Review: ‘Batman’ #17, The Butler Does Indeed Do Something In This Excellent Issue

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Dick Grayson, Jason Todd, and Damian Wayne are near death, being kept stable in Superman’s Fortress of Solitude. Meanwhile in Arkham Asylum Alfred Pennyworth sneaks Gotham Girl inside to see Roger Hayden, The Psycho-Pirate, whose emotional controlling powers may prove to be able to save the comatose heroine. And somewhere Bane continues ahead with his plan to destroy Batman and his extended family.

Batman #17

“I Am Bane part 2”
Publisher: DC Comics
Written by Tom King
Penciled by:David Finch
Inked by: Danny Miki
Colored by: Jordie Bellaire
Published by DC Comics

Writing

There is so much to love about this issue, and the best thing is Batman is actually somewhat of a supporting player in this chapter. But I’ll start at the beginning. The opening scene with Superman inside the Fortress of Solitude is great. And although it’s brief, it’s a testament to Tom King’s writing ability that he is able to encompass the relationship between DC’s two greatest icons in just a few panels. The scene is emotionally charged and true to the characters. The dialog is sparse, but it speaks volumes in between its words.

The best sequence in the whole issue, however, belongs to Alfred Pennyworth, as he sneaks into Arkham Asylum. Showcasing both his multiple skills (in this case classically trained Shakespearean acting) and his sardonic wit, King proves why Batman’s butler is an important part of the Bat-Family; as any vital as any other masked vigilante or super-powered friend. Plain and simple we are reminded that Alfred Pennyworth is a complete and total bad-ass. It’s great and put a literal smile on my face.

There are also great dropped little details and asides that really made this a fun issue to read. It’s a nice reference, so I won’t spoil it, but any DCU fan can appreciate a Scott Free/Mister Miracle reference. You’ll know it when you read it. Good job from King in playing with the DCU sandbox.

And the like last issue, this one ends on a hell of a cliffhanger, where Bane once again has the upper hand and proves how brutal and merciless he can be. King is turning Bane into a truly frightening and dangerous foe for Batman.

Art

David Finch really gets to showcase his ability to draw faces in this issue. He’s so good at shadowy fights and splash-plashes (both of which of course are also spectacularly present), that it’s easy to forget he is as gifted in creating subtlety as he is action. Again the Alfred in Arkham scene is the best example, as both Alfred and Gotham Girl convey so much emotion in they way there are drawn. And I have to got to say, Finch draws what is the best version of Bane I think I have a seen. The scene at the end is intense, frightening, and totally atmospheric. He puts you in that rooftop where it is all about to go down.

Praise has to be given to inker Danny Miki (a longtime collaborator of David Finch) and colorist Jordie Bellaire. Without them, that beautifully prevalent dark atomosphere would not be there, and it would be a completely different read and feel. This is how art teams should work together.

Conclusion

I’ll keep it simple here. Just go out and pick up Batman. The title has been great for years, and Tom King and his revolving door of great artists are keeping that tradition alive. I will be in Gotham next month, and the month after that.

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‘Trinity’ #6 Is A Bad Dream

By

Anthony Wendel

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“Better Together” part six! The horror that kept our heroes trapped in nightmares of their own making is now loose in the world, and it’s taking possession of Batman, Superman and Wonder Woman! When the spawn of Mongul holds the keys to the most powerful heroes in the DC Universe—no one is safe!

SPOILER ALERT

Writing

And so ends the first story of the new Trinity series. Not with a bang, but with a whimper. Seriously, this thing already felt like it was going long and the ending doesn’t feel like a pay off at all. Writer Francis Manapul just wasn’t able to stick the ending.

As the series plotted along, it was revealed to be another “Black Mercy creates Dream World” scenario (pop in season one of Supergirl for a similar story). Which was instrumented by Poison Ivy and tied into a major character moment she had in Poison Ivy: Cycle of Life and Death. This could have been a great moment for a very popular member of Batman’s rogues. Instead, it ends with a cope out and Poison Ivy’s memory being unceremoniously reset to protect the identities of the heroes. It’s not the worst moment for the villainess (as nothing will ever be as bad as Batman and Robin) but still, it’s a terrible payoff which could have been a very emotional scene.

Artwork

Emanuela Lupacchino on pencils, Ray McCarthy and Matt Santonelli on inks and Hi-Fi on colors is the only saving grace of this issue. Their work is very striking and finds ways to balance the dream world and the real world with impressive detail work. The team also illustrates a very devastating battle between the mentally hijacked Bruce Wayne and Clark Kent.

Conclusion

Trinity is still a great concept or a series. The holy trio of the DC Universe working together in a tighter and more personal unit than a bigger team like the Justice League. Unfortunately, this first story went long and offers a very unsatisfying conclusion. The journey here was fun enough but he end just leaves a bitter task in your mouth.

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Review: ‘Mighty Morphin Power Rangers’ #12: Ranger World War

By

Anthony Wendel

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As Jason tries to hunt down his missing teammates, Tommy and Billy uncover a truth that will change everything.

Writing

When thinking about the review for this issue right after reading it, I was presented with a conundrum. I went onto Facebook and asked fellow comic writers for Monkeys Fighting Robots the following question: “What’s the best way to write up a review which essentially boils down to, ‘I almost wet myself with excitement because it was good.’” The group’s response was to simple repeat my question in the article. So, yes, this issue was so beyond enjoyable that I almost wet myself because of just how awesome it was.

This issue features a war to end all wars as the origin behind Lord Drakkon is fully revealed. The Power Rangers came together to fight against Rita and all her forces in an intense climactic battle. It’s incredible to witness. At the same time, the series clings to mature elements previously introduced, showing Tommy and Billy’s parents at a rally begging for the return of their children.

So much emotion is achieved through one single issue. This feels like the point writer Kyle Higgins has been working towards the entire time. To lead to an incredible moment where he could show the Power Rangers engaging in a life or death battle, utilizing every resource they had at their disposal.

Artwork

This issue wouldn’t have been nearly as good without fantastic art backing it up. The team of Hendry Prasetya on illustrations and Matt Herms on colors bring their best to this issue. The most memorable moment results in a gorgeous two page splash with the Rangers and their allies on one side and all their enemies on the other. It’s one of those panels that you wish you could get framed and put on a wall.

Conclusion

In summary, to quote fellow writer Wesley Messer, “You will buy this now. You go buy it and thank me later with cookies.” This issue is simply amazing and continues to represent the quality this series has to offer. Also, if you’re curious, I love soft chocolate chip cookies.

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Review: ‘Kong of Skull Island’ #8: Battle Of The Kongs

By

Anthony Wendel

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It’s Kong vs. Kong as they tear through Skull Island, fighting to the death.

Writing

Valla, the Kong the audience followed in the previous issue, fights against a scarred Kong who seemed to be abusing a baby Kong. There’s a lot of hostility in the air tonight, and it doesn’t feel like its going to be resolved with a hug and a cop of coffee.

Writer James Asmus works to hammer in some of the details which were mentioned in the previous issue but may have not received as much attention. Several villagers are now cursing the very existence of the Kongs and will even attempt to hunt them down. There is a lot of great dialogue over the battle as the hunters show their hatred towards Valla. Looks like she won’t be invited over for Sunday brunch anytime soon.

Artwork

Carlos Magno and Jeremy Lawson discover some new ways to remind everyone of the brutality which can take place on Skull Island. The pair are finding methods to shake things yet not simply repeat what the same formula in a constant “monsters eat people” way which could become repetitious. Because if there is anything fans should never get sick of, it’s monsters eating humans.

Conclusion

This is another fantastic issue and it helps to show how the island is changing for the inhabitants. The real question is where will the series go from here? The villagers are stranded on Skull Island and forsaken the use of Kong. Where can the story really go now? Of course, this is the same question which was asked two months ago and what resulted was two very entertaining issues. The team keeps making the audience want to come back for more because of the intrigue in to where the story will actually go next.

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Mel Gibson in talks with Warner Bros. to direct ‘Suicide Squad’ Sequel

By

Kieran McLean

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February 15, 2017

Deadline just reported that Mel Gibson has joined the cast of Daddy’s Home 2 and also revealed that the director of films such as Hacksaw Ridge and Apocalypto is in talks with Warner Bros. to direct the Suicide Squad sequel.

The Hollywood Reporter also claims that sources told them Gibson is in talks with the studio and is “familiarizing himself with the material” but Warner Bros. is still courting other directors, with Daniel Espinosa among them.

The reports both make it clear that discussions are in the earliest stages but it would be an extremely exciting choice for the Suicide Squad sequel. Gibson has more than proved that he is a great director, although it would be strange to see him choose a superhero movie. Last year he slammed Batman v Superman calling it “a piece of shit,” in an interview with Deadline.

If you’re wondering why David Ayer isn’t returning to direct the sequel, he will be moving on to another DC Comics movie and bringing the Gotham City Sirens into the DC Extended Universe.

Would you like to see Gibson direct a Suicide Squad sequel? be sure to let us know in the comments section and be sure to check back for more updates regarding this story.

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‘A Cure For Wellness’ Review: An Effective Thriller That Is Far From Perfect

By

Dewey Singleton - Film Critic

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In theaters this Thursday, ‘A Cure For Wellness’ is an effective thriller anchored by a tremendous performance from Jason Issacs and a setting that steals the show.

Summary

The film centers around a young man named Lockhart (Dane DeHaan). Lockhart is a cutthroat investment banker who is a little unhinged and will do anything (legal or not) to get the top. He’s sent to Switzerland to bring back a senior partner who has apparently lost it and is refusing to leave the luxurious spa he’s at. We quickly find out that there is much more to this spa than anyone had realized. It appears that wealthy folks from around the globe pay top dollar to take in the spa’s purified water, which they allege have Fountain of Youth qualities.

The “spa” is run by Dr. Volmer (Jason Issacs), and he has a commanding presence anytime he enters the room. It’s as if everyone who works at the retreat is in some haze and he’s the only clear headed individual in the building. At first, when Lockhart arrives, it seems that Dr. Volmer is more than happy to honor his request of taking his colleague back to New York. Then through a series of what appear to be unexplainable events, Lockhart goes from seeking one of the spa’s patients to becoming one himself.

What I Didn’t Like

There was too much time devoted to Lockhart’s background in finance, not a particularly compelling detail and it detracted from the most interesting elements of the film. Had ‘A Cure For Wellness’ began with Lockhart already in Switzerland approaching the “Spa” it could have trimmed some of the fat considerably.

Verbinski should have shifted the focus slightly towards Dr. Volmer in the movie and less on Lockhart. I’ve felt that in a thriller, the audience should feel some empathy towards the lead actor and truthfully Lockhart is just a weasel who is trying to do the right thing by helping his colleague, but he’s in over his head (he’s one dimensional). In the absence of having a character that audiences would gravitate towards, they should have turned their attention towards developing the most interesting character in the narrative, Dr. Volmer.

What I did Like

Jason Issacs was tremendous in the role of Dr. Volmer. He oozed creepiness anytime the audience saw him on screen. Even though at first he tries to come off as genuine, everyone realizes early on that there’s more to his retreat than it appears to be. The power in his performance stemmed from how he delivered his lines. There was a soothing tone that he took throughout which lulled both the audience and patients into a haze of acceptance (even if it meant being okay with the good doctor strapping on a dental vice to Lockhart’s mouth and watching him knock out a few teeth).

The location that they choose to shoot this film was wonderful. This “Spa” had all the look and feel of a sanitarium ripped out the worst kind of nightmares mixed with a smidge of Dracula’s castle. Verbinski utilized the dark shadows of the lower levels to heighten the tension. The lack of an easy exit from the venue gave the feeling of being trapped. Production Designer Eve Stewart was able to transform Dr. Volmer’s “Spa” into the most important element in this film.

Final Thoughts

‘A Cure For Wellness’ is far from a perfect movie. It could have easily been 30 minutes leaner, and the focus should have been much more on the character of Dr. Volmer and much less on the forgettable Lockhart. But the entire visual composition is stellar. It’s an effective thriller that’s buoyed by an excellent performance from Jason Issacs and tremendous production design. Is it worth paying to see it? If you are a fan of the genre, then go for it, but if you are just giving this film a shot then wait for it to find its way to your television.

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Five Favorite Films from the Year I Was Born: 1994

By

Eric Morales

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February 15, 2017

1994 was a stellar year.

Nelson Mandela was elected President of South Africa, O.J. Simpson basically invented reality television, Ross and Rachel started their “will they won’t they,” and I was born. That last one is important because it means I now get to have an opinion on films that came out while I was still trying to sit up. Here are my five favorite films from the year I was born.

1The Lion King

The Lion King

I’m a Disneyphile, through and through. I live it, breathe it, over-analyze it. Their best, above all else, is The Lion King. It has a great balance of drama and comedy. It pairs the deeply intimate loss felt by a son with a live-in-the-moment philosophy from the supporting cast, all serving a recognizable ascension story. The performances are iconic to the point of being legendary: the rich timbre of James Earl Jones’ voice adds to both the kingly and godly quality of Mufasa, while Jeremy Irons’ stage experience shines through Scar’s melodramatic nature. The music is some of Disney’s most memorable, the animation is gorgeous. It’s brilliant. And most importantly, I learned to use the VCR player from watching this tape nonstop for most of the 90s.

What is your favorite film from 1994? Comment below.

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Demetri Martin Brings Out The Best In Kevin Kline – ‘Dean’ Trailer

By

Matthew Sardo

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February 15, 2017

CBS Films released the latest trailer for ‘Dean’ Wednesday afternoon. Comedian Demetri Martin writes, directs, and stars in this heartfelt story of a father and son coming to terms with love, loss, and everything in between. This is Martin’s first feature film.

‘Dean’ was the 2016 winner of Tribeca Film Festival’s Founders Award for Best Narrative Feature.

About the film:
Dean is an illustrator whose unwillingness to deal with the recent death of his mother means escaping his hometown of New York for an interview with an ad agency in Los Angeles. His retired engineer dad Robert takes a more regimented approach to grief, including putting the family home up for sale. Both father and son set out on their own paths to find a new normal as unexpected circumstances and potential new love interests threaten to thwart all plans.

The film stars Demetri Martin, Kevin Kline, Gillian Jacobs, Mary Steenburgen, Reid Scott, Rory Scovel, Christine Woods, Ginger Gonzaga, Peter Scolari, and Briga Heelan.

‘Dean’ will be in select theaters June 2.

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Crafty Cocktails: Super Boozy Drinks for Craft Beer Lovers

By

Devon Kenney

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February 15, 2017

Why should you have to choose between your booze and your beer? You don’t! Mixing hard liquor with beer has turned into a staple, and is steadily on menus from restaurants to brewpubs. Beer cocktails most importantly, are taking over the beer world.

What makes the crafty cocktail so appealing?

First of all, you don’t have to choose! You can have the best of both worlds, having wonderful tastes all combined together in one glass, while still getting your beer fix. The real beer snob in all of us wants our beers alone, like they should be. The possibility of mixers has always been a thing, but one we will never admit to thinking about. There are a few popular options, but the most noteworthy are ones that really started the fad.

Irish Car Bomb

Dropping a shot of whiskey and Irish cream into a stout. Most commonly found in Guiness.

Beermosa/Manmosa

Orange juice and a wheat beer, most commonly Blue Moon. Different variations have evolved from adding champagne, to adding orange liqueur.

Bartending can be an art form. Mixologists can make the most amazing drinks, and you can have any flavor profile. To most bartenders, unless they work at a brewery, beers can be boring. You don’t get to make it your own,and sadly it’s just a pour. A crafty cocktail is a great to show the skills, have some artistic freedom, and make a drink that everyone will enjoy.

Cocktails and beers together in one perfect harmony is about all we can ask for.

Going back years, beer cocktails have been a part of the beer snob experience. Eater got to sit down with a couple of dudes and really talked about the mixture.

“The funny thing is that one of the ancestors of the cocktail itself is a beer drink, called Purl, which was made with bitter herbs and beer,” said David Wondrich, the author of the recent PUNCH: The Delights (and Dangers) of the Flowing Bowl (buy on Amazon). The hirsute historian of all things fermented (and drinks columnist for Esquire and Saveur) then added, “By the early 1700s sailors were drinking Flip, a mixture of beer, sugar, rum, and eggs served hot. Later in the 1700s Portaree, a porter with sugar and nutmeg became popular, was eventually served iced.”

It goes so far back in history, it has almost always been a thing.

Go out of your comfort zones and try a simple beer cocktail. You won’t regret it, and it will make you a well rounded beer drinker!

Until next time beer snobs!

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Pretty Guardian Sailor Moon Musical North American Performance

By

Teejay Zeigler

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February 15, 2017

To kick off this year’s official Sailor Moon Day in Houston, Texas, the George R. Brown Convention Center will be hosting the Sailor Moon Amour Eternal Musical. The musical was first performed in October of 2016, and features 18 musical numbers, and runs for about 2hrs and 43min of pure cosmic YAS. This will be the first North American performance of any official live action rendition of the Sailor Moon franchise, which is fucking exciting. It can be assumed the musical will not be the full fledged production that toured Japan in 2016, as not all of the cast will be present to perform. Houston’s official Sailor Moon day is April 7th, and the convention runs in Houston from the 7th to the 9th during the Anime Matsuri 2017 convention. The official date and time of the performance has yet to be announced. The only thing better than a Sailor Moon musical, is a Sailor Moon musical that doesn’t require a passport to see. More information on the convention itself can be found on the Anime Matsuri official site.

The plot of the musical fits into the series dream arc, and everyone’s moved out of Jr. High and into High School. Much like the first Pretty Guardian Sailor Moon musical, the show is entirely more character and story driven-focusing more on the characters interpersonal connections, and connections to their past in the Moon Kingdom. The Sailor Moon musicals aren’t as action packed as the animated series-or even the short running live action one. Let’s face it though, transformation sequences and kick ass fights don’t really translate well to live action musical theater. Confirmed cast members of the musical include: Hotaru Nomoto (Sailor Moon), Yume Takeuchi (Sailor Mercury), Karen Kobayashi (Sailor Mars), Kaede (Sailor Jupiter), Rimo Hasegawa (Sailor Venus), Syu Shiotsuki (Sailor Uranus), Sayaka Fujioka (Sailor Neptune), Mikako Ishii (Sailor Pluto), Karin Takahashi (Sailor Saturn), Risa Kawamura, Yoshimi Hidano, Ayano Nagasawa, Ayumi Sagisaka (Dancers), and Yuga Yamato (Tuxedo Mask). A good amount of voice actors from the English versions of Sailor Moon Crystal and Viz’s new dub of the original Sailor Moon anime will be in attendance of the Houston convention as well such as Cristina Vee, who voices Sailor Mars, and Christine Cabanos, who voices Sailor Saturn.

The musical’s DVD is set for release in Japan sometime in March. Until then, to quench your moon thirst, here’s a clip.

If that isn’t enough for you (because lordt knows it ain’t enough for me), Sailor Moon R: The Movie, is set to release on DVD April 18th, for $17.98 on Right Stuf.

I don’t know about you, but the food isn’t the only thing pulling me towards Houston now. *insert thoughtful hand under chin emoji*

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