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When Bruce Met Clark… The Luxury Cruise of Lying to Lois 65 Years Later

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Clark Kent and Bruce Wayne have been on a first name basis for decades now, but what amazing turn of events revealed Batman’s and Superman’s secret identities to each other? Going back 65 years to Superman #76, cover date May–June 1952, prepare yourself for a thrill-a-minute tale of when Bruce met Clark… on a luxury cruise?

When Bruce Met Clark… Unlikely Cabin Mates

Experiencing one of those brief moments when he’s temporarily rid Gotham of crime, Batman takes a vacation, deciding to go on a cruise aboard the luxury liner Varania. But, as fate and Superman writer Edmond Hamilton would have it, Bruce Wayne would not be the only crime-fighter aboard, for Clark Kent is also going on vacation aboard the very same ship. And to make things even trickier, Clark and Bruce must share a cabin.

bruce met clark
“Asbestos suit, huh? Man, I hate those!”

There’s no time to arrange other accommodations, though, as a thief dressed in an asbestos suit fires incendiary bullets at a gas truck. The resulting conflagration allows the thief to steal a diamond shipment from the pier’s customs office. And, of course, Lois Lane, who has come to see Clark off on his cruise, gets trapped in a ring of fire while trying to get a scoop.

When Bruce Met Clark… “What Light Through Yonder Porthole Breaks?”

Bruce and Clark both see the crime and the imperiled Lois from their shared cabin but are reluctant to change into their super-alter-egos in front of each other. Bruce, feigning exhaustion, offers to turn out the light so they can both turn in early. Clark similarly feigns tiredness, and both men use the cover of darkness to strip down to their super-skivvies.

bruce met clark
“Did you see my underpants?” “Everyone can see your underpants, and, by the way, I can see your bones.”

But, the light from the inferno on the pier comes through their cabin’s porthole, and both men learn the other’s alter-ego — yay! Both heroes agree to discuss this revelation after dealing with the truck and rescuing Lois. Superman grabs the truck and flies it a safe distance away while Batman saves Lois from becoming a flame-roasted reporter. Superman then returns, having welded the bullet holes shut with his heat vision, and blows out the remaining fire with water vapour from a cloud he inhaled … show-off.

When Bruce Met Clark… Cruise Buddies

The heroes organize a pier-wide manhunt for the diamond thief but are unable to find him. They determine that the thief must be aboard the Varania, but before continuing their search they agree to keep each other’s identity secret. And, so no one is able to determine their secret identities by looking at the passenger manifest, Batman and Superman book passage aboard the Varania as Batman and Superman. Ouch! Two tickets each.

A further twist of fate sees Lois Lane booking a last-minute ticket aboard the Varania as well, so in order to keep their identities secret from Lois the mighty partnership rush back to their cabin seconds before she comes to check on Clark.

Clark pretends he’s seasick and Bruce tells Lois he’ll look after the ailing reporter, providing both him and Clark with alibis. Lois has little sympathy for the perpetually wimpy Clark and, slamming the door as she leaves, goes off to find Superman and Batman.

When Bruce Met Clark… Super-Wingman

Realizing that the intrepid and persistent Lois will make it difficult for him to track a diamond thief, Superman, seeking to distract Lois, asks Batman to act as if he’s falling for her. Unfortunately, Lois overhears the entire exchange and, seeking to make Superman jealous, pretends she’s falling for Batman.

With Lois out of his hair, Superman does an x-ray vision sweep of the Varania. He notices a man carrying a concealed pistol, but is unable to find any diamonds aboard. Superman uses his x-ray vision to read the gun-toting man’s ID through his wallet. It identifies him as an electrical engineer named John Smilter, but when Batman questions Smilter he determines that the man is a fraud and no engineer at all. The heroes are relatively certain they’ve found their diamond thief, but without the diamonds they can’t be sure.

When Bruce Met Clark… The Macho-est Show on Earth

At Lois’s request, Batman and Superman take some time off from crime-fighting to put on a show for the passengers. During this show of agility and strength — Batman does some acrobatics and Superman juggles icebergs — Lois only has eyes for Batman. Superman admits that the “best man won,” and during this bit of romantic entanglement Smilter sabotages the Varania’s turbines, leaving the ship dead in the water.

After the show, the Varania’s captain relates the news of the ship’s mechanical issues to the ship’s super-passengers. Smilter takes this opportunity to lure Lois on deck and then takes her hostage as he tries to make his getaway in a waiting helicopter.

Superman and Batman make short work of Smilter’s getaway, Supes hurling Bats at the helicopter. Smilter refuses to shoot the caped crusader when Batman lands on the helicopter’s foot-rail, instead instructing the pilot to try to shake him off. But, the caped crusader makes his way inside and knocks the pilot and Smilter unconscious. Batman then flies the helicopter, with a very grateful Lois aboard, back to the Varania.

When Bruce Met Clark… The Diamond Bullet

During the wrap-up, the reader learns that Smilter hid the stolen diamonds inside the bullets loaded in his gun. Superman’s inability to see through lead made the bullets a good hiding place, but unfortunately for Smilter he couldn’t fire his gun at Batman when he needed to.

And, unfortunately for Bruce and Clark, Lois showing uncharacteristic insight realizes that Batman and Superman are never around when Bruce and Clark are. So, in an effort to keep Lois ignorant of their identities, Superman flies Batman back to Gotham. Batman makes an appearance fighting some crooks, and then Superman flies Batman back to the Varania.

The next morning, Lois reads of Batman’s exploits in Gotham the previous night and, since Bruce is sitting across the table from her enjoying some eggs and bacon, she figures Bruce must not be Batman. So, Batman’s identity appears to be safe, but what about Superman’s?

When Bruce Met Clark… Fattening Frogs for Robins

As Lois and Clark disembark the ship, Superman greets them. A confused Lois figures she must have been mistaken about both her companions’ identities, and, as Superman and Clark duck behind a couple of crates, Clark pulls his face off, revealing that he’s actually Bruce in disguise. Bruce does a quick change into his Batman duds, and the two heroes have a private conference.

In a final bit of comic relief, Batman and Superman decide to let Lois decide once and for all whom she prefers by asking her out to dinner on the same night. But, the early bird catches the worm, and Robin, who appears out of nowhere, wins a date with Lois instead. And, as creepy as that may seem since Robin is somehow still a child in 1952, keep in mind that he would have been 20 in 1952 if people aged regularly in comics.

When Bruce Met Clark… Final Thoughts

Allowing for anachronistic plot points — such as Batman taking a vacation, Lois’s surprising incompetence and childish temper, and Robin’s inexplicable appearance at the end of the story — this one is alright. It’s always fun when the real tension in a comic is the result of something aside from the crime-fighting element of its story, the outcome of which is basically a foregone conclusion — the heroes will win. And, although I often felt bad for Lois while reading this story, it’s fun to watch Batman and Superman squirm in an effort to keep their identities secret.

In addition to the plot, this is an interesting story in that it sets up devices that modern-day writers and artists of Batman and Superman tales still use, the most obvious example of this being Bruce Wayne’s Clark Kent disguise.

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Summertime Madness: Best Horror Films To Beat The Heat

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Summertime & Horror Go Hand In Hand

With temperatures rising around the country, many are finding solace inside their homes. Popping in a good horror film and having a thrilling time is the perfect way to beat the heat. Summertime horror is very specific with themes of outdoor adventures, beach time trouble, or vacation mayhem. These scorching genre pieces can range from gruesome to comedic for there’s something for everyone!

Below is a list of films that would make any hot day a little cooler.

Let me know your favorite on the list and comment below if you agree with my picks!

Honorable Mentions:
– ‘The Shallows’ (2016)
– ‘Motel Hell’ (1980)
– ‘Jeepers Creepers’ (2001)

10. Cabin Fever (2002)

– ‘Cabin Fever‘ makes for a great summer viewing. The film that launched Eli Roth’s career also became a massive cult classic. Replacing slasher and demons with a flesh-eating virus reinvented how scary cabin trips can be.

9. The Burning (1981)

– In the cluttered times of 80’s horror, it takes a lot for a slasher film to standout. That’s why ‘The Burning‘ is not only a great summertime horror but one of the best genre pieces. All it took was Harvey Weinstein and a scary pair of garden shears.

8. Hostel (2005)

– ‘Hostel‘ is a must-see before taking any vacation. The second Eli Roth film on the list might say something about how scary Roth thinks holidays are. Like ‘Cabin Fever‘, the pleasant idea of relaxation is crushed by some bloody torture.

7. Texas Chainsaw Massacre (1974)

– You can feel the heat radiating from the screen in ‘Texas Chainsaw Massacre‘. Filmed in the dead of summer in Texas, the heat drove the cast & crew mad during production but it led to an amazing piece that encapsulates summer and horror.

6. Tourist Trap (1979)

– Summertime leads to a lot of road trips and it can easily be a nightmare. ‘Tourist Trap‘ takes that emotion and adds a terrifying slasher. This predates an even more iconic summer slasher on this list and inspired films like ‘House of 1000 Corpses‘.

5. I Know What You Did Last Summer (1997)

– This has to make the list, it has summer in the name! Kidding aside, ‘I Know What You Did Last Summer‘ is one of the last slasher films that worked. Following ‘Scream‘ is difficult but the Fourth of July-set horror film holds its own.

4. Tucker & Dale Vs Evil (2010)

– The newest film on this list places so high because it keeps the idea of summertime horror alive. Tucker (Alan Tudyk) and Dale (Tyler Labine) just want to enjoy their vacation home in the woods but face the worst evil of all…college kids on summer break!

3. Sleepaway Camp (1983)

– There’s something special about ‘Sleepaway Camp‘. Not only did it pave the way for transgressive and shocking horror but it constantly battles ‘Friday The 13th‘ as the best summertime slasher. This is a film you have to see to believe!

2. Friday The 13th (1980)

– While 1978’s ‘Halloween‘ made fall the perfect season for horror, ‘Friday The 13th‘ made an argument for summertime horror. The slasher film could’ve relied solely on the titular holiday but it went further with the summer camp setting.

1. Jaws (1975)

– There is no other film that sums up summertime horror more than ‘Jaws‘. Steven Speilberg’s early masterpiece single-handled coined the term “summer blockbuster“. Most of the films on this list wouldn’t exist without the shark epic.

‘Youngblood’ #1: Rob Liefeld’s Creation Returns to Life Once More!

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Youngblood has been a series that’s been through a lot of relaunches over the years. As one of the first books from Image Comics, Rob Liefeld’s Youngblood has a storied history. Now Youngblood is back with a new #1 and a new creative team to boot. The toughest part about Youngblood is that creative teams have come and gone many times on this series. With every revival there has always been a relatively fast disappearance of the team and title in some weird fashion. The ultimate question is will this be the team to stick around for the long haul? Now it is time to find out what this new creative lineup has in store for us. Truth be told, I’ve been curious about this myself. Time to revisit Youngblood once more with a new #1!

Youngblood has always been a team I’ve been rooting for. It’s been through a lot of weird stuff, but I find myself optimistic this time around.

Youngblood #1 Image Comics Cover

Now you may wonder, why am I optimistic? Chad Bowers has been so enthusiastic about this in interviews and so on, I can’t help but share in it. For one thing, it’s friendly to new and old readers alike. If you are totally new to Youngblood, for the most part you’ll be fine. It takes a minute to know some of the characters, but by the end, you will be loving it. Bowers goes out of his way to ease you into the world of Youngblood. While it did take me time to get into this, after the intro I found myself strapped in for the ride. The new characters introduced are engaging and connect to the old characters well. I am going to break this down a bit to show you all why this works.

Youngblood #1 Help! App

Special notice of one major plus of Youngblood, the Help! app.

I have to say the Help! app opens up a lot of interesting concepts from the get go. A superhero hiring app that lets you rate your experience and more with the hero is a cool idea. I’m a fan of how it is used as a storytelling element, especially as to how Youngblood gets involved in the first place. Chad Bowers has opened up infinite possibilities here with this app alone. Considering storytelling elements hint towards more involvement with Help! down the line, which intrigues me. How did this app come about and why has it made such an impact will be interesting to see as this series rolls on. There are some great characters coming out of the Help! app concept and I can’t wait to see more of them.

Now we have new characters introduced with nods to old ones. Yet what about the original members of Youngblood, how is that handled?

Luckily if you’re a new reader, you’ll be fine. It’s all in the interactions as each member of the original team is revealed to the reader. From what is happening to Shaft, Diehard, and as each member is introduced, I can’t wait to see how they got to where they are. Shaft is one such member that fascinates me, especially from the backup story that Liefeld wrote and drew. Between what Bowers is setting up and what Liefeld is setting up in a small way, I’m intrigued. The story of Diehard will be a fun one to follow up on down the line too. There’s a lot of great things happening here.

Youngblood #1 Man-Up

Ultimately the name of the game with Youngblood is fun. This really is a lot of fun.

The action is non-stop, the characterization is fun, and it does set up a compelling narrative for what’s to come. There’s a lot here to like as to what Bowers is doing here with this first story. It’s going to be interesting to see the events of the backup story play out too. Whatever Liefeld is up to with that backup, I want to see what happens as to how it will affect the main story. It takes time to get into, but once you’re into the world this comic is building, you’ll find yourself invested in Youngblood. It’s off to a great start and for what has been set up so far, I’m excited to see where it goes from here.

Youngblood #1 Help App Expanded Edition

Here is where it all comes together, Jim Towe is a strong artist but the rest of the team is just as great too.

Jim Towe is an amazing choice for Youngblood. One thing that’s noticeable about Bowers is his script is animated in the sense that this is a vibrant world. It’s a character driven, high energy universe, and Towe’s art fits this. It’s expressive as there’s a lot of moments where conveying emotion is key; Towe nails it. The action scenes are exciting and dynamic, with some cool layouts to boot. I love the page in particular where a villain is messing with the minds of the new heroes. There’s such a great design to it that works well in conveying the power of the villain. It’s going to be fun to see where Jim Towe’s art goes from here because this is some strong work.

Now for the coloring on this comic – wow does it work well. Juan Manuel Rodriguez is conveying a bright, fun, and only a hint of darkness to this universe. Bowers has a comic that trends towards fun despite some darker circumstances, and the coloring fits. It shines and makes Towe’s art that much better in the process. The letterer for this, Rus Wooton is also amazing here. Especially with the letter design for the Help! app and I like how the texts look too. This is a great art team all around and deserves attention on all levels. Now we get into the one bit that will be fun for everyone, the backup story that Rob Liefeld handles.

As it is Rob Liefeld drawing a story, I say this deserves it’s own special section before we finish this up.

The backup tale focuses on Shaft and certain elements that as I mention in the review, will come up later. As I said, I am intrigued by the new elements. Now for the art, it’s Rob Liefeld and for me, I actually dig his art more as time goes on. It’s Liefeld though, you either love his art or dislike it, there’s no in-between. I will say I like the inker here, Shelby Robertson, that adds a nice strong line to Liefeld’s art. Rodriguez’s coloring is just as strong as it is in the main story, and the same goes for the lettering. A strong backup tale that adds a lot in just a few pages.

Now let’s wrap this Youngblood adventure up as we leave on a light and happy note.

Youngblood is a good read and at times a great read too. It’s got a strong creative team and infinite potential. Give this a chance and you will find yourself liking it as much as I do. Welcome back Youngblood.

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Happy Friday, Here’s a Badass New ‘Dunkirk’ Trailer

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If the initial teaser for Christopher Nolan’s Dunkirk left you feeling a little cold, fear not. This first full-length trailer should assuage all concerns.

Check this out:

In May 1940, Germany advanced into France, trapping Allied troops on the beaches of Dunkirk. Under air and ground cover from British and French forces, troops were slowly and methodically evacuated from the beach using every serviceable naval and civilian vessel that could be found. At the end of this heroic mission, 330,000 French, British, Belgian and Dutch soldiers were safely evacuated.

This is infinitely better than the first glimpse we had, and looks like a fascinating blend of dogfights (which seem few and far between in Hollywood these days), and a real attention on the details of these men’s lives. Wonderful tension, shots with beautiful texture, all the things we’ve come to expect from a Christopher Nolan production is here.

Dunkirk stars Mark Rylance, Tom Hardy, Kenneth Branagh, Cillian Murphy and some kid I’ve never heard of… Harry something. I think he’s a singer?

This has all the potential in the world to be a classic in the war genre. We’ll see when it opens July 21st. I know I’m down.

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‘Guardians of the Galaxy Vol. 2’ The Good, The Bad, & The Ugly – Episode 120

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‘Guardians of the Galaxy Vol. 2’ is in theaters this week, and Matt and EJ go over the good, the bad, and the downright ugly parts of the film. As a comic book fan, you will love it, as a fan of cinema it has some flaws.

Strap yourself in buckaroos! Episode 120 of the Monkeys Fighting Robots podcast is here.

Do you want to be our SUPER-FAN of the week? All you have to do is comment on this podcast to be eligible.

Do you have a question that you would like answered during the show? Email your questions to matt@popaxiom.com.

About the Monkeys Fighting Robots Podcast:
A Gen Xer and a Millennial debate the latest topics in pop culture. One guy is a filmmaker and the other is a journalist, but both are nerds. We make your slowest days at work better. Hosts, Matthew Sardo and EJ Moreno.

Matt and EJ podcast

Never heard of Matt Sardo?
For starters, he made the Kessel Run in less than 11 parsecs. Prior to that, he gave Doc Brown the idea for the flux capacitor and led the Resistance to victory over SkyNet – all while sipping a finely crafted IPA. As a radio host, he’s interviewed celebrities, athletes and everyone in between. He’s covered everything from the Super Bowl to Comic-Con.

Who’s EJ Moreno?
Is he a trained physician? No. Is he a former Miss Universe contestant? Possibly. But what we know for sure is he’s a writer, filmmaker, and pop culture enthusiast. Since film school, EJ has written & directed several short films. He’s used his passion of filmmaking to become a movie critic for MonkeysFightingRobots.com.

Places you can find the show:
iTunes
Blog Talk Radio
Stitcher

Reviews are greatly appreciated – How to Rate and Review a Podcast in iTunes

Thank you for listening!

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Kevin Feige Confirms Fan Theory About Stan Lee’s Marvel Cameos

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Happy Birthday, Stan Lee!

Holy Excelsior! Could Stan Lee’s various Marvel cameos be related? Is he a Watcher?

The answer might be “Yes”, according to Guardians of the Galaxy Vol. 2.

Kevin Feige, Marvel Studios president, confirms the long-standing theory of Lee’s appearances in the MCU. In a Radio Times interview, he talks about how Lee might be a Watcher.

“We always thought it would be fun. Stan Lee clearly exists, you know, above and apart from the reality of all the films,” he says. “So the notion that he could be sitting there on a cosmic pit stop during the jump gate sequence in Guardians was something very fun.”

Guardians of the Galaxy Vol. 2 has two scenes featuring Lee. The first involves a spacesuit-wearing Lee talking with the Watchers about his past experiences. Although the location isn’t revealed, it looks as though they are on the moon.

During a post-credits bit, he recalls being a FedEx employee, which is a callback to his cameo in Civil War. The Watchers appear bored and walk away. “I’ve got more stories to tell!” Lee calls out as the scene ends.

The Watchers Marvel

The Watchers’ behaviour in this scene is very true to the source material. In the comics, they are an ancient race of beings who watch over all living things. As part of their way of life, they cannot interfere with what happens in the universe.

Director James Gunn echoes Feige’s words with his own opinion. “I mean, you know there’s a lot of cool stuff that the fans come up with,” he says. “A lot of stuff I don’t agree with, you know, people have ideas about what they think should happen in the MCU. But I find the idea that Stan Lee is a Watcher, or that he works for the Watchers, is just a fun little nod to the fans.

Feige credits Gunn for coming up with Lee’s role, and he reveals it almost got cut from the film. “James had that idea and we shot that cameo and loved it so much, you know, you see it a couple of times in the movie,” he says. “It wasn’t in for a long time and we put it back in towards the end of the process where he references that time he was a Federal Express agent.”

“We thought it would be fun to put that in there because that really says, so wait a minute, he’s this same character who’s popped up in all these films.”

https://www.youtube.com/watch?v=jGu_yiCIkL8

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‘Guardians of the Galaxy Vol. 2’: A Perfectly Enjoyable Film That Doesn’t Reach The Heights Of Its Predecessor

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To this day, Guardians of the Galaxy is still my favorite Marvel movie. Out of each of the films the studio has released so far, James Gunn’s surprise hit of 2014 was the film that blended together Marvel’s signature heart, humor, and action into a cocktail that made for perfect viewing. Needless to say, I had high hopes going into Guardians of the Galaxy Vol. 2 last night. Unfortunately, I don’t believe Marvel or James Gunn managed to match the highs of their first cosmic outing.

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Revisiting Geoff Johns’ TEEN TITANS Run Ten Years After Its Conclusion

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Few writers have had as great an impact on modern DC comics as Geoff Johns. Prior to becoming the company’s President and COO, Johns became a household name for fans by reviving classic Silver Age characters Hal Jordan and Barry Allen. More recently, he made waves by ushering in a Rebirth for the universe (or multiverse?) as a whole. However, before he became known as the “rebirth guy,” Geoff developed a following by breathing new life into a team of angsty, hormone-driven superheroes – the Teen Titans.

Johns’ Teen Titans has become the thing of legend. It’s a seminal run on the team, the Modern Age equivalent to Wolfman and Pérez’s run in the Bronze Age. It was a rebirth before rebirths became a “thing” at DC. The writer’s work on the book concluded ten years ago this year, and with the company finally re-releasing the run in trade format, now seems like the perfect time to look back and see what made it so impactful.

Bottom Line (Audio Summary)

Overall

Writing a good Titans tale is no easy feat. Not only does the story need to be as action packed and enjoyable as a normal superhero book, but the characters need to capture a very specific adolescent essence, while remaining relatable to readers of all ages. Johns nails the teenage spirit, and since adolescence isn’t uniform, he uses the various Titans to encompass different experiences. For instance, Superboy, Wonder Girl, and (to a lesser extent) Robin all embody a fight for individuality. They want to be seen as more than just younger versions of the DC Holy Trinity. They remind older readers what it was like to step out from their parents’ shadows and want to be treated as their own persons, adults with independent thoughts and desires. Their battle lasts the duration of Johns’ run, and even carries into the succeeding author’s work. Because the fight to be treated as an adult doesn’t end at 19, does it?

Teen Titans

Meanwhile, Titans like Kid Flash and Beast Boy are fighting a different battle. Typically known as the team “jokesters,” Johns adds depth to these two as they mature to more serious characters. Their arcs ooze heart, as does the run as a whole, which is why it’s such a joy to read.

In the first storyline, Bart Allen – still under the Impulse mantle – receives a lot of flak from his friends about being too, well, impulsive and not thinking things through. Making matters worse, he realizes that his mentor the Flash doesn’t have much faith in his abilities as a superhero. Sure enough, by the end of the second issue, Bart rushes into a situation and takes a shotgun to the knee. Filled with self doubt, and terrified that everyone was right about him, Bart recovers and almost immediately speed reads through an entire library. He studies up on law, engineering, and everything else he can get his hands on so that he won’t be caught off guard again. Shedding the Impulse name, Bart suits up as Kid Flash in order to show his friends that he’s someone they can count on. The young speedster’s arc is one that any class clown can relate to: he just wants to be taken seriously when it matters.

Beast Boy’s maturity, on the other hand, is more thrust upon him than his own choice. He’s a member of the old guard, along with Cyborg and Starfire. Once the team’s “baby brother,” he now finds himself a role model to this new team of Titans. And he’s reluctant to accept that; at one point he mutters to himself, “Oh god, I’m an ‘old guy.'” But over the course of the series, he steps up and fills the role, and that’s no more apparent than in the “Beast Boys and Girls” storyline. When Gar is cured of the virus that turned him into Beast Boy, an elementary school full of boys and girls are infected and transformed. Without hesitating, Gar reinfects himself in order to save the day. His heroism, his sacrifice, and his journey over the course of this run exemplifies the major step from teenager to young adult. It’s not always expected, or even wanted, but it’s a step that everyone must face.

Teen Titans Kid Flash Beast Boy

The characters and their chemistry with one another is clearly what makes Johns’ run on Titans special. The dialogue is quick, fun, heartfelt, and most importantly it feels real. The Titans fit seamlessly together like the cast of a John Hughes movie. They’re a family, and that’s what this series boils down to. Johns humbly acknowledges that the Titans are larger than anything he – or any other one writer – can tackle completely. Legacy characters like Dick Grayson and Wally West make frequent appearances, and at one point, every character that’s ever been a Teen Titan comes together to battle Doctor Light. It’s a not-so-subtle reminder that, no matter how old you get, Titans are family, and family is forever. Johns ends his run with perhaps its most emotionally charged moment, when the Titans archnemesis Deathstroke acknowledges that the team is “better” than he is in a sense. He manipulates events to ensure that his own children have a home with the Titans, a better home than he himself could ever provide them.

High Point

Teen Titans

Johns’ Teen Titans run both starts and ends on big high points, but the best story in between them has to be “Titans Tomorrow.” The team is launched into the near future where they encounter their future selves under new mantles. Superboy is now Superman, Wonder Girl is now Wonder Woman, Kid Flash is now Flash, and – shocking his young self the most – Robin is now Batman.

However, the Teen Titans quickly discover that – save for Cyborg – their future selves are, as Superboy puts it, “freakin’ bad guys!” They rule with an iron fist, killing anyone that gets in their way. Tim Drake’s Batman even uses a gun, the very gun that killed Bruce Wayne’s parents.

“Titans Tomorrow” represents a fear that haunts most young people, the fear that they will grow up and surrender their ideals. The elder Titans are examples of what happens when you let the cruel world break you down. Things got tough, and they took the easy (and morally dubious) road. The adventure reminds the young heroes, and the reader, to always stay true to who they are, and stick to their ideals no matter how hard it is, lest they become their own greatest enemy.

Low Point

Teen TitansWhile he was doing Titans, Geoff Johns also wrote Infinite Crisis, DC’s multiverse-shattering event of 2006. Unfortunately, as often happens during massive comics events, the regular ongoing titles suffered from “crossover syndrome.” The storytelling became messy as all the books suddenly had to tie into Crisis. The fact that Johns was writing the event probably didn’t help, as he had less time and attention to pay to his other books.

Issues 29~33 of Teen Titans volume three feel choppy and incomplete. They’re only part of a story, and if you aren’t also reading other DC comics that came out at the same time, you’ll be lost. Some trades collect parts of these other titles, like Infinite Crisis and Robin, to try and complete the story, but it still reads wonky.

This isn’t just a Teen Titans problem; this is a problem with comic events as a whole. Massive crossovers have a ripple effect, and tend to disrupt the flow that regular ongoing series get going. Luckily, in the case of Geoff John’s Titans, the title rebounded in the aftermath and delivered some of its strongest story arcs.

Conclusion

Geoff Johns’ early work is easily his best work, and Teen Titans falls right into that category. While being action packed, it’s more of a character driven run that packs an emotional punch. It’s a relatable story of growing up and learning how to be your own person. Read it if you feel the weight of adulthood coming down on you.

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New ‘Spider-Man: Homecoming’ Footage Coming This Weekend

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MTV has some fresh Spider-Man: Homecoming footage on the way! Check out their tweet on the matter down below.

“Don’t miss an exclusive sneak of during the MTV Movie & TV Awards this Sunday at 8/7c.”

What do you think we’ll see in the footage? The last trailer showed off quite a lot of story, so if I had to guess I’d say we’ll see a full scene of some sort – probably one that includes Peter and Michael Keaton’s Vulture character.

Spider-Man: Homecoming features Tom Holland, Michael Keaton, Donald Glover, Zendaya, Marisa Tomei, Robert Downey Jr., Jon Favreau, Tyne Daly, Tony Revolori, Bokeem Woodbine, and Hannibal Buress.

“A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.”

The film hits theaters on July 7.

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Michael Giacchino Wants To Score Matt Reeves’ ‘Batman’ Film

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Music is a huge part of the Batman films. Whether it be the iconic 1989 Batman theme, the entirety of The Dark Knight Trilogy’s score, or the epic sounds heard in Batman v Superman: Dawn of Justice, it has a place and makes the movies better. With this in mind, names have begun circling who will score Matt Reeves’ upcoming Batman flick. Speaking on the topic, Michael Giacchino expressed interest in the project.

“Yeah, it depends on who’s making it and who’s involved, but yeah I would love to. I love Batman.”

Giacchino is known for his work on Pixar’s Inside Out, Jurassic World, Star Trek: Into Darkness, Dawn of the Planet of the Apes, Rogue One: A Star Wars Story, and the upcoming Spider-Man: Homecoming.

Would you be interested in Giacchino handling the original music for The Batman? Sound off in the comments below.

Currently, the movie doesn’t have a release date. However, given that filming won’t likely start until 2018, The Batman probably won’t hit theaters until 2019.

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