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[Review] BITTER ROOT #1 is an Incredible Achievement

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Bitter Root #1 is a comic about monsters. Not just those with ripping claws and snarling teeth (though that’s definitely a big part of it).

Rather, the book is about the monsters that lurk in every shadow, every day. It’s about how those monsters manifest themselves…and how people fight back to protect their own humanity.

Our protagonists, the Sangerye family, are in the business of hunting down monsters called Jinoo. Set against the contrasting backdrops of the Harlem Renaissance and Deep South Mississippi, the family struggle to keep their mission alive in this fresh and poignant allegory of race in America.

The Writing

It’s hard not to gush about the writing contained in these 24 pages. From a craft angle, Bitter Root #1 is a testament to the skill of writers David F. Walker and Chuck Brown. They hook the reader’s attention right from the opening panels, and manage to not only hold on, but draw you in deeper with each page turn.

There’s hardly any need for narration or framing devices throughout. Instead, we get a clear impression of each character’s personality and their relationships with one another through sharp, believable writing. Each member of the Sangerye family has a distinct, interesting persona and elicits genuine pathos. From Ma Etta’s anguish at those lost serving the family’s cause, to Blink’s frustration with the role she’s confined to, you feel for each character in a unique manner.

Even beyond the skillful storytelling, Bitter Root #1 is a brilliant commentary about race in the United States, both in-period and today. The book hammers home how society lays responsibility for dealing with the monster of racism at the feet of those who experience it, and the shape that specter can take in different environments. But as the authors discuss in their column at the back, there is also “hope in fighting this vicious monster.”

The Artwork

Measuring-up to the impeccable writing in Bitter Root #1 is a high-bar, but Sanford Greene’s artwork hit the mark. The linework is superbly stylish, with impeccable design. The book grounds the reader in the aesthetic of Renaissance-era Harlem, while also throwing-in tasteful splashes of steampunk.

Of course, I can’t neglect the colorwork by Greene and fellow artist Rico Renzi. Bitter Root #1 employs a gorgeous palette of vibrant reds, blues, and purples, allowing supernatural greens and yellows to pop out with an alien quality.

Panels are laid-out with expert precision, catching every beat and matching the action on the page, so the reader never feels lost. The lettering work stands out as well, with the font and weight of the lettering responding to the natural cadence and volume of each character’s speech without fail.

Final Thoughts

Bitter Root #1 is one of the most promising first issues I’ve seen this year. I expect great things from this series, so buy this comic NOW.

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Review: WONDER WOMAN #58 Brings a New Ares to the Table

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The Wonder Woman series always worries me, after the departure of Greg Rucka. His stories at the beginning of Rebirth set an incredibly high bar. Ever since them, creative teams have cycled out of the title, but none have quite hit that bar. Some stories were boring and slow while others were empty flashes of action. There were a few good stories in there, but the misses stack higher than the hits. Now we have a new team taking over post Witching Hour. G. Willow Wilson, famous for her work on Ms. Marvel, will be writing stories for the Amazon princess for the time being. Will she give us another hit?

Wonder Woman 58 cover

**Some Spoilers Below**

Story:

On the island of Themyscaria, Ares and Grail stay trapped in their prison. The pair chat, with Grail pointing out how cruel it is. Ares, on the other hand, begins thinking of the position he has been in. He realizes that time is the only real victor of war and that he wants to change. He wishes to bring justice to the unjust and orders Grail to kill him. She does, which causes his spirit to be released into the world. Meanwhile, Wonder Woman begins to worry about Steve Trevor as he leaves the states. There is an incident with the militia in the small country of Durovnia which requires ARGUS’ attention.

wonder woman 58 p1

This first issue was surprisingly very compelling with what it’s promising. We appear to be getting a story that will be full of action and character development. Every sequence is another hook that latches on and pulls the reader in. From the conversation between Grail and Ares to Wonder Woman fighting in Durovnia, there is plenty that will keep readers intrigued. My favorite part is the revelation of Ares. The God of War is often known as a villainous character, but if this opening implies anything, we’ll be getting an interesting change. The ending is also able to deliver a shocking surprise that grabs the reader.

That being said, the biggest problem with the issue is the pace. It drags on in places with mostly dialogue when there should be action. Sometimes the dialogue is interesting, but other times it’s just boring.

Wonder Woman 58 p2

Art:

While I did enjoy the story, I cannot say the same for the art. There are bizarre illustrations of our characters that don’t feel correct, and it throws the issue off for me. The most obvious example, unfortunately, is Wonder Woman. The Amazon is supposed to be this larger than life figure with muscles that rival even Superman. In this comic, however, she looks puny. It appears if there is no muscle on her yet she can deal these heavy blows. Along with that, there are bizarre, almost childlike, faces on a few of the characters. Grail looks more like a teenager than a grown daughter of Darkseid.

Despite these flaws, there are a few interesting designs. The mythological creatures that are in  Durovnia look cool and creepy. Ares new look when he’s in the world looks incredible as well. This isn’t enough to redeem the issue, but it gives me hope for the future.

wonder woman 58 p3

Conclusion:

This issue is promising a lot. It promises a kick-ass story with Wonder Woman and Ares that will change their characters. The problem is that’s all we have right now. It’s an okay read with art I can’t get into. If this issue does anything, it gives the reader a reason to be excited for next time.

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TRAILER: The Rock Introduces Us to Paige in FIGHTING WITH MY FAMILY

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Taking to Twitter, Dwayne Johnson dropped the trailer for the biopic about WWE Superstar Paige in Fighting With My Family.

Paige, whose real name is Saraya Bevis, comes from a family rooted in professional wrestling. Born in Norwich, England to two professional wrestlers, she was taught technique and honed her skills at a very early age. She began wrestling professionally at the age of 13.

Fighting With My Family is a humorous look at the life and wrestling development of Paige and her older brother Zak. As wrestling fans already know, Paige was quickly brought into the WWE’s developmental training program while her brother is left behind.  Her struggles of success and heartbreak come through in this two-minute trailer, which leaves the audience wanting to know more about the Bevis/Knight family.

The film is written and directed by award-winning British comedian Stephen Merchant, who based the film on a 2012 documentary about the Bevis family that aired on British public television station Channel 4. Merchant will appear in the movie, as well as former WWE Superstar Dwayne “The Rock” Johnson, who is an executive producer.

Florence Pugh (Outlaw King, Little Women) portrays Paige and Jack Lowden (Mary Queen of Scots) plays her brother Zak.  Pugh’s stunts were performed by current Impact Wrestling star and 2017 Mae Young Classic contestant Tessa Blanchard.  Vince Vaughn plays WWE talent scout Hutch, and current WWE Superstar Zelina Vega (whose real name is Thea Trinidad) plays now-former WWE Superstar AJ Lee.

Fighting With My Family is produced by WWE Studios as it set to be released in theaters in February 2019.

As a professional wrestling fan, are you excited to get a docu-comedy about current talent?

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“DOCTOR WHO” Demons of the Punjab – An Emotionally Tragic, Human Who Story

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“Demons of the Punjab” is the first episode in Chris Chibnall era that Chibnall didn’t write. It is by far the best episode so far in the season. “Demons of the Punjab” tackles the sensitive subject of the Partition of India incredibly well.

During a visit to her family, Yaz’s grandmother gives her a broken watch. Her grandmother refuses to tell Yaz about the watch, which didn’t belong to her grandfather. Yaz convinces The Doctor to go and visit her grandmother’s past in Pakistan and ends up in the country as Partition is about to happen.

Doctor Who
Mandip Gill as Yaz

“Demons of the Punjab” was written by Vinay Patel (Murdered by My FatherThe Good Karma Hospital). He clearly has an interest or at least a knowledge of South Asian themes and this was why he got to write this story for Doctor Who.

“Demons of the Punjab” is similar to “Rosa” – both are historical episodes that aim to be educational and impactful. Friends of mine have stated that they were touched by the episode “Rosa.” “Demons of the Punjab” will almost certainly have a similar effect. I personally felt that the “Demons of the Punjab” was a better episode because it was a more personal story for the characters. It affected Yaz directly and the episode showed the impact of Partition on ordinary people.

Doctor Who
Doctor Who Series 11, Episode 6
Picture Shows: Kisar (NATHALIE CUZNER), Almak (BARBARA FADDEN)
CR: Ben Blackall/BBC

There is a lot of drama with the characters. The reveal in the episode is Yaz’s Muslim grandmother was planning on marrying a Hindu man. This was at a time where nationalistic and religious tensions were high and there were arguments within the families regarding what to do. Some suggest canceling the wedding because of the rising violence to some thinking the union was an abomination. The ending is tragic and all too real. The episode did address some historical facts but first and foremost it was a human story.

Like with any Doctor Who episode, there has to be a sci-fi element. In this episode, it was a pair of aliens known as the Thijarians. This point of the review has to go into SPOILERS.

The Thijarians are an ancient race of assassins, but these two turned their back on that life after the destruction of their homeworld. They state that they are watchers of events and be with people who die alone. It was a great twist it gave the title a double meaning. Whilst the Thijarians looked like demons, the real demons were the people. The twist regarding the aliens could have easily fitted in the Russell T. Davies or Steven Moffat eras.
Doctor Who
“Demons of the Punjab” was also a beautiful looking episode. The Spanish province of Grandma doubled for Punjab, and it looked bright and colorful. One of the most important moments was when a group of Hindu nationalists were riding on horses with their weapons drawn. The episode was filmed in slow-motion, and looked like a high-end period drama. Segun Akinoka supplied his best music for the series so far – like the cinematography it was cinematic, using Eastern style choirs for the important moments.

The biggest criticism of the episode regards how it fits into the wider Doctor Who mythos. The Doctor has strict rules regarding re-writing history and companions going back to events that could directly affect them. In Series One The Doctor took Rose to see her deceased father and because she tries to save him Rose nearly erases the whole human race. Surely after that experience The Doctor would put her foot down and say no.

“Demons of the Punjab” is the type of historical episode Doctor Who should make more of – focus on a real events, keep sci-fi elements to a minimum and be a well-told story.

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Review: RALPH BREAKS THE INTERNET Is A Smash Hit

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Ralph Breaks the Internet (inexplicably not named “Ralph WRECKS the Internet”) is the long-awaited follow up to Disney’s 2012 surprise hit Wreck-It Ralph. The film follows our favorite video game bad guy and his new best friend, Princess Vanellope, as they discover a wi-fi router in the arcade and use it to access the world of the internet.

The trailers for this film were not all that impressive, making it look like a corporate cash grab filled with brand synergy. To an extent, that’s kind-of what it is. But it works. Yes, this movie manages to use product placement in a way that is humorous and ironic. It is everything that The Emoji Movie wanted to be.

The first twenty to thirty minutes of the film were somewhat weak. They serve to reintroduce the audience to the characters and their world, and quite frankly, could have been trimmed down into a five or ten minute opening sequence. Thankfully, the beginning is not representative of the movie’s quality as a whole. The rest of the film is chock full of laughs and action — the magic that the original so surprisingly captured.

ralph breaks the internet ralph

The plot of the film is secondary to the character’s humorous antics. There is an overall plot — Ralph and Vanellope must raise enough money to purchase a part to fix Vanellope’s game — although it is easy to forget this goal at times. Instead, the movie feels like a series of interactions that the characters have on the internet. This is sure to hold the attention of younger viewers (despite the runtime being rather long for a kids’ movie) and will amuse their parents or those who see the film that are young-at-heart.

There are multiple points that are absolutely hilarious. One particularly funny segment, shown partially in some of the trailers, involves the Disney princesses. This scene had all of the audience — young and old — rolling in their seats with laughter. There are plenty of other in-jokes that may catch your eye. This is definitely a film worth watching more than once, as it is so chock full of references that you will undoubtedly catch more every time.

ralph breaks the internet princesses

That being said, the story also has a lot more depth to it than you would expect. This entry doubles down on some of the existential themes introduced in the first movie. It may be a nice way to introduce the topic of death to kids who are at that point where it is necessary to have that conversation. The film also contains messages about friendship, dreams, and having a sense of purpose.

The voice cast is absolutely massive. Of course, there are the returning main characters, voiced by John C. Reilly, Sarah Silverman, Jack McBrayer, and Jane Lynch. They all do a great job and seem very happy to be back in their roles. However, the true standouts are some of the new additions. Gal Gadot, Taraji P. Henson, Alfred Molina, and Bill Hader all have very funny roles. Alan Tudyk also takes on a different role in the movie (he was the antagonist of the original), which is quite funny. Additionally, there is a very special (and obvious) cameo for which you will want to be watching.

Overall, despite a bit of a rocky start, Ralph Breaks the Internet ends up coming together as one of the funniest family films of the year. This is a must-watch for pretty much everyone: families, nerds, Disney fans, and more. Definitely check this one out.

Ralph Breaks the Internet opens in theaters November 21.

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AMAZING SPIDER-MAN #9 – The Women In Spidey’s Web

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Amazing Spider-Man #9 sees Spider-Man and Black Cat work on repairing their complicated friendship while Mary Jane goes on an important journey of her own.

ASM 9 cvr

***SPOILERS LIE AHEAD***

 

Spider-Man and Black Cat have an extremely complicated relationship over the last five years or so. From Superior Spider-Man to Felicia’s stint as New York’s top crime lord, there’s been a lot to address. They’ve cleared the air as much as possible with Black Cat cleaning her act up, but not before one last hilarious complication.

Spencer decides to double-down on the awkward history these two share before moving forward. Their team-up is a welcome one, fitted with all the classic makings of a Black Cat/Spider-Man mission. Spidey’s commentary on every step of their plan is hilarious–of course.

Felicia Hardy isn’t the only past-lover-housecleaning that Nick Spencer decides to do, Carly Cooper is back in the city as well. Her catch-up with MJ is a wonderful break in the action. Carly was a major character for a decent chunk of Dan Slott’s run, getting to clear the air and see what she’s been up to was a nice touch.

She’s one of the only people that MJ can relate to in terms of dating Peter and knowing his “thwip thwip” life. The support group she recommends to Mary Jane is an extremely juicy development. Spencer keeps adding new subplots to juggle and it’s layered this young run, making it a much more full serving of story that isn’t just Spider-Man. Also, it’s an absolute joy to see that it’s Jarvis who runs the support group.

The Lookups is a crucial addition to Marvel Comics canon. Hopefully it’s not something we see strictly in the pages of Amazing Spider-Man, this group needs to become a constant throughout the entire 616 universe. This is also an important journey for MJ to embark on now, and one that readers will be more than willing to join her on.

Humberto Ramos delivers the standard that we’ve grown accustomed to from his Spider-Man work–which is fantastic as always. Having him back on for this specific story makes it feel more like home as we get back to a more classic Spider-Man book. Michele Bandini’s flashback pages are a beautiful and non-intrusive contrast to Ramos that maintains the flow of the story. Bandini also provides her own inks alongside Victor Olazaba.

Colorists Edgar Delgado and Erick Arciniega smooth the transitions over. They make this a juicy and colorful read without stepping on each other’s toes. It’s actually hard to tell that there’s even multiple artists, colorists, and inkers on this issue.

Amazing Spider-Man #9 is another fantastic issue, what a streak to open a new series. The Thieves Guild proves to be an exciting antagonist for our favorite web-slinger. Their plot to steal all of the superhero tools to claw their back into relevancy is enthralling. Spider-Man and Black Cat’s adventure and relationship development is handled flawlessly and should slap a smile on longtime fans.

MJ’s journey is not only crucial to this book and character, but to the Marvel Universe at large. In all of comic books, there is no more important superhero love interest than Ms. Watson. Introducing “The Lookups” was wise if Spencer is going to legitimately sell their relationship to us after all the history of why it hadn’t worked out before.

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Review: UNCANNY X-MEN #1 Is Everything You Love About Marvel’s Mutants

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Uncanny X-Men #1 by Ed Brisson, Matthew Rosenberg, Kelly Thompson, Mahmud Asrar, Rachelle Rosenberg and Joe Caramanga is a true return to glorious form for Marvel’s flagship mutant title.

THE CHILDREN OF THE ATOM ARE BACK! New ongoing series kicking off with a 10-part weekly epic, the flagship X-Men series that started it all is back and better than ever! Starting with a mysterious and tragic disappearance, the X-Men are drawn into what might be…their final adventure?!X-Men

Uncanny X-Men #1
Written by: Ed Brisson, Matthew Rosenberg & Kelly Thomspon
Art by: Mahmud Asrar
Colors by: Rachelle Rosenberg
Letters by: VC’s Joe Caramagna
Cover by: Leinil Francis Yu & Edgar Delgado

Writing

Uncanny X-Men #1 grabs you right from page one. Brisson, Rosenberg and Thomspon have crafted a story that hits the ground running and gives fans everything they want. This is classic X-Men storytelling; we have (possible?) time travel, multiple teams on multiple (yet related) missions, mutant-hating politicians, downtime scenes at the mansion, and terrifying psychic visions from the future. Oh and one hell of an “Oh shit!” cliffhanger ending that will not be spoiled here. But it doesn’t feel like a retread at all, as this triptych writing team brings a freshness and energy that gives it a very modern edge.X-Men

The scribes also do a fantastic job balancing so many characters. The ‘roll call’ page has TWENTY named X-Men on it and every single one gets a moment to shine. It’s great to see such a large cast you can follow easily; another X-Men staple fans love.

Uncanny X-Men #1 also wears its love for the 90s on its sleeve. Not only do we get a Rob Liefeld variant cover, but there is also love thrown at some of the more obscure 90s specific characters like Forearm and Wildside and groups like the Mutant Liberation Front. And it’s all done with both humor and heart, proving the team behind this book are fans as well as creators.

Art

Mahmud Asrar and Rachelle Rosenberg match the momentum of the writing perfectly. There is an urgency to the pacing that keeps you turning pages. But it’s far from chaotic and overwhelming, as the layouts and panels are crisp, clean and sleek, with some incredible, well-composed splash pages thrown in.  It helps keep all the characters focused and doesn’t confuse the reader and get them lost in a jumble of characters and images.X-Men

The art team is also able to excel at both high octane moments and quieter moments. They are as adept at creating energy blasts as they are capturing faces and emotions. Again, classic X-Men.

Conclusion

Uncanny X-Men #1 is a true return to form for this iconic title. The legacy of what this book means is being honored, and everything is presented with huge adoration, right down to the use of that classic 3-D Uncanny X-Men logo loved and known worldwide. Marvel’s Mutants are definitely back and this is going to be one hell of a ten-week ride. As Stan Lee always said, “‘Nuff said!”.

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Review: INSTANT FAMILY Is Cute But Clichéd Family Fun

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Instant Family is the newest film teaming the pair of writer-director Sean Anders and star Mark Wahlberg (Daddy’s Home and its sequel, Daddy’s Home 2). This movie stars Wahlberg and Rose Byrne as a couple who find themselves over their heads when they take in three children as foster parents.

On one hand, this is a cutesy, (mostly) family-friendly film with quite a few positive messages. There are a few laughs to be had, a few tears to run, and a few moments in which your heart will feel warm and fuzzy. On the other hand, it’s a largely manipulative and reinforces multiple stereotypes.

Is that a bad thing? Well, not necessarily. It does its job and is sure to land with its target audience quite well. It’s also a rather enjoyable watch. However, one cannot help but watch and be frustrated by the way in which the movie seems to acknowledge and accept stereotypes without much thought.

instant family group

Granted, the film does poke fun at itself in a few spots. There are conversations in which the characters discuss the implications of being “white savior” adoptive parents or “The Blind Side” adoptive parents. However, multiple other stereotypes fly under the radar. Why does the Latina teenager have to be drawn to bad boys? Why is the same-sex couple comprised of one flamboyant partner and one lethargic partner? These are just a few of the issues that came to mind.

The movie is also rather long. Clocking in at just under two hours, it could have spared to be more compact. There are some scenes, especially towards the beginning, that could have been cut. The film becomes significantly more interesting when the children actually become involved, so some of the scenes that didn’t involve them may have been better off left out.

That being said, it’s hard not to connect with the characters emotionally. Over the course of the story, they are effectively (albeit formulaically) built in ways that easily elicit sympathy from the audience. They are likable and you root for the characters. While the movie does praise people who adopt or act as foster parents, it makes sure to show that they aren’t all absolute “saints”.

instant family couple

Obviously, the film pretty closely adheres to the formula of the family comedy, but it’s a compelling story nonetheless. The movie also has a lot of cross-generational and cross-cultural appeal. It has broad appeal to family audiences, but will land especially well with parents who have adopted kids themselves.

The execution isn’t anything special, but it’s a studio comedy, so that is understandable. However, the editing is frustrating at times, with sudden uses of amateurish transitions. The actors all do a decent job in their roles. Both Wahlberg and Byrne seem like they were legitimately enjoying themselves. The highlight of the movie is famous character actress Margo Martindale (BoJack Horseman fans, anyone?), whose turn gets a lot of laughs. Octavia Spencer feels wasted in her role, though, with far too little screen time.

Overall, despite a formulaic plot and an abundance of stereotypes, Instant Family still manages to be an enjoyable and heartwarming watch. It is a solid pick for a family (or adopted family) outing this holiday season.

Instant Family opens in theaters October 16.

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Farewell, MISTER MIRACLE, And Thank You: A (Spoiler-Free) Retrospective

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Mister Miracle #12 is out today, bringing the Eisner-winning series to a close.

There will be no spoilers in this article. In fact, instead of doing a traditional review of this issue, I’d like to drop all formalities and just reflect on this series and discuss what it has meant to me.

In March of last year, I left a corporate job, one that I was only at for less than a year, but still had broken me on an emotional level. Towards the end of my tenure there, I wasn’t sleeping, and I just didn’t feel healthy. Recognizing this, I formulated an exit strategy and got out ASAP.

But this job made me stop and take notice, and for the first time in my life I realized that I may struggle with some mild anxiety and depression. I spent a lot of time thinking about this.

Then, in August, Mister Miracle #1 came out.

I had been hearing about the book for months, and even interviewed Mitch Gerads about it at MegaCon. I had been looking forward to it, but actually reading it blew me away. These guys, Mitch and Tom King, somehow managed to put together a book that exactly tapped into how I was feeling at the time. I felt trapped. Trapped by work, and by life in general. The world was a trap, and I didn’t know what to do. I felt insignificant in the grand scheme of things. I saw myself in Scott Free.

mister miracle dc comics

For the record, I don’t feel like my Mister Miracle experience is at all unique. I think the series has succeeded because so many readers felt the same way, and I think that’s what Tom and Mitch were going for.

But as the series progressed, I felt something strange. This comic about anxiety and depression, and a literal war between Heaven and Hell, it wasn’t making me feel bad. Instead, I felt hopeful.

Despite all his problems, Scott had a support system, specifically in his wife Big Barda. Barda was always there for Scott, and – to me – she was the true star of this series. There’s a reason she’s on the cover of issue 12 taking a bow with Mister Miracle. She comforted her husband when he needed it, and (literally) slapped him out of his funk when he needed that too. Then they had their son, and I noticed that, as long as he had his family, Scott seemed to be doing better.

And that made me happy. Part of it probably had to do with the fact that Scott and Barda’s relationship reminded me of mine and my fiancé’s. It made my emotional connection to the story stronger. Moreover, it said to me that all the bad shit in your life doesn’t seem so bad if you have someone to go through it with.

mister miracle dc comics

Again, I’m not going to spoil how the series ends, but no matter how it does, I think the point stands. Sometimes life beats you down and you feel powerless, but in the true grand scheme of things, that doesn’t matter. The bad feelings are going to come and go; there’s no stopping them, and there’s probably no answer. What matters is the here and now, being with the people you love and enjoying it while you can. Maybe that’s an overly simplistic view of things, but it’s what the series said to me, and I can sleep better with that.

Anyway, thanks for letting me ramble, and I hope you all got the same joy from Mister Miracle as I did. Sorry if you were expecting a normal review, but this is just an issue that you need to read for yourself. Suffice it to say, the series sticks the landing.

All that’s left to say is “thank you.” Thank you Tom and Mitch, thank you Clayton Cowles and Nick Derington, and Brittany Holzherr and Jamie Rich.

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Episode 162: Review MISTER MIRACLE #12 By Tom King And Mitch Gerads

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Welcome to the 162 episode of the Monkeys Fighting Robots podcast, this week we review MISTER MIRACLE #12 by Tom King and Mitch Gerads. Editor-in-Chief, Anthony Composto calls and talks with Matt about the epicness of the 12-issue mini-series. Thanks for listening, and enjoy the show.

Do you have a question for the show? Email robotsfightingmonkeys@gmail.com

Never heard of Matt Sardo?
For starters, he made the Kessel Run in less than 11 parsecs. Prior to that, he gave Doc Brown the idea for the flux capacitor and led the Resistance to victory over SkyNet – all while sipping a finely crafted IPA. As a radio host, he’s interviewed celebrities, athletes and everyone in between. He’s covered everything from the Super Bowl to Comic-Con.

Places you can find the show:
iTunes
Blog Talk Radio
Stitcher

Reviews are greatly appreciated – How to Rate and Review a Podcast in iTunes

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