Review: ‘The Finest Hours’ – Heroic Film Mired With Melodrama

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January 28, 2016

Storming into theaters nationwide this weekend, Disney’s The Finest Hours directed by Craig Gillespie starring Chris Pine and Casey Affleck is a heroic tale that’s sunk by a screenplay full of schmutz and melodrama.

The heroics depicted in the film The Finest Hours are the most intense action sequences so far in 2016. If only The Finest Hours had a screenplay worthy of the heroics depicted on screen.Though based on true events, The Finest Hours plays like a cornball 1950’s-era drama filled with stock characters and has an ending that is so over the top ( some might say it’s so Disney) that it takes away the impact of what many call the greatest small boat rescue in Coast Guard history.

At first, the movies tone fits in rather nicely with the era that the film takes place in (The 1950’s). It’s 1951 and in the first act, we meet Bernie Weber (Chris Pine) a painfully shy petty officer stationed at the U.S. Coast Guard station in Chatham, Massachusetts. Weber strikes a romance with the beautiful Miriam (Holiday Grainger), who marches to beat of her drum. If fact she is such a free spirit, she’s the one who eventually pops the question to Bernie. However, Bernie has a lot on his mind. Some of Chatham’s fisherman and many of Bernie’s fellow sailors treat Bernie like a pariah. A year prior there was a tragedy at sea and Bernie, and his crew tried to overcome rough seas while on a rescue mission, and they failed. Some of the members of the Chatham community felt that Bernie should have tried WICKED “HAH-DUH” to save them. Fast Forward to Feb. 18, 1952, when a nor’easter of monstrous proportions struck in the waters off of the coast of Massachusetts. The damaging waves resulted in ripping not one but two oil tankers in half. Thinking there was only one boat in peril, the Coast Guard sent most of its resources to the SS Fort Mercer. By the time the Coast Guard realized the Pendleton was in peril as well, it was left to Bernie and three crew members to man a small Coast Guard motorboat on a seemingly impossible mission to locate the Pendleton and rescue all hands on deck.

Scott Ilver, Paul Tamasy, and Eric Johnson developed the screenplay for The Finest Hours, and the result was a script that’s a hifalutin pretentious mess. Intermixed with scenes of unmatched action we are forced to endure scenes such as Miriam ( Bernie’s fiance) storming into the Chief Warrant Officer Cluff (Eric Bana) office demanding while in the midst of an emergency that he just send her fiance back home. If that melodramatic garbage wasn’t infuriating enough, as the movie muddles along we bare witness to some of the worst romantic dialogue ever concocted. Those exchanges between Miriam and Bernie have all the sincerity of an Elementary school playground romance. It was as if the Ilver, Tamasy, and Johnson realized that the actual small boat rescue wasn’t enough for a screenplay, and they quickly scribbled some lines on loose leaf paper. To say that this script was haphazardly constructed would be an understatement.

The special effects in The finest hours were preposterous. The CGI waves utilized in the film looked to have been built by a junior high AV club. Also, were we supposed to believe that the white stuff falling from the sky was, in fact, snow? To me, it resembled pieces of styrofoam that had been ripped off of a cup. The 3-D which was meant to enhance the audience’s experience, in reality, does nothing to improve any part of the film. All of these elements were intended to add intrigue, intensity, and dramatics to the movie and in reality, all it added was confusion, mild laughter, and irritation. In some films, the only saving grace is the special effects but in this case, it only made matters far worse.

It truly is a shame that Disney didn’t put more effort into developing a better film because the story of those Coast Guard men defying the odds is just incredible. To be honest, the men deserved a better film this. Maybe if Disney had come to this realization, we wouldn’t have ended up with such a subpar finished product.

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Faith #1 Review: Valiant’s New It-Girl May be Too Girly?!

By

Heather Hurt

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January 28, 2016

Faith #1 has been one of the most anticipated Comics announced from 2015. And probably the most talked about new comic series from Valiant in years. After a reboot of the Valiant-verse at the end of 2015 (check out The Book of Death event trade paperback, now available in stores), Valiant began pressing their suggested hot release, Wrath of the Eternal Warrior. But the Eternal Warrior announcement was soon shadowed by Faith, and the anticipation for her very first ever #1 had been killing devote fans and new readers alike.

A still adapting psiot, “a human being born with incredible abilities”, Faith Herbert, aka Zypher, has been living the superhero life as part of The Renegades from the Harbinger Foundation. But after years of protecting the world from the most powerful and dangerous villains the world had known, Faith is ready to settle down. She wears a wig, takes on a new public identity and gets a job at a local blog as an entertainment writer. Faith wants to take control of her life and that includes becoming her own type of superhero. Saving the day, one puppy at a time.

I have no problem admitting the fact that Valiant is still rather new to me. I have picked up a title here or there, and all I could ever really tell anyone is that Valiant Comics has some of the strongest art talents in the industry. Rai, a spirit guardian who protects the nation of Japan in the 41^st century, by Matt Kindt and Clayton Crain, was easily one of the most beautiful books that I had read since Alex Ross and Mark Waid’s Kingdom Come. But the wordiness and the references to other pieces of the Valiant-verse, it caused me to stop reading after only a few issues. So, when asked to review Faith #1, I did not know what I would think.

But Faith was a pretty wonderful read, even with my very limited background knowledge. Though a little research was needed to completely comprehend a few references to Faith’s previous life, the first issue read fairly easy and can be picked up confidently by a newer reader.

(Max Ride: Ultimate Flight) was perfect to pen Faith’s first on-going solo story. A feminist, through and through, Houser is not the type to play by the superhero body type rules. Unlike some female characters, such as DC Comic’s Amanda Waller, Faith would never be the type to lose a few pounds for a little extra rack movement. Faith is a plus-sized, crime fighting, comic book fangirl who is proud of whom she is. And Houser would never have it any other way.

Houser writes Faith us a true do-gooder, who every so infrequently drifts into a comic book daydream. Dreams where she saves the good looking knight in distress. But the reality is much harder than fiction, and Faith will learn that in the most explosive way.

However, with all the pressure from Valiant to make Faith out to be the next big (no pun intended) female comic book hero, she seems a little too… Cute! She wears a curly red wig and thick glasses as her alter ego, Summer Smith, a la Melissa McCarthy in last year’s bomb, Spy. And her very first feat as a solo superhero is saving puppies? Though the barely introduced government/large corporate conspiracy in the background leads to a little more of a grown-up book, the story almost seems to be a forced goody-goody-girly story. Faith is a strong, independent woman who is proud of her looks. We do not need her to be extra cuddly.

The art lived up to Valiant’s typical levels but only added to Faith’s growing cuteness. Francis Portela (Green Lantern) demonstrates a softer side to the superhero image with her peacefulness and good nature. He allows for several close-ups, that almost permits the reader a glimpse into her soul. One that is sad but strong, lost but undiscouraged. And, behind it all, hidden beneath the blue eyes, is a simple comic-book nerd, striving for a better tomorrow.

Then there is Marguerite Sauvage! From Variant Covers in Marvel to DC Comic’s Bombshells, Sauvage is gaining a reputation as one of the most loved new female artists. So, when Faith drifts into her subconscious, daydreaming about the perfect man in need of her super support, it only makes sense that it would be in the sweet pastels of Marguerite Sauvage.

All in all, Faith #1 was a “cute” read. A little background research may be beneficial, but it is mostly an easy pickup title for even the newest reader. The book did not leave as big of a mental splash as Valiant Entertainment may have preferred, but Faith does leave a big impression on the heart strings. Make sure to stop into your local comic book retailer and grab Faith #1 today.

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Cry Havoc #1 Review: Much More Bite Than Expected

By

Heather Hurt

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January 28, 2016

“It’s not about a Lesbian Werewolf going to war except it kind of is.” Seriously?! When I first read that quote atop the free poster sent to comic shops the world over, I won’t lie, I threw it away. Between the rather odd mid-point pages released in November’s Previews catalog and that quote? My interest for a new werewolf story became minimal at best. I was almost so uninterested; in fact, I nearly did not read the retailer preview. It did not matter to me that the book was advertised in almost every new Image book or posted on the top of Previews retailer page. But! I am really glad I did. Cry Havoc #1 was worth the read.

“The End” is always an intriguing way to begin a story. But we are quickly transported back to “The Beginning” where writer Simon “Si” Spurrier (X-Men Legacy, The Spire) introduces us to Lou. A street musician, bringing her seemingly loving girlfriend a sandwich at the local zoo. And then he, very in point, follows it up by explaining a little more about hyena female sex organs than I ever cared to learn about in my lifetime.

Our new protagonist, who busks in the English Sunlight and plays pubs in the moonlight, seems content in her cycle. As she plays the violin one afternoon outside of a large law court area, a lawyer, throwing some loose change, causes Lou to go on a chase into a dark alley (cue scary music). There she is attacked and overpowered by something she cannot explain.

“I think I got mugged by a Werewolf.” Lou states as the story jumps away from the streets of London. Between pages, we are taken back and forth to a military helicopter and combat desert scenes and Lou’s life at home. In the desert we are introduced to a group of militants whom also appear to have “special” animal-like abilities and have recruited Lou for a specific mission. They are on the hunt for one of their own, a deserter in the war tattered lands of Afghanistan.

Spurrier only permits us a brief moment into the world of Lou’s new monster, but it is enough of a taste to be drawn into the book. Lou is a human, a lover, a musician and a creature. Someone whom we can be easily relate, but touched with just enough of the supernatural that we salivate for more of her story yet would never actually want to be in her shoes.

Ryan Kelly seems to adjust his art style per scene and even per book. I have been enjoying his work on Vertigo Comic’s Survivor’s Club with Lauren Beaukes and David Halvorson, but the art in Cry Havoc is not nearly as sketchy or broken as the art that better fits the conspiracy theory of Survivor’s Club. Within Cry Havoc, it even appears that Kelly changes his style multiple times. So much so, one would almost suspect there were separate artists between the military and civilian worlds. From the rounded faces in London to the sharp eyes and straight lines of Afghanistan, the art moves with the story.

Behind the art, grows a beast even more fascinating. When looking at the list of colorists, it was surprising to see there were three. Usually multiple colorists means multiples artists, each colorist taking on the specific story contributed to their corresponding artist. Spurrier and Kelly, however, set up the momentum that three different colorists would each take on their own part of the same story. Nick Filardi, Lee Loughridge and Matt Wilson each color a different environment, supporting the puzzle pieces of time that Spurrier is slowly linking together.

“Cry Havoc is about walking out to confront the monster alone, because nobody else understands the truth: just because the beast is you, doesn’t mean it can’t eat you whole.” Si Spurrier and Ryan Kelly’s new series from Image Comics delves into a world of supernatural and emotion. Though the original publicity tools were not in preference, the book itself was surprising and definitely worth the hype it had been receiving.

Make sure to stop by your local comic book retailer today and pick up your copy of Cry Havoc #1.

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Mattel’s Barbie Doll Unveils Three New Body Types

By

Khuwailah Beyah

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January 28, 2016

After 57 years in the marketplace, the Mattel company has just unveiled three new body types under the auspices of their iconic Barbie Doll line.

For those of you who don’t know what a Barbie Doll is, it’s an anatomically impossible, tiny-waisted, BIG bullet boobed doll that mothers and fathers have been purchasing for their daughters for decades. This iconic doll has been the stuff that dreams, nightmares, and Body Dysmorphic Disorder is made of.

The Barbie Doll has long since been criticized for its harmful and unrealistic portrayal of the female form – since 1963. It is said that falling toys sales was the driving force behind this change. Mattel was once the biggest toy company in the world, but it has now been edged out by Lego – after the success of their ‘teach girls to build line’ boosted sales. What has also hurt them is Hasbro’s production of Disney Princess dolls – particularly Elsa.

Today Mattel unveiled three new body types for your Barbie Doll pleasure: Curvy, Petite (wasn’t that always the case?), and Tall.

Here is what their new “Curry” doll looks like:

The “Petite” doll looks like this:

And the “Tall” doll:

From a first glance it appears that “petite” and “tall” Barbies look a lot like the original Barbie in body composition – with the exception of the slightly smaller breasts. Could this change in this symbol of the idyllic female form come from the realization that “real” women, that is the majority of women, do not conform to this particular body form type? Or, is this coming on the heels of the one-year anniversary and success of the Lammily Doll?

For those of you who don’t know about Lammily, she is the brainchild of artist/researcher Nickolay Lamm. She [Lammily] was born after he asked himself this questions: What if fashion dolls were made using standard human body proportions? What if?

His project was featured on HuffingtonPost, Today, Time, L.A. Times, Good Morning America, BBC Radio, and several other media outlets and it got the masses asking, “Where can we get a doll-like this?”

The idea to start a crowd-funding campaign was posed and on 5 March 2014 it was launched into the verse. The campaign garnered 13,621 backers and 19K+ preorders for dolls. By November of 2014 the dolls went on sale and shipments to the backers were sent out.

What the Lammily doll offered, and continues to offer, is a more realistic body, body image, and lifestyles for females. This doll even offers accessories like “Lammily Marks” which include: freckles, acne, cellulite, cuts and bruises, and a lot more.

Also in their accessories bag: “Period Party.” Now I know the even the mere mention of a woman’s monthly cycle freaks some of you out, but this accessory serves as another tool to talk to girls about menstrual cycles. It teaches kids that it is a natural and healthy part of a woman’s life. And check this: it even comes with an educational pamphlet, undies, reusable pads/liners, and calendar & dot stickers to assist in the education of your girls about their bodies.

Last year Valiant comics released its first plus-size superhero comic series, Faith. She’s not a new face – she’s been a part of the Harbinger story-line since 1992 – but she now has her own series. This “super-sized” hero has always been a big girl and that’s OK. It turns out that the original Valiant staff was almost 50 percent female and some of them were built like Faith. So the character [Faith] was born out of a desire to see a female like themselves reflected in their work. Kudos to them!

It is important that girls and young women see themselves accurately and positively reflected in the mainstream and many companies are coming around to that fact. Perhaps this is also a driving force behind the new Barbie body types – maybe Mattel gets that message.

Let’s hope that Barbie will also evolve further than just her appearance.

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‘American Psycho’ Director Mary Harron Taking on Charles Manson Film, ‘The Family’

By

Larry Taylor - Managing Editor

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January 28, 2016

American Psycho filmmaker Mary Harron is teaming up again with screenwriter Guinevere Turner to work on The Family, a story about Charles Manson, his family of insane women, and the Manson Family murders.

Mary Harron and Guinevere Turner worked together on 2000’s cult hit American Psycho, a searing and brutal satire on American men of privilege in the 80s. It also catapulted Christian Bale’s career. Since then, Harron is stayed relatively busy, though none of her films have cut through pop culture the way American Psycho managed to do.

The book by Ed Sanders was released in 2002. Here’s the review from The Boston Phoenix:

In August of 1969, during two bloody evenings of paranoid, psychedelic savagery, Charles Manson and his dystopic communal family helped to wreck the dreams of the Love Generation. At least nine people were murdered, among them Sharon Tate, the young, beautiful, pregnant, actress and wife of Roman Polanski. Ed Sanders’ unnerving and detailed look at the horror dealt by Manson and his followers is a classic of the true-crime genre. The Family was originally published in 1971 and remains the most meticulously researched account of the most notorious murders of the 1960s. Using firsthand accounts from some of the family’s infamous members, including the wizard himself, Sanders examines not only the origins and legacy of Manson and his family, but also the mysteries that persist. Completely revised and updated, this edition features 25 harrowing black and white photos from the investigation. “One of the best-researched, best-written, thoroughly-constructed, and eminently significant books of our times…. A masterpiece.”

According to the Deadline report, filming is set to begin this summer in and around Los Angeles, where the murders took place.

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‘Deadpool’ Ryan Reynolds vs. Hugh Jackman Round 2

By

Matthew Sardo

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January 28, 2016

The promotion for Deadpool by Ryan Reynolds is starting to resemble a certain South Park episode from 2004.

Reynolds has been making fun of his previous adventures in superhero films, because that is what Deadpool would do. He makes a Green Lantern comment in the trailer and last week Reynolds made a special video to throw poop at X-Men Origins: Wolverine. Somehow no mention of Blade: Trinity yet.

“You gave us Wolverine. And for that, I can’t forgive you. I’ve got no problems with Hugh. I mean, he’s a delightful guy. A true legend. But that movie, that was a career-low for me,” said Deadpool.

Hugh Jackman knows how to have fun and the actor, while at Sundance promoting Eddie The Eagle commented on the Deadpool Austrailian Day video.

“Love it. It’s just brilliant. I mean, I love Ryan, he’s a good mate of mine. He’s so fantastic,” said Jackman.

When asked if Wolverine could beat Deadpool, Jackman replied “A hundred percent.”

After looking at the scorecard, I do believe IT IS ON! Fans will find out on February 12 if Jackman makes a cameo in the film as Wolverine.

Based upon Marvel Comics’ most original anti-hero, Deadpool tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, he hunts down the man who nearly destroyed his life.

Deadpool is directed by Tim Miller and stars Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein, Gina Carano, and Brianna Hildebrand.

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Spider-Man: Top 5 Actors To Play Kraven The Hunter

By

EJ Moreno

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January 28, 2016

For The Upcoming Spider-Man Films, Which Actor Should Be Cast As Kraven The Hunter?

Marvel Studios and Sony Pictures have been working on their re-boot of Spider-Man for a while now but have been quiet about who Spidey will be facing in his newest film. With Kraven The Hunter being a founding member of ‘The Sinister Six’ and part of an iconic arc in Spider-Man comics, I believe the big game hunter would make a great addition into the long list of Spidey movie villains.

But who should play the Russian supervillain? Here’s my top 5 picks for the actors who could bring Kraven to the big-screen.

“Spiders are revered as hunters but you have proven to be easy prey” – Kraven The Hunter

Honorable Mentions:

Javier Bardem, Matt Schulze, Jeffery Dean Morgan, Ryan Hurst

5. Benicio Del Toro

If Del Toro wasn’t already casted in the Marvel Cinematic Universe as ‘The Collector’, Benicio would be a perfect fit for the Spidey villain. Benicio can bring the visuals of Kraven to life but also following his dark turn in 2015’s Sicario, he could bring out the ambiguous morality of Kraven The Hunter. He’s an impossible casting choice but he was such a prime pick for one of Spider-Man’s biggest foes. So prime that he slipped past being an honorable mention and made it on the list!

4. Gerard Butler

Need a crazed hunter with a heavy accent and bad-ass fighting skills? Look no further than Gerard Butler. The Scottish actor has yet to cross over to making comic book movies (300 was technically a ‘graphic novel’) but it would be great to see him suit up in the animal inspired outfit of Kraven. Bulter has plenty experience in the action department to kick ass during the many expected fight sequences in the film but I don’t see that distinct Scottish accent being able to turn into a thick Russian-ish accent that Kraven is known for.

3. Joe Manganiello

With his insane height and deep growly voice, Joe Manganiello is a perfect Kraven. He does have little experience in mainstream films other than Magic Mike making Joe a risky choice but he really embodies all things Kraven The Hunter. After playing a shape-shifting wolf on True Blood, Manganiello has the animalistic side needed for the role. At least he’s used to being shirtles; which puts him third in line for playing a great film version of Sergei Kravinoff A.K.A Kraven The Hunter.

2. Manu Bennett

Recently dipping his toe into the world of comics as Deathstroke on Arrow, Manu is cunning & tough enough to pull off a perfect Kraven. The New Zealand actor has steadily been picking up more work in the industry lately so going to Sony/Marvel as Kraven The Hunter would be a great step for his career. While his new show on MTV’s The Shannara Chronicles has him in a leading role, Manu could find time to play such an important role in the Spider Man universe.

1. Oscar Issac

On top of the world right now, Oscar Issac as Kraven The Hunter is the most marketable choice. Though his Star Wars schedule will keep him busy, Oscar embodies the acting ability and the look that would make his version of Kraven truly distinct. He is playing the title character in X-Men: Apocalypse this year; I feel you can barely recognize the man under all the makeup so going over to the MCU could be an easy transition. Issac is one of the most recognizable actors in Hollywood right now and he could bring that mainstream attention to the already hyped MCU/Sony Spider Man project. Should the best pilot ever Poe Dameron from Star Wars become the best hunter in the Marvel Universe?

Who do you think should be Kraven The Hunter? Is Oscar Issac your choice or did I leave out someone who is a MUST for Kraven? Comment below & let me know who you want!

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Old Man Logan #1 Review: A New Wolverine is Here

By

Heather Hurt

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January 28, 2016

In the future the world is separated. Lands controlled by villains. Villains who ganged together and massacred many of the strongest and greatest of the Super Heroes the world had ever known. In 2008 Mark Millar (Kingsman: The Secret Service) and Steve McNiven (Death of Wolverine) introduced us to a new Wolverine. Or, to be more accurate, to an old Wolverine. The New York Times bestselling series, Old Man Logan returned to the spotlight as a tie-in with Marvel’s over-extended 2015 Secret Wars Event, written by Brian Michael Bendis (Powers, Ultimate Spider-Man) with art by Andrea Sorrentino (Green Arrow, All-New X-Men). And now, the Old Man is getting his own ongoing title with Marvel’s All-New, All-Different Universe.

For anyone waking up naked in the middle of a large city, it would be hard to accept. It would be even harder when you cannot remember who you are, where you came from and had incredibly sharp adamantium claws slicing through your hands. But that fear and worry is easily alleviated by a little police style electroshock therapy to the back. Once again aware of whom he is, and a little detective work of when he is, the Old Man Logan, takes up the task of making sure a future he had known for 50 years does not come to fruition in this all-new timeline. A new shirt, a new hat and a hit list later, the Wolverine is back.

Can I just say, ever since I, Vampire, the very short lived series from DC Comic’s New 52, I have loved reading almost anything that Andea Sorrentino does. His art is a mix between the lines and veins of Jae Lee and the shadows and dark eyes of horror artist Damian Worm. His rough style not only reinforces a characters musculature but raw emotion as well. As Old Man Logan was moved from a strictly Secret Wars tie-in to a Marvel All-New, All-Different ongoing series with Sorrentino continuing as the artist, the sheer jubilance I felt was surreal.

Alongside colorist Marcelo Maiolo (Batman Beyond), the art is breathtaking. Reds, greens and browns depict a Logan that has been unfulfilled and lost for decades, but with a soft brightness that depicts a new beginning or, better yet, a reboot that could lead to the complete deletion of his own future. Yet the styling does not stray from the color themes and rough action scenes of McNiven’s original imagery.

And, if anyone could follow up Millar’s story like Sorrentino to McNiven, it would be Jeff Lemire. Descender from Image Comics, Bloodshot Reborn with Valiant Comics and All-New Hawkeye with Marvel, Jeff Lemire has to be one of the busiest and most talented writers in the current comics industry. Along with his history of New York Times Bestsellers and a short list of still yet-to-be-released titles, Lemire is also penning the Extraordinary X-Men, the first of the All-New, All-Different X-titles. The first title to introduce Old Man Logan following the Secret Wars event.

Need I say more? Lemire’s story telling is nothing short than “on target”. The only way that I would ever be interested in reading a new ongoing Old Man Logan title would be if someone wrote a semi-realistically emotionally driven tale of rebirth. One that was just slightly unbelievable enough that the reader’s mind remains aware that the struggles are that of a fictional character. And Lemire hit every single feeling. One page became the next and, before I knew it, the book was over and I find myself impatiently looking up the release date for the second Issue. (It is February 10^th, by the way!)

Yet, this book does have a flaw. If you have never read the original Old Man Logan Trade Paperback, I would strongly suggest picking it up before grabbing this #1. When it comes to certain revenge schemes or extended memories sequences, the references within the original title would be greatly beneficial. Either that or make sure you have Wikipedia up for some basic support. Though I would suggest grabbing Old Man Logan Vol 0, the Secret Wars tie-in, it is not nearly as directly connected to this story as Millar’s title is, and thus not really considered so much a required reading.

**Note: If you would like to try picking up Extraordinary X-Men #1, I would suggest grabbing the tie-in since it explains the relationship between the time-displaced Jean Grey and the Old Man.

Old Man Logan #1 is most definitely worth the pick-up. Make sure to stop by your local comic retailer and grab your copy today.

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Dax Shepard and Kristen Bell Honor Band Toto With ‘Africa’ Music Video

By

Matthew Sardo

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January 28, 2016

Dax Shepard published a video on Wednesday that challenged every couple to up their adorable game, as Shepard and wife, Kristen Bell created a music video from their trip to Africa, using the music of Toto.

“This was our last trip before having kids. Our sole objective was to rage hard and honor Toto properly. Hope you enjoy,” said Sheppard.

This video will either make you feel warm and fuzzy or puke depending on your relationship status.

Side note, back in 2012 while filming the video, the couple was fined $50 by the Serengeti police for dancing in front of the animals.

“We wanted to see the wildebeest migrate, so we had driven five hours in the car, we finally got to them on the Serengeti, we got out of the car (and) we started doing a dance for this music video. We weren’t paying attention, and then the Serengeti police showed up, and they fined us $50 for dancing at the Serengeti,” said Shepard.

Up next for Sheppard, the actor just completed filming on CHiPs, a remake of the 70s TV show. Michael Peña is his co-star as Frank ‘Ponch’ Poncherello. Bell is currently filming Bad Moms with Mila Kunis, Christina Applegate, Kathryn Hahn, and Jada Pinkett Smith. Bell also has The Boss coming out April 8.

Original Music Video By Toto ‘Africa’

Kristen Bell in ‘The Boss’ With Melissa McCarthy

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‘Spider-Man’ – 5 Villains To Add To The Marvel Cinematic Universe

By

Chris Hartmann

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January 28, 2016

Over the course of the 5 previous Spider-Man movies we’ve met many of Spider-Man’s greatest enemies including; Doctor Octopus, the Lizard, Rhino, Sandman, Venom, Electro and three versions of the Green Goblin. 2017 will see Spider-Man return to the big screen in another rebooted series this time as a part of the Marvel Cinematic Universe. Luckily for the Sony/Marvel production team Spider-Man has one of the greatest collection of enemies in comic book history. Let’s take a look at some of the villains Spider-Man could face in this new movie series.

Mysterio

A former Hollywood special effects wiz, the most well-known Mysterio is Quentin Beck who after failing in his dream career decided to put his specialist talents to use in a life of crime. A master of hypnosis and creating grand illusions, Mysterio also utilised his abilities to combat Spider-Man on a more psychological level. Mysterio even invented an hallucinogenic gas that could interfere with his Spider-Sense. Although better known as a member of the Sinister Six, Mysterio’s distinct skill-set could make for a very different battle with the new Spider-Man.

Kraven the Hunter

Sergei Kravinoff or Kraven the Hunter is an unbalanced Russian big-game hunter who travels to New York City in order to defeat Spider-Man and prove himself to be the world’s greatest hunter. Kraven is at the peak of human fitness and is an expert at hand-to-hand combat. Mostly famous for an excellent series known as Kraven’s Last Hunt where he relentlessly stalks and eventually manages to defeat Spider-Man leaving him comatose. Kraven then adopts the Spider-Man identity – in his mind, proving not only that can he defeat Spider-Man, but that he can beat him at his own game. This storyline could present Spider-Man with his darkest movie yet.

Scorpion

Scorpion AKA Mac Gargan is a private investigator who was originally hired by Daily Bugle editor and regular Spider-Man antagonist, J. Jonah Jameson to find out how Peter Parker is able to achieve such amazing photos of Spider-Man. Gargan of course fails and Jameson with help from the Scientist, Dr. Sitwell is able to transform Gargan into the Scorpion via genetic manipulation and a technological super-suit. Scorpion is often a physical match for Spider-Man, his only weakness is that the genetic treatment that grants him his powers eventually causes him to lose his mind.

Spider Slayers

Funded by J. Jonah Jameson, the original Spider Slayers were mechanised robots created by Scientist, Spencer Smythe to hunt down and kill Spider-Man. Spencer eventually died due a disease caused by the radioactive materials used in creating his robots. His project was continued by his son, Alistair Smythe. Alistair created a bio-organic armour that enabled him to physically take on Spider-Man with an assortment of physical enhancements and Spider-like powers. Spider-Man against a father and son duo of villains would a be an interesting option for a new movie, plus he could then take on two very different physical foes as well.

Kingpin

A slight bending of the rules as Kingpin is already in the MCU as the arch-enemy to Daredevil in his Netflix series. However, Wilson Fisk was originally a Spider-Man foe, the Kingpin of New York City manipulating every element of crime. His appearance in a Spider-Man movie could show that his influence reaches beyond Hell’s Kitchen. Spider-Man versus the vast criminal underworld could allow him to face gangsters like Tombstone and Hammerhead or even the master thief known as Black Cat. If Spider-Man was to face off with Kingpin it would probably be with Daredevil alongside him.

What villains would you like to see in the new Marvel Cinematic Universe version of Spider-Man?

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