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Wes Craven’s Seven MUST See Films

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I must acknowledge the passing of the great horror director/writer/producer and sometimes actor Wes Craven—let’s give a shout-out to his appearances in Jay and Silent Bob Strike Back and Castle to name a few. Wes Craven will be remembered as the man who created the Nightmare on Elm Street franchise with Mr. Freddy Krueger that made is difficult for EVERYONE to sleep after getting a gander. Craven directed three installments in the franchise, the original version, A Nightmare on Elm Street 3: The Dream Warriors, and Wes Craven’s New Nightmare. Another very successful franchise in his arsenal is the Scream series and the Ghostface killer that he co-created. His passing has truly saddened my heart and the fans of wonderfully campy slasher horror films.

Below is out list of MUST see Wes Craven films in order of inception. Some of them are not strictly horror, but they do give us a glimpse into the oddities floating around in the Slasher Master’s head. We will miss you always Wes.

The Last House on the Left (1972)
The Last House

The story of two teenage girls out for a night and fun, in the form of a rock concert, and a little bit of mischief in the form or scoring and smoking some grass. Things turn sinister when they are kidnapped and brutally attacked by a group of crazed convicts. One of the girls makes it out alive and finds her way home. A storm hits, and the gang finds shelter at the summer home of the escaped girl. Her parents, realizing who they are, devise a plan full of blood and revenge. I guess parents really will do anything for their children…that includes torture, maim, and murder! Criminals BEWARE.

The Hills Have Eyes (1977)
The Hills

This is no National Lampoons Vacation and no Walley World at the end of their journey. Talk about a family vacation gone wrong. The Carter family are taking a cross-country trip in their camper when they experience some car trouble. They stumble upon a dilapidated gas station in the middle of nowhere where they find an old man trying to hang himself. They stop him and he tells them the story of his deranged cannibal kin living in the hills, warning them that they should get out of there post-haste. The family never stood a chance against this mob of opportunistic robbers looking for their next meal of human flesh.

Swamp Thing (1982)
Swamps

Craven delves into the world of DC comics with this campy gem. The story centers around Dr. Alec Holland, a researcher studying plant species with sister and research partner Linda in the Louisiana bayou, in hopes of developing a hybrid that can survive under harsh conditions. Enter government agent Alice Cable, played by the vivacious Adrienne Barbeau. Romance blooms. The team makes a breakthrough, but unbeknownst to them, the evil Dr. Anton Arcane, a man obsessed with immortality, breaks into the research facility and steals the formula. During the attack Dr. Holland also becomes covered in the chemicals compound he created, he catches on fire, runs screaming into the swamp, and there he becomes the Swamp Thing. With this effort Craven is one of the few directors at the time willing to take on the “comicverse” and make it into something cool and watchable. His horror contemporaries were happy to remain in the genre where Crave was willing to take chance. It’s still campy, but he definitely caught my adolescent eye with this one.

A Nightmare on Elm Street (1984)
nightmare_on_elm_street_uk_poster_1984

We all know the story. A child molester and killer, Freddy Krueger, is a acquitted on a technicality. An angry mob of parents hunt him down, trap him a building, and then burn him alive inside. To get his revenge on those he believes have wronged him, he returns as a ghost in the dreams of the children of his murderers. With his dirty green and red sweater and claw made of blades, he sets out on a path to slash his way to his retribution. One, two Freddy’s looking for you; Three, four better lock your door; Five, six grab your crucifix; Seven, eight better stay up late; Nine, ten never sleep again.

The Serpent and the Rainbow (1988)
Serpent and the Rainbow

This film is loosely based on the non-fiction book of the same title. Dennis Alan (Bill Pullman), an ethnobotanist from Harvard, barely escapes the Amazon jungle after acquiring some rare herbs. Upon his return he is approached by a large pharmaceutical company that contracts him to go to Haiti to find the origins behind an elixir, used in Voodoo rituals, that can turn people into zombies. They plan on mass producing the substance and using it as “super anesthetic.” When he arrives in Haiti he is thrown into a dark unknown world of folklore, rituals, and human sacrifice. Will he survive with his or his sanity? Check it out.

The People Under the Stairs (1991)
People Under The Stairs : Cinema Quad Poster

Another campy fun “horror” film from Wes Craven. Poindexter “Fool” Williams, our 13-year old burglar/hero, breaks into the mansion of his slumlords, the Robesons, along with two thugs from the neighborhood after being notified that his family are being evicted. He gets trapped in the house with the deranged, incestuous sister and brother duo who has been kidnapping children for years to raise as their own; that is until they disobey or disappoint them and then they go under the stairs to be replaced by another. Alice (AJ Langer), their “daughter” works to help Fool escape and to stay alive in the house of horror. In casa de la Robesons you speak no evil, hear no evil and see no evil, or you go under the stairs.

Scream franchise (1996- )
scream-poster-cast

Aaaahh, Sydney (Neve Campbell). Who doesn’t know about the tragic story of Sydney Prescott and her murdered mother? In the first installment we meet her and horror filmed obsessed friends a year after the death of her mother. Two students have turned up dead and gutted and Sydney begins to suspect that the murders are somehow connected with of her mother’s death. Enter the Ghostface killer, who begin to pick off her friends one-by-one. But why is the killer so determined to make the young Ms. Prescott suffer? Because she had lived a charmed life and idea of her having to suffer for the sins of our “fathers” like the rest of mere mortals is only fair. In the following films of the Sydney saga she begins to understand the full extent of her mother’s treachery and the trappings and destruction that fame can cause.This is a true example of the sins of our parents coming home to roost.

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Season Four of Arrow: The End of Olicity?

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For most of Arrow’s fanbase, Olicity is the bane of their existence and one of their biggest complaints of season three. However, change may be coming in the upcoming season fourth season, according to TheArrowVerse.com stating:

“According to sources at Dragon-Con a scene that is the “opposite” of the one featured in Season 2 – seen below – will be featured in Season 4 and will feature Oliver and Laurel. The scene in question was one that many fans (non-Olicity blind) call one of the most powerful that the show has delivered as it featured true chemistry between characters and very powerful dialogue.”

 

Now, this could be pure speculation and what they mean by opposite, is up for interpretation. Season four could very well be the end Olicity, because it isn’t a matter of if, but rather when.  Anyone with any sort of understanding about the Green Arrow character, knows within his mythos Black Canary or Dinah “Laurel” Lance, is the Lois to his Superman or Mary Jane to his Spiderman. So unfortunately Felicity fans, there is a time table on their romance within Arrow and if this information is true, it could very well be coming to a close this season.

Katie Cassidy has gone through some drastic changes in her role as Laurel through the last three seasons, physically and emotionally. The same can be said for the fans, which have gone from hating the character to wishing she takes on an even bigger role on Arrow, one of which is her relationship with Oliver. Whether it happens this season, the next or even two from now, it will happen. However, fans need to remember Arrow is a drama and sometimes story lines like Oliver’s relationship with Felicity, are needed in order to incite the drama that drives the plot, as well as story.

Just have patience Arrow fans, because Olicity is coming to a close and it could very well be this season if this information is correct.

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Jason Momoa, No Jokes About His Aquaman

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There are very little things that we do not know about Batman v Superman: Dawn of Justice, thanks to the internet, but one the characters that we’ve haven’t heard too much about is Jason Momoa’s Aquaman.

Momoa was at Fan Expo in Toronto over the weekend and he was asked about how he would portray Aquaman on screen.

“I can’t see me busting out a bunch of jokes. I mean, I don’t think it’ll be like that. I don’t think Aquaman’s going to be raping and pillaging any villages,” said Mamoa.

“You know, it’s cute and funny, I mean people make fun of him and there’s a bunch of jokes about him, but I’m like ‘Well, just wait. Let’s just wait a little bit, and then we can make jokes,’” said Mamoa.

Watch the complete interview below.

Batman v. Superman: Dawn Of Justice is directed by Scott Snyder, and stars Henry Cavill, Amy Adams, Jason Momoa, Ben Affleck, Jesse Eisenberg, Gal Gadot, Jena Malone, Jeffrey Dean Morgan, Diane Lane, Ezra Miller, Jeremy Irons, Holly Hunter, Michael Shannon, and Laurence Fishburne.

The film is set to open worldwide on March 25, 2016

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‘Rogue One’ character revealed ?

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mads

 

For those of you who may not know, actor Mads Mikkelsen has been cast in a yet to be revealed role in Star Wars: Rouge One. I want you to take a look at how Mr. Mikkelsen signed his autograph on this Star Wars poster (Image courtesy of our friends at RebelForce Radio). He put the name Galen underneath his name. Do any of you super fans remember who Galen is? Could it be Galen Marek who just happens to be Darth Vader’s human apprentice?

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Danny Boyle: Trainspotting sequel will happen, 20 years later

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Danny Boyle confirms his next project: a Trainspotting sequel that would include the original cast from 1996.

The director’s last movie, Steve Jobs, premiered this past weekend at Telluride Film Festival, during which Boyle told Deadline about the Trainspotting sequel that John Hodge has written. Hodge also penned the 1996 feature, which he was nominated to an Academy Award and won a BAFTA for in 1997. It was based on Irvine Welsh’s homonym novel and Trainspotting 2, the title Boyle referred to, is inspired by the author’s Porno, a follow-up to his original story.

Trainspotting

“All the four main actors want to come back and do it. Now it is only a matter of getting all their schedules together which is complicated by two of them doing American TV series”.

Those two actors cited as working on American tv shows are Jonny Lee Miller (Sherlock Holmes in Elementary) and Robert Carlyle (Once Upon a Time).

In 2007 Boyle stated that he wanted to wait at least until the actors were in their 40s to make the sequel. “I could make it now, but the problem is they all look the same. I want them to look ravaged by the passing of time,” he said. By then, Ewan McGregor wasn’t so keen on the idea of a sequel after reading the book and not finding it interesting enough. But years later he was asked about it once more, to what he responded: “I’m totally up for it. I’d be so chuffed to be back on set with everybody and I think it would be an extraordinary experience”.

The fourth lead that would be back for the Trainspotting sequel is Ewen Bremner, who we saw in Snatch (2000).

After 20 years since Trainspotting was released and became a hit, can the sequel rise up to the level? The jury is still out for us in Monkeys Fighting Robots, but is this good news to you?

 

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The Best Anime Series of 2015: ‘Gangsta.’

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Whether you’re an anime fan who considers themselves the most hardcore Otaku or your only anime experience, comes from growing up on Toonami and Dragon Ball Z, it doesn’t matter. If you aren’t watching Gangsta. already, then you need to start now.

Generally, some of the biggest turn offs for those who can’t get into anime or even fans of the genre, come from what they view as too linear story lines, focusing on one dimensional characters and filled with overtly long exposes on powers and plot, as well as blatant fan service and pandering. These issues for some, deter them away from getting into anime or annoy longtime fans, in the same way comic clichés annoy longtime comic readers. Luckily, none of the above complaints that give anime the stigma it does as an entertainment genre, are even remotely applicable in Gangsta. and it’s what makes it one of the reasons, it’s the best new series of 2015.

Only 9 episodes released so far and 37 manga chapters deep, Gangsta. focuses on two “Handymen,” Nic and Worick, who engage in essentially a variety of mercenary like jobs, that are either too dirty or too politically involved, for the other inhabitants of  the city of Ergastulum, to engage in. These Handymen are the only neutral force in Ergastulum, controlled by three ruling mafia families and one mercenary guild. This city is rife with tension between normal people and the “Twilights”, who are physically enhanced superhumans, originally created as military weapons but, are no longer needed in the current world. It is from this conflict between humans and Twilights, that runs as the main overarching plot point of the series.

 

Simply put, this is a series you need to be watching.

 

Most of what makes Gangsta. so original or even enjoyable for that matter, is that it doesn’t feel like an anime, outside of the animation element and some slightly over the top comedic scenes. The two main protagonists are not teens, but men in their 30s who are extremely flawed in their character. Nic is bordering mentally unstable and consistently overdosing on medications, to help him defeat stronger opponents. While Worick, is a gigolo who suffered severe child abuse at the hands of his father, leaving him physically scarred. This “physical scarring”, leads to one of the biggest plot pieces of Gangsta., between himself and Nic, who aren’t exactly as friendly with one another as the early episodes would led you to believe. Then there is Alex, the main female character who is a former prostitute, recovering from mind altering drugs used by her former pimp to essentially control her, with her own dark past which is slowly being revealed in the series.

The biggest things that people hate about anime, just aren’t an issue or even evident. The characters have depth and some real baggage to them. They don’t win because of friendship or some magical new transformation, but rather from pure luck or just grinding their way to a passable victory. The plot lines themselves have multiple layers and conflicts, as well as a history behind them that reflect more grounded storytelling, in how characters are motivated. Then there is the violence, which is gritty to the core but, nothing completely over the top, even if some of the abilities are exaggerated. Gangsta. is an interesting story, with phenomenal characters that hold more than one dimension, in what makes them tick and act. Everything about Gangsta. pushes it outside of the typical anime and really, just boils down to being a great story. Simply put, this is a series you need to be watching.

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10 Directors who Should Make ‘Y: The Last Man’

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Y: The Last Man was a critically praised comic series from acclaimed writer Brian K. Vaughn. It was a series set in a post-apocalyptic/dystopia sci-fi series set in a world where all mammals with a Y chromosome suddenly die, except for one young man, Yorrick Brown and his pet monkey who travel across the world. It was a series that won the Eisner Award in 2008 for Best Continuing Series. The series was known for post-apocalyptic images, the impact of an event on society, social commentary about politics and society and its dark comedy.

But an adaptation of Y: The Last Man has been languishing in development hell for years and the film rights for the series have reverted back to Brian K. Vaughn. Disturbia‘s D. J. Caruso and Portal: No Escape‘s Dan Trachtenberg have been linked to direct an adaptation.

Last week we at Monkeys Fighting Robots looked at how an adaptation of Y: The Last Man could be made, whether it should be on film or TV. This week we will look at ten directors who could and should adapt the comics to the screen.

J.A. Bayona
ja-bayona filming the impossible

Hailing from Spain Juan Antonio Bayona, better known as J. A. Bayona is one of the top directors to emerge from the Iberian Peninsula in recent times. His debut movie was the excellent Spanish horror movie The Orphanage, a chilling ghost story oozing with atmosphere as a mother searches for her lost son who disappears when visiting the haunted orphanage she growth up in. His follow up film was the disaster drama The Impossible, an incredible feat because of the amazing performances by Ewan McGregor and Naomi Watts and for Bayona’s skill at recreating the scale of the 2004 Tsunami, showing both the destruction the wave caused and the crisis in Thailand afterwards.

Bayona is a rising star, his next film is an adaptation of the critically acclaimed children’s novel A Monster Calls, set to be released in the fall of 2016 and he has been attached to direct a sequel for World War Z. Imagine what he could do with Y: The Last Man.

J.C. Chandor
jc chandor still

Known for making Margin Call, All is Lost and A Most Violent Year J.C. Chandor is another emerging director. His rise has been miraculous in four years, making three critically acclaimed dramas; the lowest raised on Rotten Tomatoes, Margin Call still has a 88% rating.

Chandor has shown himself to be an ambitious writer/director in his short career; Margin Call is considered one of the best movies about the 2008 Financial Crisis, making it accessible to all audiences, not just people with economics degrees. All is Lost was a one man show for Robert Redford, surviving at sea and A Most Violent Year was a crime and family drama set to the backdrop of the most violent year in New York City’s history.

His experience with All is Lost and A Most Violent would put him in good stead for a Y: The Last Man adaptation, combining Yorrick, Agent 355 and Alison Mann’s travels across America and the World without being spotted and the showing the collapse of society through their eyes. Chandor does deserve a chance to work with a bigger canvass.

Alfonso Cuarón
alfonso cuaron
Mexican director Alfonso Cuarón is one of those directors who film fans want to direct any major project going. He is a filmmaker who has shown his ability tackling family movies to dark adult ones, comedy to dark and has handled many different genres. Cuarón has shown himself to be a technical master, making Gravity that had some of the most breathtaking CGI put to screen and with cinematography Emmanuel Lubezki they have produced some amazing long-takes and steady cam shots.

One of Cuarón’s best movies is his loose adaptation of Children of Men, a sci-fi dystopia set in a world where no babies have been born for 18 years and Britain becomes authoritarian state to keep order. A Y: The Last Man movie could easily follow in the footsteps of Children of Men, looking at a society where people face their extinction and could look at the event that forces the change in society. But it is a double edged sword because would Cuarón want to revisit similar material with a similar plot. Still, we can dream.

Ava DuVernay

Ava DuVernay also directed the documentary My Mic Sounds Nice: The Truth About Women in Hip Hop.

Since the success of Selma last year Ava DuVernay has become a director-to-watch and has the potential be one of the biggest female directors and African-American directors in Hollywood. She was linked to direct Black Panther for Marvel but left the project because of creative differences.

DuVernay’s work on Selma was a great realization of the work of Martin Luther King Jr and the Civil Rights Movement. With David Oyelowo, actor and director were able to bring out the personal struggles and dilemma that Dr. King and the showing the wider context of the Civil Right Movements, from the various political organizations and individuals involved and looking at American society as a whole in the 1960s, using Selma as a catalyst. This experience would make DuVernay an excellent fit for a Y: The Last Man movie, being able to show Yorrick’s personal dilemma, the social realignment of society and looking at social and political issues that is affecting women in America and around the world.

Ari Folman
ari-folman still
Israeli director Ari Folman is best known to international his animated documentary Waltz with Bashir, winning the Palme d’Or and Best Foreign Language Film at the Golden Globe Awards and César Awards, as well as being nominated for Best Foreign Film at the Academy Awards. Folman is a unique director because of his use of animation to retell his experience as a soldier in the 1982 Lebanon War. His follow up was a unique sci-fi offering, a live-action animated hybrid The Congress set in a world where actors sell their appearance for virtual reality films, showing the effects of this on one actress, Robin Wright.

Folman is a talented man and he has shown there is a market for mature animated movies and his previous work has shown he could tackle the themes of Y: The Last Man. Also the main antagonist is an Israeli army officer, so Folman Israeli background can fresh her out.

Alex Garland
alex garland still
Alex Garland is a talented writer, writing novels like The Beach and The Coma and he has become one of Britain’s best known screenwriters. He has gained a lot of praise for his directional debut Ex Machina, a taut sci-fi thriller with a small cast looking at the future of artificial intelligence, its potential impact on society and the philosophical issues regarding the breakthrough. He is a director to watch.

All of Garland’s work as a screenwriter has been in the sci-fi genre, including 28 Days Later and Sunshine and he has success adapting Dredd and Never Let Me Go. If he could recreate his work on post-apocalyptic setting of London in 28 Days Later and the dystopia societies of Dredd and Never Let Me Go it serve as a great template for what he could do for Y: The Last Man, showing devastation to major cities and the effects of the lost of men on society.

Drew Goddard
drew goddard sxsw

Drew Goddard is best as a writer, working on shows like Buffy the Vampire Slayer, Alias and Lost (a show that Bryan K. Vaughn also worked on). He also wrote Cloverfield and made a real name for himself with his directional debut The Cabin in the Woods, a movie praised for how it subverted cliches of the horror genre. He has been approached by Sony to direct a Sinister Six for Sony and has acted as the show runner for Daredevil on Netflix. Goddard’s work on sci-fi with a comedic edge would be a great match for a Y: The Last Man adaptation on movie or TV. Goddard is a director and writer whose stature is growing: his next movie is the eagerly awaited adaptation of The Martian, directed by Ridley Scott.

Andrew Niccol
andrew niccol still

New Zealander writer/director Andrew Niccol is known mostly in sci-fi, making S1m0ne, In Time and most importantly Gattaca. Gattaca would serve as a fantastic example for any Y: The Last Man adaptation to follow. Gattaca is a movie set in eugenics-based society where people are split into two classes, the genetically pure and the impure underclass whose only lot in live to menial jobs. Gattaca was a fantastic movie for its realisation of a world based on genetic discrimination, a scary prospect for our future and style of using a retro-futurism iconography.

Many of Niccol’s movies have a social commentary; In Time being about the divide between rich and poor, with the main character being found out he was poor because the rich don’t need to run. Lord of War was about the weapons trade, particularly how it effects developing nations and Niccol’s most recent movie, Good Kill, looked the morality of drone warfare. Niccol could easily transfer this approach to a Y: The Last Man adaptation, a series that was filled with social commentary about gender issues and general issues effecting the United States.

Matthew Vaughn
matthew vaughn still

Three-Fifths of Matthew Vaughn’s filmography have been adaptations of comic books (Kick-Ass, X-Men: First Class and Kingsman: The Secret Service) and his other two movies are adaptations of novels. Vaughn has become a cult director who has made cult movies, satirizing Bond films and superhero movies while also paying homage to them.

Matthew Vaughn’s movies has become known for their bright colors and dark humor, juxtapose with brutal moments of violence and sincere moments of emotions and character development. This approach would be perfect for a Y: The Last Man adaptation. His comic book movies do actually look like a comic book come to life and he has been able to make difficult projects succeed, such as rebooting the X-Men series, adapting tough material like Mark Millar’s troublesome Kick-Ass and the fantasy film Stardust with its multiple plotlines.

Matthew Vaughn is a man who loves a challenge, he turned down the opportunity to direct X-Men: Days of Future Past, choosing to direct ‘Kingsman’ instead: great for us because we got two great action movies. We would love to see what Matthew Vaughn could do with other comic book adaptations.

Joss Whedon
joss whedon still

Joss Whedon is a fanboys favorite, known for work on Buffy the Vampire Slayer, Firefly and of course The Avengers. Whedon is a huge comic book fan having worked on projects for Marvel and DC and helped write the Buffy the Vampire Slayer comic book sequel.  He is also a self-confessed fan of Y: The Last Man and has Brian K. Vaughn wrote issues of the Buffy the Vampire Slayer comic.

A Y: The Last Man project, whether it is on film or television, would be a perfect property for Whedon. Whedon’s projects tend to have strong female characters, so a project set in a world of women would be fantastic for him and his trademark witty dialogue would be right at home with Vaughn’s style of humor and satire.

Whedon has developed a lot of cache in Hollywood since The Avengers‘ billion dollar haul but the filming of Avengers: Age of Ultron was a more troubled shoot because his obligations to tie in treads for future Marvel movies. Whedon would want to find a project that would give him more creative freedom.

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[Review] Nothing really matters – Charlotte ep. 10

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You know I really thought that Jun Maeda had learned his lesson when he made Clannad: After Story. But Seeing that Clannad was a huge success among fans I now see that what he learned isn’t that it was bad, but that people eat that shit up so much that he might as well just do it again. I hated this episode of Charlotte, like legitimately hated it. But I don’t think that it necessarily was a bad episode either. It’s the concept and where they’re taking the story is something I absolutely hate. So before you just write me off let me get into why this episode may have ruined Charlotte for me.

Episode Summary

Shunsuke recollects how he went back in time over and over until he arrived at the spot he is now. He then lets Yu steal his power of time leap and goes back into the past and saves Ayumi.

Episode Thoughts

For me everything that goes down hill in this episode starts in the very beginning.  Where we recollect the many times that Shunsuke goes back in time and just re-lives things over and over again until we get the reality where the show is set in. Now theres nothing wrong with this idea in concept. In fact my favorite anime Puella Magi Madoka Magica has basically something like the first half of this episode. But the reason it works in Madoka and the reason it falls on its face here is because one major reason. No one cares about Shunsuke and his friends! Now when I say that I’m talking about us as viewers. And sure you might be interested in them but I don’t think anyone is emotionally invested to make these flashbacks even matter from a character perspective. It doesn’t matter what happens to these kids because they showed up for five seconds last episode and we don’t know anything about them. And the flashback doesn’t help flesh out their character because it’s constantly jumping around trying to get the plot points it needs from these flashbacks.

Madoka on the other hand handles the time travel flashback almost perfectly. First of all its a main character who was instigating time travel. So were following someone we’ve known about throughout the show and have seen there actions but now get to link them to motivation. This creates a through line for all the things that have led up to this point. And since the character has been around from the start it means something as a viewer because we have had time to connect with that character. This connection also applies with the characters seen in the flashback sequence in Madoka. It’s not just a random slew of kids we barely know and kids we don’t know, it’s all the characters that you have seen through the show and that have made an impact thus far. The only people that we can say that about in Charlotte is Yu and Ayumi which have a minute screen time in this ten minute flash back. Sure Shunsuke loves his siblings so much that he would go blind for them but I think that emotion doesn’t have the impact it should have because I don’t care about him. The only importance he has is that he’s important to Yu and Ayumi and that’s it. And maybe Nao a little too. In the end the flashback just felt like exposition. And with over ten minutes of exposition with characters we don’t care about is boring.

So with half of the show being boring for me I at least thought that the stuff with Yu going back in time to save his sister would be good. But yet again this is something that seems good in concept but actually fails in execution. And this is something you can actually trace back to the artist Jun Maeda. Like in his earlier work Clannad: After Story, Jun pulls off the same trick here of having your cake and eating it too. For the sake of not having this article go on forever I’ll leave out the events in Clannad. Just know that concept that I’m going to describe happens in Clannad as well.

The fact that Yu saves Ayumi runs everything! It ruins the character arc that Yu went through. It ruins the way he had accepted to live his life after Ayumi’s death. It ruined the connection he had made with Nao. All of these things are ruined by the simple fact that he’s able to save Ayumi’s life.

Okay so I guess I need to explain myself further for you to understand what I mean here. So I’ll start with Yu’s character arc first. The whole point of Yu going through what happened after Ayumi’s death was to teach him about dealing with pain and lost, and coming to terms with being unable to change the past while at the same time being able to move forward with what he’s learned. But since he saves Ayumi and successfully changes the past, the weight of his lesson is lost. He doesn’t have to deal with that pain and acceptance anymore because Ayumi is alive. But of course he still remembers his past and has learned to appreciate his sister more and keeps his lessons from the previous timeline. That’s bullshit! You can’t have it both ways Charlotte! You can’t have a character learn something from tragedy and then reverse the tragedy once he’s learned his lesson. That’s not how life works and it takes the whole relate-ability aspect out of the equation and stops me from relating to the character and just turns it into wish-fulfillment. It cheapens the message if what you’re saying is “learn from the past and be able to move on” but at the same time a character in your story is able to change the past and get his desired outcome.

And some of the problems I just stated can also be substituted into how his relationship with Nao is somewhat ruined and cheapened. However the story does bring this up, So I’ll give it props there at least. But still pointing out a flaw doesn’t make the flaw okay. Now all the development Nao and Yu had up until the time-leap is pointless because Nao doesn’t remember any of it. And with Nao being the way she is I think it will be hard for another sequence of event to move their relationship forward like Ayumi’s death did. Fortunately this is the part that I think isn’t un-fixable and can be taken in a different direction. But it still feels like there was parts that were wasted because of the time traveling. But that’s an inherit problem with time travel stories in the first place. But that is usually remedied by having characters who are easily able to connect even though things are reset. I just don’t think that Nao is that kind of character.

Time travel is a concept that needs to be treated very carefully in order to be worked into a story. And since they are using a time travel as a twist, that becomes even more so. It seems that they are using the time travel aspect to explain the plot continuity and make it interesting but are ignoring how this will affect the character aspects that they have been building thus far.

Now I know this seems like a huge hate article, and while it probably is, I think I should give fair credit where its due. And there was one plot point that was cleared up very nice and satisfying. Now makes sense why Nao didn’t invite those kids from the earlier episodes to join their school. Since she knew what Yu’s power was and had him use it on every kid they met, they effectively removed the power from them and they wouldn’t be pursued by the scientist. And now looking back on the baseball episode the scene at the end where Nao tells Yu to use his power on the pitcher makes so much sense. She couldn’t just leave him alone with his power so she had Yu take him over for what seemed like no reason at the time.

However I don’t think plot continuity trumps character in this case. Especially if everything up to this point has focused so heavily on the characters. This episode really will dictate how I look at this show as a whole and I think that’s really unfortunate. There are still three episodes left and I’m just hoping that the problems I stated will be addressed in some way. But until that happens, this episode was a complete miss for me.

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‘Batman v Superman: Dawn Of Justice’ High Res Set Photos

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Friday afternoon Warner Bros. released six images Batman v Superman: Dawn of Justice. This is photos were from the Empire magazine spread from late July. The photos released are high resolution as to the scans we had earlier.

Batman v. Superman: Dawn Of Justice is directed by Scott Snyder, and stars Henry Cavill, Amy Adams, Jason Momoa, Ben Affleck, Jesse Eisenberg, Gal Gadot, Jena Malone, Jeffrey Dean Morgan, Diane Lane, Ezra Miller, Jeremy Irons, Holly Hunter, Michael Shannon, and Laurence Fishburne.

The film is set to open worldwide on March 25, 2016

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Arrow Season 4 trailer features Damien Darhk, Speedy and Constantine

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After months of fan speculation, the CW has given us our first real look at Arrow Season 4. With “the Arrow” thought dead, what will rise in his place? Are we about to see Oliver finally transition into his “Green Arrow” identity? As Oliver and Fecility enjoy a life of domesticity, Damien Darhk, leader of the H.I.V.E, emerges to take control of the newly-christened “Star City” forcing our reluctant hero to return. Matt Ryan, of the cancelled NBC show Constantine, returns to play the character here, but how does he play into the overall story arc? We’ll have to wait until October to find out.

 [embedyt]http://www.youtube.com/watch?v=2q3l4fMVCO8[/embedyt]

 

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