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Country Legend Merle Haggard Has Died at 79

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The legendary American country music singer, songwriter, and musician Merle Haggard has died at the age of 79 due to complications from pneumonia. Haggard’s manager reported that the superstar passed away in Bakersfield, California on this, his 79th birthday. He had been in poor health within the last year which led to several concert dates being cancelled.

Classic Haggard

Merle Haggard had been active in country music for over 50 years and enjoyed a celebrated career and dedicated following of admirers and fans. During the his career he recorded 40 No.1 country songs and wrote many that are now included in the canon of genre. Some call Mr. Haggard a working man’s poet and he was credited for being an originator of the Bakersfield Sound spawned out of California.

He was born on April 6, 1937 in Oildale, California to Flossie Mae Harp and James Francis Haggard. His parent’s moved from Checotah, Oklahoma, after their barn burned down in 1934, during the Great Depression. His father took a job with the Santa Fe Railroad and two years later they welcomed Merle to their family.

Haggard and Payche

Mr. Haggard’s father passed away in 1945 of a brain hemorrhage and this deeply effected him. His mother, Flossie Mae, had to seek work as a bookkeeper outside of the home and her absence fueled his rebellious streak. The young Haggard was in-and-out-of youth detention centers and reform schools often – from which he escaped on many occasions.

In 1957 a 21 year old Haggard was a married man with financial woes and he was arrested for trying to rob a roadhouse in Bakersfield. He was sent to the Bakersfield jail and later transferred to San Quentin Prison after an escape attempt. While is prison his then wife became pregnant with another man’s child which further plagued the troubled man. He held and lost many jobs while imprisoned and had planned on escaping from prison with a fellow inmate “Rabbit.”

While he was incarcerated and even ran a gambling and brewing scheme cellmate. Haggard was found drunk and sent to solitary confinement where he met a death row inmate, an author, Caryl Chessman. During that same period his old buddy Rabbit did escape from prison. While on the lam Rabbit shot a police officer and returned to Sand Quentin as death row inmate. Witnessing how the bad choices that these two men made landed them on death row, Haggard decided to change his life. While he was still inside he earned his high school equivalency diploma and maintained a job. He would also play in the prison country music band noting that a performance there by Johnny Cash in 1958 inspired him to do so.

When he was release from jail be began work for his brother wiring houses and digging ditches and he started performing at nights. Eventually he started recording with Tally Records. The sound coming out of Bakersfield was in direct reaction and opposition to the polished sound being produced in Nashville at the time.

Young Merle Haggard

His first single was, “Skid Row”, but his second single, “Sing Me a Sad Song”, was his first Top 20 hit. While performing in small clubs and making the circuit rounds he recorded the duet, Just Between the Two of Us, with his future wife Bonnie Owens and another song, “(My Friends Are Gonna Be) Strangers,” which got them both noticed by and signed to Capitol Records.

[embedyt] http://www.youtube.com/watch?v=-iYY2FQHFwE[/embedyt]

Perhaps one of his most memorable hits is 1969’s, “Okie from Muskogee.” The success of that tune made him a star and crossover sensation – the pop audience loved the song. He followed that success with the harder track, “The Fightin’ Side of Me.”

Throughout his lengthy career he paid homage to his influences. He released two tribute albums – one for Jimmie Rodgers and the other Bob Wills. Haggard also released a rendition of the song “That’s the Way Love Goes,” co-written by another favorite, Lefty Frizzell, which spend 21 weeks on the country charts and earned him a Grammy for Best Male Country Vocal Performance.

Mr. Haggard was inducted into the country music hall of fame in 1994. His popularity on the radio waned in the 1990s in lieu of the “New Country” sound that was popular at the time. In the early 2000s Haggard recorded two albums on the punk label Anti.

After beating lung cancer Haggard resumed performing music. He often said that he felt most comfortable and at home onstage and that there he had found some of his happiest times.

Merle and Will

Merle Haggard’s last solo album, “Working in Tennessee” was released in 2011. Before he is death he also recorded and released two collaborations – one with Mac Wise and the other with Willie Nelson.

He is survived by his wife, Theresa, and his six children: Dana, Marty, Kelli, Noel, Ben, and Jenessa.

He will be missed.

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First Look At ‘Valerian and the City of a Thousand Planets’

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Take your first look at ‘Valerian and the City of a Thousand Planets,’ the sci-fi spectacular that could take the box office by storm in 2017.

Luc Besson (The Fifth Element) directs the $180 million budget sci-fi film based on the French graphic novel series from Pierre Christin and Jean-Claude Mézières. The film stars Clive Owen, Dane DeHaan, Cara Delavingne, Ethan Hawke, Rihanna, John Goodman, and Herbie Hancock.

Valerian is scheduled for a worldwide release on July 21, 2017.

Clive Owen

VALERIAN is a saga that every fan of Star Wars and Star Trek will identify with and love. Valerian and his beautiful, sharp-witted and sharp-tongued partner, Laureline, live adventures set against visually stunning backgrounds: complex architectural inventions, futuristic machines, otherworldly landscapes, and odd-looking aliens that are staples of artist Mezieres’s seemingly boundless visual inventiveness. The stories are gripping and of epic proportion, sweeping along in thrilling, hyperspace speed.

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‘Doctor Strange’ Trailer is Coming to Jimmy Kimmel

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Doctor Strange will be showcased on-screen in under a week, in the form of a trailer on late night television. The ABC late night show Jimmy Kimmel Live! has planned out a ‘Captain America’ week, ahead of Marvel’s upcoming superhero film Captain America: Civil War. Over the course of the week, Kimmel will host many of the stars, with different stars coming in on different nights, depending on which team they happen to be on for the film – the teams stand with Captain America and Iron Man, respectively. Stars that will appear include Chris Evans, Anthony Mackie, Robert Downey Jr, Paul Rudd, Don Cheadle, Emily VanCamp, Chadwick Boseman, and Chris Hemsworth, who will also be discussing his new film The Huntsman: Winter’s War.

However, it won’t just be the Captain America movie stars that get a spot in the week. On April 12th, Kimmel will have on Benedict Cumberbatch, the star of Marvel’s Doctor Strange movie, which is due out November 4th, 2016. It will be on this episode that Marvel will be unveiling their first trailer for the film.

Doctor Strange

The film, which also includes stars like Chiwetel Ejiofor, Rachel McAdams, and Tilda Swinton, will be part of Marvel’s “Phase Three” of movies. This phase will also contain Marvel Cinematic Universe entries like Black Panther, Captain Marvel, Guardians of the Galaxy Vol. 2, and both parts of Avengers: Infinity War. Filming for the movie has been underway for a while now, but on Saturday Cumberbatch and Ejiofor were spotted filming in Manhattan, along with other costumed extras.

Captain America Civil War

Now it’s possible Marvel saw the opportunity of a “Captain America Week” on late night to be the perfect platform to get as many people talking about Doctor Strange as possible. However, with the film’s release date still pretty far out, it’s possible Cumberbatch’s appearance on Jimmy Kimmel signals that the good Doctor may play some role in Captain America: Civil War. We know that the film will feature lots of MCU characters, including Marvel’s reacquisition of Spider-Man. But the Russo Brothers, the Civil War directors, said that Strange would fall on the side of Captain America, if he were to be involved. This doesn’t mean that Cumberbatch will have a role in the film, but it’s not totally out of the realm of possibility. Especially not for the Sorcerer Supreme himself.

Jimmy Kimmel has always done fun things with superhero film casts, like his Batman v Superman deleted scene” and his Avengers Family Feud bit for the release of Age of Ultron. This week of shows will likely be a lot of fun, and it should be interesting to see what kind of games they play. You can watch Jimmy Kimmel Live! on ABC, at 11:35 PM.

Jimmy Kimmel

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Why ‘Avengers’ Should Have Been a Musical

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Super hero films seem to be coming out all the time nowadays, as Marvel & DC expand upon their universes. One of the biggest superhero films from recent years has been Avengers, the flagship movie from Marvel that united all its major superheroes on the big screen for the first time. As a comic book fan, it was fantastic to see so many characters unite to throw fists & crack wise. I saw the movie twice while it was in theaters. It’s hard to imagine anything that could make the film better.

Well, I ask you, why not make it a musical?

avengers-age-of-ultron

Hear me out, before you totally say no to this. To be honest, it’s the only superhero film that could fit the genre. Avengers is one of the few superhero films that takes a break from being overly grave and serious. Marvel’s been more open to doing films with a lighter tone – Ant-Man is more of a comedic heist film than a stereotypical superhero box office hit. DC’s been doing its hardest to make gritty films about aliens fighting billionaires, and it seems like people may be getting tired of the formula. Movies like Deadpool and Suicide Squad, on the other hand, show that fans are more than ready for new types of superhero content. And it’s been fine to wait for it, but Avengers was a great tonal change from the grittiness of The Dark Knight trilogy – a tone which many super hero movies have tried to emulate since then – and having something so different as a superhero musical could help make the superhero genre stay alive. The Dark Knight was great, but now that so many movies try to emulate it, it’s made the movies seem tired.

[embedyt] http://www.youtube.com/watch?v=G0cG0fBFpLg[/embedyt]

If you’re looking for what an example of a superhero musical might look like, there are certainly examples of them in today’s culture that have left people feeling satisfied. ‘Brooklynite’ follows the story of various super-people in Brooklyn. ‘Holy Musical B@man!’ is an unofficial Batman musical, done by the YouTube comedy troupe Starkid Productions. And while ‘Spider-Man: Turn Off The Dark’ had its fair share of production problems, the show did eventually take off and have an on-Broadway run for around three years. Imagine how fewer problems there would have been, production-wise, if Spider-Man could swing with the help of movie CGI and stunt doubles.

joss whedon still

Plus, if there’s anyone that could turn Avengers into a musical, it’s the man that wrote the movie – Joss Whedon. The man’s written a lot of wonderful geeky content, including Buffy the Vampire Slayer. In the show’s sixth season, Whedon wrote a musical episode, ‘Once More, with Feeling,’ and it’s one of the best episodes of the show’s seven seasons. Not to mention Whedon’s already done work with singing supers, in his short Doctor Horrible’s Sing-a-Long Blog, starring big names like Neil Patrick Harris, Felicia Day, and Nathan Fillion. Doctor Horrible was a wonderful musical, but imagine if instead of a forty-minute short, it was a two-hour epic film with the budget of a big studio like Marvel and Disney. Even if the film only contained a couple of songs, like the ten or so Doctor Horrible had, that would be enough.

Doctor Horrible

And of course, we come to Disney, which for years has produced a lot of musical movies. One of the biggest hit movies of recent years was the animated movie Frozen, which hit pop culture like a hurricane. To this day people are still singing “Let It Go.” Disney has produced so many movies, beloved by both adults and children (one example being Toy Story, which was co-written by the aforementioned Joss Whedon). Many people worried that, back when Disney first bought Marvel, the studio would turn all its superheroes into singing, PG-speaking characters. And while that image certainly wouldn’t fit characters like Punisher or Jessica Jones, that kind of light-hearted musical fun could have been very interesting to see in the Avenger’s screen debut.

One last time, this article is not to say that Avengers is not a fantastic movie. Nor is it to day that any movie that COULD be a musical should be. But Avengers, much like the writing style of Joss Whedon, is filled with both action and banter. While the banter is fun, keeping things moving and high-action is important, and music could keep things bumping. Combining the mature action/language of superheroes, with the songs Disney writes so well, could make the ultimate pairing for the two conjoined studios. And if Joss Whedon’s proven anything, it’s that you can elicit powerful laughs and emotions, even when making a musical.

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Review: Ethan Hawke Owns ‘Born to Be Blue’

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Born to Be Blue, the new “biopic” starring Ethan Hawke as Chet Baker – one of the most gifted jazz musicians of his time, consumed on equal fronts by music, sex, and heroin – should be commended for its unique approach to the “troubled-musician-rise-and-fall” formula plaguing these films lately. Music biopics are stamped out on a conveyor belt these days, hitting all the familiar beats through a painfully structured narrative (I Saw the Light being the most recent offender). Born to Be Blue hits those familiar notes, but it also informs us about the nature of its subject in the way it stops and starts and, eventually, flows through the doomed comeback trail of Baker.

The opening shows a young, hopeful Chet Baker strolling into the Birdland Music Hall in New York City, 1954. Bathed in a soft, melodramatic black and white, Baker proceeds to kill it on stage and take home one of the women intoxicated by his work. His wife arrives just as Baker is pushing off into a heroin dose, loses her mind, and suddenly the scene stops; and we are on a movie set. A director says cut, and Chet Baker is in the middle of playing himself for a biography of his life (which was actually planned, but never really filmed).  He’s older than he was when he was fending off female fans outside Birdland, and more beaten down by life. The opaque black and white is replaced by sharp yellows and browns. It’s a jarring switch, but once we ease into this version of Chet Baker, pestering his closest friends, romancing his costar, fighting off that stinging urge for smack, the story sings.

Baker and his costar Jane (Elaine, in the biopic inside the biopic) fall in love almost instinctively, and it’s a surprisingly passionate affair anchoring the center of Born to Be Blue. There was no Jane in real life, but I suspect this Jane is a combination of many women who drifted in and out of love with Baker, and Carmen Ejogo is hypnotic and steadfast in the role. No matter how bad things get for Chet – be it the assault and broken teeth, the painful false replacements, the fight back to the top of the jazz game, or the persistent teetering on the edge of addiction – Jane is by his side.

Born to Be Blue

And so the film drifts in and out of moments in Baker’s attempted comeback, moving like a jazz number itself. The opening scene frees up the rest of the story, almost informing us “not all of this you’re about to see is 100% real.” It allows Hawke to capture moods and emotions of Baker without having to move just the right way or wear the exact shirt Baker wore. There’s a great deal of riffing going on in the film and it gives everything a more organic, stream of consciousness vibe. That being said, as it does flow freely through memories of the past, it manages to hit those familiar biopic notes. They’re probably unavoidable sometimes, so at least the film manages to push itself outside the boundaries of what is expected. And it’s Ethan Hawke who manages to elevate everything.

Hawke has, for some time, been the overlooked great of an entire generation of Gen X’ers. His mere presence enhances the commercial genre dreck he’s done over the years (and some brilliant genre work, lest we forget), and then when he reaches deep for his more “art house” fare, there are few more compelling and soulful. Chet Baker was consumed with those things that made him feel love, be it drugs or women or jazz, and Hawke pulls all those together under an umbrella of desire that carries little twitches and changes depending on what’s pushing the musician at any given time. He does his own singing, as throaty and frail as Baker’s was, and learned a half dozen or so of Baker’s songs to play in the film. It’s serene casting, and its some of the strongest work in Hawke’s career.

Robert Budreau directs Born to Be Blue on just the right tempo. This whole thing sings like Baker’s trumpet, and sometimes hits a few faulty notes like the broken-down version of Baker. Never enough to derail the performances from both Hawke and Ejogo. This is a picture about feel, not facts, and would have had no purpose for existing had it fallen into the same trap most music biopics do. Miles Ahead, the new Don Cheadle/Miles Davis biopic, tries the same thing and appears to succeed in many of the same ways as Budreau’s film. Chet Baker wasn’t a complicated man – he was a musician and a hopeless addict of a number of things – but Hawke and Budreau pull empathy from his aching bones and create something compelling.

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Is Warner Bros. Planning to Release Fewer Films?

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Batman v Superman: Dawn of Justice has been out for a couple of weeks now and, while it’s been a box office success, critics have not been kind. The film holds a 29% rating on Rotten Tomatoes, and is the latest in a string of critical failures for Warner Bros. Entertainment. In 2015 alone, the company put out several big budget flops, including Jupiter AscendingPan, and In the Heart of the Sea.

Warner Bros. flops
All three films hold Rotten Tomatoes scores of under 50%.

Now, The Hollywood Reporter is reporting on rumors that the studio is planning on making “adjustments,” which may include removing director Zack Snyder from the two upcoming Justice League films.

THR acknowledges that the rumors have no basis in facts, and that many experts actually predict the opposite reaction:

…sources with firsthand knowledge of the situation say the studio has no such plans. One says the filmmakers naturally will evaluate what went wrong with BvS, but when it comes to Justice League, “we’re not going to take a movie that’s supposed to be one thing and turn it into a copycat of something else.”

The report also cites “many top industry executives” who say that the problems with BvS are just the latest indicators of instability within the company. Warners is supposedly greenlighting fewer original movies, choosing instead to focus on tentpole franchises like DC Comics, Lego, and Harry Potter.

 

Warner Bros. themselves have denied these claims:

“Warner Bros. has historically had the biggest, most diverse slate in the motion picture industry,” says a rep in a statement. “We did last year, we will this year, and we will continue to do so into the foreseeable future.” (The studio says it will release 18 movies this year and is projected to release 19 in 2017.)

There is no stopping baseless rumors in Hollywood, and that’s all that these statements seem to be. However, while they may not be 100% accurate, they do point to a very real problem that Warners is facing with their bid budget pictures. Only time will tell if the production company can get back on the right track, or if they will actually end up having to make some major adjustments.

Warner Bros. upcoming film slate can be seen here. Up next is Barbershop: The Next Cut on April 15.

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What happened to Sacha Baron Cohen’s career?

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[embedyt] http://www.youtube.com/watch?v=_YtclB_02wA[/embedyt]

Sacha Baron Cohen’s career has proven he is a gifted comedian. After starting on television, he developed the alter egos of hip-hop poseur Ali G, misogynistic journalist Borat Sagdiyev, and fashion reporter Bruno. These characters became very popular and starred in spin-off films. Recently, Baron Cohen has continued using political incorrectness and shock value with disappointing results. Now, his new movie has people talking for the wrong reasons.

The Brothers Grimsby is about two brothers who were raised separately. Carl “Nobby” Butcher (Baron Cohen) is a poor English hooligan with several children. He desires to reunite with his brother Sebastian (Mark Strong), who works as a British spy. After 28 years, they are reunited as a terrorist plot is discovered. Sebastian is accused of murder and turns to Nobby to clear his name.

While the plot sounds simple, the film delves into crude jokes and shock attempts to get laughs. As expected, the story uses gross-out gags and political humour to a large degree. Apart from a humorous Bill Cosby joke, the movie has Donald Trump contract the AIDs virus. This gag feels mean-spirited, tasteless and out of place.

Another reason why The Brothers Grimsby failed is the marketing. Whereas Ali G Indahouse, Borat and Bruno used publicity stunts, the campaign lists Baron Cohen as the creator of those characters. In the trailers, archive footage of Ali G and Borat is shown. In essence, the actor is piggybacking off his past career.

Baron Cohen hasn’t had much focus in the media lately. His last movie, The Dictator, was neither a commercial or critical hit. However, he did appear in Hugo and Les Miserables, both of which proved to be successful. Still, it should be noted that Baron Cohen was part of an ensemble cast, rather than the star.

Furthermore, Baron Cohen pulled out of the upcoming Queen biopic, in which he was to play the band’s singer Freddie Mercury. This movie has been a passion for the actor, who has been attached to the role for years. Although Baron Cohen cites creative differences, it has been reported the producers, Queen bandmates Brian May and Roger Taylor, weren’t keen on having him play Mercury.

Sacha Baron Cohen can make a return to form in movies or television. Several figures in the industry struggle with maintaining their careers, but it doesn’t mean they lack talent. One can hope we haven’t seen the last of Ali G or Borat. Both of those characters turned out to be successful. Ali G made an appearance at the 89th Academy Awards. Perhaps Borat is itching for a comeback.

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Tom Cruise, Annabelle Wallis Spotted on Set of ‘The Mummy’ Reboot

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Tom Cruise and his costar, Annabelle Wallis, were spotted on the set of Universal’s reboot of The Mummy. We got a whole mess of photos of the filming, none of which give us much insight. There’s a lot of standing. However, the clothing is a bit telling, as it appears both Cruise and Wallis are dressed in modern garb.

Here’s a few of the photos:

The Mummy

The Mummy

The Mummy

That’s about the gist of the photos. If you wanna se them all (30 or so), check them out here.

The Mummy is set to kick off Universal’s new Monsterverse, not sure what we’re calling it yet. This is pretty much the first actual evidence Cruise is going to be in this thing, which is a good sign. I’m apprehensive about this new Universal Monsterverse, which is clearly heading more into action-adventure territory than horror, but perhaps Cruise’s involvement will soften the blow of the total reconfiguration.

The Mummy hits theaters June 9, 2017.

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‘Tangerine’ DVD Review: A Bright and Colorful Indie Flick

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Tangerine is a movie that ticks a lot of indie films boxes: it was shot on iPhones, a comedy-drama about two prostitutes, and it starred two transgender non-professional actors and premiered at the 2015 Sundance Film Festival. These type of movies can go one of two ways be fantastic or awful: Fortunately Tangerine is the former.

Tangerine follows two transgender prostitutes in Los Angeles on Christmas Eve. Sin-Dee (Kitana Kiki Rodriguez) has just been released from prison after a 28-day sentence and finds out her boyfriend/pimp, Chester (James Ransone) had cheated on her during her incarnation. Sin-Dee raises hell across LA as she searches for the woman who Chester has slept with and for Chester himself – while Alexandra (Mya Taylor) tries to promote her singing performance at a local bar.
tangerine still
The subject manner of transgender prostitutes working the streets of the less desirable areas of Los Angeles would make people think Tangerine is going to be a grim kitchen sink drama – yet it is a bright, vibrant movie that is witty as well as dramatic. One of the biggest selling points of Tangerine was its use of iPhones and these small devices allowed the filmmakers to get up close and personal with the actors as they storm around LA: fight, meets Johns, go around in taxis, etc… It gave the movie a very organic, fly-on-the-wall style as we see these people lives. Combined with the setting in rundown areas of Los Angeles, and following the different characters, Tangerine‘s filming style follows a load of characters during a day of their lives, makes the movie very similar to Larry Clark’s Kids, a pseudo-documentary.

The iPhones were used were modified to make the footage cinematic – using specially adapted lens and software for post-production. The results were a glorious looking movie. Despite the setting in the poorer, crime-ridden areas of LA, Tangerine is very colorful, using lots of oranges and blues throughout the movie and shows that filmmakers do not need experience, high-end cameras to make a great looking movie.
tangerine sin-dee and dinah
Rodriguez and Taylor were both sex workers in their early adult lives. They were non-actors, yet they gave excellent natural performances. Their onscreen friendship felt very real, and they had great chemistry together, Rodriguez being the hot head who shouts, storms around and fights her way around LA while Taylor is the more reasonable one of the pair – though not above fighting or making snarky comments when facing bitchy companions in their profession.

Karren Karagulian as Razmik, an Armenian cab driver also has a significant role. He is an immigrant and a family man but cruises around for transgender prostitutes and harbors a crush for one in particular. The stories of these three characters makes Tangerine very similar to Hubert Selby Jr’s cult novel Last Exit to Brooklyn. Both the movie and the book tell stories of prostitutes and working class people living their lives, or in the case of Razmik, a secret life. The characters in the movie bare particularly similarities to the Last Exit to Brooklyn characters of Georgette: a drug-addicted transvestite prostitute and Harry, a strike leader with a young son and a closeted homosexual.
tangerine - sin-dee, alexandra and chester
Tangerine does have some very funny moments and lines sprinkled during the run time and the tone is kept fairly light, essentially around Sin-Dee and Alexandra. One of my personal favorites is after Sin-Dee raided a brothel and one of the clients came up with a very idiotic suggestion afterward. Comedy and tragedy are very close to each other in the movie and sometimes even overlap, as in its final act involving Razmik and his family. It was a difficult balancing act for director/co-writer Sean S. Baker, and he pulled it off.

Tangerine boasts an extremely eclectic soundtrack, having rap, electric guitar riffs, classical music and drum-and-bass. It sounds random, but it is a mix that works giving that movie a lot of energy, matching the characters, their actions, and the colors on screen.

Tangerine is a testament for low budget filmmaking – it was made on a budget of $100,000 yet looks like it cost a lot more. Despite the dark subject matter Tangerine is a fun and witty and worth checking out. An indie delight.

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‘Bill and Ted 3’ To Start Filming The End Of 2016 Says Alex Winter

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Alex Winter’s Kickstarter campaign for Who the F#$% is Frank Zappa? is in its final days. The campaign has reached its $500,000 goal, but now Winter is pushing to reach a million to help archive Zappa’s vault. You can even purchase the Zappa family home as a perk.

While promoting the documentary project Winter spoke to Simon Thompson of Forbes about the status of Bill and Ted 3.

“We’ve been working on it for, like six years. We’re knee-deep in the script, it’s been written by Chris Matheson and Ed Solomon who wrote the first two, they are fantastic writers, and the script is great. We have a script, we have a director, we have a studio – we’re just trying to nail down a start date,” said Winter to Forbes.

Winter also commented that the production for Bill and Ted 3 will likely start the end of this year, if not, then early 2017.

And just so you know Keanu Reeves is also involved in the project.

“How the **** would we make it if he wasn’t on board? People always ask if Keanu’s doing it and I’m like, ‘No, I’m making a Bill movie.’ Of course, he’s in it. I can’t make a Bill & Ted movie without Keanu,” said Winter to Forbes.

Winter sounds more optimistic than Reeves. Last month Ted ‘Theodore’ Logan was singing a different tune to IGN.

“We’re closer, and we’re not closer. We’re expecting another draft, and hopefully, we’ll get closer. We’re just trying to get the script together. We’re trying to get the story right. We’re working with this studio, so we have a little bit of support, in a sense of like if the material comes through we’ll try and make this picture. We’re really just still trying to get the story right,” said Reeves.

Box Office Report:
Bill & Ted’s Excellent Adventure (1989)
Budget: $10,000,000 (estimated)
Gross: $40,485,039 (USA)

Bill & Ted’s Bogus Journey (1991)
Budget: $20,000,000 (estimated)
Gross: $38,037,513 (USA)

When do you think we’ll see the “Wyld Stallyns” ride again?

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