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Review: ‘Whiskey Tango Foxtrot’ Highly Predictable

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Tina Fey headlines Whiskey Tango Foxtrot, a seriocomic look at a female reporter in Afganistan, directed by Glen Ficarra and John Requa and co-starring Margot Robbie. It has all the promise of a fresh narrative on a difficult topic but, in reality, the film has a predictable thrust on a difficult subject.

Whiskey Tango Foxtrot one-sheet

In its review of journalist Kim Barker’s 2011 book The Taliban Shuffle: Strange Days in Afghanistan and Pakistan, The New York Times remarked that the author “depicts herself as a sort of Tina Fey character.” So it should come as no shock that Fey herself was the one to don the headscarf of a fortysomething adrenaline junkie who puts her life on the line as a war correspondent.

It does seem in recent years that Hollywood has developed a new sub-genre for these type of wartime comedies. See if this sounds familiar to you: Hapless non-combatants find themselves in the worst part of Afghanistan in the midst of a war and among the bombs/bullets the non-combatant strives to find purpose. If someone guessed either Whiskey Tango Foxtrot or Rock The Kasbah, he or she were right. In fact, the similarities between these two films are plentiful.

There’s a nerve-racking flight to Kabul (just like Rock The Kasbah); Fey’s character is greeted by a hunky security personnel, the terrible hotel, and, of course, the Westerners night club which looks like a psychedelic nightmare. Even in the face of all these similarities, it can be decisively stated that Whiskey Tango Foxtrot is far superior to Rock The Kasbah (that’s not saying much).

Whiskey Tango Foxtrot was written by longtime Fey collaborator Robert Carlock (Saturday Night Live, 30 Rock, and Unbreakable Kimmy Schmidt). Tina Fey benefited from this as the film is without question written with her type of comedy pathos in mind. However, having Carlock write the screenplay is a bit of a Catch-22. While it’s always great to write with a certain actor or actress in mind, Carlock’s experience is in comedic writing, and it shows on screen. The dramatic scenes felt too campy and outmatched by the whimsy.

Are we to believe that Kim Baker was super serious about getting help from the Afghani Attorney General (Alfred Molina) and blackmailed him using a video depicting him dancing that she took on her iPhone? Am I to just accept that Kim can clear a workout room because she gives a concerned look to a general? I’m not saying that this film should have been all serious, but it is the responsibility of the writer to develop characters in such a way that elicit some credibility. In a movie where someone is struggling to adjust while living in a war-torn region of the world, I should have at least felt sorry for her. In this case, I felt nothing towards Fey’s character. In fact, Carlock’s characters in the film are not written like typical “real people” but are more stereotypical roles that are commonly found in this type of film.

We veer off course with the career-minded woman who’s bored and wants a change (Fey). Then we mix in the bad boy whom the girl doesn’t want to date but ends up dating (Martin Freeman). Then there’s the strange authoritative figure that is tough but has some compassion (Billy Bob Thorton). Finally to round off the roles, we get the über beautiful girl who is also career minded and double-crosses the lead (Margot Robbie). Carlock seemingly penned this movie with a Mad-Lib mentality, focusing on too much dramedy.

Directors Glenn Ficarra and John Requa play it safe and develop a film that has minimal complex shots and a plethora of tight shots focusing on the interactions of the characters. Rarely did we see them throw in wide lenses which could have conveyed better the depravity of the circumstances that they were facing in the Afghanistan.

Even though Whiskey Tango Foxtrot has a tremendous cast and is based on relevant subject matter, it falls below anything that should be considered acceptable. Wait a second …  an excellent cast … great subject matter .. and it falls below expectations …  maybe Whiskey Tango Foxtrot has more in common with Rock The Kasbah than we realized.

Whiskey Tango Foxtrot

Whiskey Tango Foxtrot

Distributor: Paramount

Production companies: Broadway Video, Little Stranger

Cast: Tina Fey, Margot Robbie, Martin Freeman, Alfred Molina, Christopher Abbott, Billy Bob Thornton, Nicholas Braun, Stephen Peacocke, Sheila Vand, Evan Jonigkeit, Fahim Anwar, Josh Charles, Cherry Jones

Directors: Glenn Ficarra, John Requa

Screenwriter: Robert Carlock, based on the book The Taliban Shuffle: Strange Days in Afghanistan and Pakistan by Kim Barker

Producers: Lorne Michaels, Tina Fey, Ian Bryce

Executive producers: Charles Gogolak, Eric Gurian, Sam Grey

Director of Photography: Xavier Grobet

Production Designer: Beth Mickle

 

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Review: ‘London Has Fallen’ One of the Worst Action Movies Ever Made

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Much to the chagrin of moviegoers, Grammercy Pictures is set to release London has Fallen to a worldwide audience this weekend. Gerald Butler returns in this sequel to the 2013 film Olympus Has Fallen, and this is brutal in every sense of the word.

If anyone is shocked that a sequel is coming out this weekend, remember that Olympus Has Fallen surprised everyone. Olympus Has Fallen grossed $161 million worldwide. The film was extremely budget conscious, so this sort of financial windfall amounted to an enormous economic victory for the studio.

In a plot twist that is just as shocking this time (sarcasm font), the plot around the terrorists is more sophisticated and ambitious. These manage to take down one world capital and many world leaders within a long, tedious plot. The bad guys are successful in a way that for anyone who loves London, is distressing. The visual effects are on par with what the public has seen in any of the Final Destination film (which detracts from the startling image of Westminster Abbey and Parliament  being blown up.)

So who’s the villain this go round? Aamir Barkawi (Alon Moni Aboutboul), is set to exact revenge on the United States for a drone strike that was meant to kill him but instead killed his daughter. His scheme he devises is to use the death of the British Prime Minister (which he secretly arranges), to bring all the western leaders in one place so he can wipe them all out at once. Barkawi lives by the motto “Vengeance must always be profound and absolute.”

The occupants of the White House are certainly aware of the danger on this trip. President Asher (Aaron Eckhart), Mike Benning ( Gerald Butler), and the secret service director played by Angela Bassett all at one point make mention that this seems like it could be a trap. Once again, much to the shock of all us (we really do need that sarcasm font), they decide to go and pay their respects to the fallen British prime minister and leave a freshly promoted Vice President, played by Morgan Freeman (remember he was speaker of the house in the first film), in charge. Of course, despite every imaginable precaution, things begin to go boom on the afternoon of the funeral, and it is evident that all hell has broken loose.

One of the lone positives of the film was its run-time. At 99 minutes (it felt like it was double that time), the producers, at least, recognized that there was no sense in stretching this “B” movie out any further. It was as if Gerald Butler wanted to show mercy to us all and we are thankful for it.

What was profoundly shocking to was how many screenwriters this film had. The original’s writers, Creighton Rothenberger, and Katrina Benedikt were aided and abetted here by Christian Gudegast and Chad St. John. Did It take four screenwriters to punch out this atrocious dialogue? What, were the first two not acceptable enough at writing bad grunts and cheezy one liners that they had to call in a team of experts? It was as if these men just graduated from a weekend course in script writing and this was their post-graduate work. We did, however, learn that lines  can still sound like hot garbage even when spoken in Morgan Freeman’s voice. Truly, the idea that a script was even developed for this movie is unbelievable as the performances were reminiscent of watching a bad improv troupe.

In fact, it is hard to pinpoint what London Has Fallen is good at. The chases are laughable. The use of mismatched stock footage was not shocking. The special effects make the ones in Death Wish 3 look cutting edge. The cinematography in the film was abysmal. The director Babak Najafi felt it was necessary to cover up the incoherent action with shaky handheld shot and rapid cuts. Add it all up and what we have is one of the worst action movies ever made.

London has Fallen

London has Fallen

Opens: March 4 (Gramercy Pictures)

Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Alon Moni Aboutboul, Angela Bassett, Robert Forster, Jackie Earle Haley, Melissa Leo, Radha Mitchell, Sean O’Bryan, Charlotte Riley, Waleed F. Zuaiter

Director: Babak Najafi

Screenwriters: Creighton Rothenberger, Katrin Benedikt, Christian Gudegast, Chad St. John,,

Producers: Gerard Butler, Alan Siegel, Mark Gill, John Thompson, Matt O’Toole, Les Weldon

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Dean Ambrose Is The WWE’s Next Big Star, But Do They Know It Yet?

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Wrestlemania is about 4 weeks away, and the biggest storyline going isn’t the main event, it’s an upcoming match between WWE Champion HHH and ‘The Lunatic Fringe’ Dean Ambrose.

Dean Ambrose
Dean Ambrose has a title shot at Roadblock
photo: WWE

Ambrose has made himself the ever-present thorn in the side of the champion ever since The Authority targeted his buddy Roman Reigns and even more so when HHH claimed the belt at the Royal Rumble. Normally this would make for an interesting plot, the issue here is Ambrose isn’t ‘The Chosen One’, he’s not Roman Reigns, but he is probably the most popular superstar in the WWE right now not named Brock Lesnar. While he hasn’t been in the title picture for all that long, Dean Ambrose has had the audience behind him for the better part of a year now for the simplest of reasons. He has no agenda, he’s a dog chasing a car and the crowd loves it. His recent run as IC Champ really cemented what the WWE seems to not get, and what they keep insisting they have with Roman Reigns.  A bonafide superstar.

It’s no secret that Reigns is supposed to be the next face of the WWE. The future franchise star that can carry the company for the next decade or so, and it’s not working. The crowd doesn’t buy it because it is being forced upon them. Reigns was in the main event of last years main event at Mania, and got the title snatched from him by Seth Rollins, who would then go on to have a stellar run as champion until his knee injury last year. Now his other friend, the one who didn’t turn on him, is stealing his shine because he is simply better. Better in the ring, better on the microphone, and a much better story then the WWE could ever craft for Roman Reigns.

Dean Ambrose recently aggravated HHH into giving him a title opportunity at the upcoming special event, WWE Roadblock. Roadblock is one of 3 or 4 ‘special events’, basically glorified house shows, that the WWE will air this year. Roadblock also presents a unique opportunity to capitalize on Ambrose’s rising popularity and still keep Roman as their guy in reverse.

First Option: Make Dean Ambrose WWE World Heavyweight Champion

This is highly unlikely but it would make for the most interesting WrestleMania main event in the past few years. Brother against brother. Two of the WWE’s rising stars in the biggest match on the biggest show of the year for the WWE title. Probably not going to happen this year, but a definite possibility down the road.

Second Option: Dean Ambrose beats Triple H via DQ

This seems to be the most likely scenario. The WWE can’t deny the momentum that Ambrose has been building these past few months. He has a title match against one of the WWE’s biggest stars in Triple H, right before the biggest show of the year, and he can win by DQ, thus keeping the main event for April intact, and also rocketing him into a great position.

While Dean Ambrose may not be the “face” that the WWE is looking for, he can be so much more than he currently is. He can fill the void left by C.M. Punk in the vein of that smirking, smart aleck that has the crowd behind him no matter what. He also has a better chance considering all the injuries plaguing the WWE lately with the current absences of John Cena, Randy Orton, and the former champ Seth Rollins.

WWE Roadblock airs March 12 on the WWE Network

WWE Wrestlemania airs April 3 on the WWE Network

 

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Agent Carter Season 2: “Hollywood Ending” Or Just The Beginning?

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We’re back for the Season 2 finale of Agent Carter. It’s been a season of meeting new characters only to have them disappear shortly after being introduced, but now that we’ve reached the “Hollywood Ending,” let’s start off with a recap.

The Recap

This episode picked up where last week’s cliffhanger left off. Agent Carter, holding a gun on Chief Thompson, demands that he drop the detonator to the gamma bomb. Their tense interaction is ended by a shockwave, not from the gamma bomb but from Dr. Wilkes releasing the store of Zero Matter from his body. Unfortunately, like all of this season’s cliffhangers, this one is basically just another tease.

When the team goes to investigate the blast they find no trace of Masters. They do find an unhealthy but Zero- Matter-free Dr. Wilkes. Whitney Frost absorbs Dr. Wilkes’s previous store of Zero Matter for herself and becomes more powerful than ever. The team runs in fear but Frost, in a pretty goofy turn of events, is hit by Edwin Jarvis driving Howard Stark’s car. The villain temporarily subdued, the team makes its hasty getaway.

Back at the SSR LA office, Thompson and Sousa are rounding up the agents who were working with Vernon Masters, presumed dead after Dr. Wilkes’s Zero Matter expulsion that Masters was present for. Dr. Wilkes with a new lease on life as a solid person describes Zero Matter as a cancer and underlines the importance of ridding the world of it.

It’s trouble in paradise for Whitney Frost and Joseph Manfredi. Frost is diligently coming up with plans to re-open the Zero Matter rift but her changed and withdrawn personality troubles Manfredi. He consults his nonna who asserts that if Manfredi wants his old Whitney back then he must make a deal with the devil, in other words Peggy.

Back at Howard Stark’s mansion, Manfredi arrives to make a proposition. After a few non sequiturs are exchanged between Stark and Manfredi, it becomes obvious that they’re old friends. Manfredi agrees to help the team lure Frost into a Zero Matter trap that will allow the team to suck the Zero Matter out of her and into the Zero Matter rift. First, though, the team will have to steal the Zero Matter rift generator designs from Frost. Agent Carter and Chief Sousa are able to do so by taking photographs of Frost’s designs while Manfredi keeps Frost busy in the other room. During this tense scene, Sousa and Carter find some time to engage in a bit of office flirtation and escape out the window in the nick of time.

While placing the team’s dinner order back at the SSR LA Office, Chief Thompson finds Masters’s Arena Club pin that turns unexpectedly into a key.

After a quick recap of the plan and a safety meeting from Dr. Wilkes, the newly-built rift generator is assembled at Howard Stark’s movie lot. The rift generator is engaged and once again the laws of time and space are manipulated. Frost, having a kind of telepathic link to Zero Matter feels the rift in her mind and starts making her way to the movie lot.

Stark, not fully appreciating the gravity of the situation, slices golf balls at the rift while they wait for Frost. Chief Thompson who appears to have made peace with Agent Carter reveals his discovery of Masters’s key-pin to her. Frost arrives before too long and, lined up for the shot, they blast her with the gamma cannon. Her Zero Matter gets expelled into the rift and Frost is arrested.

The catch is that the remote shutdown of the rift generator is broken so it must be shut down manually. Unfortunately the generator is inside an unsafe zone within which all objects will levitate and be sucked into the rift. While the team argues about who should be the one to do it–all of them volunteering–Sousa runs in to shut it down. The hose that Sousa had tied around his waist slips from its anchor point but Peggy and the team are able to hold on until Stark’s hover-car, which contains the power core from the gamma cannon, can be auto-piloted into the rift. The hover-car explodes and the rift is closed. Here endeth the conflict.

The morning after, Howard, Peggy, and Dr. Wilkes have breakfast in Stark’s mansion. Dr. Wilkes, we find out, has agreed to work for Stark at Stark’s Malibu facility doing work involving something Stark found in Peru. Peggy and Jason bemoan their ruined chances at love and Howard swims naked. Peggy, on her way to the SSR LA Office to finish up her paperwork runs into the Jarvises. Peggy and Ana make peace and Edwin coerces Peggy into letting him drive her to the office.

The audience gets to see an unhinged Whitney Frost ranting at her window. She hallucinates that she is talking to Chadwick but is in reality being kept in solitary confinement in a psychiatric ward. A regretful Joseph Manfredi appears with roses. Unfortunately, he can’t give them to Frost. As the attending intern says, “She’ll just try to use them to claw her face open.”

Agent Carter Season 2
Ross and Rachel–er, Carter and Sousa finally kiss

In a touching goodbye between Jarvis and Peggy, Jarvis attempts to convince her to stay in LA, “perhaps all you need is one convincing reason to stay.” And, in Chief Sousa’s office, the audience is treated to a cute scene between the de facto romantic leads. Chief Sousa reprimands Agent Carter for saving his life and the two steam up the office windows with an old-fashioned American make-out session.

The final scene sees a potentially grim end for Chief Thompson. Following a phone call in which he’s told that Agent Carter will be taking more vacation, Thompson gets shot in the chest by a mysterious man who knocks on his door. The mysterious shooter walks over Chief Thompson’s body and steals the doctored file that purports to show that Agent Carter is a war criminal.

My Critique

Although this wasn’t a bad episode, it wasn’t a really good one either. This episode was almost completely devoid of a conflict aside from the near death of Chief Sousa. Frost was dealt with so easily and Chief Sousa seemed in so little danger that the episode was basically just a romp. “Hollywood Ending” was also missing what generally makes Agent Carter worth watching, solid scenes between good actors. Although there were a few emotional moments, the only really solid acting was in the scene leading up to the kiss between Carter and Sousa.

I suppose, though, that at the end of the season I’m still interested to see what will happen next, so this season obviously wasn’t horrible. All in all, I hope Agent Carter gets renewed for a third season. We still haven’t seen her form S.H.I.E.L.D., nor have we seen her get married. Will she marry Sousa? Will she ever go back to New York? What’s the deal with that key? Who killed Chief Thompson? If Thompson’s dead, will Carter become Chief of the New York Office? Will we get to see Whitney Frost in a mask? And, as always, what about Zola?

I hope these questions get answered, some more than others. With Hayley Atwell purportedly starring in another show from ABC next year, though, I have my doubts that there will be any answers. This could be the end of Agent Carter. And, although it wasn’t an absolute garbage heap, it left me thinking about why it’s sometimes so hard for great ideas to translate into great TV shows.

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Mark Hamill Pours Gasoline On ‘Episode VIII’ Rumors

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Mark Hamill appeared at the Oxford Union Wednesday night for a speaking engagement. Since Episode VIII just started filming, you would expect the cast of the movie would be locked in a dungeon somewhere in the UK hillside. Just like with The Force Awakens, fans are salivating for any details concerning the future of Star Wars Universe. One of the big mysteries of The Force Awakens is who is Rey, who left her on Jakku, and how is she related to Kylo Ren? (Was that three mysteries?)

Monkeys Fighting Robots even put together a helpful article compiling all the best theories about Rey – ‘The Force Awakens’ Aftermath: Top 5 Theories On Rey

Hamill poured gasoline on those theories when he was asked a cryptic question about whether he was a father figure to Daisy Ridley.

“Daisy is incredible, so genuine, appealing, loveable, she beams, she has a wonderful charisma, I adore her. She’s my daughter’s age – and that’s how I relate to her,” said Hamill.

According to the Sun, the audience gasped and laughed Hamill winked and quickly added wryly: “I don’t mean anything by that. As actors, that’s how I relate to that.”

Do you think Lucasfilm and Disney let Hamill read the entire script for Episode VIII?

Rey took her first steps into a larger world in Star Wars: The Force Awakens and will continue her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the continuing Star Wars saga, Star Wars: Episode VIII, which began principal photography at Pinewood Studios in London on February 15, 2016.

Star Wars: Episode VIII Begins Production

Rey took her first steps into a larger world in Star Wars: The Force Awakens and will continue her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the continuing Star Wars saga, Star Wars: Episode VIII, which began principal photography at Pinewood Studios in London on February 15, 2016.

Posted by Monkeys Fighting Robots on Monday, February 15, 2016

Star Wars: Episode VIII, is written and directed by Rian Johnson and continues the storylines introduced in Star Wars: The Force Awakens, welcomes back cast members Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, and Andy Serkis. New cast members will include Academy Award® winner Benicio Del Toro, Academy Award® nominee Laura Dern, and talented newcomer Kelly Marie Tran.

Star Wars: Episode VIII is produced by Kathleen Kennedy and Ram Bergman and executive produced by J.J. Abrams, Jason McGatlin and Tom Karnowski. Joining the production crew will be some of the industry’s top talent, including Steve Yedlin (Director of Photography), Bob Ducsay (Editor), Rick Heinrichs (Production Designer), Peter Swords King (Hair and Make-Up Designer), and Mary Vernieu (US Casting Director). They will be joining returning crew members Pippa Anderson (Co-Producer, VP Post Production), Neal Scanlan (Creature & Droid FX Creative Supervisor), Michael Kaplan (Costume Designer), Jamie Wilkinson (Prop Master), Chris Corbould (SFX Supervisor), Rob Inch (Stunt Coordinator), Ben Morris (VFX Supervisor), and Nina Gold (UK Casting Director).

Star Wars: Episode VIII is scheduled for release December 15, 2017.

(Yes, the same Oxford Union that Shia LaBeouf spent 24-hours in an elevator.)

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‘Batman v Superman’ on Track for Huge Opening Weekend (And There’s a New TV Spot)

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Batman v Superman: Dawn of Justice is on track for a massive opening weekend, despite incredibly mixed feelings about the footage we’ve seen so far. According to Deadline, the showdown between Bats and Supes is on track for a $140 million opening weekend stateside, matching that of Deadpool.

But that isn’t the whole story.

Batman v Superman is opening worldwide March 25, which also happens to be Easter weekend. With the global release, including China, BvS is on track for a $300-$340 million opening weekend. This should quell any concerns DC has about the film eventually being a success.

Rumors abound that Batman v Superman needs to earn a billion bucks to be consider a success. A $300 plus million opening weekend will go a long way to covering that. Then you have DVD releases and so on and so forth… Fans anticipating this film can stop worrying this will be the ruin of the DC Universe.

If BvS pulls in what is expected, it would be the fifth highest-grossing superhero flick after Avengers ($392.5M), Avengers: Age of Ultron ($392.5M), Spider-Man 3 ($381.7M) and Iron Man 3 ($372.5M).

In the meantime, Zack Snyder and Co. continue to drop TV spots and clips in this aggressive marketing campaign. Here is the latest TV spot, where Batman is ready to throw down:

https://youtu.be/biD9H2WwfTk

 

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Here It Is, The First ‘Ghostbusters’ Reboot Trailer

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The first trailer for the much anticipated (and ridiculously controversial) Ghostbusters reboot is finally here. This time around, gender roles are reversed, but Paul Feig’s new film seems to have an identity of its own and plenty of humor to boot.

Here it is:

Here is the official plot synopsis, which keeps everything pretty mysterious:

Ghostbusters makes its long-awaited return, rebooted with a cast of hilarious new characters. Thirty years after the beloved original franchise took the world by storm, director Paul Feig brings his fresh take to the supernatural comedy, joined by some of the funniest actors working today – Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth. This summer, they’re here to save the world!

This new Ghostbusters has generated plenty of unwarranted controversy because, heaven forbid, the characters are females this time around. This does seem to be more of a reboot than the third entry of the franchise, or perhaps its a mixture of both similar to The Force Awakens. Paul Feig has built enough credibility, at least with me, so maybe this film deserves the benefit of the doubt, at least a little bit.

What do you think? The new Ghostbusters hits theaters July 15.

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Foo Fighters Make Official Band Announcement

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Speculation of a potential breakup was running ramped this week about the Foo Fighters since Dave Grohl’s Oscar performance Sunday. The New York Post’s Page Six reported there’s “tension” between band members Dave Grohl and Taylor Hawkins, citing an unnamed source, who claims Grohl is ramping up a solo career.

The Foo Fighters on Wednesday posted a Tweet they were going to make an official announcement.

That announcement came down late last night, watch.

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You got to love it when the band trolls the media. Plus, a Nick Lachey version of ‘Everlong!’

“For the millionth time, we’re not breaking up and nobody’s going fucking solo.” – Foo Fighters

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Walking Dead: Why Negan Has To Kill Michonne

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Would Michonne’s Death Caused By Negan Make Him Public Enemy #1?

Following 6 seasons of zombie-filled drama, ‘The Walking Dead is in need of a major shakeup. Walking Dead was once on par with ‘Game Of Thrones’ for being known to kill off major characters whenever they felt like it. Now, they’ve off the expendable roles in mass qualities as an attempt to shock us. The desensitized viewers of television have come to expect a high-level of surprise & brutality and ‘The Walking Dead‘ is in desperate need to hit us where it hurts. They need to destroy everything we love.

This means the upcoming villain Negan has to kill fan-favorite Michonne!

Walking Dead

Yes, comic fans…I know who is “supposed” to die if following the Walking Dead comics but that doesn’t mean we can’t have an all-out bloodbath as Negan’s introduction. The show has made drastic changes to stories from the comics and this could be a change for the better. It would also propel the character of Negan, played by Jeffery Dean Morgan, into infamy! This would instantly give the fans a reason to hate the villain; the hatred would run far deeper than one for previous villain The Governor. Not only would it anger the fans but it would throw multiple characters on the show off the deep-end.

Characters like Michonne’s new love interest Rick Grimes and his son Carl.

Lead character Rick isn’t allowed to have anything good happen to him. While he has a long-standing girlfriend in the comics, he has yet to have such luck on the show. His new romance with beautiful but bad-ass Michonne is a breath of fresh air. That’s why they need to suck the air from our lungs.

Danai Gurira, who plays Michonne, is also becoming quite the star in Hollywood and Broadway. It’s something she’d need to free up her hectic Walking Dead schedule for. Gurira is by no means doing a poor job on the show. She performs the role perfectly and is vital to the story. Her leaving would send the entire show for a loop & change the dynamic for the upcoming seventh season.

Walking Dead

The fact is, Michonne is important to the fans & the characters. Her death would cause a rebellion. That’s why it has to be Negan that kills Michonne is his introduction & the sixth season finale!

The Walking Dead‘ airs Sunday at 9pm on AMC!

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Looking Back on ’86: The Boy who Could Fly

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The Boy Who Could Fly follows the story of a young girl and her family that have just moved into a new neighborhood. Quickly, she becomes fascinated by her neighbor: An autistic boy her age who seems to always be readying himself to fly. Why? Because he believes he can do it. For too long, The Boy Who Could Fly feels like it doesn’t have a particular focus, throwing in subplot after subplot about the family adjusting to their new life. But after a while it’s easy to realize that the movie isn’t so interested in the titular character, but rather, his effect on everyone around him. Writer and director Nick Castle establishes a sense of reality through the family drama, slowly bringing in the more fantastical elements.

With its touches of magical realism and focus on children, family and suburbia, the move joins the league of other “Amblin-esque” films of the 80s.  That’s not to say that writer/director Nick Castle was attempting to imitate themm just that it feels right in line with the likes of E.T., The Monster Squad and The Goonies. The problem with this movie is that it feels like it needs a more assured director such as Spielberg or Richard Donner. The placement of music or emphasizing certain sentimental elements too much takes away from the movie, and it’s at these worst parts of the movie where it feels more like a wannabe rather than a sincere work.  At the same time, in terms of visuals, the movie feels like it should be stronger. These feel like odd missteps for Castle given that his previous film The Last Starfighter falls under the same leagues, but has a confidence that this movie lacks, despite this being a much simpler, more grounded story.

Thankfully, the movie ends perfectly. It does go on for a bit longer than it should, but the ending is charming and surprising and everything comes perfectly together into place. Its flaws may be the reason why The Boy Who Could Fly hasn’t quite reached a classic status, but the movie has its fans and it’s easy to see why. It’s charming and even a little magical when it works.

You can get The Boy Who Could Fly here.

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