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Interview: Alex Segura and Matt Rosenberg On Taking THE ARCHIES On The Road

Interview: Alex Segura and Matt Rosenberg On Taking THE ARCHIES On The Road

After scoring a hit with The Archies One-Shot, Archie Comics is poised to launch an ongoing version this October. Co-writers Alex Segura and Matt Rosenberg were cool enough to take time off their busy schedules to give us some Behind The Music style info on the upcoming book and its creation. So sit back, put a record on and check it out!

Monkeys Fighting Robots: First off, Alex and Matt, thanks for taking the time to talk to us. I know you guys are busy. 

Matt: Thanks for the interview!

Alex: Yes, thanks for having us. Always good to chat.

MFR: Was having the band something you guys always knew was going to be part of this new version of the property?

Matt: I think Alex is best suited to answer that from the company point of view. I’ll just say, I think what Mark Waid and the other Archie creators are doing with the new feel of some of the books, I love it because it feels fresh and different and vital. But most importantly is still feels like Archie. We all love these characters and this universe and I don’t think anyone wants to stray too hard from that. And Archie playing music, The Archies, is such a crucial part of who he is and what Riverdale is.

Alex: I think The Archies are a big part of Archie and the story of his friends, sure, and when Matt and I got the gig, we wanted to show this sprung directly from the bigger stories Mark was telling on the flagship book. Having Joe on board as the artist really helped, because he’d just finished a nice run with Mark and then a stint on RIVERDALE, so it felt very official if that makes sense. Creatively, like Matt said, the band angle gave us a lot of new ground to explore – it lets us play with the character dynamics in a different way and also take the kids out of their comfort zone, which always makes for interesting drama.

MFR: What was it like working with the art team of  Joe Eisma, Matt Herms, Jack Morelli?

Matt: It’s amazing. I’ve been a huge fan of Joe’s work for years since Morning Glories first came out. He has such a fun style that feels really unique but still captures these real human emotions and moments so well. His characters feel so alive. And add Matt’s colors and we just have this gorgeous, vivid looking world. Jack too. They all work so well together to create a world that you just fall into as you read it.

Alex: Joe’s the perfect artist for this book because he gets what we’re trying to do and he makes it better. We all love music, but Joe knows how to capture the feeling of music on the page, which is not as easy as it sounds. They say you’re lucky if a collaborator is two of three things – nice, fast and great. Joe is all three. Matt and Jack really round out the team, and I couldn’t be more impressed with them. Rock comics aren’t your typical story, so the drama builds in different ways, and the colors and letters are so important to that process. They make it look easy.

MFR: How did you guys get Jaime Hernandez to do that gorgeous cover on the one-shot?

Matt: I sold my soul.

Alex: Once Matt threw his soul on the table, we were set. But actually – I just reached out to Jaime. He’s an Archie fan and had drawn a few things for us already – including a variant for ARCHIE MEETS RAMONES. I’m still pinching myself that Jaime drew the cover to something I co-wrote, though, for sure.

MFR: What is it about Archie as a concept that endures? 

Matt: There is a sort of timelessness and purity to Archie and Riverdale. It’s Americana for sure, but it’s more than that. It’s about these characters that you feel like you know like you could be friends with them or even be them. Archie comics for me have always been this magical blend of wild adventures and comfortable familiarity. There is just something so amazing about getting to check in with them every week. I literally grew up with them always around me. I still have all my old issues and digests. They just feel like some of my oldest friends.

Alex: Archie’s the eternal everyman and good guy. You want to spend time with him and his friends, and his struggles are pretty universal – friendship, struggling to succeed and finding humor even when you’re facing some kind of adversity.

MFR: To get more specific with the previous question, why does Archie endure so much with music? Why is the band ‘The Archies’ always so important to the stories?

Matt: I feel like that plays more to the Americana angle. They are that accessible, relatable dream. The band you start with all your friends that practices in your garage. It’s this amazingly recognizable bit of daydreaming for so many people, but Archie never has to wake up from it. He never has to actually learn how to play an instrument, or find friends who know how. He never has to worry about noise complaints from the neighbors or booking a show. He just gets to be in a band and go on these great adventures because of that.

Alex: It’s kind of the rock dream, no? To not only be in a band but to be in a band with your best friends – and to be good at it! It’s kind of the crux of the book, too, but from a more realistic approach. The idea isn’t the same as the reality, though we still manage to tell the story with humor and heart, which is what Archie is all about. 

This is also the third time you guys write together. What’s the process like? How did you guys get THIS rockin’ duo together in the first place?

Matt: We’ve known each other for a while now. We had a lot of mutual friends and just kept crossing paths in the New York comics world. When Alex wrote Archie Meets Kiss I was a big fan of the book and was working at a comic shop at the time. I set up a signing for him and we hung out. I think, and I might be wrong, that it was there that we talked about how much I’d love to write an Archie book one day. I really love Alex’s writing and I think we have similar sensibilities, so when the opportunity came about to work together on Archie Meets Ramones it was a no brainer for me. And it’s been a ton of fun since then.

Alex: Yes, I think that’s where the idea was born. Matt’s an old friend and we like a lot of the same things but also different stuff, so we play off each other well. I think we’re similar in that we write from an emotional place, which is where the best stories come from. I’m a fan of Matt’s work and I’ve loved to watch his career blow up. Having this chance to work together has been a highlight for me, and I’ve learned a lot. Writing these stories have been really fun, and it’s let us share our own musical experiences through the most iconic characters – it’s been amazing.

MFR: Alex, you especially have now written three Archie and music-based stories (Archie Meets Kiss, Archie Meets Ramones and now this one, The Archies). Matt, having read your work as well, I’ve seen all the many band homages and references you have done. I know music is a big part of both of your interests. Can you tell us a brief history of how music and playing it has been a party of your lives outside of comics and how it influences your work in them now?

Matt: Well I’ve been a big music person my whole life. I actually ran an indie/punk label with my girlfriend for a decade. Other than that I’ve done just about everything you can do in music that doesn’t involve having musical talent. I’ve tour managed, been a roadie, guitar teched, sold merch, booked shows, printed merch, and managed bands. Music has been a constant in my life, like comics, for as long as I can remember. So it just makes sense to me that some of that spills over onto the pages.

Alex: Music has always been a passion, often an obsession, for me. As much as I’ve always wanted to write, a desire to play music and be in a band was right there, too. I’d been in bands through college – none really that successful, but always fun and a great experience. In NY, I actually played in a few groups that put on shows around town, and that was a great experience. My last band even put out an EP which you can dig up on the streaming services. Songwriting is a real challenge, and it makes all your writing better. That still plays a part in how I write – from prose to dialogue to scripting. A lot of my experiences in bands have bubbled up in some form with this book, which has been great, because it gives me a chance to look back and relive the fun times. It also makes me want to pick up my guitar again! Maybe when the kid goes to college…

MFR: What kind of sound do you guy think The Archies have?

Matt: That answer for me changes all the time. They’re obviously poppy, kind of rough around the edges, and super energetic. Right now I’d say they are somewhere between Sonic Youth, Joyce Manor, and The Thermals. But if you asked me tomorrow I’m sure that answer would be completely different.

Alex: Yeah, I think they have a strong pop sensibility, but also a bit of bite to them – a raw, garage-y sound, like the Breeders or Pinkerton-era Weezer. Fuzzy guitars, dueling vocals and great hooks. The bands I think of most are Imperial Teen, Rilo Kiley and Last Splash-era Breeders. But it changes.

MFR: Would they put out a release on vinyl? Or something special for Record Store Day? 

Matt: Sure. I’d love to have a 12″ of Joe reading issue one complete with sound effects and different voices for the whole cast. Right? That’s what everyone wants, right?

Alex: Yeah, who wouldn’t want that?

MFR: Who would play on an ultimate bill with them? Who do you think The Archies would be crazy about playing with?

Matt: Well I think everyone in the band would have their dream lineup, so it would be a 6 band bill. You can guess who picked who if you want. The Archies opening for U2, Blondie, Metallica, Husker Du, and Taylor Swift.

Alex: I still think T-Swift would be a great guest-star. Let’s make that happen.

MFR: What would a ‘The Archies’ tour be like?

Matt: In the real world? A nightmare. In the Archie world? It’s in the book. You’ll have to read it to find out. Weirdly there is the same amount of junk food in either version.

Alex: Yeah, that’s the book! In reality, they wouldn’t make it out of Riverdale. But in the comics, they’re doing pretty well, all things considered.

MFR: What kind of music do you think each member loves? Do they each have a favorite band and who would they be?

Matt: They listen to all sorts of things. I don’t want to give too much away because people should be able to input their own stuff in there too while they read. But I think whatever you think Jughead listens to, he listens to stuff that’s way heavier.

MFR: Matt, you have always written extensively about kids and teenagers. Why do you find it so easy and relevant to do so? 

Matt: I’m super immature.

MFR: What bands do you hope to have in the book?

Matt: My dream bands would be Faith No More, Bad Brains, Superchunk, N.W.A., and The Clash. But that doesn’t include a bunch of the bands we did get that I can’t mention yet.

Alex: I am so bowled over by the bands we have locked in. It’s the perfect mix of “oh, cool, wasn’t expecting that”-type of groups with major, iconic bands from different eras. It’s going to be fun. As for dream acts – I’d love to see the Replacements, Talking Heads, PJ Harvey, Neko Case…any of those.

MFR: Have any musicians expressed interest?

Matt: Yeah! I feel like everyone we’ve talked to has been super excited. It’s kind of amazing. Everyone loves Archie.

Alex: The great thing is that no one’s brushed us off. Every band we’ve interacted with has been interested and keen to figure it out, which is a great sign.

MFR: What do you hope will set this series apart from all the other great Archie titles already out there?

Matt: I think the big thing for us is getting out of Riverdale. We get our 5 main characters, cram them in a van, add all this stress and excitement and craziness, tons of cool guests, and then we just see what happens. Also, ours is probably the only book where you will see Jughead in a Converge shirt.

Alex: I think it’s the book that’ll keep people on their toes and talking – because there’s no template. Like Matt said, it pulls the kids out of Riverdale – there’s no Choklit Shoppe, No Mr. Lodge or Weatherbee chasing after Archie – they kind of have to survive on their wits and still make great music AND still get along.

MFR: Do you have longer arcs planned or more short tales?

Matt: All of the issues work as standalone stories, but there is a longer arc which is about the tour and the band figuring out who they are. So you can pick it up wherever and hopefully enjoy it. But if you come along for the whole ride it’s much more enjoyable I think.

Alex: Matt and I were mindful to make each issue stand on its own, but also feed into a bigger narrative – which has been an interesting challenge. You can hop in whenever, though, and each issue presents a cool guest star and leads you down the road toward something bigger, we hope.

MFR: And finally, can you give us a hint about the first arc? How do The Archies get on that road to rockdom?

Matt: Sometimes you just have to get in the van.

Alex: Yup. All aboard.

The Archies #1 will hit comic shops on October 4th, 2017. 

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Gina Rodriguez Bringing Diversity To CBS And CW With 2 New Shows

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Gina Rodriguez is set to produce not one, but two new series for CW and CBS.  The Jane The Virgin star is ready for the word ‘illegal’ to be a thing of the past.

The first series Illegal is being co-written and produced by Rafael Agustin, and will be based on his real life experiences.  Agustin was prom king, class president, and an honor roll student.  One thing he didn’t know at the time was he was undocumented.

He discovered the news in 1998 while applying to college.

“I was in shock,” the Ecuador-born writer-performer recalled during a recent phone interview with The Times. “I knew I was an immigrant — I remember a time when I didn’t speak English. But I didn’t know we were undocumented immigrants.”

The series is in development with CW.  Agustin describes it as an edgy Latino version of “The Wonder Years.”

The CBS project titled Have Mercy follows a Latina doctor who is demoted to a nurse after she’s unable unable to practice after moving to Miami.  She begins an illegal medical clinic out of her home.

Both series hail from Rodriguez’s production company I Can & I Will Productions.

They couldn’t have come at a better time.  On September 5 Donald Trump announced he’ll be ending DACA which protects around 800,000 undocumented immigrants brought to the United States as children from deportation.

During an interview with The Chicago Tribune, Rodriguez had this to say about Trump’s decision

“For me personally I was just devastated. My heart breaks for these young kids that are just trying. America just seems real brutal these days. Everything that I’ve grown up with and thought America stood for has just been destroyed by this administration time and time again. I’m just so afraid for young kids who fear not having anywhere to go. I just wish I could change it all, but I can’t.”

No word on when either series will begin production, but check back for updates!

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Patty Jenkins Directs “Wonder Woman 2”, Sets Precedent in Hollywood

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This morning in an exclusive, Variety announced that Patty Jenkins closed a deal to direct Wonder Woman 2. Jenkins is also working on a script for the yet untitled sequel.

Wonder Women Everywhere

Patty Jenkins Wonder Woman 2We reported last month that Wonder Woman 2 will release on December 13th, 2019. As expected, Gal Gadot signed on to . She also plays the character in the upcoming Justice League film.

Patty Jenkins got about the same amount of press as Gadot, as the first female director of an American superhero movie. Variety reports her contract for Wonder Woman 2 also makes her the highest-paid female director of all time. “While an exact number could not be unveiled, sources say the number is in the $8 million dollar range to write, direct and produce…A substantial backend of box office grosses is also included in the contract.”

According to Forbes, this contract also marks one of, if not THE first time, a female director stays with a franchise after its launch. “Save for the Bridget Jones series, where all three films were directed by women and Sharon Maguire directed the first and third pictures, I can’t think of a single example of a franchise where a female filmmaker got to helm the first film and one of the sequels.” Fans and critics alike praised Jenkins and Gadot for their work on Wonder Woman.

Where In Time is Diana Prince

Lynda Carter Wonder Woman
Will Diana return to her 1980s costume?

While no story details are confirmed, Jenkins has discussed setting Wonder Woman 2 in the Cold War era. Rumors have also surfaced that Steve Trevor who (spoiler alert) dies in the first film, will make a return. However, fans have already pushed back against the possible resurrection. Jenkins won’t say more about how Trevor may or may not reappear.

Bringing Diana forward in time makes sense, as Diana’s story so far has been framed by scenes in the present. If you can’t wait until 2019 for more Wonder Woman, perhaps Justice League will hold you over. Here’s hoping it has some clues for Wonder Woman 2.

Based on DC comics, Wonder Woman 2 released December 13th, 2019. The film is produced by DC and Warner Bros. Studios.

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Matt Damon Gets Tiny in This ‘Downsizing’ Trailer

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Matt Damon is set to have a helluva fall. He has the George Clooney-directed Suburbicon around the corner, and he also has Downsizing, Alexander Payne’s new quirky sci-fi dramedy.

This trailer is… effervescent? Check it out:

“Downsizing” follows a kindly occupational therapist who undergoes a new procedure to be shrunken to four inches tall so that he and his wife can help save the planet and afford a nice lifestyle at the same time.

It’s a great premise with a gold mine of possibilities. And Alexander Payne is a more than ready filmmaker to tap into those possibilities. There hasn’t been a false move in his career to this point, and I will stand by that.


The Downsizing cast is pretty great as well: Matt Damon, Kristen Wiig, Jason Sudeikis, Hong Chau, Christoph Waltz, Bruce Willis, Laura Dern, Neil Patrick Harris, Alec Baldwin, Margo Martindale. It opens December 22, and will no doubt be a topic of conversation around Awards season.

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James Franco Sells ‘The Disaster Artist’ in This First Trailer

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James Franco will flip the cinematic universe on its head this winter when he is nominated for an Oscar playing Tommy Wiseau in The Disaster Artist.

The irony here is that Wise made what is famously called the worst movie of all time, The Room. It’s a cult classic, and The Disaster Artist chronicles the bizarre making of this movie. If this trailer is any indication, this one might be kinda brilliant, no?…

When this was first announced it felt like another weird James Franco stunt. He’s great at those sometimes, and other times the movies dissipate immediately. This looks different than what I had expected. It looks oddly emotional, it seems to capture Los Angeles in the early 2000s, and James Franco is clearly giving it his all.


I’ve never seen The Room, but I am fully aware of its presence and I saw that rooftop scene everyone has seen so I feel okay about it.

The Disaster Artist also stars James’s brother Dave Franco, Seth Rogen (of course), and Alison Brie. It will be here for your eyes to see December 1.

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J.J. Abrams is Back for ‘Star Wars: Episode IX’

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Rather than risk Star Wars: Episode IX to the hands of another insubordinate director, Kathleen Kennedy and Co. have brought J.J. Abrams back on board.

Abrams, who directed The Force Awakens, takes over a spot left empty when Colin Trevorrow was either made to leave or left on his own. Ya know, creative differences.

According to the Variety report, Abrams will also co-write the script with Chris Terrio. Kennedy commented in the Variety report as well, saying “With The Force Awakens, J.J. delivered everything we could have possibly hoped for, and I am so excited that he is coming back to close out this trilogy.”


It would have been nice to see a new face behind the camera, as long as it wasn’t Trevorrow. That was a bad call from the start, but there are infinite better options I won’t get into here.

Anyway, at least we know what we’re going to get from Star Wars: Episode IX. J.J. Abrams may be divisive, but he knows how to film action.

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Box Office: ‘Spider-Man’ Swings Past ‘Wonder Woman’

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Although this summer’s overall box office was the worst in years, it’s looking great for the future of comic book cinema.

Wonder Woman crushed the box office, and now, Spider-Man: Homecoming has grossed even more than the Gal Gadot-led motion picture.

Wonder Woman took in a total of $816 million; Spider-Man: Homecoming, following its release in China, has made a whopping $823 million. Given that Homecoming still has time to be seen in China, this overall total will rise in the coming weeks.

These were two of not only the highest grossing summer movies, but also the best of the bunch. Although they are indeed superhero films, both bring spectacle, great performances, comedy, and heart to the table.

Did you enjoy Spider-Man: Homecoming and Wonder Woman? Comment below, let us know.

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Len Wein, Co-Creator of Wolverine, Dead At Age 69

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The co-creator of Wolverine and Swamp Thing, and editor of Watchmen, Len Wein, has passed away. He was 69.

Wein worked for both DC and Marvel, and made an impact at both companies. He’s responsible for several fan-favorite characters and storylines.

We at Monkeys Fighting Robots send our condolences to Wein’s friends and family.

If you’re interested in reading up on Wein’s life, MFR’s Michael Bedford wrote up a great piece which can be found here.

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Listen Up, Film Fans: Your Guide To Reading Rotten Tomatoes

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When you see that a film has garnered an impressive 90 percent on Rotten Tomatoes, does your mind instantly go to thinking that said movie has been rated, on average, as 9/10? If so, you’re misunderstanding how the Tomatometer works.

To accurately read the site, one must first know that the site doesn’t have its own reviewers. So, if you’ve ever heard someone say, “Rotten Tomatoes gave this movie a bad score,” just know that they are fundamentally wrong. What the website does is collect reviews, from its batch of “certified” reviewers, from all over the web. After that, it takes a look at what each reviewer thought of the movie; if a critic gave a newly released film a 6/10, that would be considered “fresh”. Anything under that is not good, and would get categorized as “rotten”. Understand? Well, let’s check out an example.

It was just released to an impressive 86 percent. Now, does this mean that each reviewer thinks the movie is an 8.6/10? Nope. All this percentage means is that 86 percent of reviewers gave the movie a 6/10 or better. Technically, a film could receive a 6/10 from every reviewer and score an 100 percent on Rotten Tomatoes.

Now, let’s look at another aspect of Rotten Tomatoes’ score system; how does a movie become “certified fresh”? To earn this achievement, said film must have a total of 80 reviews (worldwide release), 40 reviews (limited release), or 20 reviews (television shows) and land a 75 percent average score. Additionally, 5 Top Critics must have published their opinion on the movie.

Another aspect to the website is its use of an audience score. This category has nothing to do with a motion picture’s overall percentage; however, often times, critics and fans will disagree on the enjoyment of a movie. Let’s take a look at 2005’s remake of Charlie and the Chocolate Factory. While only 51 percent of fans like the film, a whopping 83 percent of critics took a liking to the Johnny Depp-led adventurous tale.

There is a right and wrong way to read Rotten Tomatoes. Given how the internet has reacted to certain films over the last few years, it’s obvious that most people aren’t aware of how the website actually works. Next time you come across a confused cinephile wrongly arguing something about the Tomatometer, show them this article.

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Hayao Miyazaki’s First Film Is Coming Back To Movie Theaters This Month

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Hayao Miyazaki’s first film, Lupin the Third: The Castle of Cagliostro, is being brought back to US movie theaters for two months only.

Put on by Fathom Events, September 14’s screenings will be the dubbed version. On September 19, the film’s subbed version will be screened.

Along with the movie itself, these showings will include special footage with comments, and an intro, by John Lasseter.

“Hayao Miyazaki’s directorial debut film, LUPIN THE 3RD: THE CASTLE OF CAGLIOSTRO is coming to U.S. cinemas nationwide this September for a special two-day event. Lupin and Jigen successfully rob a casino of millions, but only to find that the money is counterfeit. Lupin notices how well the money is forged and decides to make his next target the possible source of the forgery, Cagliostro. They enter the country and run into a car chase between a group of men after a girl in a wedding dress. Lupin, who loves girls, decides to abruptly make a detour to assist the bride in her escape. They successfully outrun the men but have an accident. Lupin goes unconscious but wakes up to find a ring with the royal crest of Cagliostro in a white glove from the bride.”

Hayao Miyazaki's First Film Is Coming Back To Movie Theaters This Month

Are you going to see this in theaters? Comment below, let us know.

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