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Set Pictures Of Spider-Man: Homecoming Leak Plus Casting Additions

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Tom Holland, Zendaya, and Tony Revolori were seen in Atlanta filming Spider-Man: Homecoming in photos posted Just Jared today.

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The Hollywood Reporter says Spider-Man: Homecoming has added three newcomers to the cast; Isabella Amara (The Boss), Jorge Lendeborg Jr (The Land). and J.J. Totah (Other People). Character details have not been announced.

Spider-Man: Homecoming is directed by Jon Watts and stars Tom Holland, Zendaya, Robert Downey Jr., Marisa Tomei, and Michael Keaton. It will be released on July 7, 2017.

Set photos from Spider-Man: Homecoming:

Spider-Man: Homecoming
Tom Holland
Spider-Man: Homecoming
Zendaya
Spider-Man: Homecoming
Zendaya
Spider-Man: Homecoming
Tony Revolori
Spider-Man: Homecoming
Tony Revolori
Spider-Man: Homecoming
Tom Holland
Spider-Man: Homecoming
Zendaya
Spider-Man: Homecoming
Tom Holland
Spider-Man: Homecoming
Zendaya
Spider-Man: Homecoming
Tom Holland

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Review: ‘Outcast – All Alone Now’ Even A Mediocre Episode Is Better Than The Rest

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In the new world of storytelling that’s the ten-episode cable series, networks need to treat a season like a boxing match. The first episode of Outcast comes out strong with a complete story and leaves the viewer wanting more. Episode two goes into Kyle Barnes’ origin and you get a good sense of how broken he is and his fight for understanding. A slower paced episode, but needed for essential information to move the plot forward, and it has a great closing scene that excites you for the future of the series. Episode three does not add to the series and feels like a filler episode, which is disappointing because the show only has seven left.

‘All Alone Now’ starts off with a brutal opening sequence that sets the episode up for a deeper look inside the demons that crossing over to this earth. This episode falls flat and doesn’t reveal information to progress the story. With that said I was frustrated with the episode, and so were the characters. Which means that was the goal of director Howard Deutch for the episode.

What works for the show and also frustrates viewers is our point of view is from the side of ‘good.’ We can not see what the demons are up to. There are several mysteries building up and the information collected so far is not bringing them together.

Mysteries:
1. Why are the demons invading Rome, West Virgina?
2. Why do the demons want Kyle Barnes?
3. Who is the leader of the demons played by Brent Spiner?
4. What happened to Reverend Anderson’s son?
5. Is Barnes possessed by a demon?
6. What is the mystery that Chief Giles is covering up?

Outcast – All Alone Now

Lee Tergesen does an excellent job as the newest demon (Blake Morrow) introduced in the series. With these type of characters, you can see the actors let loose with their dark-side and enjoy their acting craft. The way the episode ends it will be interesting to see if the Reverend and Kyle revisit Blake in the future.

The cinematography and the score are amazing once again. This show gives me chills and puts a dark twist to my dreams after watching an episode. Even an average episode of Outcast is better than 95% of the shows on today.

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Review: Game of Thrones ‘Battle of the Bastards’ – Keep Fighting

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In The Song of Ice and Fire and Game of Thrones, Good has been throttled at the neck ever since Ned Stark had a head on his shoulders. To be good-natured and whole-hearted is a veritable death sentence in this universe and that’s just the way things go. Until it isn’t…

The Starks are without a doubt a naive bunch who have come to learn the rules of this world in the hardest of ways. Still, that won’t change their nature and it won’t change our want to see their retribution. Fleeting or not, ‘Battle of The Bastards’ gives us a small glimpse at that redemption and rewards us and the Good people of Westeros for believing in a better future.

Today, I believe it’s impossible to separate the narratives of entertainment from the real world atrocities we see committed. We lay yet in the pool of horror that is Orlando. We have to reconcile a world where freak accidents can take away an innocent life who only wanted to bring some of his own Good into this world. We still feel pain and anger for a fictional wedding ceremony that occurred three years ago. Game of Thrones has embodied what it means to live in a merciless world right up until the dark and gruesome end. The night is indeed dark and full of terrors but that blade cuts both ways.

‘Battle of the Bastards’ is Jon Snow suffocating under a heap of death and corpses but not giving in. He went into a battle undermanned and ignorant of the atrocities another human can commit. Ramsay Snow* is no whitewalker risen from the grave with only one purpose. He doesn’t just destroy, he wants you to feel his pain. Jon doesn’t know what it’s like to fight that enemy. We don’t know what it’s like to fight an enemy who wears an American flag underneath the guise of terrorism. As Jon’s brother**, Rickon, is shot down at his feet, we all recognize the dagger twisting in our stomachs as this sort of hurt strikes deeper than a foreign evil. Ramsay is a man of the North. He is an American.

*You’ll never have a true name in my eyes, Bastard.

**Until further notice.

For a show that has become the face of deception and evil, ‘Battle of the Bastards’ illuminated the decent when we needed it most. All of our heroes, our friends — Davos, Tormund, Wun-Wun, Jon — were down to their last biting breath and chose to fight that battle. Davos charged his meager troops in from volley position. Tormund ate the face off Smalljon Umber. Wun-Wun ripped his hand through an arrow to be the savior of Winterfell. They wouldn’t give in when the battle turned and it finally turned in their favor.

No matter how small the victory may be, Game of Thrones makes it a point to show victories are to be fought for and cherished because they truly do exist. We aren’t meant to suffer in the darkness and let the Ramsay Snows of this world strike from the shadows. There is pain and there is blood and there is a moment of resignation but it doesn’t last. We won’t let it last. The Rohirrim-esque charge of the armies of the Vale aren’t a deus ex machina. They are reward for fighting the correct battle. Not everyone survives the battle but fighting it is worth more than accepting a doomed fate.

‘Battle of the Bastards’ is a visceral and emotional masterpiece. Forgive me my inability to mention the show’s politics and Dany’s reclaiming of Meereen and Tyrion’s conversation with the Greyjoys. We needed a week of proof that we can look directly into the void and create life when there is none. I’m happy for that.

“You’re going to die tomorrow, Lord Bolton. Sleep well.” – Sansa Stark

Show Notes:

  • The torsion catapults besieging Meereen were just plain cool.
  • Theon and Tyrion’s reunion highlighted a relationship with seriously old scars. This world never forgets.
  • Was there a little flirting going on between Yarra and Dany? I mean, how could you not flirt with the Mother of Dragons?
  • Rickon’s death was absolutely necessary. There just isn’t enough room in the show for him. His presence here was the perfect distillation of what that character needed to be.
  • Can we just allow the pure filmic beauty of this episode wash over us? Jon standing against an army. Horses galloping into battle. Jon being completely consumed by war. This episode is a living painting.
  • Tormund’s sweetness has become one of the show’s highlights. I want Davos/Tormund back and forth until the end of time.
  • Finally, Stark banners in Winterfell and it feels good.

Check out my reviews of previous episodes of ‘Game of Thrones’:

No One

The Broken Man

Blood of My Blood

The Door

Book of the Stranger

Oathbreaker

Home

The Red Woman

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Miss Peregrine’s Home for Peculiar Children Trailer 2

Director Tim Burton has been in a shame spiral for several years but Miss Peregrine’s Home for Peculiar Children looks like it’s right up his aesthetic if nothing else. The movie is based on the book of the same title and the summary for the movie as such:

When Jacob discovers clues to a mystery that spans different worlds and times, he finds Miss Peregrine’s Home for Peculiar Children. But the mystery and danger deepen as he gets to know the residents and learns about their special powers.

Burton is only directing this movie and left writing duties to Jane Goldman who has worked on Stardust, Kick-Ass and both of the Kingsman movies.

Miss Peregrine's Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children comes out September 30, 2016. It is directed by Tim Burton and stars Eva Green, Asa Butterfield, Ella Purnell, Allison Janney, Terence Stamp, Rupert Everett, with Judi Dench and Samuel L. Jackson.

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Spider-Man’s “One More Day” May Be No More

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According to Comic Book Resources, the “One More Day” story arc for Spider-Man may be retconned. This comes from issues Amazing Spider-Man #14 and Spider-Man/Deadpool #6. In the issues, the webslinger and others begin to notice oddities in his relationship with Mary Jane Watson.

“One More Day” controversially ended Peter Parker’s marriage to Mary Jane Watson. This was part of a deal with Mephisto in order to save the life of Aunt May. Fans were not keen on this story arc, thus making it one of heated debate ever since.

Iron Man, of all people, finds their animosity to be peculiar, needing Spidey, MJ, and Jarvis to convince him otherwise. Elsewhere, Peter Parker’s Aunt May begins to show signs of some ailment. Since the agreement allows May to live, undoing it will certainly end badly for her.

Finally, a teaser for Spider-Man/Deadpool shows Peter facing Mephisto himself. The preview shows Peter being told of a secret void existing in Peter’s life. Obviously this is connected directly with the events of “One More Day.”

After Comic Book Resources published an article on the potential undoing of “One More Day,” the site opened a poll to gauge audience reaction. A staggering eighty-eight percent of those polled want the couple back together.

Whether or not “One More Day” is erased from Marvel’s canon is hard to say. Especially when the company and respective creators are silent right now.

What do you guys think of the potential change? Do you want Peter Parker and Mary Jane back together?

 

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Eli Roth, Bruce Willis Team Up For ‘Death Wish’ Remake

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Death Wish is a movie that’s been remade to the point where it’s damn near a subgenre to itself. Now, Eli Roth is directing Bruce Willis in a new remake, which is an honest-to-goodness remake.

According to the news at The Hollywood Reporter, Eli Roth is directing the film for MGM and Paramount, who have long wanted to redo the 1974 Charles Bronson cult classic. And Willis, who hasn’t don’t anything of note for a long, long time – mostly because of his growing reputation as a prick – will take over the Charlie B. vigilante role.

Roth’s recent films have been less than stellar as well. From the ridiculous Knock Knock to The Green Inferno, most of his work has been VOD late-night fodder. This appears to be a major release for two big studios putting a lot in this Death Wish basket.

It could work, though the time capsule nature of the original Death Wish – taking place in a New York City that was funneling down the toilet with crime and corruption – was what made Death Wish so indelible. From Death Wish spawned three (or four?) sequels, all worse than the last one, and a Kevin Bacon remake somewhere in the mid-2000s. But that one was called Death Sentence… totally different.

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Grant Gustin Reveals ‘The Flash’ 3×01 Title; “This Is Not A Drill”

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The Flash wrapped up its second season with some major implications about where the DC TV universe would be heading going forward and it looks like we have gotten another hint from star Grant Gustin’s twitter account.

In the season two finale of The Flash Barry Allen went back in time to save his mother Nora from being killed by the Reverse-Flash. It has already been seen throughout the show that these sort of changes can have major implications on the entire universe but comic fans recognized this change from another DC story. “Flashpoint” is a 2011 story in the comics where Barry Allen went back in time and saved his mother. The story was the lead in to DC’s New 52 launch and the effects are still being felt today. The episode being called “Flashpoint” could point to a variation of a ‘re-boot’ for the DC TV universe and perhaps one that will incorporate Supergirl now that that show has moved to the CW.

The Flash returns on October 4 at 8 PM ET on the CW for a third season.

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Game Of Thrones: Battle Of The Bastards Is Shocking

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HBO Emmy nominations
The end draws near.

 

 

 

 

 

 

 

 

During a typical “Game of Thrones” season, the second-last episode features a major battle or a shocking event that affects the political dynamics of Westeros. Fortunately, “Battle of the Bastards” succeeds in doing both of those things. Directed by Miguel Sapochnik, the penultimate episode is one of the series’ most bloodiest to date.

“Battle of the Bastards” begins with a long-awaited scene in which two favourite characters get to converse. Daenarys Targaryen (Emilia Clarke) and Tyrion Lannister (Peter Dinklage) watch as the Slaver fleet attacks Mereen from the sea. Tyrion tells her that the conflict is needed to destroy the slave trade. Daenarys plans to restore the city to its inhabitants. As the Masters and Dothroki fight, Dany and her dragons take to the skies. The end result is spectacular to behold, especially how Benioff and Weiss have been building up to it for six seasons. Special credit must be given to the VFX team, because the final result is akin to WETA’s work on Peter Jackson’s “Lord Of The Rings” trilogy.

Daenarys and Tyrion meet with Theon (Alfie Allen) and Yara Greyjoy (Gemma Whelan). Tyrion, in particular, toys with Theon and recalls how the younger man once mocked him for being a dwarf. Theon and Yara explain they want to take back control of the Iron Islands from their uncle, Euron Greyly. Yara pledges a hundred ships to support Tyrion and Daenarys’ campaign. Dany states they are going to leave the world better than how they found it. She demands they will support her claim to the Iron Throne and cease all pillaging.

Elsewhere, Jon Snow (Kit Harrington) and Sansa Stark (Sophie Turner) meet Ramsay Bolton and a detachment of his troops. Ramsay demands Jon surrender and declare him Warden of the North, insisting that he has no chance of winning. Jon offers to challenge him one-on-one. Ramsay asks if they are willing to give up their brother Rickon (Art Parkinson) by fighting for Winterfell. Sansa states there is no proof that he is telling the truth, but Ramsay responds by producing the head of Shaggydog. A furious Sansa tells him that he will die tomorrow.

Game of Thrones Army shields
Does this bring the Fellowship of the Ring’s prologue to mind?

Later, Jon, Sansa and Davos debate what course of action they should take. Tormund is worried about Ramsay’s horses, but Jon is confident they have a chance of winning. Davos reasons they should let Bolton’s forces charge at their army, so they can surround them on three sides. When Davos and his advisers leave, Sansa tells Jon he does not know the way Ramsay thinks, arguing she has insight into how he toys with people. Frustrated, Jon asks how they can rescue Rickon, to which she says they cannot. Technically, as Sansa explains, Rickon is Ned Stark’s legitimate-born son and therefore a greater threat to Ramsay. Jon is angry that they don’t have enough soldiers to retake Winterfell. Before leaving, Sansa states, “If Ramsay wins, I’m not going back there alive,” and her brother vows to never let Ramsay hurt her again.

Jon confides in Melisandre and orders her not to bring him back if he is killed in battle. She responds by saying she does not have the power to revive people but cannot explain how she brought him back. When Jon asks how this is possible, Melisandre explains the resurrection happened because the Lord of Light intended it to be. Meanwhile, Davos and Tormund talk about Stannis’ military strategy. Davos feels the people of Westeros made a mistake believing in kings, but Tormund counters by saying Jon is not a monarch. When asked how he prepares for a battle, Davos explains he likes to walk at night. As he walks through the snow, he comes upon a funeral pyre and Shireen’s wooden deer.

At the battlefield, Jon and the Wildling army watches as Ramsay’s forces stand ready to fight. Ramsay drags Rickon on a rope and turns him loose. He orders the boy to run towards Jon. As Rickon races to the other side, Jon rides to rescue his brother, but Ramsay begins firing arrows at him. Tragically, Jon is too late, as one of the arrows fatally pierces Rickon’s chest.

As Jon’s forces surge forward, Ramsay’s archers launch their arrows. Davos and his men finally head into battle as the Wildlings are surrounded on three sides. What follows is a bloody, intense sequence with heavy casualties. Sapochnik’s direction of the action feels akin to the combat scenes in “Braveheart” and “Saving Private Ryan”. It looks as though Ramsay has won the fight, but Littlefinger and Sansa ride to the rescue with an army.

Ramsay heads back to Winterfell, convinced that his forces will win the battle. He is stunned when the giant Wun Wun breaks down the gate before dying. Jon arrives to confront Ramsay, who decides to challenge him man-to-man and shoots arrows at him. However, Jon defends himself and savagely beats Ramsay to a bloody pulp.

Game of Thrones Wildlings army
That’s one hell of an army

As the Stark forces enter Winterfell, Jon orders Rickon to be buried in the family crypt next to their father. Sansa demands to see Ramsay, who is now locked in the dungeon. She coldly tells him all memory of the House of Bolton will disappear and that he is left with his dogs, whom he neglected to feed for days. Ramsay is torn to pieces by the hounds, and Sansa leaves with a smile on her face.

The episode delivers on spectacle and intensity. “Game Of Thrones” show runners David  Benioff and D.B Weiss certainly know how to balance plot, characters, and action. Clarke and Dinklage have fine chemistry in their scenes, and this will make for an interesting seventh season. Harington proves himself to be a solid actor in projecting Jon’s strategic planning, heartbreak and desperation. Turner shows a darker side of Sansa’s personality, especially in her last scene with Ramsay.

Rickon’s fate is not as dramatic as it should have been, because the character has never received much focus. It begs the question of whether he was necessary to begin with. As the youngest Stark child, Rickon was featured in the background of the first season, but he did have substantially more material in the second and third seasons. Despite this, he never received much character growth. Nor did Parkinson receive any dialogue in his brief appearances this season. Ironically, the viewer is more likely to feel sadness for Wun Wun, who went out in a blaze of glory.

Now, all that remains is the final episode of Season Six. “The Winds of Winter” will arrive in one week. Will the Wall come down? Is Cersei going to burn down King’s Landing? Will the “R + L= J” theory be proven correct?

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WWE ‘Money In The Bank’ Review: Top 5 Craziest Moments

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What’s In Store For WWE Following ‘Money In The Bank’?

After ‘Wrestlemania but before ‘SummerSlam‘ is a weak time for WWE. Major storylines have ended and we are faced with awkward beginnings of new ones.

2016 has been different. With an upcoming roster draft, the WWE Universe has been awaiting some major changes. Now with all the shocking events at ‘Money In The Bank‘, it looks like changes are finally here.

5. Botch-Filled Tag Title Match
WWE
-This was a bit of a let-down considering all the talent in the ring. Somewhere near the end of the match, it felt like everyone was one move off. Seems like it’s time for New Day to lose the belts.

4.Natayla Turns Heels
WWE
She’s been stuck in a rut for years but it looks like we might get something new from Natalya. After her loss to Charlotte and Dana Brooke, Nattie attacks tag-team partner Becky Lynch. No more nice cat lady.

3. AJ Styles Defeats John Cena
WWE -A statement I didn’t think I’d have the chance to type; indie superstar AJ Styles beat “The Face of WWE” John Cena. While Styles had some help from The Bullet Club, the victory is still important. What a great start to a summer feud.

2. Dean Ambrose Is Mister Money In The Bank
WWE
-‘The Lunatic’ Dean Ambrose was the last man standing in this ladder match. Beating out 5 other men, Ambrose now has a guaranteed title match whenever he chooses. This match was an insane spot-fest that kept the crowd on their feet.

1. Dean Ambrose Is The New WWE World Heavyweight Champion
WWE-Shocking the entire WWE Universe, Dean Ambrose paid back Seth Rollins for years of torture by cashing his Money In The Bank briefcase shortly after winning it. This will live on as one of the most epic moments in WWE history.

What was your favorite moment from WWE’s Money In The Bank PPV?

Let me know in the comments below!

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New Trailer For HBO’s ‘Westworld’

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If you have HBO Now you are not watching ‘Game of Thrones – Battle of Bastards’ as HBO’s system is down, and Twitter is burning down. Luckily HBO has a YouTube page, and you can watch the new trailer for ‘Westworld’ coming to the cable network in October.

J.J. Abrams, Jonathan Nolan, and Bryan Burk are the executive producers on the project based on Michael Crichton’s book/film ‘Westworld.’ Crichton wrote and directed the 1973 film, which starred James Brolin and Yul Brynner as the murderous gunfighter. ‘Westworld’ also spawned a sequel, ‘Futureworld,’ starring Peter Fonda. It was less well received. Nolan is the creator of the HBO series.

Described as “a dark odyssey about the dawn of artificial consciousness and the future of sin,” the series tells the story of a futuristic theme park called Westworld.

‘Westworld’ stars Anthony Hopkins, James Marsden, Evan Rachel Wood, Rodrigo Santoro, Thandie Newton, and Ed Harris.

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