – 12/25/16
The Dark Tower – 1/13/17
Resident Evil 6 – 1/27/17
Bad Boys 3 – 2/17/17
Baby Driver – 3/17/17
Barbie – 6/2/17
Uncharted – 6/30/17
The Lamb – 12/8/17
Bad Boys 4 – 7/3/19

NSFW – The one thing you can expect from Bad Boys is a shootout!

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Joel and Ethan Coen’s Next Project is ‘Black Money’ For Warner Bros.

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Joel and Ethan Coen have teamed with Warner Bros. to adapt Ross MacDonald’s Black Money. It will be the Coens’ next project following their release of the George Clooney comedy, Hail Ceasar!, according to the report at Deadline.

Here is a synopsis for MacDonald’s 1966 crime novel, courtesy of Amazon:

When Lew Archer is hired to get the goods on the suspiciously suave Frenchman who’s run off with his client’s girlfriend, it looks like a simple case of alienated affections. Things look different when the mysterious foreigner turns out to be connected to a seven-year-old suicide and a mountain of gambling debts. Black Money is Ross Macdonald at his finest.

Joel Silver will produce the film, and there is no shooting schedule for Black Money at this point. Hail Ceasar! is scheduled to hit theaters this February, and stars Scarlett Johansson, Channing Tatum, Tilda Swinton, Jonah Hill, Ralph Fiennes, Josh Brolin, and Dolph Lundgren (of all people), alongside Clooney.

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‘Spider-Man’ Reboot – Trilogy Based On ‘Kraven’s Last Hunt’

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If all the reports are true, this is a theory based on evidence that the Spider-Man reboot will be a trilogy using the comic book story Kraven’s Last Hunt as the main story arc.

If you haven’t read the comic and or don’t want the trilogy spoiled for you, stop reading now!

kraven's last hunt

Heroic Hollywood is reporting that Karen Moy, the Vice President of Creative Affairs over at Sony, purchased a copy of Kraven’s Last Hunt trade paperback on Amazon.

“Right now we’re interested in seeing villains we haven’t seen before,” Kevin Feige, the mastermind behind the Marvel Cinematic Universe told Devin Faraci of Birth.Death.Movies.

Facts we know: The film with feature a new villain and Sony is researching Kraven.

We can postulate that Hollywood loves trilogies and (Spoiler) to kill Kraven in the first film would be dumb. What would makes more sense is to introduce Kraven in the first film as the main villain, have him be a presence in the sequel and then have  Kraven’s Last Hunt as the third film. This would give time to develop both Spider-Man and Kraven. In the comic, Kraven defeats Spider-Man and then buries him alive. Peter Parker’s drive to dig himself out of a grave is his love for Mary Jane, his wife at the time. Visually, Kraven’s Last Hunt could be a cinematic masterpiece. Just look at the cover below. If John Francis Daley and Jonathan M. Goldstein want to take the Spider-Man franchise to the heights it deserves this would be the direction to go.

The themes would need to be changed due to youth of the current Spider-Man, i.e. what would be the motivation for Peter to crawl out of a grave. Also, would Marvel and Sony be confident enough in the story to leave in Kraven’s suicide? Marvel has shied away from darker films as they completely avoid the Demon in a Bottle storyline with the Iron Man franchise.

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Denis Leary Tries To Convince Jon Stewart To Stay

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Denis Leary was on The Daily Show with Jon Stewart Tuesday night and Leary did his best to convince Stewart not to retire.

“It’s not too late,” said Leary. “We give [new Daily Show host] Trevor [Noah] some other show, okay? I’m telling you, me and Colin Quinn and Chris Rock will write this f—ing show for you for like [$25 million].”

“What the f—’s wrong with you? Do you know how much f—ing therapy you could buy for your kids with $50 million? They’re going to hate your guts into perpetuity. Who cares? They [could] have mansions to hate your guts in,” said Leary.

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Adam McKay To Bring Archie To Broadway

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Writer/Director Adam McKay (Anchorman, Talladega Nights, You’re Welcome America) and Funny Or Die have joined forces with Archie Comics, one of the most popular comics ever produced, to bring Archie, Betty, Veronica, Jughead and the Riverdale gang to Broadway in an all-new musical. McKay is slated to bring his singular brand of comedy to the musical, writing the book for the show, with a creative team and timing for a New York run to be announced at a later date.

Funny Or Die will serve as a presenting partner. CEO Jon Goldwater and CCO Roberto Aguirre-Sacasa will oversee for Archie Comics. The partnership was packaged by Triptyk Studios (An American in Paris, You’re Welcome America, Xanadu) who will reteam with their You’re Welcome America partners for the endeavor. Tara Smith, B. Swibel and Adam Westbrook will oversee development for the company and present on Broadway.

Adam McKay said, “Archie represents a bygone era of America. And like all bygone eras, there are elements we miss and elements that should be bygone. This will be a musical that deals with both those realities in a bright, colorful and slightly demented way.”

Jon Goldwater, Archie Comics CEO/Publisher, said, “We couldn’t be more excited to partner with Adam McKay and Funny Or Die to finally bring Archie to the stage. We’ve always thought that Archie was destined to be a big Broadway star – and now that moment has come! I’ve long admired Adam’s work and the pairing of Archie’s world with his brilliant humor and sensibility is the perfect fit. We look forward to developing this project together with this incredible team.”

Source: Archie Comics Media

Hopefully McKay doesn’t use either one of these for inspiration.

Jughead does hip-hop “Sugar Sugar” (1990) Archie reunion

Riverdale – The Archie Fan Film Trailer

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Shanice Williams Cast A Dorothy In NBC’s ‘The Wiz Live!’

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Rising star Shanice Williams, an 18-year-old New Jersey native who has been raised and trained in musical theater, is the new Dorothy in NBC’s upcoming holiday production of “The Wiz Live!,” set for Thursday, Dec. 3.

Williams was selected out of hundreds of applicants nationwide who had auditioned to portray the iconic role of a Kansas farm girl who gets swept up in a tornado and is sent to the mysterious land of Oz.

With five years of musical training that also includes extensive dance and piano, Williams has co-starred in several local productions, including “West Side Story,” “You’re a Good Man, Charlie Brown,” “42nd Street,” “Seussical” and “Pippin.”

Last year Williams was nominated for best leading actress in a musical at the Paper Mill Playhouse’s annual Rising Star Awards.

Michael Jackson – You Can’t Win – The Wiz

NBC recently raised the project’s star quotient in a big way by adding multi-award winners and A-list stars Queen Latifah and Mary J. Blige to the telecast.

Queen Latifah stars as the Wiz, the mysterious and powerful wizard who holds the keys to the Emerald City, but whose metamorphosis from ordinary to extraordinary is itself a hoax. She rose to her lofty position after being transported by accident to Oz in a hot air balloon during a snowstorm.

Mary J. Blige will play Evillene, the Wicked Witch of the West, who holds sway over the Winkies and the Winged Monkeys that do her bidding. She captures Dorothy and her friends to avenge the unintentional murder of her evil sister, Evvamean, and to get back the powerful silver slippers given to Dorothy by the Good Witch of the North.

David Alan Grier will play the Cowardly Lion, who asks Dorothy if he can join her in her journey down the Yellow Brick Road and ask the Wiz for some courage, which he is severely lacking.

Stephanie Mills was previously announced to portray Auntie Em in “The Wiz Live!” Mills is best known to many for playing Dorothy in the original Broadway production of “The Wiz.”

“The Wiz Live!” is adapted from “The Wonderful Wizard of Oz” by L. Frank Baum, with a book by William F. Brown, and music and lyrics by Charlie Smalls. The production opened on Broadway in 1975 at the Majestic Theatre and won seven Tonys, including Best Musical.

Craig Zadan and Neil Meron (“The Sound of Music Live!,” “Peter Pan Live!,” Oscar-winning “Chicago”) will executive produce. Kenny Leon (Tony winner, “A Raisin in the Sun”) is stage director and Matthew Diamond is TV director, with Harvey Fierstein (three-time Tony winner, “Torch Song Trilogy,” “Hairspray” and “La Cage aux Folles”) providing new written material.

Esteemed choreographer Fatima Robinson (“Dreamgirls,” “Ali”) is also on board, along with music producer Harvey Mason Jr. (“Dreamgirls, “Pitch Perfect 2”) and Stephen Oremus (“The Book of Mormon,” “Kinky Boots”) as music director, orchestrator and co-producer of the music.

“The Wiz Live!” is produced by Universal Television in association with Cirque Du Soleil Theatrical.

Source: NBC Media

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Review: ‘Ricki and The Flash’ Is an Ambiguous Hodgepodge

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I’m sure the premise for Ricki and the Flash made a lot of sense to a lot of people. You have a mother who abandons her husband and kids to pursue her rock and roll fantasy, only to come home to a family in turmoil. Throw in a couple of family meltdowns and redemption moments and presto! You’ve got a great story. However, often what was envisioned and what we end up with can be two different things.

Writer Diablo Cody and Director Johnathan Demme assemble what amounts to be a box of spare parts. And the parts are plentiful; they almost have the makings of something that resemble layered characters, but the result is, ultimately, a very disappointing movie.

The role of Ricki Rendazzo, on the surface, must have looked like an amazing opportunity for Meryl Streep to showcase her talents. But one can only do so much with a role that was written inconsistently, and forces Streep to wear hideous fake braids that are reminiscent of Ewan Mcgregor in The Phantom Menace. Streep is, without question, one of the most gifted of all actresses, and she is believable in just about anything she does on screen. However, even Streep has limitations; she can’t pull this one off.

Decades after ditching her family to attempt to make it big in Los Angeles, Ricki gets a call from her ex-husband Pete (Kevin Kilne) to return to the Midwest to visit their daughter Julie (Mamie Gummer – her real life daughter), who’s suicidal after being abandoned by her husband. This allows Ricki to catch up with her sons: Adam (Nick Westrate) who’s gay and loathes his mother and Josh (Sebastian Stan of Captain America: The Winter Soldier) who’s about to be married and doesn’t want his mother to attend the wedding. Oh, did I mention that at that moment in the film, for no apparent reason, we learn that Ricki is this ultra-conservative? Yep, makes a ton of sense to me too.

This movie appears to be one where the main character is supposed to transform from being bitter/broken to being adored by everyone. Diablo Cody manages to take a very formulaic plot and turn the film into a mystifying collection of pretense. Instead of adoring Ricki toward the end of film, I found myself hyper-focused on just how selfish her character was. Casting Meryl Streep as a hard-on-her-luck rocker makes as much sense as hiring me to be a spokesperson for hair products.

Diablo Cody seems so focused on fitting in all these loose ideas into the plot that she masks the obvious holes in the script by having these long musical interludes of Ricki (Meryl Streep) and her boyfriend ( Rick Springfield) rocking out. At first you think, “wow  … Streep is good,” but after seeing it a dozen times you are thinking, “Okay… I get it… she can sing.” Under normal circumstances I would probably write that the repetitious nature of the musical numbers took away from the plot but that of course would mean that Ricki and the Flash had some sort discernible plot.

Ricki and the Flash is a band not worth listening to.

Ricki and the Flash

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Lance Gross Wants To Be A Green Lantern

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Lance Gross wants to be a Green Lantern in Warner Bros’ Green Lantern Corps., and what better way to tell the world than with Instagram. The actor posted a very leafy Green Lantern symbol on his account with the quote “In Brightest Day.” Gross is best known for the TV series House of Payne.

Green Lantern Corps. comes out June 19, 2020.

In Brightest Day

A photo posted by lancegross (@lancegross) on

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The ‘Deadpool’ Red-Band Trailer is Here… Finally!

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The Deadpool trailer we all watched from weird angles, with crowd noise and reverb and poor lighting emanating from Hall H at the San Diego Comic Con, finally has its official red band trailer. Ryan Reynolds debuted Deadpool to the world tonight on Conan, and this thing looks even better in hi-res.

Here it is, the trailer, NSFW:

For anyone jumping into this property brand new, here is an official synopsis:

Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

The trailer assures fans that Deadpool’s humor will be front and center, along with his violent, skull-cracking tactics. We’ll see if Ryan Reynolds can get himself back in the good graces of fanboy nation when Deadpool hits theaters this February.

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