King Felix stops in for his August box office report.
Monkeys Fighting Robots movie critic Felix “King” Albuerne chats with Matthew Sardo about how good Mr. Holmes and Mission: Impossible – Rogue Nation was and how bad Minions and Vacation were.
The duo also discuss all the hate towards Fantastic Four.
Felix’s next stop will be on the CW’s ’44 on the Town’ with T.M. Powell this Sunday at 11 a.m.
AUGUST 2015
August 7 (Friday)
Fantastic Four
The Gift
Ricki and the Flash
Cop Car (Limited)
The Diary of a Teenage Girl (Limited)
The Runner (Limited)
Shaun the Sheep Movie (Limited)
August 14 (Friday)
The Man From U.N.C.L.E.
Straight Outta Compton
Underdogs
Mistress America (Limited)
People, Places, Things (Limited)
Return to Sender (Limited)
August 19 (Wednesday)
Masterminds
August 21 (Friday)
American Ultra
Hitman: Agent 47
Sinister 2
Grandma (Limited)
She’s Funny That Way (Limited)
August 28 (Friday)
Crouching Tiger, Hidden Dragon: The Green Legend (IMAX Only)
Regression
We Are Your Friends
War Room (Limited)
Z for Zachariah (Limited)
SEPTEMBER 2015
September 2 (Wednesday)
No Escape
A Walk in the Woods
September 4 (Friday)
Jane Got a Gun
The Kitchen Sink
The Transporter Refueled
Before We Go (Limited)
Dragon Blade (Limited)
September 11 (Friday)
The Perfect Guy
The Visit
Coming Home (Limited)
Sleeping with Other People (Limited)
Wolf Totem (Limited)
September 18 (Friday)
Black Mass
Captive
Everest
Maze Runner: The Scorch Trials
Pawn Sacrifice (Limited)
Sicario (Limited)
September 25 (Friday)
Before I Wake
Hotel Transylvania 2 (in 3D)
The Intern
Sicario (Expands)
99 Homes (Limited)
The Green Inferno (Limited)
Esquire just found out that you don’t mess with Marvel’s first family.
Esquire tried to push the envelope too far with a tweet about their Miles Teller interview: “Miles Teller is on a quest for greatness (with a bit of dickishness too)” The article itself is pretty smug too. The author Anna Peele calls teller a dick several times.
“You’re sitting across from Miles Teller at the Luminary restaurant in Atlanta and trying to figure out if he’s a dick,” wrote Peele in the opening sentence.
“He gives you a hug and goes off to contribute to the cache or catalog or canon or whatever the fuck you call it and charm the world with his dickishness,” wrote Peele in the closing sentence.
Teller had this to say Wednesday and his Fantastic Four co-stars had his back.
@esquire couldn't be more wrong. I don't think there's anything cool or entertaining about being a dick or an asshole. Very misrepresenting
The Fantastic Four reboot is trending at a 14% on Rotten Tomatoes which means that critics don’t have a clue or they had it in the for this film from the beginning. Fantastic Four is not a great film but it is a good film and gives the team a solid origin with a bright future towards a sequel.
The film is a realistic take on the super powered team, except for Dr. Doom. Hollywood needs to read a few more comic books.
The Fantastic Four reboot is trending at a 14% on Rotten Tomatoes which means that critics don’t have a clue or they had it in the for this film from the beginning. Fantastic Four is not a great film but it is a good film and gives the team a solid origin with a bright future towards a sequel.The film is a realistic take on the super powered team, except for Dr. Doom. Hollywood needs to read a few more comic books.
Naruto is quite the popular franchise. With an ever popular anime series, stage play, and plenty of (animated) movies. Another movie hopes to join those ranks, a distinctly different movie, live-action, American, Hollywood.
If that isn’t worrisome enough, Lionsgate, known nowadays for Hunger Games, Divergent, and Twilight, will be the studio responsible for it.
Apparently NOT the Last
And the director they’ve chosen, Micheal Gracey, has mostly done special effects, and has only directed one work, and we won’t see it until next year, so we’re not even sure what to expect from a directorial standpoint. (But hey, at least it’ll look nice… then again, so did The Last Airbender)
The vision of this Hollywood x Naruto movie is in THIS man’s head
For many fans the first thought is “Dragon Ball Evolution.” Naruto, along with the Ghost in the Shell movie, have shared the same stigma as video-game adaptations. However, with a possibly bright future, perhaps things can change here as well?
Perhaps a little optimistic, but until further information we can at least not hate on it… guys? Hear me out… please?
Perhaps a big question on people’s mind it how the movie will adapt its source. We could get an origin story, but most of what makes Naruto is after they’ve gotten older, and that might hint at a million sequels adapting everything all over again.
An original story is a dangerous possibility, considering how often Hollywood fails to get even their own countries media, let alone some ‘Chinese cartoons.’
Which of these Naruto’s should we expect?
It’s very unlikely that a specific arc would be adapted on its own, as filmmakers want their films to be as accessible as possible.
And there is no way squeezing the entire storyline into a single movie is probable, or even possible (regardless of the amount of filler removed).
Regardless, it will be interesting to follow the continuing production of this movie.
We must be living in some sort of golden age to be getting another Dragon Ball Z movie with Akira Toriyama being behind it no less. I mean “Battle of Gods” just released last year and we already get another DBZ film in “Dragon Ball Z Resurrection F“. Now to be honest I never was a real Dragon Ball fan at all. Sure I watched episodes on Toonami when I was a kid but I don’t hold it as close to my heart as others who grew up with it. That being said I really loved this movie, maybe not as much its predecessor but I’ll be sure to get into that later. I tried watching Kai when it aired but even with the cleaned up plot lines I still couldn’t really get into it, until these movies. And for what seemed like a dying franchise to me, has turned into something new and fresh.
Right off the bat, so many things are going on coming from the fallout of “Battle of Gods”. Goku and Vegeta are training with Whis (probably the most powerful being in the universe). Frieza is being brought back to life by the dragon balls and is serious about taking revenge on the saiyans. Meanwhile on earth the whole gang is having to react to Frieza’s “invasion” until Goku and Vegeta arrive back. So many things going on and never does it feel cramped or rushed.
Now when I look at these new Dragon Ball movies I feel that this is the way that Dragon Ball Z specifically, needs to be experienced in. Theres just something about watching these characters in a movie setting that makes everything better. Since it’s a movie version there really isn’t much time for stupid bullshit waiting around, and I love that! For example, the first time Goku goes “SuperSaiyan God SuperSaiyan” (yeah I know it’s a mouthful but that’s what it’s called) the only explanation we get is that it’s an extension of SuperSaiyan God, and that’s all I need. I don’t need to watch a scene of him unlocking it or see him working towards it, its freaking Goku. I know he’s always training and so if he shows up with a new power, it seems rather obvious to me and doesn’t really need an explanation.
Frieza on the other hand does get a little more explanation in his power boost since they have to make it believable that he can go toe-to-toe with current strength Goku. And it’s handled pretty well. It really makes sense to Frieza’s character that he never would have trained a day in his life. And now that he is training, he can reach a power level comparable to Goku. This is the part honestly I had the most trouble with coming in to the movie, because I mean come on, Goku beat Frieza like a million episodes ago and has only gotten stronger. But nope, turns out that Frieza just needed to swallow his pride and train for a few months to reach a level Goku had to train for years to obtain. This also makes Frieza’s terror seem somewhat revitalized again because he has so much raw potential that he can catch up to Goku in such little time. and even though towards the end it was still clear that Goku was stronger than him, it didn’t make his anger and desperation any less potent to the movies atmosphere, even up until his final moments.
He’s cocky and boastful and isn’t afraid to make jokes that other people wouldn’t like. He’s very animated as a character and that makes watching him so good. This was a huge part that needed to get right because for a good chunk of the movie Frieza has to carry it until Goku and Vegeta show up.
But sadly he doesn’t get enough time to carry the story as much as he’s able to do because of the Z fighters battle. And that battle was the most low point the movie had. This part was the padding of the movie that felt like I was back in the Dragon Ball Z television show. I mean Dragon Ball has always sort of held Goku away somehow until the last-minute, but now its starting to get old. I honestly think if the character wasn’t Frieza waiting for Goku I would have been severely bored until he showed up. Which is sad because “Battle of Gods” managed to get away from adding pointless filler fight scenes. Instead they focused on developing Beerus and making his interactions with the cast seem like it was worth caring about even though it wasn’t the main thing you wanted to see. And seeing that “Resurrection F” went back to the TV show formula, makes me a little pissed.
Literally the only thing keeping those scenes from being boring was having the new character Jaco be involved in the battle. As soon as he comes to earth he seems like he’ll just be a minor character but he sticks around for the whole movie. And whether he’s cracking jokes, being weird, or helping the Z fighters fight, every time he’s on-screen, he makes it fun. And fun is the main thing that I want when seeing Dragon Ball Z. Hopefully Jaco will show up in future installments because he’s a hoot and he made the scenes where I was waiting for Goku to show up more bearable.
The only other thing that was enjoyable about these scenes were the little throw backs when characters would use their signature attack. If anything felt like pandering in the show that was it. Just the need to throw in that many characters felt off to me. I know its Goku’s nature to be away training, but jeez can’t he just be there from the start at least once? Then we wouldn’t have to deal with all these background characters for so much of the movie. I’m not saying I don’t like Master Roshi, but I’d choose Goku over him any day.
Maybe if Lord Beerus were around during these scenes to be making jokes through out it would have made it better in someway. Because they certainly do that in the Goku v. Frieza battle. Having them standing there seems natural and adds a funny dynamic to everything that’s going in, even if it involves a maniacal Frieza. Their demeanor during this whole confrontation really makes me realize what this movie is as a whole. Even though its played as a giant battle with Frieza, it’s still just a calm before the storm. This battle is only leading up to something greater. And the film hints at that all the way through. Its made obvious that this isn’t our heroes limit, and it brings room for growth back into the Dragon Ball universe. Because now I know that if Beerus or Whis ever get astonished by something, shit is for real, and just knowing that possibility excites me.
Seeing that this is a film at the end of a long list of content for Dragon Ball, the movie can’t help but bring up things that reference other things that happened in past installments. While it may seem like fan pandering at the start, it feels just so natural that it doesn’t really ruin whats going on in the context of the movie. Never was I distracted by feats of the past because the movie is keeping you extremely invested in whats going on now. The only exception to this is probably back to the Z fighters section of the movie. Sure they acknowledge past happenings and honestly that’s sort of how people talk. When things happen to you that remind you of something else, you bring it up. That’s the same thing going on here.
Another problem with having characters like these ones who have been around so long is that they start to get stale. Everything they do becomes predictable and it can make the story stagnant. But with the previous additions of Beerus and Whis as mentors to both Goku and Vegeta, they’re bringing up issues that have plagued their characters since day one. Whether it be Vegeta thinking too much and being too tense, or Goku being too compassionate and cocky, all that is brought up in this movie and played out to where it actually turns into character growth. And anything that can show character growth after how many years deserves a fair amount of credit. However no matter how much they seem to change, Goku and Vegeta still refuse to team up together. “sigh” I guess they’ll get there eventually.
So while for the most part “Dragon Ball Z Resurrection F” was enjoyable, it still had some noticeable hiccups through out its run to make me walk away with a rather varied opinion. And honestly I would rate “Battle of Gods” higher than I do this one. But I will gladly take what I got from this movie and sure hope that when they go into future installments they get rid of a few glaring issues. But seeing that its progressing the universe of Dragon Ball in an interesting way I can’t be too hard on it. I mean come on that insert Frieza song is enough to give this movie two thumbs up.
Sony Pictures is not having a very good 2015, but they look to turn the company around with the announcement of dates for 16 films today.
Fans get not one, but two Bad Boys films. The Dark Tower could be another franchise that could pull in some serious box office numbers as well.
The Dark Tower is a series of books written by Stephen King, which incorporates themes from multiple genres, including fantasy, science fantasy, horror, and Western.
The full list of films and their release dates added to the slate includes:
Money Monster – 4/8/16
The Shallows – 6/24/16
Ghostbusters – 7/15/16
Patient Zero – 9/2/16
The Magnificent Seven – 9/23/16
Underworld 5 – 10/21/16
Passengers – 12/21/16
Jumanji – 12/25/16
The Dark Tower – 1/13/17
Resident Evil 6 – 1/27/17
Bad Boys 3 – 2/17/17
Baby Driver – 3/17/17
Barbie – 6/2/17
Uncharted – 6/30/17
The Lamb – 12/8/17
Bad Boys 4 – 7/3/19
NSFW – The one thing you can expect from Bad Boys is a shootout!
Joel and Ethan Coen have teamed with Warner Bros. to adapt Ross MacDonald’s Black Money. It will be the Coens’ next project following their release of the George Clooney comedy, Hail Ceasar!, according to the report at Deadline.
Here is a synopsis for MacDonald’s 1966 crime novel, courtesy of Amazon:
When Lew Archer is hired to get the goods on the suspiciously suave Frenchman who’s run off with his client’s girlfriend, it looks like a simple case of alienated affections. Things look different when the mysterious foreigner turns out to be connected to a seven-year-old suicide and a mountain of gambling debts. Black Money is Ross Macdonald at his finest.
Joel Silver will produce the film, and there is no shooting schedule for Black Money at this point. Hail Ceasar! is scheduled to hit theaters this February, and stars Scarlett Johansson, Channing Tatum, Tilda Swinton, Jonah Hill, Ralph Fiennes, Josh Brolin, and Dolph Lundgren (of all people), alongside Clooney.
If all the reports are true, this is a theory based on evidence that the Spider-Man reboot will be a trilogy using the comic book story Kraven’s Last Hunt as the main story arc.
If you haven’t read the comic and or don’t want the trilogy spoiled for you, stop reading now!
Heroic Hollywood is reporting that Karen Moy, the Vice President of Creative Affairs over at Sony, purchased a copy of Kraven’s Last Hunt trade paperback on Amazon.
“Right now we’re interested in seeing villains we haven’t seen before,” Kevin Feige, the mastermind behind the Marvel Cinematic Universe told Devin Faraci of Birth.Death.Movies.
Facts we know: The film with feature a new villain and Sony is researching Kraven.
We can postulate that Hollywood loves trilogies and (Spoiler) to kill Kraven in the first film would be dumb. What would makes more sense is to introduce Kraven in the first film as the main villain, have him be a presence in the sequel and then have Kraven’s Last Hunt as the third film. This would give time to develop both Spider-Man and Kraven. In the comic, Kraven defeats Spider-Man and then buries him alive. Peter Parker’s drive to dig himself out of a grave is his love for Mary Jane, his wife at the time. Visually, Kraven’s Last Hunt could be a cinematic masterpiece. Just look at the cover below. If John Francis Daley and Jonathan M. Goldstein want to take the Spider-Man franchise to the heights it deserves this would be the direction to go.
The themes would need to be changed due to youth of the current Spider-Man, i.e. what would be the motivation for Peter to crawl out of a grave. Also, would Marvel and Sony be confident enough in the story to leave in Kraven’s suicide? Marvel has shied away from darker films as they completely avoid the Demon in a Bottle storyline with the Iron Man franchise.
Denis Leary was on The Daily Show with Jon Stewart Tuesday night and Leary did his best to convince Stewart not to retire.
“It’s not too late,” said Leary. “We give [new Daily Show host] Trevor [Noah] some other show, okay? I’m telling you, me and Colin Quinn and Chris Rock will write this f—ing show for you for like [$25 million].”
“What the f—’s wrong with you? Do you know how much f—ing therapy you could buy for your kids with $50 million? They’re going to hate your guts into perpetuity. Who cares? They [could] have mansions to hate your guts in,” said Leary.
Writer/Director Adam McKay (Anchorman, Talladega Nights, You’re Welcome America) and Funny Or Die have joined forces with Archie Comics, one of the most popular comics ever produced, to bring Archie, Betty, Veronica, Jughead and the Riverdale gang to Broadway in an all-new musical. McKay is slated to bring his singular brand of comedy to the musical, writing the book for the show, with a creative team and timing for a New York run to be announced at a later date.
Funny Or Die will serve as a presenting partner. CEO Jon Goldwater and CCO Roberto Aguirre-Sacasa will oversee for Archie Comics. The partnership was packaged by Triptyk Studios (An American in Paris, You’re Welcome America, Xanadu) who will reteam with their You’re Welcome America partners for the endeavor. Tara Smith, B. Swibel and Adam Westbrook will oversee development for the company and present on Broadway.
Adam McKay said, “Archie represents a bygone era of America. And like all bygone eras, there are elements we miss and elements that should be bygone. This will be a musical that deals with both those realities in a bright, colorful and slightly demented way.”
Jon Goldwater, Archie Comics CEO/Publisher, said, “We couldn’t be more excited to partner with Adam McKay and Funny Or Die to finally bring Archie to the stage. We’ve always thought that Archie was destined to be a big Broadway star – and now that moment has come! I’ve long admired Adam’s work and the pairing of Archie’s world with his brilliant humor and sensibility is the perfect fit. We look forward to developing this project together with this incredible team.”
Source: Archie Comics Media
Hopefully McKay doesn’t use either one of these for inspiration.
Jughead does hip-hop “Sugar Sugar” (1990) Archie reunion