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Step yo’ game up God Eater! – ep. 4

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Well we got everyone back at base safe and sound with little to no trouble. One thing that I noticed last week was that even though the situation seemed dangerous, while they were on the plane, everyone in 1st unit is just so bad ass that nothing really feels like a threat. So just like the activities in this episode, I didn’t really feel any danger when the Aragami were around. Which is definitely bad. A show should never make a monster adversary lose its threat to the audience and the world. But God Eater has basically turned Aragami into crops you can farm for. Which is ironic because they actually harvest some Aragami this episode.

It seems that as of late the only things that are keeping me interested in God Eater is the awesome animation and Alisa’s hot bod. And honestly that’s not enough to keep me engaged in a show. If anything I feel like I could just go google searching Alisa and get the same satisfaction I do from watching these episodes. Because at the rate its going, God Eater is shaping up to be a major disappointment.

Like I said earlier, with everyone back at base things are starting to feel safe again. And now with 1st unit getting three new members in Kota, Alisa and, Lenka, they seem like they’ll be nearly unstoppable now. Kota is a pretty good addition to the group. I really didn’t expect to see him around again since that first episode but I guess he’s been training in the day or two that Lenka’s been in trouble. But he’s a nice addition to the team even if he doesn’t seem to pull his weight as much as the others. He brings a dynamic of not being another stoic bad ass, like the other five members of 1st unit. Theres also an interesting situation going on with his mother, who seemed actually mortified to hear that Kota passed his training to be a God Eater. Other than that though, he seems pretty bland so far. So he sort of fits right in with the rest of 1st.

Alisa is hinted at having some sort of medical problem and she also is so stupid that she can’t figure out how to work with others. I mean what is the Russian training to be a God Eater like? I highly doubt they would let someone who is this inept at teamwork be a God Eater, let alone just throw them into a unit and commence field missions. She either needs to get knocked down a peg by an Aragami or someone needs to slap her up, preferably Tsubaki.

One good point is that we’re getting to see the final goal of this endeavor, and just by the description it sounds really flawed. The plan is to get all of mankind and put them in an island where they will be safe from Aragami. But that’s only land Aragami, no idea what they’re going to do about the rest. I mean we already know that there are aerial Aragami, so I’m willing to bet there are aquatic Aragami too. But I guess this logic sounds good enough to Lenka because he is just too amazed at how big the island is to think about this plan called the “Aegis” project.

And the “Aegis” project is the reason our heroes are venturing out and farming Aragami this episode. And these scenes where they are hunting are super boring. It’s almost equivalent to watching someone farm for xp in an MMORPG. And to top it off the characters are so bland that they can’t make even make it interesting with dialogue between them, so there is literally nothing to keep you interested or invested in these scenes. The only time I actually cared was when Tsubaki confronts Alisa for being a stuck up bitch. And that is even played of like, meh. I swear, if these farming scenes keep up, I’ll be thoroughly disappointed.

Oh wait, when I said the characters were bland, I guess I misspoke. Because there is one thing redeemable trait they all have, but we already know what it was and so didn’t need the reminder. Their compassion for humanity. They find a group of survivors on the way back from farming and decide to bring them to their fortress. And immediately I knew this wasn’t going to work out for these people. The show was obviously setting it up for tragedy and nothing else. We already knew all our characters are selfless bland characters, so we didn’t really need to see it again. But the kicker is that they have nothing to do with the people being rejected from entering the fortress. Nope, it’s not our heroes fault, it’s the guards who won’t let potential God Eaters into town.

Now while I do sort of like the concept that the only allowed inhabitants are potential God Eaters and their families, the whole group being rejected that way feels cheap to me. It was clearly there to keep showing how much 1st unit cares about other people and are selfless, but still needs to throw tragedy in, just because. This way we can have the heroic characters that are admirable but aren’t to blame for the bad things that happen, because its out of their control, yawn. I think it would have been better if they found out the little girl had potential for being a God Eater and dragged her away form her family to begin her training. But to just turn them away was just meh. And ultimately thats what this whole show is starting to feel like, one big pile of meh. Come on God Eater, get back to me when you have characters worth caring about and a plot that makes me want to see how it ends up. Because currently you seem to have neither.

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Anime News Highlights for the Week of 08/02/15

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Want to know what’s interesting in the world of anime? Here some anime news highlights from the past week.

Crunchyroll to start streaming God Eater

Crunchyroll to start streaming God Eater

Don’t get me wrong, Daisuki has potential. Specifically, I appreciate their iOS player, and the ability to scrub the video forward and stop where I want easily. However, their web player quality is pretty lackluster. I want to see beautiful, HD God Eater. And yes, I know it’s on Hulu, but if I can watch it without ads, I will. Crunchyroll hasn’t specified a release date yet.

As an aside, God Eater has skipped a second week of broadcast time. I hope it doesn’t end up like Blood Blockade Battlefront, with the last episode never airing. Talk about embarrassing. I keep imagining a Shirobako “Jiggly Jiggly Heaven” situation.

Poll results for Japan’s summer 2015 anime favorites are up

Poll results for Japan's summer 2015 anime favorites are up

It always surprises me to see poll results for anticipated Summer 2015 shows from Japan differing so much from what American fans seem to be talking about. It isn’t the fact that School-Live! is at the top so much as the fact that Gangsta is so near the bottom of the list.  Also, it’s a travesty that Castle Town Dandelion is not at the very bottom, because that show is bad and it should feel bad. Oh well. At least Pillow Boys didn’t make it.

  1. School-Live!
  2. Prison School
  3. Durarara!!×2 Ten
  4. Charlotte
  5. WORKING!!!
  6. Snow White with the Red Hair
  7. Non Non Biyori Repeat
  8. The IDOLM@STER Cinderella Girls
  9. Rampo Kitan: Game of Laplace
  10. Himōto! Umaru-chan
  11. GATE
  12. SHIMONETA: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist
  13. Aoharu x Machinegun
  14. Junjō Romantica 3
  15. GANGSTA.
  16. Castle Town Dandelion
  17. To Love Ru: Darkness
  18. Ushio & Tora
  19. Overlord
  20. Rokka: Braves of the Six Flowers

How do you think the polls will come out for English-speaking fans? Take the poll on Anime News Network and help them get an accurate count! In case you’re curious, I voted for SHIMONETA.

HaruChika tv series to premier in January 2016

HaruChika tv series to premier in January 2016

I’m excited for this P.A. Works adaptation of HaruChika for a few reasons, not just because I generally enjoy what P.A. Works puts out (such as Angel Beats!, Charlotte and Shirobako). Being a former wind ensemble member myself, I find myself drawn to musically based anime series (including Sound! Euphonium, Your Lie in April, and Nodame Cantabile). Although it’s about a club in danger of dissolving, which definitely makes my “spider sense” tingle, the fact that this series is also a mystery show is intriguing. If they can manage to make it more about mystery and music and less about finding club members, I’m sold.

Red Ash Magicicadia by STUDIO4℃ funded on Kickstarter

Red Ash Magicicadia by STUDIO4℃ funded on Kickstarter

Although I don’t know much about Red Ash Magicicadia, what I do know is this: anime being successfully crowd-funded is awesome. I love that directors who feel too restricted by conservative anime production companies have this option to get potentially amazing works out to fans who genuinely want to view it. Red Ash Magicicadia follows in the footsteps of Under the Dog and Little Witch Academia 2.

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The Josh Trank vs. Fox drama About ‘Fantastic Four’ is not Over Yet

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Welcome back to another episode of director Josh Trank vs. 20th Century Fox. Previously on this drama, Fantastic Four is pummeled down by critics and moviegoers alike, and Josh Trank fires a tweet defending himself against the film studio.

Now, we start learning more and more about the situation, with insider quotes that lead us to believe that the final and terrible result of this anticipated movie ultimately might have been the studio’s fault. Alleged sources close to the situation tell Collider that, amongst other things, what was agreed between Josh Trank and Fox – mainly three major action scenes – were cut from the movie only days before production.

I was also told [that] the ending of the film was not even Josh Trank’s. At some point they hijacked the editing bay from him. To the point that the editing of the film was done without him.

To this, add Chronicle‘s writer Max Landis’ statements from his twitter account:

This is what might explain best this fight. In my article about female directors, back in June, I mentioned how little power directors have where big film studios are concerned, and I believe this is what Josh Trank has encountered. He maybe signed on to do Fantastic Four thinking that he’d be in control of the movie and Fox overstepped in his creative process. In addition to that, there’s Trank’s reaction to Fox, not only on social media, but even on set during production. Rumors about him being difficult to work with cost him the job of directing the first Star Wars spin-off, with Disney… or it might have been also true that he stepped out when he thought he couldn’t handle yet another big studio production which he’d have little control over.

The only fact is that Fantastic Four is a failure and Trank as much as Fox have to deal with the repercussions. Should have the studio trusted Josh Trank’s vision more? Yes. Should he have fought harder for what he thought was better for the movie? Yes. Instead, he became “erratic and at times very isolated” and Fox took over.

I find that the positive side of this is the experience the director has gained about how the industry works. Good luck in the future, Josh.

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Box Office: Fantastic Four Floundering

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According to Deadline HollywoodMission:Impossible-Rouge Nation has jettisoned past Fantastic Four into 1st place overall for this weekends box-office.The audience seems to have more faith in Tom Cruise and the sequel is now predicted to bring an estimated three-day total of $29 Million dollars. Fantastic Fourwhich was once predicted to bring in $40/50 million dollars is destined to bring in anywhere between $26/27 million dollars. It seems Fantastic Four’s precipitous fall in the box-office can be directly tied to the horrendous reviews and toxic word of mouth surrounding the reboot.

 

Mission: Impossible

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Real Lexus Hoverboard Will Take You Back To The Future

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Be warned. You are about to witness one of the coolest developments in technology I’ve seen this year…

Hoverboard
“Slide” by Lexus (2015)

If you grew up with the Back to the Future trilogy, at some point in your adolescence you probably dreamed of the day you could ride a hoverboard like Marty McFly. That day has finally arrived. Now you too can ride a hoverboard, just like Marty!

Hoverboard
Michael J. Fox as Marty McFly rides a hoverboard in Back to the Future 2 (1989).

The new Lexus hoverboard “Slide”  is made up of bamboo, and holds up to 50 ounces of liquid nitrogen The entire board weighs just over 25 pounds. Slide’s clever design is certainly enough to make any Back to the Future fan fall in love at first sight.

Promotional videos featuring Slide in action have recently been released by Lexus to demonstrate it’s functionality in action…

Think of all the possibilities with consumer hoverboards. I challenge you to think of a cooler way to navigate a metropolitan area.

Watch out segway boards…Lexus just “one-upped” you. Clever design coupled with memories of Marty McFly in Back to the Future 2 make Slide a rather exciting advancement in technology, and perhaps a new pastime for traditional skateboarders.

You want to really impress us Lexus? Develop a hover-vehicle…

Hoverboard
Back to the future 2 (1989)

Technology is taking cues from Back to the Future 2 continually. Oh, and hover-cars already exist of course, just not for consumers.

Will you give the Lexus hoverboard a try? Leave your thoughts in the comments below…

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[Analysis] Things Collapse on Charlotte ep. 6

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It’s over people! Its time to say goodbye to those feelings you have nurtured these last five episodes. Because those feelings belong to you, no more. Those feelings belong completely to Charlotte now. And believe me when I say that, Charlotte is going to do whatever it wants with those feelings. So hold close to those memories you’ve made with these characters these last five episode, because now is where shit gets real.

Starting off from last episode Ayumi is still sick and staying home from school. And guess what, they’ve detected an ability user in her apartment complex. So odds are, it’s most likely her. Right off the bat this begins to worry Yu more than ever. Sure it came to his mind a few times before but now with increasing evidence of an ability manifesting, the thoughts are starting to make him even moe worried.

So seeing that Ayumi is now a possible ability user, Nao, Yusa, and Yu all go over to their house after school. Nao and Yusa suggest they eat dinner together but Yu objects and asks why they can’t  just eat at home. But of course he doesn’t know that Yusa and Nao live alone and always eat dinner alone. After realizing this Yu reiterates on how Nao can’t trust anyone anymore since the scientists and her mothers betrayal. And once he sees how alone Nao and Yusa are, he reflects on the wonderful fact that he still has his little sister. So feeling bad about this, he agrees that they can stay for dinner.

Before Nao and Yusa enter though, Yu goes in first to make sure Ayumi is feeling well enough for company. And to see if she is going to be able to handle meeting her idol. It turns out she is, because three people are already there. A few of her classmates are sitting in her bedroom talking with her. One of which is the boy who she refused to go out with. Another is a preppy girl who is the class rep. And lastly a solemn girl who doesn’t really say anything or even acknowledge Yu when he walks in. Given this scene and a scene before where she scowls at the mere mention of Ayumi’s name while looking at the boy she dumped I knew where this was going. Her classmates begin to leave right after Yu enters and introduces himself, and as the solemn girl leaves she gives Ayumi a really sinister glare. There is something severely wrong with this girl.

So we get some good gags with Ayumi meeting Yusa for the first time, and boy can Ayumi make some cute faces. I feels like its rare to get a little sibling where they aren’t completely insufferable, but Ayumi is really likable, even if she has some weird quirks. She is not as one dimensional as other characters in her position and makes the time she’s on-screen more meaningful because of that. We also get some more relationship situations with Yu and Nao both doing the dishes together. And with Ayumi being sharper than she looks, comments multiple times talking about if they were dating and how good for one another they are. But sadly both Nao and Yu rub it off as teasing and don’t even seem to consider the fact. Every episode their chemistry becomes more and more apparent. I just hope there is some realization here sooner than later. But of course that will need to come after Nao gets over her trust issues and Yu gets over his solitary issues.

Lastly Ayumi talks about a nightmare she had where she was falling into cracks in the earth that would spread around her. Yu and Nao both take it as some sort of sign that her powers will manifest and that they could be extremely dangerous. Seeing that the ability is called “collapse” and the fact that Ayumi is becoming more and more likely to be the ability user starts to scare Yu even more now. And being overly cautious he, with Nao’s affirmation, makes Ayumi stay home one more day after her fever subsides.

But Ayumi hates being still more than anything, so she sneaks out of the building after Yu leaves and goes to school. But it’s not kept a secret for long because Nao is informed by the school that she showed up halfway through the day. Being worried that her power may manifest and cause massive damage, the student council rushes over to her school to get her out of there.

Meanwhile at school the boy that likes Ayumi keeps making advances at her to the point where the class rep has to step in. Clearly this kid is not getting the message that she doesn’t like him that way. And the fact that he acts so desperate really makes him seem sad in a way. But whatever hang ups he has is nothing compared to that solemn girl. Because she straight up chases Ayumi around with a file knife after confessing that she liked that boy. And that ever since Ayumi showed up things have been going wrong. There is literally no reasoning with this girl or the crazy look in her eye as she corners Ayumi at the top of some stairs. This is where, after finally being backed into a corner Ayumi’s power manifests and proceeds to collapse a huge part of the building with her falling into the thick of the debris.

The student council arrive too late along with some other girl who we haven’t met yet. From the looks of her uniform it doesn’t seem like she goes to the same school as the other. But somehow she knew that this was going to happen. Maybe she is part of another group going around and saving kids with abilities too. Either way she is bound to clash with our student council eventually, so we’ll find out then.

As for the collapse, it’s a big mess and Ayumi is nowhere to be found. Yu runs screaming her name not giving head to Nao’s warning. Frantically he sorts through the rubble, lifting big pieces of building up and tossing them aside as he digs for his sister, all the while screaming her name. But he should have listened to Nao’s words of warning because a piece of the building above him begins to crack, and falls towards him.

So I think its safe to say this episode of Charlotte delivered everything I was hoping for. The show is clearly transitioning into something heavier and is doing its shift change very well. Like I said before, everything that happens beyond this point will be so much more impactful since I’ve got to know these characters so well. Just the fact of not knowing what is going to happen with Ayumi is killing me right now. And that’s what a show like this needs to do. If the audience isn’t feeling for characters, then the story that is yet to come won’t be as impactful as it needs to be to get its point across. But Charlotte expertly set up its pins and is so far expertly knocking them down. And it also knows better than to show its whole hand and to still keep secrets from us. Like the mysterious girl who shows up at the end of the episode.

I really couldn’t find any flaws with this episode or things that I didn’t like. This episode reaffirms exactly what I thought this show was going to be like and I’m not disappointed in the slightest. And with us only six episodes in I only hope that my heart can hold itself together until the end.

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Nightmare on Elm Street returns

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According to Entertainment Weekly, Freddy Krueger will be haunting your movie nightmares once again. New Line Cinema is in the early stages of development of a new Nightmare on Elm Street film. David Lee Johnson has been hired to pen an update version to the landmark horror franchise. This was attempted once before in 2010 with Jackie Earle Haley in the iconic role of Freddy Krueger. New Line has not reached a point where they are ready to make any casting announcements.

 

Who would you cast to play Freddy Krueger?

 

freddy-krueger-blue-silhouette-31000_1317066079

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One Punch Man Gets a Full Trailer

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One Punch Man is one of, if not the, best looking manga I’ve ever seen. The detail, style, and zoom effect all work together to create this mind-blowing art.

One Punch Man Gif 1
Click on this… you will thank me

This GIF, and others like it, are just panels of the manga cropped and strung together,

One Punch Man Gif 2
Click this one too

 

Murata Yuusuke, the artist of One Punch Man, spends a crazy amount of time not only drawing these ridiculously detailed panels, but also lots of them, creating of the most readable, and GIF-able, manga out there.

One Punch Man Gif 3
And this one

One Punch Man has a unique history, because it wasn’t always this gorgeous (as seen in the cover photo), it was originally, and still is running as, a web comic by the artist ONE, and looked more like this.

One Punch Man Original

 

The clever premise and hilarious writing caught the attention of Murata Yuusuke, of Eyeshield 21 fame, who began adapting it into manga.

 

One Punch Man Comparison
Left: Manga, Right: Webcomic

Of course, the writing paired with that art caught the attention of animation production studio Madhouse, who has begun the task of animating this fantastic series.

Which leaves us here, with the first full trailer (the first was really just glorified text), while it isn’t as gorgeous as the manga, an impossible goal… really, it’s still really good-looking. With great music to boot.

The Voice cast is pretty great as well. Gray (From Fairy Tail)’s voice as Licenseless-Rider is perfect, literally perfect.

Hype continues to grow as the Fall Season October release date nears.

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Box Office Report: Fantastic Four Flopping

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According to “Deadline Hollywood”, Fantastic Four which was tracking for a 40/50 million dollar weekend seems now destined for a lethargic box office gross of around 28 million dollars. It seems that reviews plus word of mouth is starting to have an impact on the film. Further complicating matters, Mission:Impossible-Rouge Nation is in a dead heat with the lackluster reboot and could very well take the top spot this weekend.

fantastic-four-poster1

 

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Justice League: Gods and Monsters BLU-RAY REVIEW

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If you’re a fan of Warner Bros. and DC Entertainment’s original animated features, or if you have fond memories of the “Batman”, “Superman”, and “Justice League” animated series of the 1990’s and 2000’s, you’re going to really enjoy Justice League: Gods and Monsters. Exceptionally well conceived and written, it’s a standout entry in this series of direct-to-video animated movies, fueled by an intriguing “What if?” premise, fully-realized and superbly voice-acted characters, and a mystery plot that should keep you guessing until the end.

Set in an alternate universe, the superpowered beings known as “Superman”, “Batman”, and “Wonder Woman” and the “Justice League” they comprise are vastly different than the ones audiences and fans have come to know. They protect the world and its people, but they do so on their own terms, dealing with their enemies with extreme prejudice. This goateed, trenchcoat-sporting Superman (voiced by Benjamin Bratt), while he was raised on Earth by humble, impoverished parents and thus considers himself a champion of the weak and helpless, sees no need for a meek alter-ego and carries himself with an arrogance that’s literally written into his Kryptonian genetic heritage. The Batman of this world (Michael C. Hall, Showtime’s “Dexter“) is far more the nightmare monster of Gotham’s urban legends, a vampire-like creature whose powers and thirst for blood are the product of an experimental medical treatment gone wrong. And in perhaps the most radical difference, the red-haired, sword-wielding warrior known by Earth’s people as Wonder Woman (Tamara Taylor, TV’s “Bones“) isn’t from Earth at all, but from New Genesis, the world of the New Gods and the sister planet of Darkseid’s Apokalips.

Together, the League looks down at the world that both reveres and fears them from the comfort of their tower high above Metropolis’s tallest skyscrapers, doing what they see fit to do to make the world a better place with little regard for what the world’s human authorities might have to say about it, while each pursuing their own individual agendas and pet-projects. That is, until some of the world’s greatest scientific minds start turning up brutally murdered in ways that suggest each of the Justice League’s individual powers and methods. As the evidence mounts and public opinion turns even further against them, they set out to uncover the mystery of who is out to frame them and make them targets of the very people they work to protect. That search for answers will lead them to uncover other mysteries regarding their own origins, as well as lead them into a fight their physical superiority never let them think for a moment they’d find themselves in: a battle for their own survival.

Justice League: Gods and Monsters blu-ray

Justice League: Gods and Monsters marks the return of “Batman: The Animated Series” co-creator Bruce Timm to the DC Animated Universe after he stepped down from his position as DC Animation Supervisor in 2013. He teams up with his old partner in crime from the “Batman” and “Superman: The Animated Series” days, writer/producer Alan Burnett, to bring home on video what is without a doubt one of the finest features in this series in recent years, if not in its entire history. While it’s Timm’s signature visual style that might at first seem like this feature’s most appealing quality, what benefits it the most is that it’s an original story, as opposed to the entries in the series that are adapted from popular DC Comics print story arcs that often come off as simply watered-down and less compelling versions of their source material. Burnett’s screenplay for that original story shows once again his talents for storytelling and crafting compelling and sophisticated dialogue that sounds natural and organic to the film’s plot and tone. Too often of late, the scripts for these DC Original Animated Features have suffered from subpar writing that the film’s editors try to cover up or compensate for by devoting more screen time to action and explosions rather than dialogue and genuine characterization. If you had previously given up on going out of your way to watch these movies or add them to your collection because the level of writing has fallen off so precipitously, now’s the time to come back to the fold. Burnett’s work here will reward you for it.

In terms of voice acting, Justice League: Gods and Monsters features an impressive list of talent, led by Benjamin Bratt, who delivers very solid and believable work here as an edgier, more unsettling Superman, one capable of kindness and charm one second and ruthless, efficient death-dealing the next. Tamara Taylor arguably gets to have the most fun with her character, a Wonder Woman whose approach to flirtation and physical intimacy is as subtle as her approach to combat, while Michael C. Hall brings just the right dose of humanity to the voice of a Batman who no longer sees himself as human in what is the film’s deepest emotional story thread. Veteran character actors C. Thomas Howell and Jason Isaacs (Lucius Malfoy in the Harry Potter film series) also deliver memorable work here voicing this universe’s Will Magnus and Lex Luthor, respectively. Overall, the ensemble, under the guidance of voice director Andrea Romano, delivers a performance that’s worthy of Burnett’s fine script, one that sets the bar high for future releases in this series.

Speaking of future releases, it’s important to note that of the extras included on the release of Justice League: Gods and Monsters, perhaps the most compelling is the featurette focused on the next entry in the series, Batman: Bad Blood, which is scheduled for a Fall 2015 release. A direct sequel to April 2015’s Batman vs. Robin, Batman: Bad Blood features what looks like an original story that will introduce Batwoman/Kate Kane to the DC Animated Universe for the first time, as well as feature Nightwing/Dick Grayson forced to take up the mantle of Batman after Bruce Wayne’s disappearance. The featurette includes numerous interviews with the film’s producers, director Jay Oliva, and its cast, and builds up what might prove to be a strong rebound from the disappointing Batman vs. Robin. Also, the “gift set” edition of this release comes with a Wonder Woman action figure in the style of the film, a must-have for collectors (see photo above). All in all, as long as you’re comfortable with a slightly more intense level of animated violence and suggestive content than you usually get in these releases, it’s a worthwhile package of home entertainment for the DC Comics fan in your household, and further proof that while what Warner Bros. and DC Entertainment is doing with their film adaptations may seem questionable, they still know what they’re doing when it comes to bringing their licenses home to the small screen.

Justice League: Gods and Monsters
Starring the voice talents of Benjamin Bratt, Michael C. Hall, Tamara Taylor, C. Thomas Howell, Jason Isaacs, and Richard Chamberlain. Directed by Sam Liu.
Running time: 76 minutes
Rated PG-13 for violence throughout and suggestive content including nudity

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