It’s hard to say exactly who was killed in The Walking Dead’s season six finale. The show runners purposefully made it an ambiguous ending, giving fans ample time to argue and debate about who’s head just had a violent encounter with villainous Negan and his trusty bat Lucille. And out of the 11 main characters that could have been taken out, what would it mean for the show moving forward?
Since the first episode, Rick Grimes has had one specific thing to fight for – his family. He’s had three love interests, an infant daughter, and a host of village people by his side, but above all of that, he has always had his son Carl. For a show that’s prided itself on spontaneous deaths and emotional blows, Rick has always been able to protect his son, even as he gets shot in the face. But The Walking Dead can’t coast off killing side-characters forever, hence Negan’s bloody arrival. If someone has to be dead, there’s one death that will crush Rick more than anything, changing the feel and dynamic of all the characters. And that’s the death of Carl.
If we’re being honest, Carl’s gotten away with a lot. He was shot back in season 2, bringing the gang to the barn, and in this past season he’s lost an eye. Both elements are taken from the comics, and it’s not that his survival is totally unbelievable. But it is two instances of him defying the odds and staying alive. Being a main character, especially the son of the show’s protagonist, gives him some understandable immunity from the death that’s stricken a lot of characters. But it’s not out of the realm of possibility – we’ve seen leads die before, including deaths of younger people like Beth, Sophia, and the two Samuels Sisters.
Those latter three also provide evidence as to what hits hardest about the show – the death, and how no one is immune, not even children. As gut-wrenching as many of the deaths on The Walking Dead have been, the death of a child is almost always going to have more gravity to it. Carl has grown up a lot over the course of the show, but he is still very much a kid. While the gang has lost many adults in war or walker herds, losing a boy to a bat-swinging maniac is its own kettle of fish. Think back to the death of Sophia in season two – she wasn’t stabbed, shot, or skewered. She ran away, and she was found as a zombie. It was a surreal moment of hopelessness, that their search was pointless, and that none of them could really be counted as safe. Imagine if they had to watch Carl died, while tied up and helpless. It would be horrifying. Maybe not “good” in the way of something fun to watch, but good narrative format and emotion.
And then there’s how the death would effect Rick. While The Walking Dead has embraced more of an ensemble cast since its beginning, the show is still centered around Rick, leading a group of survivors. One of Rick’s primary goals has been to protect his family, which is now limited to Carl and Judith. While the death of any of the captured characters would be huge (aside from maybe Rosita) Rick’s grief would be taken to a whole new level. If Carl were killed, Rick wouldn’t have just failed as a leader – he would have failed as a father. He couldn’t keep Lori alive, he had to let Jessie & the whole Anderson family die to protect Carl, the person he cares about the most. It’s possible he’d let anyone die to save Carl. If Carl were dead, then that primary objective would be gone, forcing Rick to struggle with a true familial loss, and the show runners to reshape his character, which could help galvanize the show even more.
Now based off what we did see in the season six finale, it seems very likely it wasn’t Carl. As Negan began swinging, he warned that if anyone stopped him, he’d have his boys rip out Carl’s other eye and feed it to Rick. It wouldn’t make sense for him to ask them to fish out Carl’s eye from the bloody puddle of Carl that would be left from Lucille’s rampage. But if it were to be Carl, it would cause the kind of despair and gravity The Walking Dead prided itself on in the beginning, and help reground the show for what is sure to be a bloody seventh season, once we find out who the smashed head really belongs to.
This article is part of a ‘The Walking Dead’ series. Read also about the benefits of the deaths of Daryl and Maggie.
If you’ve always wanted to see Thom Yorke walk through dozens of rooms on the big screen, you may have your chance soon. Paul Thomas Anderson’s hypnotic video for Radiohead’s test single, Daydreaming, is sending a 35MM copy of the video to theaters with appropriate projectors.
Here is the video, which works for me on a meditative level. Despite the fact literally nothing happens as Yorke walks from room to room, t’s a great way to clear your head on a Monday morning:
Radiohead has released their new album, A Moon Shaped Pool, and “Daydreaming” is already he second single from the album following Burn the Witch and it’s Wicker Man animated video.
Plus, this is new work from Paul Thomas Anderson, which I’ll take in any way, shape, or form. PTA has worked with Radiohead guitarist Johnny Greenwood, who did the brilliant scores for There Will Be Blood and The Master. Hopefully you’re near a theater with 35MM so you can take this in before a movie. And hopefully this will spur more theaters to start showing more original, interesting content ahead of their movies to create an experience again.
The viral campaign for Independence Day: Resurgence has been more interesting than any footage we’ve seen from the actual movie, and the new promo is pretty clever. Set up like a military propaganda ad (I almost expected “The Few, The Strong” at the end), this new promo asks you to join the Earth Space Defense team (ESD).
We always knew they were coming back. After INDEPENDENCE DAY redefined the event movie genre, the next epic chapter delivers global spectacle on an unimaginable scale. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.
It’s a convincing promo for sure, and it gives you hope that Independence Day: Resurgence could surprise audiences. And it’s always a good idea to promote William Fitchner if he’s in your film. We will see when it hits theaters June 24.
In response, we scoured social media and have compiled this list of the top six actresses most requested by fans to play Carol Danvers. Unfortunately, Ronda Rousey did not make the cut, despite the fact that she was vying for the role several months ago.
Sound off in the comments to let us know what you think, and to tell us who you would cast as “Earth’s Mightiest Hero.”
Natalie Dormer
Age: 34 Notable Work(s): Margaery Tyrell in Game of Thrones, Anne Boleyn in The Tudors, Cressida in The Hunger Games: Mockingjay Parts 1 & 2
Emily Blunt
There is currently no customized picture of Emily Blunt as Captain Marvel. Someone should fix that.
Age: 33 Notable Work(s): Rita Vrataski in Edge of Tomorrow, Emily Charlton in The Devil Wears Prada, Kate Macer in Sicario, The Baker’s Wife in Into the Woods
Yvonne Strahovski
Age: 33 Notable Work(s): Sarah Walker in Chuck, Hannah McKay in Dexter, Batwoman in Batman: Bad Blood
Charlize Theron
Age: 40 Most Notable Work(s): Aileen Wuornos in Monster, Imperator Furiosa in Mad Max: Fury Road, Josey Aimes in North Country
Katee Sackoff
Age: 36 Most Notable Work(s): Kara Thrace in Battlestar Galactica, Victoria Moretti in Longmire, Kimberly in the short fan film Power/Rangers
Kathryn Winnick
Age: 38 Most Notable Work(s): Lagertha in Vikings, Tabitha in Amusement, Hannah Burley in Bones
—
Avengers: Infinity War Part One will be released in 2018, while Captain Marvel is scheduled for 2019.
We take no credit for the custom images used in this article. Each custom image was found via Google Images.
[Author’s note: I am only supplying the actresses’ ages because they would be playing this role for years to come, and Marvel may not want someone who “ages out” too soon.]
At this point in Game of Thrones we have surpassed the stories as told by George R.R. Martin in his A Song of Ice and Fire books. Like Jon Snow’s return from death, we’ve broken the void and have seen into the ether. The show uses ‘Oathbreaker’ to comment upon the fact the stories we’ve all been told now mean nothing and are completely in the past. That doesn’t mean the past is to be trusted.
Ser Davos may be the most logical character on Game of Thrones. He believes only the things he’s seen and only the tales of those who are the exclusive authority on a subject. His face when confronted with the newly resurrected Jon Snow is one of disbelief and pragmatism. Davos wants to reason with Jon and ask questions about the worldly things he remembers; namely his murder.
Melisandre wants to know what’s beyond. The stories she believes in have been shaken to their cores after the failure of Stannis Baratheon to take Winterfell and become the chosen son of R’hllor. She chomps at the bits of Jon’s post-homicide memory and wants to know what he’s seen of the afterlife.
“Nothing. There was nothing at all.” – Jon Snow
The stories of Gods and the afterlife and The Great Stallion might be horseshit after all. But Jon’s back and Melisandre believes in that above all else. The Lord of Light has given her another miracle and Davos and the rest of the Wildlings and Night’s Watchmen have witnessed this as well. Some have even come to accept Jon Snow as some sort of God*.
In the continued past adventures of Bran Stark and The Three-Eyed Raven, more myths are undone as we finally see the famous battle between Ned Stark and Ser Arthur Dayne. One of the building blocks of Ned Stark’s tale of honorable courage has been his victory over the Sword of the Morning. Ned has always been more humble when recounting this story and for good reason, as Bran and the viewer see that Ned would have lost and been killed by Arthur if it hadn’t been for Howland Reed (father of Meera and Jojen) stabbing Dayne in the back (of his throat).
I’d like to give pause to the coherent thematic discussion to kneel at the feet of the fight choreographers for this particular sword fight. It wasn’t the flashiest or most tense battle we’ve seen on this show but that’s what makes it a slice of exciting genius. The fight is shot with minimal takes and from very wide angles. We can see each and every move of the combatants and the skill it takes to wield these heavy weapons. Arthur Dayne was fighting with two! This fight is one which might typically be forgotten when all the fireworks have exploded at the end of a season but it’s this sort of detail that makes Game of Thrones the best show on television.
Elsewhere, Tyrion continues to try to build his legend for people who couldn’t care less. His exchanges with Messandei and Grey Worm are priceless as he coins phrases left and right and exudes all the charms and stereotypical Tyrion-isms he is known for across the Narrow Sea. Unfortunately for Tyrion, Messandei and Grey Worm have zero need for this dwarf’s poeticism and parlor tricks.
Tyrion’s mythology is as useless in Meereen as Varys’s own legend turns out to be in The Red Keep. Until this point, Varys’s word and sources have been the most infallible on the show but we finally see who his little “birds” actually are and just how easy they can be turned against their allegiance, if they even had one in the first place. Maester Qyburn discovers that young children have been the bearers of the Spider’s news in Westeros and wins them over to his side with such simple things as sweets.
Dany is now beholden to her attachment to the deceased Khal Drogo amidst a group of other widowed Khaleesies. Her own created mythology may even come back to bite as her “Breaker of Chains”, “The Unburnt” and “Mother of Dragons” monikers will seem to the humble widows as highfalutin dressings to a woman who abandoned her rightful place in Dothraki culture.
This is the wild west when it comes to whose story will survive and which winner will wind up telling it.
The High Sparrow gets his own frightening moment in ‘Oathbreaker’ recounting the story of the godly Mother to Tommen when he demands that his actual mother be able to see the body of Myrcella. The fact that ‘Oathbreaker’ premieres on Mother’s Day is most definitely not lost amongst Benioff and Weiss and is a horrifically creepy touch of detail as we fear for Tommen’s safety in the mouth of Sparrow madness.
Arya believes in her own fake myth so greatly that Jaqen H’gar gives her back her eyes.
Back in the hellhole that has been Winterfell, Smalljon Umber comes to town to demand an alliance, refusing to believe the stories Ramsey Snow** purports about the death of his father. Umber breathes some fire in the court of Ramsey and his dissension against the word of this bastard is highly entertaining. Umber stands behind his brazen words because of the ace stashed deep in his sleeve. When denying fealty to Ramsey in the form of bowing or swearing loyalty, Umber presents two long-missing characters of the series in Osha and Rickon Stark. Welcome home, Rickon. I fear the hell you will likely be put through.
Rounding things off back at Castle Black, Jon Snow brings his murderers to justice on the hangman’s noose. This includes Ser Alliser Thorne, who actually dies with dignified words and the smallest bit of honor, and Olly, the young boy who stabbed Jon in the heart, ceasing its beating for good***. Olly’s arc has been an interesting one as the once protege of Jon, saving his life whilst killing Ygritte and eventually Jon himself in the coup. Olly is one of the saddest elements Game of Thrones has given its audience and the most telling sign that Jon Snow isn’t the man he was before he was killed.
In his previous life, Jon Snow would’ve taken Olly off the chopping block forgiving his sins and believing in a life under misleading circumstances. In this life, Jon Snow lets Olly hang for his crimes more likely for killing Ygritte than actually ending his own life.
Or is it from pure cold-hearted ambivalence? When Jon ends up giving Dolorous Edd the reigns to Castle Black and walks off into the wild, he has clearly lost belief in his oath to the Night’s Watch.
Or has he become more pragmatic? He’s already lived through his oath to the Watch, having died trying to protect The Wall and his brothers. This new life doesn’t bind him to that obligation and his willingness to leave his friends behind, destroying the lives of four sworn brothers shows this Jon Snow has a new agenda.
Or no agenda at all?
Jon Snow and the rest of the characters in Game of Thrones are forging new stories against a world that is facing a fresh start. Pasts cannot be trusted and only the bold will be proven to survive.
Or not?
“My watch has ended.” – Jon Snow
Check out my reviews of previous episodes of ‘Game of Thrones’:
After writing a review of Captain America: Civil War for this website, as I was posting it on social media, a lot of the comments that I got agreed with my sentiment that Marissa Tomei is the most attractive Aunt May that we’ve ever seen. George Constanza could not be reached for comment.
In the DVDStan Lee’s Mutants Monsters and Marvels, which came with my original 2002 Spider-Man DVD, Stan Lee mentioned that he created Aunt May for the comics so that Spider-Man could worry about her, giving him an additional challenge. If he goes east, he can stop the villain who is going to blow up the city, but Aunt May needs her medication and the pharmacy is west. It gave this relatable character an additional headache besides his crime-fighting and the bullies and the angry girlfriends and Mr. Jameson.
That was back in the 1960’s. Today, someone old enough to be someone’s aunt might have grown up in the 60’s and be a bit livelier than the doting grandmother-type. The Ultimate Spider-Man comic books did an excellent job of making Aunt May a bit more fun. She was an ex-hippie who was a bit more aware of what the young people were into. But she was still an older woman and the thing both of these versions had in common was that Aunt May was always looking out for Peter Parker. She was his conscience. And, like most superheroes, Spider-Man kept his identity a secret to protect those that he loved, harsh lessons he learned with both MJ and Gwen in multiple movie versions.
But does making May younger diminish the challenge that she once represented in Spider-Man’s life, that of having to take care of her in her old age? Will the producers of Spider-Man: Homecoming give Aunt May a health problem? Money has always been one of Peter’s challenges, a woman who just lost her husband (Uncle Ben is not mentioned in Civil War) and has to care for a teenaged boy would definitely have those problems. Of course, now Spidey has a rich friend in Tony Stark who is very generous with grants, so has Aunt May been reduced to just eye candy for Tony Stark and any audience member who likes the mature women? Comment below.
Powerless, desperate for his speed back and not a clue on how to proceed further, Barry Allen is a changed man now as The Flash continues on with season two. Things get a little muddy, as a speedster gains new power, another disappears and two are potentially born.
Picking up a little bit following the sapping of Barry’s speed and his sudden change back to a normal human, Cisco and Barry, through the help of Iris, have created a new way to thwart the less-intense enemies that are running around Central City.
Opening up with a thrilling chase scene through lower Central City, we see two criminals speeding through the streets, being chased by something. At first, you are one to presume that it’s not the Flash, given the events from a week prior, but the cat in the cat-and-mouse game turned out to be a speedster. But who? Obviously, with multiple Earths and other speedsters that have to be running amok, it could be any number of people.
Flashing over to S.T.A.R. Labs, we see a familiar scene, Cisco is at the computer, relaying information over to Barry as the chase ensues. Iris is running back and forth with some sort of urgency, but a smile dots her face.
Is it Barry? Did he already get his speed back?
Iris continues into the testing room, with Barry running on the treadmill, strapped to a couple devices.
Then, it becomes clear, through the use of a hologram, the team has adapted themselves to taking down the less threatening enemies. Adapting on the fly, Barry decides to use the hologram’s light to block out their vision. He proves it to be successful, as the thugs stop and police apprehend them, and a flickering hologram appears.
A pretty cool thought, in my opinion, having the allusion that the Flash is still around, regardless of Barry not having his speed. While it will prove nothing when matching up to Zoom and overly powered metahumans, it’s a good trick to have in the meantime.
All in all, this was one of the most dramatic episodes to date. Barry travels to his fathers country homestead, by car, and reveals to him that he no longer has his speed, setting the stage for his father to all of a sudden want to come back to Central City. While bearing all and telling him of the events of months past, we get a huge reveal.
Explaining that Jay is in fact Zoom and what has been going on. Barry even goes as far as saying his last name. Upon hearing the name “Garrick” mentioned, Henry reveals that his mother’s maiden name is Garrick. So the Garrick’s and the Allen’s are related, huh? This is setting things up for a huge explanation at some point down the road.
I mean, I guess since his son is no longer a major player in this widespread game of tag, it makes sense that he suddenly feels safe enough to return just in time to throw a wrench in Harrison Wells’ plan to give Barry his speed back.
Recreating the events of the particle accelerator explosion is enough to draw ire from some of the team, Barry included. Worries of opening the breaches again and creating even more metahumans are enough to be hesitant to even attempt something this drastic, let alone even mention it. In the two years following this accident, this city and this team have never been the same. Upon arrival to the Labs, Wells and Henry immediately butt heads over the proposition, for fear of his son’s well being.
It’s this worry that brings about one of the sweeter moments of the episode. In a normal one-on-one conversation between Barry and Iris, I was even shocked when Iris finally opened up to Barry about how she really feels. Finally coming to terms with the reality that Eddie is no longer around, and that the future and parallel universes all
The saga of Joe and Wally continues, when Wally, still kind of star-struck over being saved by the Flash, clearly knocking on the walls of his eventual becoming of a speedster. With mentions of jobs that require speed and saving people, all is hinting towards him becoming a speedster. But our conversation is cut short when Zoom and Caitlin emerge in CCPD, taking control of the building and forcing the police out and chaining Caitlin to the desk.
Things became a little more complex when Cisco vibed about a specific person who he was not commonly thinking of. In said vibe, Cisco witnessed his brother Dante in distress, causing him to reach out to his estranged brother. Things could not have been more awkward when they finally met at a small bar.
It’s obvious, things are not going to be close to good between the two anytime soon, they barely spoke the whole time they were together, and Cisco’s vibe left him wanting more, but getting nowhere. But the plot thickened when they were leaving, when a red-clad person with an iron scythe attacked the two. Facing the foe, the man introduces himself as ‘Rupture’. Confused as to what his attack has to do with Cisco and Dante, the man makes his reasons known. According to him, Cisco is the reason for his brothers death. Pulling back the mask, he reveals himself as Dante’s Earth-2 doppelgänger. But, then that means that Zoom must have told Rupture that Cisco, not Zoom, killed Reverb. With the scene getting more complicated, this puts Cisco in the position to reveal his powers to Dante, reluctantly letting him in on his secret.
Things seem to have gotten better for the time being, with a potential patching of things between the Ramon brothers. With that out of the way, we refocus back to the main problems, Barry’s speed, Zoom and Rupture.
First, with Rupture roaming the place, Zoom plays his pawn. After taking to CC Jitters as a acting command post, CCPD were on Zoom’s radar, and he sent Rupture to take them out. Unsuspecting to the impending attack, a resourceful Caitlin Snow managed to scavenge a cell phone out of an evidence box and alert the team at S.T.A.R. Labs of Zoom’s plan. With the team ready to go, two people were locked in the secret room that the original Wells had designed. In fear that Zoom would attempt to take them once again, Joe locked Jesse and Wally in the room, safe and out of sight.
With the heads up, the team and CCPD were able to set a trap for Rupture before he even managed to attack. Utilizing the hologram once more, Rupture was shocked when the Flash appeared before him. In an “oscar-worthy” performance, Barry was able to act being knocked down, allowing for an officer to shoot Rupture and knock him out.
Watching from afar, Zoom quickly realized that Caitlin alerted them of the attack and began to take matters into his own hands. Confronting CCPD on his own, his takedown was, as always, simple. But he took it a step further, taking Rupture’s life and then revealing to all of Central City that the Flash is gone.
In a weird development, Zoom issues a threat to Barry about how his affection for Caitlin is the only reason he is still alive, but that if he tries to do anything again, that affection won’t save him. After his threat, Zoom races off, likely back to CCPD still establishing his control over the city.
It was, at this moment, that it was obvious (as if the preview wasn’t revealing enough) that Barry was going to do whatever it takes to get his speed back, even if it means potentially killing himself.
Despite the urging from his dad and Joe, Barry makes the big decision to create the environment that gave him his speed, particle accelerator explosion and all. With a harness built, measures were taken to try and get the best total outcome when it came to the conditions they were trying to meet.
Clamping Barry into the harness and recreating the ideal conditions was a lofty goal from the start, and knowing the consequences, we still saw a heroic step to do whatever it takes to stop this supposedly unstoppable threat. As Harry, Joe, Iris and Henry watched with Cisco channeling lightning to the harness, things looked like they might actually work out. But as nothing is definite, things quickly went awry. Under those conditions, Barry’s body did not fare as well as the last lightning strike. His body quickly began to break down and you could tell that this was not going to be a happy ending. Eventually, he deteriorated, but in a funky way. Instead of just disappearing, he seemed to just break down and a bolt of lightning escaped the room.
At the same time that all of this was going down, Jesse and Wally, still locked in the secret room, managed to bypass the locks and open up the door. Trying to head to the basement to witness the test, they were both blindsided by a burst of electricity, knocking them clear across the room and knocking them unconscious.
Basically, under the conditions that Wells was trying to create to turn Barry back into the Flash, he may have done something else. He may have created Jesse Quick and Wally West as the Flash.
While it just looked like they might have been knocked out, it’s thrilling to think that more speedsters are joining the mix. Who knows whether they remain in a coma for a few months like Barry did, whether they come out of it with the speed force or if they come out of it just as normal.
Another week, another amazing episode down as we are racing towards a thrilling season finale. With only three episodes remaining in season two, where will see this show take us?
Captain America: Civil War continues the Marvel streak of good luck. It is reported that the film has earned an estimated total of $181 million in its opening weekend. This also marks the fourth time in five years that a Marvel production has conquered in its first three days.
According to Forbes, the movie earned $75.253 million on Friday. This amount also factors in $25 million from late night screenings on Thursday. So far, Cap’s latest outing could prove to be one of the biggest instalments in the Marvel Cinematic Universe. With an overseas estimate of $496,600,000, the Russo Brothers’ second comic book movie is standing at a projected worldwide gross of $678,391,00.
Nothing like a fist fight, but I feel that Winter Soldier is at a disadvantage
The three-day total puts the film ahead of Batman v Superman: Dawn of Justice‘s $166 million, Harry Potter and the Deathly Hallows Part II‘s $169, and Iron Man 3‘s $174 million. In terms of opening weekends, it is currently behind Star Wars: The Force Awakens‘ $247 million, Jurassic World‘s $208 million, The Avengers‘ $207 million, and Avengers: Age of Ultron‘s $191 million.
As of May 8, the flick ranks ninth out of all the MCU film grosses. It is only $25 million shy of Thor: The Dark World‘s domestic total of $206,232,140. However, it remains to be seen how the movie will fare in the coming weeks in North America and overseas.
Captain America: Civil War is now playing in theatres.
Why wasn’t a Quidditch match part of the ‘Point Break’ remake?
A group of Colombian skydivers setup a Quidditch match 14,000 feet above the Earth, complete with broomsticks, a quaffle, and goals. The game didn’t last long because the players were falling with grace instead of flying, but the do manage to capture a goal on camera.
If you thought these are the most insane nerds ever, you are partially right. The match is part of a advertising campaign for Colombian communications company ETB, accord to RT News.
Duggan’s Brewery Parkdale is located in downtown Toronto’s burgeoning Queen Street West district. The brewery’s website proudly recounts Michael Duggan’s impressive résumé as founder of and brewmaster for both Mill Street and Duggan’s Breweries, making Duggan Canada’s most award-winning brewmaster over the past fifteen years. I stopped in at Duggan’s new location today and, even though they were technically closed, the friendly staff at the scrappy independent brewpub let me buy a six-pack of their reasonably priced Sorachi Lager.
Sorachi Lager – First Sip
I get a whiff of sour apples and grains as I take a drink. The delicate and grainy flavour are no doubt a result of using Japanese rice rather than barley during the brewing process. Where other light beers lose points on flavour a lot of the time, Sorachi Lager (4 % ABV) manages a complex and unique taste. It has a medium carbonation level that allows its clean and crisp flavour time to linger. Its thin mouth-feel combined with its grainy aroma give this brew a pleasant aftertaste that allows its malt flavours to come through, making the mouth water … FOR MORE!!
A great light beer for a hot day
Sorachi Lager – Last Sip
This is a great beer for a barbecue on a hot day. Its low alcohol percentage makes it a good brew to have a few of and, in 275-mL mini-bottles, it’s easy to do just that. And, if you’re the kind of person who’s concerned about their gluten intake, fear not! Like most rice beers, Sorachi Lager is gluten free.
Sorachi Lager – Other Comments
It likely goes without saying, but if you’re the kind of beer drinker that has a specific taste in mind, especially if you’re hoping for hops, this probably isn’t the beer for you. The Sorachi hops used give this beer just a hint of hops flavour. Using rice rather than another grain like barley in the brewing process makes this beer stand out among its competition, one of only a few tasty gluten-free beers brewed in Toronto.