Home Blog Page 984

REVIEW: ‘The Walking Dead’ Season 7 Finale [SPOILERS]

Monkeys Fighting Robots

It seems like every review of The Walking Dead this season has started the same way. Each episode seemed to tease at a conflict, promising that one day, the group would get justice. Instead, “The First Day Of The Rest Of Your Lives” gave us nothing. Don’t confuse the fight sequence with any sort of real resolution. The Walking Dead used its season finale to cover ground that should’ve been tread half a season ago.

Very little character evolution came from this episode. No deaths or changes came that made it feel like a book-ended season. Once Sasha died, it became clear that was the only death we could expect. Maggie taking over the Hilltop did not feel triumphant, but more born out of the convenience of Gregory’s departure. There was NO WAY Michonne or Carl were gonna die – not with that cliffhanger & build-up. The one thing that Glenn/Abraham’s death had was the surprise factor (to a certain degree). The tiger hopping on a nameless henchman should’ve been a death for Simon or Dwight, not a nameless Savior.

The Walking Dead

Bringing together three of the colonies didn’t provide a lot of exciting resolution. This union has been teased for months, so it feels more overdue than triumphant. It’s great that they combined forces to chase away the Saviors, but that’s it. The Quiet People (is that their name?) turning on them was exciting, but did not actually change the course of the episode. The fact that no Oceansiders joined the fray proved how insignificant Tara’s solo plotline was.

The death of Sasha was an interesting change, but poorly executed. The timeline shifts were more confusing than exciting, just because the added insight wasn’t that interesting. Additionally, the jumps into her dream conversation with Abraham were awfully forced. The reveal was definitely enthralling, and kicked off the battle in an unexpected way. However, Sasha’s death did not provide enough excitement for the finale. If anything, The Walking Dead only proved people can still become zombies

The Walking Dead

Negan gave The Walking Dead an opportunity to rest on its laurels. He was a great antagonist for the series, but wasn’t enough to carry the plot. All Negan did was give the main characters something to be afraid of. They didn’t fight him until the very end, so he accomplished little as a villain. He said some scary things, but mostly he stuck to killing his OWN HENCHMEN. Negan was a frightening presence, but he was also an inactive force since the premiere.

Likewise, Dwight’s betrayal of the Saviors didn’t provide much action. The twist was only initiated because Dwight’s wife left him, and that was a while ago. Despite numerous chances to put a bullet in Negan’s head, Dwight’s only action was to write a message on a figurine. Heck, Eugene was probably more dangerous to Negan, simply because he has a longer history of being good. Not enough changed for either character to feel like lasting, impactful change.

The voiceover at the end is unbelievably cheesy – as has all the voiceovers been this season. It doesn’t trick viewers into thinking any actual resolution came out of the finale. Yes, they had a victory – but now, it’s “WAR.” So what was the point of this season? That there had to be a war? That was evident since the premiere. This season has just been the repetition of Negan being bad, and the gang realizing they have to fight back. It’s pointless, and reaffirms how little has happened this season.

The Walking Dead

It’s too reminiscent of the Season 3 finale – NO VILLAINS DIED. “Villains” isn’t referring to the nameless Saviors who got shot in this context, but the actual antagonists we’ve seen this season. Negan had already been confirmed for Season 8, so the fact he lived wasn’t surprising. But they couldn’t even kill Simon or Dwight? The Governor surviving until halfway through Season 4 was aggravating for many fans, as there was a lack of resolution for too long. Now, Season 7 has set up the same failed conflict. It definitely doesn’t feel like a season-ending victory. It feels like a battle we should have gotten months ago.

At the end of the day, The Walking Dead didn’t have anywhere to go, and thought they could fool viewers. The only thing about this season that was exciting was Negan, but Negan can only do so much. This season had very little substantive action or character development. It wasn’t a terrible season, but it was an action-less season. There’s next to nothing to connect with, and perhaps the show will be better put together next year. But Season 7 ended with the closest thing it could to a bang. The season, as a whole, was nothing but a whimper.

(Also, does anyone care that Heath is gone? Because no one seems concerned that he’s gone. He didn’t do much, but the fact no one cares has gotta be a bummer for that actor).

Be sure to check out last week’s The Walking Dead review if you haven’t!

Monkeys Fighting Robots Youtube

‘Five Came Back’ A Netflix Documentary About Patriots, Propagandists, And Artists

Monkeys Fighting Robots

In 1939, the second world war, and the largest war this world has ever seen broke out across Europe. The Allied powers of the United States and the United Kingdom, along with Russia, faced off against Japan and the massive German war machine. Millions died, and global powers forever altered. You could say it was the real-life equivalent of the Battle for Middle-Earth. In the Netflix documentary, Five Came Back, the lens looking at this time in history is turned on five Hollywood directors who became entwined with the war effort — for better and worse.


“If you make a film that has something to say. Entertaining, of course, is the main purpose of it. But if film can contribute something to the social conscious of your time, then it becomes a source of great satisfaction.” – William Wyler


The United States didn’t enter the war until 1941 when Japan bombed Pearl Harbor. The public was not interested in another conflict. Everyone was happily distracted by a rising new art form — the cinema. Frank Capra, William Wyler, John Huston, John Ford, and George Stevens were the first wave of great Hollywood directors. During the 30s, these five filmmakers were only just beginning their journey towards creating classics.

Five Came Back takes a look at a time in history when movies were forged by war. Each director used their skills as storytellers on presenting the war to the public. Their paths along the way were wildly different, their motivations swayed by a duty to their country and their integrity. Producers often forced their hand, steering them into propaganda because it’s what sold tickets.

Each director’s journey chronicled by a contemporary equivalent playing narrator. The pairings, like Del Toro speaking about Frank Capra, don’t seem logical at first. The choices aren’t aimed at matching filmographies but matching cinematic philosophies. Capra’s work, like It’s a Wonderful Life, often looks at humanity through a fantastical lens. Del Toro does the same only combining it with a love of monsters.

Other pairings include Steven Spielberg speaking about William Wyler, the three-time Oscar winner behind classics such as Mrs. Miniver (1942) and The Best Years Of Our Lives (1946). Francis Ford Coppola takes care of John Huston’s story. Paul Greengrass handles John Ford and Lawrence Kasdan intones about George Stevens. President Trump’s absolute favorite actress, Meryl Streep, narrates large sections of the doc.

war-film-netflix

Five Came back on Netflix is a powerful reminder: “Not everybody trusts paintings but people believe photographs.” – Ansel Adams

Five Came Back is based on a book by Mark Harris. As a documentary series with three parts, the in-depth research of Harris’ book comes alive with clips of the films created by Capra, Huston, and the rest. The Netflix doc features some awe-inspiring, and often familiar, footage created by these filmmakers. While the book creates a vivid picture of the time and place, the actual footage only elevates the source material.

The combination of the book’s research, audio, and video makes Five Came Back something special to watch. Listening to Capra explain his logic en route to creating Why We Fight: Prelude to War is captivating. Capra’s re-thinking of propaganda, through the eyes of the underdog, changed the way people in the U.S. looked at Germany — the Goliath antagonist.

Five Came Back is a fantastic Netflix documentary series. The film benefits from being about (legendary) filmmakers, offering incredible visuals like few other docs. For fans of film history or classic movies, it’s a journey into a little-known story about some of the greatest directors in Hollywood history; patriots, propagandists, and artists.

Monkeys Fighting Robots Youtube

Snyder And Capullo Return For ‘Dark Nights: METAL’

Monkeys Fighting Robots

The dream team of Batman stories will be getting the band back together and they plan to rock. Writer Scott Snyder and artist Greg Capullo will be reuniting for a new story line entitled Dark Nights: METAL. The event will have repercussions touching many titles in the current DC Universe and seems to be the first major event since Rebirth.

Snyder and Capullo garnished phenomenal praise from their multiple Batman stories including Court of Owls and Death of The Family. The initial press release has limited details about what will happen in the new event, but insists the story will push characters far beyond what they have experienced. This is the same vein as how the recent issues since Rebirth have been attempting to challenge the heroes in what they face. In many cases, the company has been extremely successful in their new direction.

Aiding the pair in this endeavor is Jim Lee and Dan Didio. Considering everyone working on it and Snyder insisting it was the saga he always wanted to tell, fans have a lot to look forward to this summer. The first issue will be released August 2017.

What do you think about Snyder and Capullo reuniting for a new event? Leave a comment below and let us know.

Monkeys Fighting Robots Youtube

The Justice League Movies Should Unify the DC Extended Universe

Monkeys Fighting Robots

The Justice League has always been some of the best the DC Extended Universe has to offer in all media formats. This is due to the potential stories that can be told. As DC has produced, I have endeavored to ingest as much as I can from movies to television, comics to video games. This leads to the concept that the DC universe as it exists in all its forms is a mess. That’s ok though, it’s a fixable mess.

In Theaters Near You

DC Extended Universe

So in the movies, with Man of Steel, Batman v Superman, and Suicide Squad we are at Injustice Gods Among Us DEFCON five, with a side car of The Death of Superman stage. It surges with hints of The Dark Knight and more modern origin tales for our crew leads to a spliced together amalgamation that is rather slick when viewed purely yet fully informed in Batman v Superman. This is where I plug my coming line of “I stand with EJ!” shirts.

On the Boom Tube

CW DC Universe

On television with the DC series quad of The Flash, Arrow, Legends of Tomorrow, and Supergirl on the CW we are still suffering the consequences of Flashpoint. With the next in line of video game offerings we are well into the evil a scorned Superman can wreak with Injustice 2. All that’s missing is the full zombie out of Blackest Night. As the world awaits the next release for the Injustice line slated for mid-May of this year, the Justice League movie hype is just beginning to truly percolate.  All the while Wonder Woman teases us with the potential of what could be waiting.

Within the toil of what will become of the DC Extended Universe after this very crucial year of media fresh from the fallout of last year, I think back to how Marvel handled a very pivotal story arc.  What could’ve been a disaster as the fallout of Captain America’s The Winter Soldier hit the MCU instead became legend for how to build stories to flow together like chapters of a novel. Somehow they executed such a collaboration of movies and television that they melded into lore brilliance. Selfishly I want the same for the DCEU.

Practical Mechanics

So some quick fixes that can begin to bridge these stories are simple. Every week for months DC is missing its opportunities to refine the television canon to fill in story gaps left by movies. This was demonstrated almost effortlessly in Agents of Shield and Agent Carter when the big reveal of all that was Hydra was unveiled.  The fascinating aspect about this is not in the event or even the timing. It is in the experience of creating a unifying world changing event. Create a starting point for DCEU fans to shoot from.

CW Strong

Heroes v Aliens

The CW has already demonstrated that they can get on board. With the creation of Flashpoint, the episodes involved created a new jump off point that enabled changes to character narratives without much explanation. Then came the Earth hopping in the 4 episode crossover event, “Heroes vs. Aliens”, back in December where they tested the potential cohesion for a comprehensive enticing symmetry. A symmetry that paid off in red hot ratings.

Video Games

Injustice 2

Not to be ignored is none television or movie based content. This includes the use of video game storylines. There is not much in the world more engaging than playing your comic book. Specifically playing the story. Not just playing the characters but treating a simple fighting game as an interactive DC animated movie. This would give DC a decided edge on their Marvel counterparts.

The truly fascinating aspect of Zack Snyder’s Batman V Superman was the melding. Within that film is an entertainment Rosetta. For someone like myself that has consumed too much of all of it, it was like watching the acid trip that lives in my mind in Picasso’s dark period. The end result is an experience that is much more fulfilling than all of what came separately.  Injustice 2 ideally would supply some more movie plot points for the coming Justice League movies.  Teach the fan base to prepare for DC movies by playing the games much like Marvel fans are conditioned to wait beyond credits for that final teaser scene.

The Multiverse Cometh

Infinite Crisis

Lastly respect the universe build. Enjoy the chaos inherit in multiverses and infinite crises. There is no comic universe better prepared to bring itself together under one unifying event like DC. There is no team in the history of comics as ready to explode with creative manna like the Justice League. Oh, the mentioning of Crisis on Infinite Earths is just a coincidence. Cough, Trinity. Here’s to hoping DC can bring us all home.

What aspects of the DC extended universe would you alter or change?

Monkeys Fighting Robots Youtube

Barker’s Back: Reliving Hellraiser (1987)

Monkeys Fighting Robots

Clive Barker has announced that he will be releasing a new Hellraiser Anthology comic series. According to Barker the book will feature 11 short stories each adding to the mythos of Hellraiser. With this in mind it felt like it was time to revisit and recap the iconic movie series. Spanning 30 years and encompassing books, comics and a diverse and problematic movie series Hellraiser is a horror like no other.

Hellraiser – 1987

Beware – Spoilers and Sarcasm Below

Based on the novella “The Hellbound Heart”  by Clive Barker this is where it all began. The ongoing and divisive series now tallies eight sequels. Released in 1987, Hellraiser tells the tale of Frank and Julia’s love affair. Which happens to involve skinning people alive, leather clad demons and some of the best 80’s hair ever caught on film.

“What’s your pleasure, sir?”

The movie opens in a shady chinese shop and the audience is introduced to the main antagonist Frank (Sean Chapman). After a short amount of dialogue he’s passed a box and promised delights beyond imagining. Cut to Frank, surrounded by candles and playing with his box. He does something right as the puzzle begins to move on its own before chains come flying out of the darkness, attach themselves to Frank and drag him to hell.

“It’s Better Than Brooklyn” 

Cut back to “America” (the movie was shot in London, which is apparent upon watching, but the studio New World felt that it would be more marketable if it was set in America. They just avoid mentioning which state.) We are introduced to Larry (Andrew Robinson) and his constantly unimpressed looking wife Julia (Clare Higgins). They walk around a dusty home while Larry talks about his disgusting brother Frank. Who used to live here but is currently missing.  It’s established quite quickly that Larry doesn’t like Frank. Frank Likes money and sex. Julia likes Frank. There’s also mention of Larry’s daughter Kirsty (Ashley Laurence). Kirsty doesn’t like Julia. Julia seems to not be overly concerned about Kirsty.  

“Come To Daddy”

Upon moving into the house the audience is simultaneously treated to the worst home delivery team and a very strange sex flashback. It’s established that Julia and Frank did the nasty in the past. Larry cut’s his hand on the most obvious nail in the world and bleeds all over Julia’s new attic floor. She’s not impressed. This blood however brings Frank back from where-ever he’s been hiding.

“Come here, damn you, I want to touch you.”

Enlisting Julia’s help Frank begins the process of building himself back up from gore covered crawling thing to gore covered standing thing. This process involves Julia luring men to her attic (not a euphemism) where she proceeds to kill them and feed them to Frank. Each kill makes him stronger and provides him with more strength.

“I’m a bit worried about her”

Frank begins to grow greedy and concerned about his lack of skin. Julia seems to have second doubts about all the murder she’s been committing. While Larry (who is still oblivious to the fact that his skinless brother is living, rent free, in the attic) confides in Kirsty that he’s concerned about Julia’s behavior. In an effort to get to like her stepmother, she offers to go round and see if there’s anything she can help with.

“It’s Just A Box”

However upon arriving at Casa Del Murder, she witness’s Julia luring a strange man into the house. She instantly decides that her stepmother is having an affair and goes in to catch her in the act. Working her way upstairs to the attic, she is instead confronted by a bloated half eaten corpse.  Julia looks shocked and appalled at what is going on and Uncle Frank is just happy to have his family back. Kirsty delivers a master class in screaming and hysteria before grabbing a strange box and fleeing the house.

“You Opened It. We Came”

At what can only be described as the rudest hospital in all of America/England, Kirsty wakes to find herself weak and disoriented but still in possession of the box. As curiosity gets the better of her she works to figure out the puzzle. When she succeeds, a passage opens in the hospital wall. Naturally the plucky heroine goes down the dark, creep corridor and is confronted by a monstrosity that chases her back to her hospital room. The lighting changes, smoke billows from the walls and the audience is finally introduced to the cenobites. This is the first full appearance of Priest, Priestess, Chatterbox and Butterball.

“Demons To Some. Angels To Others”

After explaining that she had made a mistake and that she doesn’t want to go to hell Kirsty strikes a deal with the demons. She will return Uncle Frank to them in exchange for her soul and safety. Reluctantly they agree after threatening Kirsty’s soul if she fails to deliver. Wasting no time she returns home to find her father and Julia. Hysterical that her step-mother has been in cahoots with her skinless uncle Frank, Kirsty begs her father to leave the house. He calmly informs her that he knows Julia’s been murdering people in the attic and feeding Frank. He seems strangely calm about the situation and has dealt with the problem by killing the monster in the attic. Demanding to see for herself, Kirsty goes upstairs to find a steaming, skinless body lying on the floor.

“We Had To Hear It From Your Own Lips”

The cenobites appear and demand the man who committed this atrocity. Kirsty screams more and tries to explain that her father was only doing what he thought was the right thing before slowing coming to realize that man wearing her fathers skin isn’t in fact her father. Despite his repeatedly telling her to “Come to daddy.”

“Jesus Wept”

A fight breaks out in the small house, Kirsty scratched the skin off Franks face. He retaliate’s and stabs Julia then drains her life force. Kirsty leads him to the attic of doom where the cenobites await. After confessing to his sin’s Frank is attacked by hooked chains, curses and is promptly pulled to pieces. Shocking nobody the cenobites turn their attention to Kirsty and decide that she should join them in hell.


“We’ll Tear Your Soul Apart!” 

Screaming she manages to work her way through the house to find Julia’s corpse chained the bed holding the puzzle box. After quickly figuring out how to use the mystical device Kirsty proceeds to zap the four horrors back to where they came from.  With her boyfriend’s sudden appearance the two flee the house to safety.

The End?

Having had enough of the box and the trauma its brought with it, Kirsty throw it into a burning pyre. Out of nowhere a homeless man appears. He takes the box from the flames, turns into a winged monster and flies off with it. Kirsty looks shaken. Her boyfriend looks confused. We return to the same chinese vendor from the opening of the movie as he manages to sell the box to a new unsuspecting victim.

Overall Verdict

Although it was made in the late 80’s the original has managed to stand the test of time. While special effects have moved on, there is something classic about the gore present in the movie. The make up effects on the cenobites and skinless Frank are still as effective an uncomfortable  now as they were at the time. This movie is responsible for the birth of one of most icon villains of all time – Pinhead. The visuals and tone of the movie are claustrophobic and tense. A theme common for the Hellraiser Series. The acting comes across a touch wooden and outdated but the audience can still connect with the characters.

Barkers directorial debut manages to convey horror and builds tension well through the movie. The characters are interesting and it’s always refreshing to have a strong female hero. Kirsty manages to survive the four cenobite assault, her skinless uncle and a wicked step mother with a penchant for attacking strange men with a hammer. She will go on to feature heavily in comics whilst being absent from a number of sequels.

Score
With this being the first movie in the series and important for setting the tone and introducing the  characters Hellraiser is awarded 5 out 5 Pinheads.

Important Mythos to the Series

The Puzzle Box – this is a constant feature through every aspect of the Hellrasier franchise. It appears to be the only way to summon/banish the cenobites.

The Cenobites – although they take multiple forms, The Priest (he’s not yet named Pinhead) and Priestess are key characters to the universe. Other cenobites join their ranks through the multitude of sequels, but never manage to take the top spot.

Hell – Kirsty’s brief journey down the corridor of doom is a brief glimpse at a world outside our own. Something that is explored in later movies.

Kirsty Cotton – a key figure in the legacy of Hellraiser. She will go on to appear in future films and be a large figure in the Boom Comics Series.

Monkeys Fighting Robots Youtube

Gary Oldman Talks J.K. Simmons As Commissioner Gordon

Monkeys Fighting Robots

While attending Cinemacon, Comicbook.com caught up with Gary Oldman and got his thoughts on J.K. Simmons playing the role of Commissioner Gordon in the DC Extended Universe.

“J.K. Simmons doesn’t need any advice from me. He’s a wonderful actor. I’m intrigued to see what he does with it. I’m looking forward to it. Gordon was very good to me so I wish him a lot of luck. I’m excited for him.”

Oldman portrayed Gordon in the Dark Knight trilogy, and did an incredible job. His character was an integral part of that series; the performances were top notch through all three films.

Are you looking forward to seeing Simmons as Gordon? Either way, comment below and let us know your thoughts!

Justice League, Simmons’ first appearance in the role, releases on November 17, 2017.

“Fueled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman, Cyborg and the Flash — it may be too late to save the planet from an assault of catastrophic proportions.”

Monkeys Fighting Robots Youtube

The Latest Trailer for ‘The Mummy’ Does Not Instill Confidence

Monkeys Fighting Robots

The Mummy, Universal’s shared monster universe kickoff movie, just got a second trailer. And if you were less-than-excited after seeing the first one, I can’t imagine this one will help.

Here you go:

An ancient princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.

My personal list of concerns is substantial. Like, what is this movie? It’s definitely heavy on action and adventure, you know, like the other Mummy reboot we got in the late 90s. But does it shift to horror somewhere along the way?

Also, what exactly is happening here? This is either a plot too convoluted to explain confidently in a trailer, or Alex Kurtzman and the brain trust behind the Universal shared universe just remade X:Men Apocalypse or something. Perhaps Russell Crowe, who pops up here as Dr. Jekyll, can balance things out. His part felt more subdued, more ominous, less concerned with all that running and stunt work.

Which I personally love. Tom Cruise doing his thing is fun as hell. But can’t we just try something different here? Something with, you know, horror infused? I knew this new Universal universe was going to lean towards action, and that felt like a bad call even when it was announced. This has all the stink on it of a failed summer blockbuster.

Who knows… maybe Cruise and Sofia Botella, who plays Ahmanet the mummy, can make The Mummy work. It opens June 9.

Monkeys Fighting Robots Youtube

Teaser Trailer Unveiled For ‘Preacher’ Season Two

Monkeys Fighting Robots

It’s back, folks. The first teaser trailer for season two of Preacher has been dropped online. Watch it below.

https://www.youtube.com/watch?v=ziF6gvIGC3g

“Preacher follows a West Texas preacher named Jesse Custer (Dominic Cooper), who is inhabited by the renegade spawn of an angel and demon and gains the power to control people with just a word. The series’ second season returns this summer and follows Jesse, his badass ex-girlfriend Tulip (Ruth Negga) and an Irish vampire named Cassidy (Joseph Gilgun) as they embark on a road trip to find God, dealing with issues both worldly and other-worldly along the way.”

Are you looking forward to season two of Preacher? Why or why not? Comment below, let us know!

Season one of the show premiered on May 22, 2016, and was then ordered for the upcoming second season, which starts on June 25 at 9 p.m. on AMC.

Monkeys Fighting Robots Youtube

DC on CW: Week in Review – ‘Flash’ Has His Worst Week Yet

Monkeys Fighting Robots

This series will be a brief, semi-comedic review of the CW superhero shows. You can check out last week’s review post here, or see the tally of winners below. The only shows discussed will be ‘Arrow’, ‘Flash’, and ‘Supergirl’. There WILL be some spoilers discussed, so only look at the reviews you’re up to date on!

Supergirl, “Distant Sun” (Mar 27)

Supergirl
“Kevin Smith let me live because I’m not a Jesus freak”

Mon-El is becoming a bit of a bore. While his romance plot with Kara’s a bit stale, seeing Supergirl fighting alien mercenaries is great. The parent dynamic is pretty great, and it makes for a nice twist when they betray each other. Alex’s relationship often dominates episodes directed by Kevin Smith. This episode used it more sparingly, which meant it avoided too many cliches. We were saddled with an obnoxious “kindness in your heart” speech from Kara, but all things considered, that’s a small price to pay.

SCORE: 8/10 Kryptonite daggers that should’ve worked on Martian Manhunter because they’re still, y’know, DAGGERS

The Flash, “Abra Kadabra” (Mar 28)

Flash
He needs to get back to the future… but how’d he end up in the past in the first place?

This episode was like a poorly written cop/medical drama, rehashing many of Flash’s blandest plot points. Abra Kadabra is an overpowered one-off villain, who accomplishes nothing new for the show. The reveal of Gypsy’s former partner was horribly cliche, and Cisco being mad Gypsy had an ex is super unfair. All those shots of people sitting alone, being moody, were incredibly cringey. And HOW MANY TIMES IS BARRY GONNA TIME TRAVEL? TIME TRAVEL NEVER WORKS! AND CAITLIN REALLY DIES ON THE WORD “DIE?” ALL OF IT IS THE WORST!!!

SCORE: 3/10 Time Machines

Arrow, “Disbanded” (Mar 29)

Arrow
Ollie’s exact moral code has never been super clear

Chase’s mind games continue to be exciting to watch. Mopey Oliver is nothing new for Arrow, but the way it galvanizes his teammates is great. Anatoly has become one of the most interesting characters on Arrow. The change in their dynamic, five years apart, is brilliant. The Helix Hipster Hacker squad isn’t all that interesting, but Felicity in action is fun. It’s also nice to see the relationship between Oliver and Diggle take priority. Even though it’s the same morality argument from every other season, the way it ropes back to earlier this season is nice. Most notably, the fact Oliver wouldn’t even let the team keep their suits is hilarious.

SCORE: 7.5/10 Diabetes Meds

WEEKLY WIN TALLY:

Arrow: 7 Weeks

Supergirl: 7 Weeks

The Flash: 4 Week

What show did you think won the week? Does Legends of Tomorrow take your vote? Do you think A.o.S. or Gotham outshines all the CW shows? Let us know in the comments below!

Monkeys Fighting Robots Youtube

Five Favourite Gag-A-Day Nerd Comics

Monkeys Fighting Robots

Do you ever miss getting the newspaper and stealing the gag-a-day comics page before your parents could get to it? It’s one of those little joys that’s been lost with the disappearance of newspapers from most doorsteps.

However, the medium of ‘newspaper comics’ hasn’t vanished. While plenty of webcomics tell soaring, intricate stories with beautiful art, just as many if not more are ‘gag-a-day’ webcomics. They publish self-contained strips, free of the rules of continuity and storytelling, and they’ve also evolved in another important way: they are impossibly nerdy. It’s not necessary to appeal to a broad audience anymore, not when the Internet guarantees access to the people who will get your esoteric jokes.

Below are five gag-a-day webcomics (not all of them daily) that make no apologies for their cynical satire, genius-level jokes, or blatantly obvious passions.

5. Science Nerd Comics: xkcd

xkcd, randall munroe, strip 790, nerd comics

Possibly the most famous ‘gag a day’ webcomic now online, xkcd by Randall Monroe has been running since 2005 and has been his full-time job since 2008. It describes itself as “a webcomic of romance, sarcasm, math, and language”, and is known for its rather sarcastic commentary on technology, mathematics, relationships and politics.

xkcd updates three times a week, and has barely developed in art style since 2005, mostly deliberately.

4. Philosophy Nerd Comics: Saturday Morning Breakfast Cereal

nerd comics, SMBC, saturday morning breakfast cereal

Drawn by Zach Weinersmith, Saturday Morning Breakfast Cereal, often shortened to SMBC, takes on a lot of the same topics as xkcd with a heavier dose of cynicism. Weinersmith glories in crossing the line with his humour, and he particularly has it out for economists.

SMBC updates daily, and Weinersmith also runs SMBC Theater on Youtube.

3. Political Nerd Comics: Scenes From A Multiverse

scenes from a multiverse, jonathan rosenberg, nerd comics

Scenes from a Multiverse is Jonathan Rosenberg’s trippy multiverse gag-a-day comic, running since 2010. Every comic takes place in a different universe, as posited by the multiverse theory where any universe is possible. It technically does develop some continuity later on, but the ‘final destinations’ are decided by reader vote.

As any good satirist should, Rosenberg uses the settings of his comic for political and social commentary, especially around anti-science movements. Recently, he’s given up whatever subtlety he had in favour of more pointed jabs.

Scenes from a Multiverse updates Monday-Wednesday-Friday.

2. Historical Nerd Comics: Hark! A Vagrant

hark a vagrant, kate beaton, nerd comics

Drawn by Kate Beaton and updated whenever she has an idea, Hark! A Vagrant is an assortment of esoteric pop culture and history jokes. Hark! A Vagrant is especially well known for the Strong Female Characters, her personal take on underwritten female characters in movies and television.

Hark! A Vagrant is currently on hiatus while Kate Beaton works on a book. Not everybody can multitask, as she cheerfully admits.

1. Pop Culture Nerd Comics: Rock Paper Cynic

rock paper cynic

Rock, Paper, Cynic is the brainchild of Peter Chiykowski, who describes it as “a comic for people who think too much and too little”. His comics usually poke fun at love, pop culture, and technical trouble.

Peter Chiykowski has also released an album of his own nerdy songs called ‘Borken Telephone‘, featuring songs like ‘I Don’t Need You (I’ve Got Netflix)’, and ‘One Shell, Two Shell, Red Shell, Blue Shell’.

I believe practicing constructive cynicism helps us question things that make the world crappy and better appreciate things that make it pretty sweet. Also, sometimes I just like to make silly jokes about turtles.

-Peter Chiykowski

Do you follow any of these comics? Which ones are your favourites?

Monkeys Fighting Robots Youtube