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Review: Chaos, Resumes, and Social Media in MARVEL ACTION: CAPTAIN MARVEL #1
Cat Wyatt
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FEAR CASE #2: The Anticipation That Comes From Intrigue
Jake Palermo
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DEAD DOG’S BITE #1: A Dramedy Of Twilight Tones
Jake Palermo
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Review: INFINITE FRONTIER #0 Is Full of Excitement and Promise!
Jose "Jody" Cardona
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Review: The Aliens Arrive Early In TRANSFORMERS: BEAST WARS #2
Anthony Wendel
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MAN-BAT #2: Keeping Things In Episodic Fashion
Jake Palermo
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Review: Old Evils Come Home In THE DREAMING: THE WAKING HOURS #8
Justin Munday
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5-Page Preview: THE EXPANSE #4 From BOOM! Studios
Matthew Sardo
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Review: THE SWAMP THING #1… Now THAT’S How You Start a Series!
Zac Owens
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Review: SUICIDE SQUAD #1 Goes Back to Basics
Zac Owens
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Review: BREAKLANDS VOL 1: THE CHASE is a Once in a Decade Work!
Jonathan Brown
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WANDAVISION – Previously On | TV Review
Kieran Freemantle
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Interview: Paul Carroll Talks TURNING ROADS, Modern Retellings Of Irish Mythology
Anthony Composto - EIC
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Review: THE AMAZING SPIDER-MAN #60 – A Window Into Peter’s Emotional Turmoil
David Weber
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AMERICA CHAVEZ #1: Family First, Powers Second
Jake Palermo
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Why Is Veronica “Roulette” Sinclair Such An Appealing Villainess?
Don Draper
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DEMON DAYS X-MEN: A Floating World Of Marvel’s Heroes
Jake Palermo
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BLOODSHOT #11: Artist Pedro Andreo and Editor Lysa Hawkins Discuss The Political Timeliness
Matthew Sardo
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Review: THE VIGIL Mixes Fresh Premise With Horror Clichés
Eric Trigg
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Review: On the Backs of Monsters In TAARNA: THE LAST TAARAKIAN #3
Justin Munday
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