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The Muppets – It’s Time To Get Rebooted… Again

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Last September, ABC premiered an ‘Office’ style mockumentary starring one of the many pieces of my childhood that Disney has since purchased, The Muppets. It was advertised with announcements in legitimate newspapers that iconic couple Kermit and Miss Piggy had split up, leaving room for some drama between exes in the show. The “more adult” (Kermit’s words) Muppet Show was welcomed by long-time fans who wanted the Muppets to return to its adult-but-appropriate-for-everyone roots. But it was decried by critics who either thought Fozzie dating a human being was perverted (frogs and pigs are okay) or who confused The Muppet Show with Sesame Street and wondered why they would go from teaching ABCs to dating and relationships. The show went on for a few episodes and, while I loved it, thinking it was a near-perfect combination of modern and classic, the ratings weren’t that hot.

I loved the idea of putting the Muppets in a mockumentary, as I am also a big fan of The Office. I loved the different roles that the Muppets had in this new scenario that were true to their characters (Gonzo was the head writer, Sam the Eagle was the censor, Electric Mayhem was the talk show band). I loved how Miss Piggy’s role as star of the show made her the boss. In the past, Piggy has always had her temper, but now, her newfound authority status sent the other Muppets running and hiding when she was on the rampage. While some thought this was sexist, it made for some very funny moments.

"Of course, It's sexist!"
“Of course, It’s sexist!”

But then, there was Kermit. Longtime fans, even people who know their Muppets, found Kermit’s portrayal on this show to be a little cold. He was the producer of a talk show and came across as kind of a manipulative jerk in the first few episodes. Yes, he has always been “the show must go on” type and he had to get his way when Piggy (the boss) was being irrational. And Kermit’s new demeanor sort of made sense considering that he had to work with his ex. But that was the main complaint that I, someone who loved the show, had with it. I felt that Kermit’s glowing positivity in the face of persecution had been lost in this show. And I wasn’t alone. That was the main complaint that a lot of critics and reviewers had about this show. An episode where Kermit goes to a resort to relax and ends up singing ‘Rainbow Connection’ in a swamp in his backyard was a step in the right direction, but Kermit needed to loosen up.

kERMIT TEA

Then, there was an article on a few websites (about ten episodes in) that Bob Kushell, the Muppets showrunner, had been replaced with Kristen Newman. Knowing very little about either of these people, I was afraid that all those people who thought Muppets shouldn’t be for adults had won. I was afraid that the same thing would happen to the Muppets that happened when Jim Henson passed away, that they would be dumbed down for kids (and no one older), like they were when they started adapting classic novels in their films. Thank goodness no one ever tried to make Gonzo an alien or stick the Muppets in ‘The Wizard of Oz’. Nope. Nope. Nope. That didn’t happen. La la la la la.

But, a few episodes into what was being touted as a “reboot”, the writing on ‘The Muppets’ is just as sharp and funny as ever. The only changes that have been made since their hiatus have made it more like a modern version of the original Muppet Show. Yes, Kermit has loosened up. And he’s gotten the bright idea to use the writers (the other Muppets) in skits on Piggy’s talk show. This has resulted in the show having sketches, something this version was lacking before, but that the original Muppet show thrived on. And you still have the modern office drama, which is like the backstage insanity of the original show. That is what the past few episodes have been leaning towards and the show is better for it.

As for the ‘adult’ aspect, much of which includes cultural satire, a recent episode featured Miss Piggy experiencing a ‘wardrobe malfunction’. Her cute little curly pig tail popped out of her dress and it caused a nationwide, Janet Jackson/Super Bowl-style controversy.

Pop

janet-jackson-wardrobe-malfunction
“Oh, Kermie!”

Kermit looks out the window. sees a group called ‘One Million Angry Parents’ (based on real-life activists One Million Moms) protesting and goes “There’s only three of them. Oh, wait. Now there’s four. Oh, wait! That’s the pizza guy.” So, yes, this “reboot” was only a mild tweaking that made the show better. It is more like the original Muppet Show while maintaining its modern ‘Office’ elements. If Kermit’s emo-phase turned you off when this show started, I would recommend you check it out, maybe by catching up on Hulu. It is one of the smarter comedies on television, even without teaching anyone their ABCs.

P.S. if you’ve never seen the segment on Fox News where they accused the Muppets of being communist because the villain in their 2011 movie was an oil tycoon, find it on You Tube. Probably the most unintentionally funny thing the Muppets have been unintentionally involved with.

[embedyt] http://www.youtube.com/watch?v=Q9cGYRz-6sQ[/embedyt]

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R-Rated Wolverine Movie: Some Things to Consider

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Ever since Deadpool blew up the box office like Negasonic Teenage Warhead snorting gun powder, the Internet has been buzzing with other comic book properties that might get the R-rated treatment. True, no one wants to see an R-rated Spider-Man movie where he and Crusher Hogan (or Bonesaw McGraw) are strippers instead of wrestlers.

But the most pervasive online rumor at the moment is for Wolverine 3, which is rumored to be adapted from Mark Millar’s story Old Man Logan.  Is an R-rated Wolverine a good idea? Would a PG-13 version of Old Man Logan seem watered down? Are fans growing tired of hearing SNIKT and watching army guys drop? Consider some thoughts.

First, Old Man Logan is a very gory comic, as expected from ‘Kick @$$’ scribe Mark Millar. But many of the main characters in that storyline are owned by Marvel Studios, not 20th Century Fox. They are from the Avengers side of things (Hulk, Red Skull, Hawkeye etc.). Could those characters be replaced in a film adaptation? Yes, much in the way Marvel Studios is doing Civil War without every character that was in the comic. And trying to use the Inhumans to replace the X-Men in the “hated and feared by the world” section of the MCU. That being said, would making an R-rated Wolverine movie and alienating younger fans (at least for the theatrical release) be best for the future of the franchise? Well, if this is Hugh Jackman’s last turn as Wolverine, it may be more of a “let’s go out with bang” kind of thing…with Deadpool’s success being icing on the cake for the studio.

It all comes down to what is best for the story. Opinions may differ on whether Old Man Logan would still be a decent story without the gore (or the scene where Logan tears apart a cow), but that is what any film in any genre is supposed to be about…story. Special effects, sex appeal, gore and anything else that may potentially attract an audience to the film in the first place is secondary to the “meat and potatoes” of the film.

Now, I just need potatoes.
Now, I just need potatoes.

The last Wolverine film showed far more blood than previous X-Men films, but it was a rare example of blood being part of the story. Wolverine lost his healing power and the blood that they showed made the point that he wasn’t healing as fast as he used to. And Wolverine 3 is rumored to have the same director. Would Old Man Logan (or the version that they come up with after replacing all the Avengers characters) still be just as good with less gore? Or are the fanboys clamoring for an R-rated Wolverine just looking for horror movie-type thrills shoehorned into a superhero movie? And speaking of horror movies…

"My mom is going to kill me!"
“My mom is going to kill me!”

You know those action figures that they sell in more “adult” toy stores, like Newbury Comics or Spencer’s, some of which are from horror movies like Freddy and Chucky? Yes, the ones from Todd MacFarlane’s company. Well, before Deadpool, those were the only places that you could see R-rated films advertised in the toy department. There were no ‘Fifty Shades of Barbie’ in mainstream department stores’ like Wal-Mart or Target. However, years before Deadpool hit movie theatres, there have been plush Deadpools (right next to plush Spidey and plush Wolverine) in Toys-R-Us and the like. And, a week before the film’s release, the Target that I frequent was pushing all of their plush Deadpools to the ends of the aisles to get the most eye-traffic.

Awwww!
Awwww!

So, an R-rated Wolverine would present a unique opportunity for the studio. Gone are the days when parents of six-year-olds complain about Jurassic Park toys because the film is PG-13. Well, gone are the days when they are taken seriously anyway. An R-rated Wolverine movie would inherently result in a unique marketing perk, as all unsold Wolverine merchandise is pushed to the front of toy stores across the country to advertise something that could never be advertised in a toy department years ago. Then again, the kids will have to actually pay money to see something else and theatre-hop, like under 17 Deadpool fans did with Zoolander 2. So, what’s the point?

What do you think? Are you looking forward to an R-rated Wolverine film? Can Old Man Logan be faithfully adapted to the big screen with many of its characters sidelined? Sound off in the comments.

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And The Oscar Goes to …(Dewey Singleton’s 2016 Academy Award Predictions)

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Wednesday marked the end of voting for the 88th annual Academy Awards. All the campaigns that started in the middle of August have now come to a screeching halt. All that’s left is for those envelopes to be opened on the Dolby Theatre stage on Sunday. So after much digging and research, I can finally reveal my predictions for who’s going to be bringing home Oscar gold.

Best Picture

oscars

Winner – Revenant

Predicting Best Picture this year is as complicated as they come. Normally when it’s easy to see where this category is headed just based on how the critic and guild awards went, but they have been all over the place. The guilds loved Revenant (DGA), Spotlight (SAG, WGA) and The Big Short (PGA, WGA). Revenant taking home the top prize at BAFTA provided some clarity to the tight race, but you can’t discount a movie like Mad Max: Fury Road, with ten Oscar nominations and a ton of love from various guilds as well. In short we are facing a four-way race for Best Picture. It would be fascinating if the four-way race opened the door for a film like Room (with only four nominations) to pull a massive upset. An upset of this magnitude would be reminiscent of what Chariots of Fire did in 1981.

In this race, it’s important to note that Oscar ballots are filled in order of preference ( you rank your favorite with a 1 and your least favorite with the higher number.) Many Oscar voters second and third choices on their ballots will play a significant role in who ends up winning.

My thinking on this category is that The Big Short and Spotlight focus on social issues and cancel out one another. As much Mad Max: Fury Road is a favorite among film critics, no movie has ever won Best Picture and not been nominated in a writing category since 1931. Revenant is a beautiful, barbaric adventure that has a dedicated group of fans. Revenant winning Best Picture at BAFTA shows that it has momentum going into Oscar voting.

Best Director

Winner- Alejandro González Inarritu

This category often goes in line with Best Picture. However, in two of the last four years, voters have gone rogue with their directorial choice. The biggest indicator where the votes will land for Best Director is DGA Awards. The DGA has only been wrong in seven out of 68 years in predicting the Oscar winner for direction. With that in mind, it’s a safe bet that The Revenant’s Inarritu will win Sunday night in what is a tough field. He will become only the third director after John Ford and Joseph L. Mankiewicz to win back-to-back Oscars and the first to do it in 65 years. No director in the history of the Oscars has pulled off back to back Director, and Best Picture wins.

Best Actor

Leonardo DiCaprio

Winner – Leonardo Dicaprio, The Revenant

 

Usually, one the most competitive Oscar categories have now turned into more of a coronation. Micheal Fassbender, Matt Damon, Bryan Cranston, and Eddie Redmayne all were brilliant in their respective films. However, Leonardo Dicaprio reaches deep (at least physically) in The Revenant and is masterful. It’s the type of performance that is routinely recognized by the Academy.

Best Actress

room2

The Winner: Brie Larson, Room

Once again this category is a competitive one. While Cate Blanchett is dazzling in Carol, Charlotte Rampling breaks our hearts in 45 years, Jennifer Lawrence is a delight in Joy, and Saoirse Ronan lights up the screen in Brooklyn, they simply aren’t on Brie Larson level this Oscar season. Brie Larson has won every major critic Award and won a BAFTA, SAG, Golden Globe, and a critics choice award. She’ll win on Sunday.

Best Supporting Actor

Sylvester Stallone

Winner – Sylvester Stallone, Creed

The unwritten rule when it comes to the Oscars is, rarely does someone win if they only receive one nomination. This year will be an exception as Stallone will bring home the Oscar on Sunday night. Even with a list of nominees as deep as this category has – Bale, Hardy, Rylance, and Ruffalo – Stallone’s performance was a knockout (pardon the pun). Returning to the Oscar stage after 39 years, when he was there for his work in the original Rocky, and leaving victorious will make for quite a “Rocky” moment.

Best Supporting Actress

alicia vikander

Winner- Alicia Vikander, The Danish Girl

This category has come down to two actresses – Alicia Vikander from The Danish Girl and Kate Winslet from Steve Jobs. Focus Features has campaigned heavily on Vikander’s behalf, and it has paid off as she has won both the SAG and Critic’s Choice Award. Winslet has been gaining momentum with her wins at both the Golden Globes and BAFTA. What will separate these two actresses is Vikander’s involvement in Ex Machina (an Oscar-nominated film). Because of Vikander’s participation in that movie, she will garner a few more votes.

 

The Other Categories

The rest of these categories are one’s that you are interested in either because of an insane love of film (like yours truly), or the office has a Oscar pool. What I am going to do is put in bold who I’m predicting the winner will be on Sunday.

Animated Feature Film

Anomalisa

Boy and the World

Inside Out

Shaun the Sheep Movie

When Marnie Was There

Cinematography

Carol

The Hateful Eight

Mad Max: Fury Road

The Revenant

Sicario

Costume Design

Carol

Cinderella

The Danish Girl

Mad Max: Fury Road

The Revenant

Documentary (Feature)

Amy

Cartel Land

The Look of Silence

What Happened, Miss Simone?

Winter on Fire: Ukraine’s Fight for Freedom

Documentary (Short Subject)

Body Team 12

Chau, beyond the Lines

Claude Lanzmann: Spectres of the Shoah

A Girl in the River: The Price of Forgiveness

Last Day of Freedom

Film Editing

The Big Short

Mad Max: Fury Road

The Revenant

Spotlight

Star Wars: The Force Awakens

Foreign Language Film

Embrace of the Serpent

Mustang

Son of Saul

Theeb

A War

Makeup and Hairstyling

Mad Max: Fury Road

The 100-Year-Old Man Who Climbed out

the Window and Disappeared

The Revenant

Music (Original Score)

Bridge of Spies

Carol

The Hateful Eight

Sicario

Star Wars: The Force Awakens

Music (Original Song)

“Earned It,” Fifty Shades of Grey

“Manta Ray,” Racing Extinction

“Simple Song #3,” Youth

“Til It Happens To You,” The Hunting Ground

“Writing’s On The Wall,” Spectre

Production Design

Bridge of Spies

The Danish Girl

Mad Max: Fury Road

The Martian

The Revenant

Short Film (Animated)

Bear Story

Prologue

Sanjay’s Super Team

We Can’t Live without Cosmos

World of Tomorrow

Sound Editing

Mad Max: Fury Road

The Martian

The Revenant

Sicario

Star Wars: The Force Awakens

Sound Mixing

Bridge of Spies

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

Visual Effects

Ex Machina

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

Writing (Adaptive Screenplay

The Big Short

Brooklyn

Carol

The Martian

Room

Writing (Original Screenplay)

Bridge of Spies

Ex Machina

Inside Out

Spotlight

Straight Outta Compton

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From Thor to Dr. Strange: Grounding Mystical Elements with Sci-Fi in the MCU

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Stan Lee has been called the “father of our modern mythology” by countless geeks who appreciate the man’s undeniable contribution to comic books as a medium, including the over 300 characters he’s created. And for those history nerds who are fans of ancient, religious and cultural mythology, you realize that Thor and many of his side characters were worshipped by some ancient people at some ancient time. Vikings, actually.

 

Mjollnir
the original Mjolinir

This was alluded to in the Thor movies, by not only having Thor’s symbol appear in the ground when the Bi-Frost takes him away, but by having Lady Sif (his wife in the ancient legends) being a pivotal character, but not his love interest. (There was no Jane Foster in Norse mythology. Home wrecker!) It is mentioned that these beings from Asgard were worshipped by humans in ancient times and Dr. Selvig shows Jane some books about these myths. But any notion of these characters being actual gods in the religious sense is explained away by Thor’s little speech in the first movie about how technology and magic are one and the same. It’s kind of like Superman: The Movie, where Superman had a crystal (something that some might associate with mysticism) that held the consciousness of his dead father, but it was just advanced technology from an alien race, a Kryptonian flash drive. Loki’s attempt to elevate himself above mere mortals is dismissed (in Thor: Dark World) as arrogance by Odin who says flat out that “we are not gods!”

Seriously, we're not!
Seriously, we’re not!

In the MCU, Asgard is another quantifiable dimension whose inhabitants were worshipped in ancient times because of their long life and advanced technology that seems like magic to us (even today). This was done, largely, to ground these elements in a reality, so Thor could hang out with characters whose origins are rooted in science (gamma radiation, bionic suits etc.) in The Avengers. So, when I heard that they were going to make a Doctor Strange movie that is connected to the Avengers universe (Stephen Strange is referenced in Captain America: Winter Soldier), I wondered “why did they bother to slant all the Thor stuff towards science when they are going to introduce a sorcerer to this whole thing?” Isn’t that like a fairy godmother showing up during Wall-E to clean up all the garbage with her magic wand?

"Bibbity Bobbity Boo!"
“Bibbity Bobbity Boo!”

Well, part of it has to do with why Thor said science and magic are “one and the same” where he comes from, instead of “our tech is so advanced”. This was further elaborated in ‘Ant-Man’ when Hank Pym warned younger Ant-Man not to shrink too much, for fear he would slip into the Quantum Realm and be lost forever. In physics, ‘quantum’ is “a discrete quantity of energy proportional in magnitude to the frequency of the radiation it represents”. Reportedly, this Quantum Realm is going to play heavily into the Doctor Strange movie, as what was a black hole to a shrinking man in a high-tech suit is something that Dr. Strange can master with his powers. And that Dr. Banner and Tony Stark can study, because radiation (not magic) is involved.

So, this is another example of Marvel grounding mythological motifs in science, even combining the two. What do you think? Do you think this is disrespectful to a character like Dr. Strange? Does it make him any less of a sorcerer or do you think it creates a richer, more believable world? Comment down below.

Mystical-Strange-005-EW

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There’s No X-Files Without Scully – Part 5 & 6 [Spoilers]

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The last two episodes of the X-Files introduced a mini Mulder and Scully. Doesn’t Agent Einstein remind viewers of Scully back when she first joined the X-Files? The pairings between the two pairs of agents put out some interesting dynamics. Episode 5 is mostly about establishing these new characters and their relationships. Scully still stands out with once again providing scientific proof.

On a brief side note, the whole ‘Muslims as terrorists’ stereotype is incredibly insulting, unoriginal, and racist. The X-Files does minute job at redeeming such an atrocity with Mulder’s, ‘power of suggestion,’ comment.

Aside from this terrible writing choice, which makes me wonder if it’s the same people behind The Oscars, Agent Einstein seriously stood out. Einstein is spiteful, fierce, and impatient – all the best qualities from Scully’s early days. Her character continues to impress long into the finale.

Now the Finale returns to the X-Files mythology introduced in Episode 1. Of course Scully is essential once again here, as she confirms the science behind the theory. Scully also has alien DNA. One great highlight from this episode that ties it all together is Scully’s one-minute narrated intro. This brings the whole series full circle, sort of. The truth is Scully starts the story again. Scully’s intro references so much more important points than Mulder’s did. Scully mentions The Syndicate, the epidemic of abductions, the scientific indications of these abductions on women, and most importantly the Cigarette Smoking Man.

Once again Scully is at top form, as Mulder is MIA for a good portion of the episode. Scully can prove the science behind the conspiracy, and especially since the new crisis is a global pandemic. The whole series really starts and ends with Dana Scully. The Finale especially articulates this with how it features Scully, and how she springs into action with Einstein. The scenes at the hospital bring all of the female characters to the forefront. For once, Fox Network isn’t overtly sexist in its display and writing of female characters. Well until it gets to the end.

This whole series feels like a set up of a re-launch of the franchise. With bringing in a new generation of agents to potentially take over the X-Files, bringing back a new mythology storyline, and the initiative to search for William Scully. The X-Files could be back, and hopefully with a new Scully.

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“Spartacus” creator to direct “Pacific Rim 2”

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Ever since the surprising success of Guilmerro Del Toro’s Pacific Rim, fans have been clamoring about any detail they can get about Pacific Rim 2. Safe to say the news surrounding Pacific Rim 2 has been sporadic with constant shifts between hiatus to straight up talk about cancelling at points. It seems now that we finally get some refreshing headway into the actual production of the movie. Of course since Del Toro himself won’t be returning to direct Pacific Rim 2, mainly because of projects such as Fantastic Voyage and Scary Stories To Tell In The Dark, they had to get someone else to take the helm. Enter Steven DeKnight, mostly known for his creation of the hit Starz series Spartacus, he’s also responsible for bringing the recent hit Daredevil TV series to Netflix. And by this pedigree alone it seems like Pacific Rim 2 is in good hands.

Now we just have to hold out breath until principal photography starts, because as of now there still isn’t a planned release date. However I’m feeling rather confident that DeKnight can take Jon Spaihts script and help make lightning strike twice for this developing franchise.

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‘xXx: The Return of Xander Cage’ Gets A Release Date

'xXx: The Return of Xander Cage' Gets A Release Date

New xXx film ‘The Return of Xander Cage’ Coming In 2017!

Vin Diesel will make his big-screen return to the xXx franchise in January of 2017! Reprising his role from the 2002 film ‘xXx‘, Diesel will join Samuel L. Jackson & action-superstar Donnie Yen in the newest installment; cleverly titled ‘xXx: The Return of Xander Cage‘.

Following a weak entry in 2005 where Ice Cube took over the lead role, the third film in the franchise will follow Xander Cage, a former extreme sports expert turned secret agent. We can expect some insane action scenes with brilliant fight scenes as Diesel’s brand of action movies has grown-up significantly since the first entry.

2017 is shaping up to be quite the year for Vin Diesel as he has ‘Guardians of the Galaxy Vol. 2‘, ‘Fast 8‘, and now ‘The Return of Xander Cage‘ all set for the beginning of the year.

Are you looking for to Diesel’s domination in early 2017?

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Review: The Flash ‘King Shark’ – A Big Meta-Human and A Major Reveal

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Last week The Flash ended with a shocker and this week’s episode starts right where they left it. The only portal to Earth-2 closed after Zoom’s arm went through Jay’s torso and they both disappeared into the bridge.

After everything that happened in the last two episodes, now Team Flash need to deal with the consequences. Except we don’t get to see much of it at first. Instead, the show seems to go back to its villain-of-the-week formula and to ignoring the running mystery we’ve all been dying to find out: Zoom’s real identity. Not so fast.

To start, Caitlyn isn’t in a great emotional state, so they try to show more of her not-so-sweet side, toward a complete stranger and also toward Cisco, who fears she’ll become evil like her doppelgänger from Earth-2. The only problem here is that Danielle Panabaker wasn’t exactly convincing as a meta-human killer, and she’s also not that strong at acting rude. An extreme change of character for Caitlyn wouldn’t have made sense, but the whole pissed-off-at-the-world attitude didn’t feel great either from her. She’s probably the weakest character in the show, but Panabaker is lucky to have Carlos Valdes as a partner in most scenes.

the-flash-king-shark-image-grant-gustin-david-ramsey

The title King Shark gave us a hint as to what – or rather, who – we’d see again this episode. Turns out, we also got a very nice treat with Arrow’s Lyla and Diggle showing up in Central City to warn Barry and the others about King Shark. In the process, we learn Lyla has become the new director of A.R.G.U.S. after the incident in their headquarters in episode 11 of this season’s Arrow. These kind of little connections between shows always help elevate them, and DC execs know it. Diggle is one of the most loved characters on Arrow, and he doesn’t get to see the type of meta-humans they’re used to seeing in Central City, so having him experience it in person makes his perspective much more interesting for the viewers.

During this episode, the show also acknowledges the fact that while Wally has finally become a part of the West family, he hasn’t had a chance to get to know Barry since the beginning of the season. Of course, it wouldn’t be a CW show without the drama, because as likeable and sociable as Barry can be, he doesn’t appear to be keen on the idea of becoming friends with Wally. The obvious awkwardness between these characters shows a wider range for the actors, and especially Grant Gustin. He’s really grown into playing Barry Allen, so over time he’s being able to prove how he can express the character’s depth in interactions with other people he’s not familiar with and make it believable. Wally’s animosity toward Barry feels like a breath of fresh air, as opposed to every other non-villain character who Barry gets on with.

The Flash 2.15 - 2

Later on, the fight between The Flash and King Shark is one of the most impressive scenes we’ve seen this season. The quality of the visual effects is one of the strongest points of the show. Grodd was a phenomenal CGI character on the first season. Now King Shark, although he didn’t feel as menacing, was integrated in a fairly grounded way despite him technically being “a talking shark wearing pants” without a solid back story to connect with.

In the end, something we’d been dying to know was finally revealed, only to the audience: the person behind the Zoom mask. Every week there’s a new wave of speculations all over the Internet about the character, and while this was the right time to show who he really is, there’s still one more thing missing for us to care about this villain – the same thing King Shark lacked, which was a motive. We need some kind of emotional connection to be established other than the fact that Zoom is just a bad guy seeking more power. Last week the mystery was more around the person behind the iron mask.

This second season is shaping up well, but there are still some tie-in issues to be improved. What did you think of this episode?

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‘The Flash’ EP Andrew Kreisberg Dishes The Dirt On Zoom

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Last night’s episode of the CW’s The Flash ended on a great reveal with the identity of Zoom, if you haven’t watched the episode look away as there will be spoilers ahead.

Thor: Ragnarok Jessica Jones Star Wars The Walking Dead

Executive producer Andrew Kreisberg spoke with EW about the identity of Zoom and the emotional impact it will have on Barry Allen and his friends.

“Zoom’s identity has been revealed: He is Hunter Zolomon, a.k.a Jay Garrick. How all of that plays out and what’s actually happening, we’ll leave for after the break, but we wanted to go out on this run of episodes with a big reveal, just the same way we did at the end of episode 9 in season 1, where we revealed that Harrison Wells was the man in the yellow suit. Zoom’s identity is finally revealed,” said Kreisberg.

The Flash returns to the CW on March 22 with ‘Trajectory’ and then the following episode ‘Flash Back.’

After the tragic events of the breach and Jay’s abduction, things aren’t looking good. Barry decides that he and the team need to find a way to reopen the breach and not only save Jay, but the mysterious man in the iron mask.

Flash Iron Mask

“It’s an even larger betrayal than last year in some ways because they’re all going to feel like they should’ve been inoculated against it. ‘Fool me once, shame on you, fool me twice, shame on me.’…They let this person in. Part of the reason he was able to do that was because there was a hole in the center of their group, and he knew that. He was able to step in because they wanted it so desperately. Barry was missing his mentor, Wells, and here comes Jay offering to be his mentor. Caitlin had lost Ronnie, and then here comes Jay offering to be her new knight in shining armor,” said Kreisberg.

“For us, there was all of this great, delicious irony to the whole thing. It happens in a way that didn’t make them look stupid, that the reason he was able to manipulate them was because he was playing on their emotions. It wasn’t because they were gullible. They actually took precautions in the beginning – Barry locked him up right away – but all of them had that need for a center and for a new star to right their ships by. Jay’s one charming, smooth guy and he was able to manipulate them in that way,” said Kreisberg.

One possible theory on the man in the iron mask is that it’s Barry from the future, as Kreisberg said it’s “an even bigger surprise than this one” and will be a mystery to “pull you through the season”. The only thing bigger than Jay is Barry.

Who do you think the man in the iron mask is?

With eight-episode left in the season, the second season of The Flash comes to a close on May 17.

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Deadpool Wants His Oscar, Or Is It Ryan Reynolds?

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The star of Deadpool, Ryan Reynolds mocked the Academy Awards yesterday with a tweet that supported a last-minute write-in campaign for the ineligible film.

The Academy Awards are Sunday night, but Reynolds couldn’t hold back any to chance to steal some headlines with a Deadpool quote. Ride the wave as long as you can sir. The film is already the highest grossing X-Men film in the US after two weeks.

About ‘Deadpool’

Based upon Marvel Comics’ most original anti-hero, Deadpool tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, he hunts down the man who nearly destroyed his life.

Deadpool is directed by Tim Miller and stars Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein, Gina Carano, and Brianna Hildebrand.

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