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Movie Reviews
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XXX: Return of Xander Cage and Art as America’s Remedy
Curtis Waugh
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No Man’s Land: National Theatre Live’s Encore Screening – A Review
Michael Bedford
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REVIEW: ‘Batman: Return of the Caped Crusaders’ dials up sly, campy fun
Felix Albuerne
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‘Split’ Review: Does M. Night Shyamalan Still Have What It Takes?
EJ Moreno
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REVIEW: ‘The Founder’ serves up celebration of persistence
Felix Albuerne
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REVIEW: ‘Come and Find Me’ Can’t Find Itself
Larry Taylor - Managing Editor
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Review: ‘Bye Bye Man’ Why The Hell Was This Even Released
Dewey Singleton - Film Critic
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Ben Affleck’s ‘Live By Night’ Is Dead On Arrival
Will Ashton
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‘The Bye Bye Man’ Review: 2017 Horror Is Off To A Rocky Start
EJ Moreno
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Review: ‘Silence’ An Uplifting Look At The Power Of Faith And Suffering
Dewey Singleton - Film Critic
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REVIEW: ‘Silence’ belongs among Scorsese’s masterworks
Felix Albuerne
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Review: ‘A Monster Calls’ A Fascinating Film About How Children Cope
Dewey Singleton - Film Critic
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Review: ‘Hidden Figures’ Octavia Spencer Soars In A Film With Tremendous Heart
Dewey Singleton - Film Critic
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REVIEW: ‘Hidden Figures’ soars to inspiring heights
Felix Albuerne
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REVIEW: ‘Assassin’s Creed’ misses mark for all but game’s fans
Felix Albuerne
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REVIEW: ‘Passengers’ captivates at first, falters in final act
Felix Albuerne
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Episode 105: The Best, Worst, And Deep Tracks From 2016
Matthew Sardo
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The UnPOP Podcast Discusses Why Rogue One Is a Return to Form
Curtis Waugh
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Review ‘Lion’ A Tale Told With Joyful Tones With Splashes of Sorrow
Dewey Singleton - Film Critic
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Review: Stop What You’re Doing And Watch ‘The Autopsy of Jane Doe’
EJ Moreno
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