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‘Iron Fist’ Midseason Review: Difference Between Bad and Bland

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DISCLAIMER: This review only covers the first six episodes. A full series of ‘Iron Fist’ will be coming soon, and may already be out when you read this. If so, you can find it linked here.

There’s been a lot of controversy around Marvel’s latest foray into television. Iron Fist, one of the final Defenders series, came to Netflix this week. Ahead of its release, critical reviews around the first few episodes were largely negative. In this reviewer’s opinion, these super bad reviews seem overly dramatic. The series is far from the worst superhero tale on television – but it certainly is formulaic. Iron Fist is, by far, the weakest Defenders tale, but it isn’t super terrible. In fact, it isn’t super-ANYTHING. Iron Fist is, by all accounts, a purely run-of-the-mill superhero series.

Danny Rand isn’t exactly the most unique hero of Marvel’s many properties. He’s got the same basic origin as CW’ Arrow – rich boy, presumed dead, comes back after several years with new badass abilities. It’s not the only element that superhero fans might recognize. He’s got Daredevil’s martial arts, Iron Man’s money, Doctor Strange’s mystic roots, Star-Lord’s childhood tunes, and even some strange variation on Falcon’s bird sidekick. However, these comparisons don’t determine the quality of the show.Lots of superhero origins are comparable, and it’s an easy critique. What matters isn’t how Iron Fist mirrors other series.

Iron Fist

What matters is that it fails to properly utilize its uniqueness. Much of the series plays to standard television fare, not just with superhero shows. You have the optimistic & naive lost sheep, the cruel father, the jealous infighting siblings – common TV tropes. All of the cast feel like a rehash of other television characters, superhero and otherwise. It’s not the “white savior” trope that many critics had skewered the series for. However, it’s a host of other tropes wrapped into a superhero series. Perhaps for diehard Mavel fans, Iron Fist delivers. But for the more casual television viewer, there’s little to make it stand out.

The closest we get to a unique character is Colleen Wing. Much like Misty Knight in Luke Cage, Colleen gets to spend time being badass in her own right. Her scenes fighting in the underground league, and training her students, is a compelling side story. However, as the romance between her and Danny two blossoms, Colleen falls into common sidekick-romantic tropes. She devolves into a shy, smitten love interest in episode five, seemingly out of the blue. It’s like her character morphs into tropes as the writers hit each standard beat.

Iron Fist

The villain doesn’t break much ground for Marvel either. Villains in Marvel movies are almost always disappointing, failing to inspire true fear. For Iron Fist, it takes a while to decipher who the villain even is. Harold Meachum’s evil businessman is common fare – and we’ve seen thousands of foul father figures. It’s also hard to distinguish how much more villainous he is compared to his offspring. Likewise, there’s little Iron Fist does with The Hand that Daredevil’s second season hasn’t covered. Outside of busting heroin dealers and rogue mental patients, Iron Fist doesn’t have a super compelling crusade.

While the characters may be bland, the performances are certainly admirable. All of the actors are clearly putting their best foot forward. It’s just that the material they are given doesn’t make them stand out from Marvel characters of the past. Finn Jones is charming and charismatic, but Danny Rand is only so interesting. Jessica Stroup gives Iron Fist great emotional moments, but her motivations are inconsistent. Tom Pelphrey’s cold, jealous routine is a solid take on material we’ve seen a thousand times over. And Rosario Dawson’s performance does just as well as she does in any other Marvel series. Nothing makes a good case for why it should be held in higher regard than other Netflix shows.

Iron Fist

By the time Iron Fist‘s action picks up, it feels like a different show entirely. Episode six brings about the high stakes martial arts madness we craved. The episode is directed by RZA, who’s more than qualified for telling tales of men with iron fists. It has solid action, with opponents capable of matching Rand’s combat skills. It gives insight into Rand’s past, with flashes of a mysterious and unkind master. There’s even a fun side-quest with Colleen and Claire. But the fact that it is both compelling and different highlights the problem of Iron Fist. It shouldn’t take a show six episodes to draw viewers in.

Iron Fist seems to suffer from the same problem as his fellow hero for hire. Luke Cage, another Defender, had a phenomenal first half of a season. However, upon the introduction of Diamondback, things quickly went south. Now many early review of Iron Fist, which were overly negative, were based around only the first few episodes. Perhaps the latter half of Iron Fist will mirror the quality of “Immortal Emerges from Cave.” I certainly hope that is the case. But if half of a show is utterly bland, why shouldn’t it be held accountable?

You can compare Iron Fist to similar superhero origins all you like. Yes, it hits the same beats as the shows that have come before. But the most accurate comparison one could make is to Thor. It’s a solo outing Marvel had to slog through for team-building. As Marvel sets up Defenders to mirror The Avengers, they need to make sure every viewer knows the key players. Iron Fist does a good job of introducing who Iron Fist is, and it will be interesting to see how he functions on the team. But as a protagonist, driving his own independent series, Iron Fist doesn’t inspire much intrigue.

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Jeff Loveness Explores Dead Space With ‘World Reader’ #1

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Meet Sarah, an astronaut traveling from dead planet to dead planet, talking to the ghosts of dead worlds… as she fights to discover the secret that’s killing the universe. But Death doesn’t give up its secrets so easily, and as she’s hunted from planet to planet, Sarah struggles to maintain the trust of her crew and her own sanity in the endless ocean of lives. Every world has a story, and if she can find the secret tying them all together, she can save Earth from being the next world to die.

From JIMMY KIMMEL LIVE! and GROOT writer Jeff Loveness and AMERICAN MONSTER and ANIMOSITY: THE RISE artist Juan Doe, comes the chilling, epic new series that will be sure to appeal to fans of ARRIVAL, INTERSTELLAR and THE EXPANSE.

Writing

The power of talking to the dead isn’t an original idea. Now an astronaut being able to talk with ancient lost civilizations is a unique one. This is the concept presented in this new series and it succeeds in being a very fascinating idea to keep the audience intrigued. There is a lot of emphasis on allowing the art tell the story of what is happening instead of having it spelled out through dialogue boxes. It’s a interesting approach and pays off pretty well here by showcasing what happened to a lost society and an impending danger is looming in the future. The issues triumphs in introducing what it’s about and where it will go from here.

It’s not without a few flaws though. The first issue opens the series on a slow start. Little is revealed about about Sarah other than she has the ability to talk with the dead and her captain hates her. She is portrayed as an intriguing character though who does come off as caring and curious about the worlds she is researching. Writer Jeff Loveness succeeds in presenting a new galaxy to explore but needs to work on flushing out the characters more from here on out.

World Reader #1

Artwork

If you’re going to rely on the art to tell part of the story, then you have to make sure the artist is able to bring some high caliber work. Luckily, artist Juan Doe presents some striking art which helps to make the book such an appealing read. There is a lots of great visual effects through the issue to showcase Sarah’s mental explorations into the planet’s past. The one page splash introducing the series villain is very striking and menacing in a way which leaves a great impression.

Conclusion

A slow start, but it introduces a distinct concept, stylized colors, and shading which makes it a very pleasant read. It’s a successful first issue – something which is a rare feat. Comic fans will want to be on the lookout for more World Reader in the future.

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Review: Iron Fist Episode 1 Some Marvels Do Have ‘Em

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There has been a lot of pre-release controversy surrounding Marvel’s Iron Fist. From allegations that the casting of Finn Jones perpetuated the “white saviour” mentality to the harsh reactions of critics to its first six episodes, things were not looking good for the immortal weapon’s debut outing. Fans of the character and the wider Marvel Cinematic Universe will be glad to hear that rumours of Danny Rand’s flopping have been greatly exaggerated, but only just.

Danny Rand, heir to a global conglomerate, returns to New York having been assumed dead following an airplane disaster that took the lives of his mother and father. The years abroad have changed Danny from a timid child to a fierce warrior trained in ancient martial arts. The current holder of the Iron Fist mantle seeks answers about the nature of his parents deaths and what became of his father’s company. If you’ve seen Arrow or Batman Begins, then Iron Fist‘s general premise won’t shock or surprise you and the initial outing does little to change up the formula. The sole twist to this classic origin is that Danny’s childhood friends and current heads of Rand Corporation: Ward and Joy Meachum, do not believe that this mysterious man could be who he says he is. As you may have guessed, there is more to the Meachums than meets the eye and it is heavily implied that their father had something to do with the Rands’ untimely demise.

From the start Finn Jone’s take on the character comes across as likable, if a bit naive. For someone who has not had the best childhood, Danny is facing surprisingly taken aback by people’s unwillingness to take his story on face value. He seems oblivious to how crazy his situation is and gets easily frustrated as a result. It is often frustrating for the viewer as well, but there is a charm to this kind of sincerity which tells us that this is a man who is trying to do right by everyone, but is unable to adapt to the brave new world he now finds himself in. It is that earnestness which makes his budding friendship with a fellow homeless man quite touching. Most of the people who encounter this man would have ignored him, but Danny, seeing the value in everyone, takes the time to talk with him about life and what their respective futures hold. We see the signs of someone who could be a hero, a symbol for others to look up to, but isn’t quite there yet.

The Meachums have yet to establish themselves as two-dimensional corporate villains, concerned primarily with their bottom-line. The Netflix Marvel properties have until now managed to avoid the villain problem that has plagued their big screen siblings. Unfortunately, Iron Fist‘s antagonists are, at first glance, uncompelling  and show little evidence of the depth that has fueled the other shows in The Defenders sub-series. There is simply nothing remarkable about them. Even their apparent role in the death of Danny’s parents seems cliched and par for the course. In a universe where characters like Kilgrave, Diamondback and the Kingpin all challenge our expectations, being average isn’t good enough.

Colleen Wing, played by Jessica Henwick, has the potential to become a scene-stealer. She is a fighter in body, mind and spirit. Everything the character does, merely emphasises that fact. The seeds of her future relationship with Danny are firmly planted in this inaugural outing with what begins as an awkward, borderline creepy attempt at getting a job by one turns into a fascination for the other.

Some critics have complained that for a show ostensibly about a master martial artist, it feels oddly like an episode of Days of Our Lives. There is no denying that the series relies heavily on tropes of the comic book and soap opera genres, but to say this is inherently a bad thing is misguided and smacks of lazy writing. There is a risk in all superhero and comic book properties that they turn into mere slug fest. Iron Fist attempts to effectively blend its melodrama with its elegantly choreographed fight scenes.

The fight scenes have been the subject of much discussion. Whereas the other Netflix Marvel shows featured raw, striking fight scenes that highlighted the underlying brutality and strength of their respective characters, Iron Fist understands that its protagonist isn’t a brawler. Danny Rand is first and foremost a martial artist and the fight scenes reflect that, channeling a mixture of kung-fu, karate and aikido. Other writers have suggested that they are to fluid and dance-like for their liking, but anyone with a passing knowledge of martial arts will understand that mastery brings with it elegance. Daredevil may have been trained by Stick, but he still fights with the soul of a boxer and this is what distinguishes him from Iron Fist. Danny’s fights are an exercise in using minimal force, but maximising his personal outcomes. No doubt they will maintain their beauty, but increase their stakes as more skilled fighters come to challenge our favourite immortal weapon.

Unfortunately, despite impressive performances by the cast and a hypnotic opening title sequence, this is the weakest first outing for a Defender to date. This will come as a disappointment for many. Iron Fist was after all, thanks to the work of Ed Brubaker, Matt Fraction and David Aja, the star of one of the greatest runs in modern comic history. The look and feel of The Immortal Iron Fist, if not the story, could have been easily translated into the Marvel Cinematic Universe and for it to fall short of that aspiration is devastating. None of this is to say that Iron Fist is a bad show, but it is not a unique show. At best, it is a good show that has the potential to be a great show. In many ways, this potential to be better is something that the comic incarnation of Danny Rand has struggled with his entire life. If the show can follow that progression, then it truly will become immortalised.

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The Big 5 Differences: Jurassic Park vs Jurassic Park

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Jurassic Park is one of, if not, my all-time favorite movie, but I had never read the book which has always hung over me like a dark cloud. So in honor of the big-budget dinosaur flick making its way onto Netflix this month, I picked up the Michael Crichton classic and dug in on some dinosaur action!

I don’t expect the books and the movies to be exactly the same. Obviously, a lot the book is not going to make it to the big screen, often for the better. But it’s fun to compare the books to the movies especially when the movie is better (I’m looking at you Bourne Identity and every James Bond movie).

So if you’ve never read Jurassic Park or it’s been a while since you basked in the glory that is Jeff Goldblum in a mostly-open shirt here are the five biggest ways it differs from the movie.

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5. Hammond is a Bastard

If you’ve only seen the movie you think of John Hammond as the Santa Claus lookalike who delivers dinosaurs instead of presents. Richard Attenborough’s character is a rich guy, who despite creating the world’s deadliest zoo, mostly had good intentions. Even admitting that he no longer endorses Jurassic Park by the end of the movie.

Hammond in the book is a bastard. He believes in his park, no matter what evidence is presented to him showing how dangerous it is. He is ruthless putting his own grandchildren in harm’s way just to prove that kids will love his park. Hammond sees his employees as replaceable parts and blames their lack of “vision” for all the park’s problems. Even after the dino disaster is over, he begins plotting how to make his next park better. His comeuppance was much deserved.

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‘Aquaman’ Release Date Pushed Back 2 Months. This Isn’t A Bad Thing!

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‘Aquaman’ Taking The Spot That Once Belong To ‘Avatar 2’

Anyone who dislikes the DC Extended Universe telling you that the pushing back of ‘Aquaman‘ is bad thing? Don’t let them! This could be one of the best things to happen to the upcoming Warner Bros. film.

When James Cameron decided to delay the release of ‘Avatar 2‘, it left a massive gap in the 2018 holiday film schedule. The delay also allowed for any movie to step up and takes its place. Now it’s confirmed that instead of an October release, ‘Aquaman‘ will now take the December 21st, 2018 release date.

This is huge for Warners Bros. and DC!

With the massive moneymaker that is the Avatar franchise out of the way, the beloved holiday movie season can journey to another world instead of Pandora, Atlantis! The James Wan-directed film starring Jason Momoa has got great early buzz and there’s massive potential for this to be the film to do very well now. The only competition it faces will be Disney’s live-action ‘Mary Poppins‘ remake.

The recent DC films have been filled with bad press with any production news being spun in a negative light. Even something like a 2-month delay can spark outrage. But this is a time where pushing something back is a sign the company has faith in a project. The holiday season is known for being lucrative so ‘Aquaman’ is getting a good boast.

This also follows the news that lead actor Jason Momoa is loving this hero and the aquatic world they’ve created.  He’s said the movie is “fun and heroic” and that he’s “extremely happy” with the underwater world Warner Bros. and DCEU have created.

Aquaman‘ is set for a December 21st, 2018 release. The DC superhero will also be featured in this year’s ‘Justice League‘, released on November 17th.

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All Six Original Leprechaun Movies Ranked By How Drunk You Need To Be To Enjoy Them!

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Happy St. Patrick’s Day from Monkeys Fighting Robots! As the day turns into night and the beers start piling up, what’s there to do next? More beer, that’s a given, but how about a movie from a series that borders on being racist while simultaneously being so ridiculous it’s funny. The Leprechaun movies aren’t great, but in a drunken stupor, they may be the greatest movies ever made.

The Original Six Leprechaun Movies
Ranked & Paired With A Delicious Beer


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1. THE PERFECT BUZZ

Leprechaun In The Hood
If the Leprechaun series is one thing, it’s an exactly like a mindlessly brave drunk. Every one of the original six films shoots off in a random direction, like a drunk friend crying about an ex one minute then joyfully entertained by a game of darts the next. Leprechaun In The Hood dances on the edge of tasteless in the same way as Triumph the Insult Comic Dog except nowhere near as clever. However, the damn movie still works and if you’re hanging around this St. Patrick’s Day getting shit-faced with friends and want a flick to laugh with, look no further.

Beer Pairing
The perfect blend of this franchise’s bizarre mix of horror and comedy calls for Oktoberfest/Marzen.

HAPPY SAINT PATRICK’S DAY!

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Netflix is the New Tinder of Entertainment

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For years Netflix users have been allowed to rate their viewing content on a 1-5 star rating, much like how we rate restaurants, apps, and (mentally) people, but soon the world we know and love will come to an end. Now, as if the announcement of the Queen Bey having twins isn’t sending us into enough of an uproar, Netflix decided that they’d mess us up a little more by announcing that the system we live by is going to be gone in April. In lieu of the 1-5 star rating system, we’ll be ranking our movies, documentaries, and binge watched series by a simple thumbs up or thumbs down indicator. Essentially having us swipe right or left on what we want to watch, but not really being able to describe to what degree we find it attractive.

The announcement was made on Thursday, at the Netflix headquarters in Los Gatos (northern California, where it’s cold AF). The VP of Product, Todd Yellin, told press on Thursday that the new thumb based system had been tested with a large number of users, and resulted in a 200% increase in rating participation than the star rating system. This is due to the fact that it’s easier mentally to just say whether you like it or didn’t. According to Yellin, the system is also meant to be more accurately based on personal preference. Apparently, there was a pattern found in users that used the 1-5 star rating system, that rendered said system less than accurate. Frivolous, and less heavy films or programs were typically rated lower stars than the more profound documentaries or ground breaking films. This doesn’t necessarily speak to whether or not viewers liked the programs, as even though they were rating less serious subject matter lower, they were still watching and re-watching those programs more frequently than the more serious material.

Here’s the dilemma: The new thumbs up or down system doesn’t really leave any middle ground in terms of whether or not users like what they are watching. You either love it or you hate it, which makes this system less informative. Rating something 5 stars and 4 stars is vastly different to those of us who pay attention to ratings like that, but with the new system, they would both get the same thumbs up. Not to mention the fact that all of the suggested material users get on their suggestion feed is based on how they rate the material they watch. Never fear, though, because users will now get suggested material based on a percentage of how compatible it is with their individual tastes. This indicates that the system relies more on user behavior, than what the users are purposefully indicating with ratings. Content that lines up with what users have shown to be their preferences via their pattern of viewing, will display percentage based compatibility. Netflix will be the new Tinder of entertainment.

While there are some advantages with the new change, what with the fact that the star rating system is less reliable when people don’t take it seriously, we all know that adjusting to a change in a system that’s been in place since the dawn of time-or on demand viewing material-will be a little taxing for those of us set in our five star ways. Regardless of whether we like it or not, it’s happenin’ people. We better not be seeing any #NotMyNetflix posts.

 

How do you feel about the switch? Will you rate more or less? Let us know in the comments.

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Latest ‘Logan’ TV Spot Taunts ‘Beauty and the Beast’

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The latest TV spot for Fox’s Logan features a not-so-playful dig at Beauty and the Beast, which hits theaters this weekend.

Will you be checking out Logan again this weekend, or are you choosing Beauty and the Beast instead? Comment below!

Plot synopsis: “In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan’s attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.”

Logan stars Hugh Jackman as Wolverine/ Logan, Patrick Stewart as Charles Xavier, Dafnee Keen as Laura Kinney/X-23, Boyd Holbrook as Donald Pierce, Doris Morgado as Maria, Richard E. Grant as Dr. Zander Rice, Stephen Merchant as Caliban, Elizabeth Rodriguez as Gabriela, and others.

The film is in theaters now. 

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New ‘Transformers: The Last Knight’ Trailer Drops Online

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Isabela Moner, who plays Izabella in Transformers: The Last Knight, has unveiled a new trailer for the film. It was originally posted via her social media, then re-uploaded by Movieclips Trailers on Youtube.

What are your thoughts on the new trailer? Comment below!

“The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Sir Anthony Hopkins); and an Oxford Professor (Laura Haddock).

 

There comes a moment in everyone’s life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours.”

The next chapter in Michael Bay’s Transformers franchise hits theaters on June 23, 2017.

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Felicia Day Reveals First Look At Herself And Patton Oswalt In ‘Mystery Science Theater 3000’

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Comedian, author, actor and all-around geek bad-ass Felicia Day has tweeted the first look at herself and Patton Oswalt in the upcoming Netflix reboot of Mystery Science Theater 3000. Check it out below.

Day and Oswalt will be the series new mad scientists, and both of will be connected to the original series. Day is playing Kinga Forrester, daughter of original chief mad scientist Clayton Forrester (Trace Beaulieu). Oswalt will be playing her assistant, TV’s Son of TV’s Frank (love THAT!), a descendant of Frank Conniff’s original role. Oswalt, a comedian, actor and author as well, has most recently had reoccurring roles on Marvel’s Agents of S.H.I.E.L.D. as the fan-favorite Koenig brothers.

The duo will appear alongside Jonah Ray (co-host of The Nerdist Podcast), who will be playing the new host, Jonah Heston. Comedians Baron Vaughn and Hampton Yount will voice the beloved robots, Tom Servo and Crow, respectively.

I know the original MST3K is classic and untouchable, but the cast and folks involved with this are top notch talent. Felicia Day’s book, You’re Never Weird On The Internet, is a seriously great memoir, and she is just an all around treasure in the world of geek and pop culture.

Patton Oswalt, too, is fantastic. He has written two amazing books, Zombie Spaceship Wasteland and Silver Screen Fiend. And of course there’s his numerous roles, stand-up specials, and this one particular bit here:

If that doesn’t convince you he is the perfect movie geek and primed for this project that I don’t know what will.

What do you guys think? Will this MST3K revival be at least as good as the original? Comment and discuss below.

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