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Captain America HYDRA Twist Revealed

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WARNING: Spoilers ahead for Captain America: Steve Rogers #2.

If you had your internet turned off all last month, you may have missed the Captain America comic scandal. In a new comic series, Captain America: Steve Rogers, Cap appeared to be a sleeper agent of the terrorist group HYDRA. The issue ended with Captain America pushing his sidekick, Jack Flag, out of a helicopter. Naturally, this twist infuriated fans. Many fans went so far as to send the writers death threats. Actor Chris Evans, who plays the Captain in the movies, even spoke out against it. Safe to say, next to nobody was pleased with the twist.

Captain America

Well, if you were among the many that hated it, fret not. In an exclusive interview with ComicBook,com, Marvel Editor-in-Chief Axel Alonso revealed the truth: Cap is NOT a HYDRA sleeper agent! The HYDRA-related memories were implanted in his head by Kobik, a sentient Cosmic Cube. Furthermore, Kobik was under the control of the Red Skull, one of Captain America’s most well-known enemies.

“We’re trained to anticipate a strong reaction to change or a big plot twist like this,” said Alonso. “We didn’t expect the reaction to be anywhere this big… I think a lot of the people reacting most violently aren’t people that go to the comic book stores every Wednesday and are trained to understand the way the comics work and the rhythms and how we could do this kind of thing with our heroes.”

Captain AmericaLet’s be honest: of COURSE he wasn’t a sleeper agent. The notion Marvel would turn one of their major players into a villain is ludicrous. It wasn’t a question of if they’d undo the twist, but when they’d do it. Don’t forget that Cap has been through bigger twists – like death – and come out okay. This is just another entry of a hero turning bad through brainwashing.

It’s hard to say how the reveal will work within the narrative. Captain America is still evil, but we know it’s not permanent. It remains to be seen how long the brainwashing will last. Perhaps the hype around the twist has wrecked the momentum of the intended story. The twist may have been doomed from the start. Especially in the Internet age, where everyone can make their distaste known. Regardless, it’s nice to know our First Avenger isn’t evil for good.

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Zach Braff’s Directing Career Gets A ‘Bump’

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It was a long ten years between Zach Braff’s directorial debut, 2004’s Garden State, and his sophomore effort, 2014’s Wish I Was Here. And to be honest, it wasn’t really worth the wait. The earnest-but-clumsy follow-up to his excellent first film didn’t match the potential the Scrubs actor laid prior, but that hasn’t stopped him from continuing his passion. Braff’s already got next year’s Going in Style, his third film, in the can, and he’s ready for another go behind-the-camera. He’s signed on to direct Bump, a comedy script found on last year’s Black List, as his fourth feature.

According to Deadline, Bump centers on Thomas and the single most important night of his life. After a mistake sets into motion a series of absurd events threatening to unravel his mundane life, Thomas calls his ambitions, morality and dubious decision into question. Well, that certain does sound like a Braff film, depending on how much quirky whimsy is packed inside those events. If it’s plentiful, then the sitcom actor/indie darling director is a solid pick for the material, and hopefully this new film displays his talents better than his last film ever did.

Written by Ori Guendelman and Rob McClelland, Bump will be the second film Braff hasn’t written himself, unless he does some pre-production rewrites. Additionally, it’s unclear if Braff will also play Thomas, or if he’ll stay strictly behind-the-camera like he did with Going in Style. In either case, Tim Bevan and Eric Fellner will produce under Working Title, with Liza Chasin executive producing and Johanna Byer overseeing the production. Speaking of the production, the plan is currently to start shooting later this year, likely before Braff has to go through promotional rounds for his 2017 release, starring Morgan Freeman, Michael Caine and Alan Arkin.

We won’t know until April 7, when Going in Style finally rolls into theaters, if Braff has officially redeemed himself as a filmmaker. But in any case, the actor-writer-director is eager for a comeback, and I’m merely hoping for something as good as Garden State. We’ll see if either of those come into fruition sooner-than-later.

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Watch A Determined Miles Teller In New ‘Bleed For This’ Trailer

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Open Road Films released a new trailer for ‘Bleed For This’ starring Miles Teller.

BLEED FOR THIS is the incredible true story of one of the most inspiring and unlikely comebacks in sports history. Miles Teller (Whiplash, Divergent) stars as Vinny “The Pazmanian Devil” Pazienza, a local Providence boxer who shot to stardom after winning 2 world title fights. After a near-fatal car accident leaves Vinny with a severed spine, doctors tell him he may never walk again. With the help of renowned trainer Kevin Rooney (Aaron Eckhart), Vinny becomes a legend when he not only walks again, but miraculously returns to the ring to reclaim his title belt only a year after the accident.

BLEED FOR THIS

The film is written and directed by Ben Younger and stars Teller, Aaron Eckhart, Katey Sagal, Ted Levine, Ciarán Hinds, Jordan Gelber, and Amanda Clayton.

‘Bleed For This’ hits select theaters on November 4.

Watch the really Vinny “The Pazmanian Devil” Pazienza in the video below. This film is going to be intense.

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‘Orange Is The New Black’ S4 Brings The Hammer Down

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This latest season of Netflix’s hit original series, Orange is the New Black, may be the best since its first season. A lot more of the storylines work, the relationships between prison subgroups interact more dynamically, and there’s less of a reliance on flashbacks. In trying to balance out comedy and drama, the show manages to create a lot of engaging television, and it’s great to see. What’s interesting is that most of the issues with this season aren’t evident until you pull back from the screen. Putting the show in a broader context raises more issues with the show’s narrative. But with all things considered, this was a stellar season for Orange is the New Black.

One of the best things about season four is Piper becomes interesting again. She’s still entitled and out of her depth, but her role this season really grounds her character. Piper’s fall from being a panty-selling kingpin gives her a more interesting arc. Especially as Piper is meant to be the protagonist or most interesting character, it was great to see her become a better character.

Orange is the New Black

For the characters that got screen time, their storylines held weight as well. Obviously, it’s hard for every character to get adequate screen time, with such a huge cast. But the majority of characters that were prevalent were compelling. Maria rises as a prison power player; Judy King is an interesting manipulator, and Nicky gives a great performance with the stereotypical TV-drug-struggle plotline. Some characters, like Daya and Suzanne “Crazy Eyes,” only get a couple moments of intrigue in the season, but they do well with what they get. TV personality Judy King was also a fun, new, comedic character, who helped bring many real-world racial issues to the forefront of the show.

Another important overarching story element was the new guards. Since the exit of Pornstache, no guards have been quite as antagonistic. That all changes this season, with the introduction of the sadistic army vet squad, led by the tyrannical Piscatella. The new guards fostering a more hate-fueled, hostile environment really pushes the season forward. The racial tensions and the influx of new prisoners makes for a speeding train, with the lives of many prisoners tied to the tracks. And without totally spoiling the ending, not every character survives, and the season finale ends on a major cliffhanger.

Orange is the New Black

Unfortunately, while many characters got very compelling story arcs this season, not every story worked. For whatever reason, Orange is the New Black tries to make Healey and Coates sympathetic characters. Neither attempt works, and considering their past actions; it seems awfully misguided. Now that Daya’s not worrying as much about her baby, she essentially serves no purpose outside of bickering with her mother (until the final episode). Sophia’s struggle in solitary is only prevalent in bits and pieces across the season. Crazy Eyes being sidelined for Caputo seems foolish. If Orange is the New Black thinks it’s male characters are the most engaging, they’re dead wrong. Many characters get due diligence this season, but there’s still room for improvement.

Orange is the New Black also seems to struggle with how to incorporate flashbacks. At this point in time, they don’t serve a real necessary purpose. We have enough background info on most all our protagonists at this point. The flashbacks for Maria worked, because they informed her new role in the prison. The Crazy Eyes story was also very interesting. But the flashbacks for Bayley, Lolly, Maritza and Soso just retread character aspects we were already familiar with. And again, no spoilers, but the finale flashbacks served no real purpose, and cheapened the action in the present. The show has thankfully started to phase them out, but they should’ve fully committed.

Orange is the New Black

Overall, what makes Orange is the New Black work is refocusing on the horrors of prison life. Piper pays the price for her actions, while the other inmates are harassed by the new prison staff. As a show from the mind of the real-world Piper, her being relevant matters. It’s difficult to give characters equal time with such a large cast. Orange is the New Black does so relatively well, but lets a few slip through the cracks. The show balances out the horrors of prison with important social issues wonderfully (read more here!). This season is likely one of the best, because of how much it goes into what prison really looks like. Orange is the New Black‘s new season brought the hammer down on its inmates – and nailed it.Orange is the New Black

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Dreamworks Releases First Official ‘Trolls’ Trailer, Poster

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Dreamworks has released the first official trailer for their upcoming Trolls film.

Judging from the trailer itself, the movie looks like a fun time at the theaters for kids and adults alike. The voice cast is stellar, including celebrities such as Justin Timberlake, James Corden, Russell Brand, Anna Kendrick, Kunal Nayarr, Gwen Stefani, and many others.

Along with the trailer, they also released the film’s official poster:

DreamWorks Animation’s TROLLS is an irreverent comedy extravaganza with incredible music! From the genius creators of SHREK, TROLLS stars Anna Kendrick as Poppy, the optimistic leader of the Trolls, and her polar opposite, Branch, played by Justin Timberlake. Together, this unlikely pair of Trolls must embark on an adventure that takes them far beyond the only world they’ve ever known.

Trolls hits theaters on November 4.

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‘Sully’ Poster Shows Gray-Haired Tom Hanks in Title Role

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Sully, the biopic about commercial pilot Chesley “Sully” Sullenberger who, in 2009, made an emergency landing on the Hudson River, has a new poster showing off star To Hanks as the tile character. The poster, from the film’s Twitter feed today, also promised a trailer right around the corner:

https://twitter.com/SullyMovie/status/748191701974417408

Clint Eastwood directs the film about the heroic pilot who saved all 155 passengers on board his US Airways flight after a flock of geese flew into one of the engines. The star-studded cast also includes Anna Gunn, Aaron Eckhart, Laura Linney, and Sam Huntington.

As for how Eastwood is going to stretch out this story to a feature-length film, your guess is as good as mine. The poster, with Sully framed outside the plane itself, might indicate the film will focus on the pilot’s life away from the miracle on the Hudson. Sully hits theaters September 9, which seems extremely early in the fall movie season for what looks like a movie aimed at potential Awards.

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Review: ‘The BFG’ Visually Marvelous And Chock Full Of Fart Jokes

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The BFG  is a big-hearted, visually stunning fantasy film that lacks the emotional oomph to be a great fantasy film. By no means is this a condemnation. The BFG is a wholesome array of PG humor and fart jokes that will tickle the most cynical of preteens and illicit a chuckle from adults sitting in the audience. What’s impressive is how Steven Spielberg manages to strike a balance between the corny narrative and the colossal technical requirements required to pull off this adaptation.

For the fans of Roald Dahl’s source material, you can rest easy as this adaptation is remarkably faithful to the book. The film opens with a spunky orphan named Sophie (Ruby Barnhill) being abducted in the night by a gargantuan hooded figure who creeps around the streets of London. She’s whisked to a land of wonder and spectacle known as Giant Country. Sophie meets her abductor, and it’s none other than the BFG ( The Big Friendly Giant), a fearsome figure who’s as gentle as they come. The BFG is played – through the use of motion capture technology – by Academy-Award winner Mark Rylance (Bridge Of Spies). He’s made it his life’s mission to spread pleasant dreams to all the children throughout the world. Unfortunately, not all the Giants are as caring as The BFG. The nine other giants, including The Fleshlumpeater and The Meatdripper, would rather treat kids more like snacks than human beings.

Screen Shot 2016-06-28 at 10.29.41 AMThe heart in this film radiates from Rylance’s portrayal of the title character. He portrays The BFG with such warmth and compassion that it’s hard not to smile when he’s on the screen. Rylance’s character exhibits a great deal of compassion towards Sophie, not only because of his concern for her well-being but he genuinely has her best interest at heart. One of my favorite moments was when The BFG stashed her away on his pirate ship because the other giants were close by. It might not seem like a significant moment, but it was huge because it was the first time that we saw The BFG treat Sophie as if she were his own daughter. He didn’t care that the giants would likely pummel him once they discovered his new companion, his only concern was the safety of young Sophie. It demonstrates true, honest, paternal love and attention.

The BFG is a visually superior film because of Spielberg’s attention to detail and ability to create wealthy/colorful new worlds. One of the biggest hurdles this movie has to overcome is finding a way to create actual giants using CGI, but in such away that isn’t too glossy or CGI-ish. They bypass any hurdles by paying the most attention to the actual facial expressions the giants make. These character’s personalities are found in their face, and they got it right. Rhrough facial recognition technology and CGI, they were able to not only create these incredibly detailed characters (you literally see every nook and cranny in the giants face) but have these characters convey a real genuine human emotion.

Giant Country is a marvel to behold. Spielberg strikes a balance between the lush green terrain the sparkle that seems to radiate from every corner of the giants home.

Where this film suffers is the lack of any emotional backbone. This is isn’t that surprising because the late Melissa Mathison’s adaptation of the story is very true to the source material. Dahl’s novel isn’t a story that packs much of a punch in the end. The book is a simple tale of the power of friendship and so is Spielberg’s adaptation. While the simplicity of the narrative shouldn’t sway from paying to see it this weekend, just go in with reasonable expectations. Not all films are meant to win Academy Awards; some are meant to teach a lesson and put a smile on the audience’s face.

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Review: ‘RiffTrax Live: MST3K Reunion Show’: Worth The Wait

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It’s time for Rifftrax! Once again the trio of Michael J. Nelson, Kevin Murphy, and Bill Corbett delivered a night of entertainment filled with cheesy clips which they mocked relentlessly. This time they weren’t alone and were joined by their former cast members from the TV series Mystery Science Theater 3000. Attending the event was Joel Hodgson (The original creator), Jonah Ray (who will star in the new MST3K series, funded by Kickstarter), Mary Jo Pehl (Pearl Forrester), Bridget J. Nelson (Mr. B Natural), Frank Conniff (TV’s Frank), and Trace Beaulieu (Dr. Clayton Forrester). The cast took turns at the microphones and mocked different clips.

The Talking Car

First up was Nelson, Murphy, and Corbett ridiculing a safety video about how to look out for cars. The clip was from the late 60s and featured talking cars with cartoon faces. It was far from Pixar quality to say the least.

A Word To The Wives

Bridget J. Nelson and Mary Jo Pehl, took the stage and made light of a clip which was essential a commercial for Home Appliances. The film was made in 1955 and filled with the usually gender stereotype of the time such as men being unable to cook and women talking about little more than housework. It was easy for the pair to heckle how bland and boring the entire premise was.

More Dates For Kay

Next up was Conniff and Beaulieu who watched a clip about dating advice for young women, also made in the 1950s. Obviously the way to be popular was to be as outgoing as possible despite how it makes you look. In the words of Conniff “She’s writing her own riffs.”

Shake Hands With Danger

Stepping back up to the microphones, Nelson, Murphy, and Corbett teased at a favorite safety movie from their library. It was filled with its own catchphrase and theme song. You can listen to it below.

Barbers And Beauticians

Pairing the original host of MST3K with the new generation, Hodgson and Ray took to the podiums. If you thought the previous two films from the 1950s were dated, this one shows a guy smoking with his kid glued to his hip. Obviously they had a lot to go on.

Rifftrax 10th Anniversary Highlights

The evening not only served as a reunion for the MST3K cast but also helped to honor the 10 year anniversary of Rifftrax. The team presented a clip featuring some of their best material including some of their movie riffs like Twilight, Harry Potter and The Prisoner of Azkaban, and Transformers 3: Dark of the Moon and scenes from their live shows like Birdemic and Santa Claus Conquers The Martians. The selection was perfect and should be shown to anyone who wants to showcase to their friends the joys of riffing on movies.

Stamp Day For Superman

In a “Riffapalooza” the entire team went up and made from of a lost George Reeve’s Superman short. Superman must face the greatest challenge of his life: Showcasing the joys of collecting stamps to children.

Grass

The final clip of the night was another educational video looking at how much fun can be had with grass. The premise alone should have you smiling and the team was relentless on mocking this inane subject.

The event was a great night of comedy filled with laughs and memories of the show which started it all, Mystery Science Theater 3000. There will be an encore screening of the event on July 12th and you owe it to yourself to check it out. You will not be disappointed.

Rifftrax Presents: MST3K Reunion was presented by Fathom Events.

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REVIEW: ‘The Legend of Tarzan’ Reverent Take of Classic Character

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Tarzan, Edgar Rice Burrough’s classic lord of the jungle, returns to Africa and the big screen in The Legend of Tarzan, a thrilling, romantic adventure tale told with intelligence and verve. The film is full of sweeping, majestic camera shots capturing the primal beauty of its setting, as well as engaging action that avoids retelling the well-known origin story in favor of a new vision. It’s a reverent take on Burrough’s work, as well as other adaptations that have come since.

What’s it about?

The film opens with John Clayton III (Alexander Skarsgård), Lord Greystoke, having left Africa and the name “Tarzan” behind years before in order to carry on his family’s name and fortune in Victorian England. Lord Greystoke reluctantly accepts an invitation by King Leopold of Belgium to serve as a trade emissary on a trip to the Congo region of Africa, where the king wishes to show off good works his nation has undertaken for the people there.

However, the invitation and trade mission are all part of an elaborate trap laid by Leopold’s proxy in the region, Léon Rom (Christoph Waltz). Rom intends to capture “Tarzan” and deliver him to an old enemy in return for diamonds to pay a mercenary army to seize complete control of the Congo and its mineral riches.

Rom’s initial efforts to capture Lord Greystoke run into a snag due to the presence of Lady Greystoke, Jane Porter Clayton (Margot Robbie), who refused to remain in England and accompanies her husband back to the land she also considers “home.” Rom then takes Jane hostage in order to lure Greystoke to his eventual death, forcing the British lord to abandon the trappings and civility of “John Clayton” in order to be the man he must in order to save his wife and all that he loves in Africa: Tarzan, Lord of the Jungle.

The Legend of Tarzan one-sheet

Script, direction stand apart

At first glance, The Legend of Tarzan may appear to be just another reboot, another typical big budget summer extravaganza high on big action and low on everything else. However, the film does stand apart from the usual fare thanks to a well-crafted story and script by Adam Cozad (Jack Ryan: Shadow Recruit) and Craig Brewer (Hustle & Flow). Cozad and Brewer deliver fully realized characters in their screenplay that should feel both familiar and evolved to anyone who knows the classic Tarzan story.

Director David Yates (the final four “Harry Potter” films) and cinematographer Henry Braham (The Golden Compass) also do a tremendous job in capturing the striking, untamed beauty of the natural world in which most of the film takes place. Yes, there’s a great deal of CGI at work in The Legend of Tarzan, and many of those jaw-dropping landscapes and panoramas were added later in the production. However, you’d never know it, just watching it all unfold, it’s that well executed.

Cast more than just comely

The cast in The Legend of Tarzan also delivers a solid effort, though most of the bigger names take on roles that don’t require much of a stretch.

As an on-screen couple bringing to life one of cinema’s oldest and most recognized romantic pairings, Skarsgård and Robbie display great chemistry as Tarzan and Jane. The film’s structure and setting requires above all that audiences buy into the powerful connection between the two, and in every scene they share that connection is electric. It helps that neither one of them is very hard on the eyes, but that’s just the beginning of what make this Tarzan-Jane pairing compelling.

It can be argued that the cast’s three Oscar-nominated members — Jackson, Hounsou, and Waltz — aren’t really pushed in their roles to play beyond type. Jackson, playing real-life American soldier-turned-activist George Washington Williams, is mostly relegated to comic relief duty. Waltz, meanwhile, once again plays an unfailingly polite, cultured, well-spoken and thoroughly despicable heavy, one more for his résumé.

Even Hounsou gets to do little more than glare as the tribal chieftain with a grudge against Tarzan. What these acclaimed performers do they of course do well, but audiences who’ve seen them at their best know they’re capable of far more.

Worth seeing?

Admittedly, due to the fact that it’s being released just a few months after Disney’s latest big screen Jungle Book adaptation, The Legend of Tarzan will most likely have to suffer from comparisons, and audiences’ appetite for another feral-child-grows-up jungle adventure may not be what they might have been any other year. Regardless of how different the two films are in terms of tone and story, the surface similarities are unavoidable.

However, taken on its own merits, you could do a lot worse than The Legend of Tarzan. In many ways, it’s good old-fashioned adventure entertainment in the mold of the original Tarzan serials. If you go in expecting that kind of entertainment, it’s unlikely you’ll be disappointed.

The Legend of Tarzan

Starring Alexander Skarsgård, Samuel L. Jackson, Margot Robbie, Djimon Hounsou, and Christoph Waltz. Directed by David Yates.
Running Time: 109 minutes
Rated PG-13 for sequences of action and violence, some sensuality and brief rude dialogue.

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Justin Timberlake Can’t Stop The Feeling In New ‘Trolls’ Trailer

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2oth Century Fox and Dreamworks released the new trailer for ‘Trolls’ Wednesday morning.

From the creators of Shrek comes the most smart, funny, irreverent animated comedy of the year, DreamWorks’ Trolls. This holiday season, enter a colorful, wondrous world populated by hilariously unforgettable characters and discover the story of the overly optimistic Trolls, with a constant song on their lips, and the comedicly pessimistic Bergens, who are only happy when they have trolls in their stomach.

You don’t hire Justin Timberlake unless he’s providing original music for the film.

‘Trolls’ stars the voice talent of Timberlake, Anna Kendrick, Russell Brand, James Corden, Kunal Nayyar, Ron Funches, Icona Pop, and Gwen Stefani.

The little guys and girls hit the theaters on November 4.

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