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Review: Superman Steps into the Spotlight in DOOMSDAY CLOCK #8

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The Doomsday Clock Ticks Closer As Superman Takes Center Stage

Every time I want to complain about the release schedule of Doomsday Clock, a new issue comes out and blows me away. After seven issues, we finally got an appearance of Dr. Manhattan, and it was glorious. Ozymandias ends up being exposed for his lies by our omniscient superbeing, turning Rorschach, Mime, and Marionette against him. As Ozymandias gets away, he leaves most of our characters confused on what to do, as their mission is now a lie. With Adrian out in the world unchecked, the DC Universe is in grave danger. What will Ozymandias do now to get Manhattan?

Doomsday clock 8 cover

**Some Spoilers Below**

Story:

Stepping away from the characters of the Watchmen universe, we focus on the Man of Steel. Someone breaks into the Daily Planet and rummages through Lois’ desk. While she and Clark can’t figure out why news coming from Moscow requires Superman’s attention. Firestorm is at an anti-metahuman rally when the crowd turns violent. As they began to beat him, the nuclear man unleashes his molecule changing power, turning them all to glass. While he flees, Superman follows suit, hoping to find a way to save the people. Meanwhile, Ozymandias sees this incident as an opportunity to further his motives.

This is the best issue of Doomsday Clock yet. This takes the themes of Watchmen and blends them perfectly with DC characters. The tension of the situation is exceptionally intense and hooks the reader right in. I was stunned when I saw Firestorm turn the crowd into glass. Despite the adventures of the Watchmen characters, I had never expected a DC character to go that far. It was quite disturbing, but I loved it.

This issue also reminded me why I love Superman in the main DC Universe. Despite him being seen as an American and a Metahuman, he’s still seen as a force for good. He goes to Khandaq in search of Firestorm and the supervillain Black Adam welcomes him with a handshake. It’s a small moment, but it shows why Superman is the greatest hero in the DC Universe.

Art:

Do I really need to say the art is the best on the shelves? The art team continues to create these visuals that pull readers into this world. Every panel just oozes emotion, and I can’t get enough of it. The rally in Moscow is a prime example of this. From the claustrophobic panels of the protesters to the sheer horror in Firestorm’s face, it’s just amazing. This art almost justifies the length of time between Doomsday Clock releases. Almost.

Conclusion:

Everyone needs to read this comic. The emotion, the excitement, the horror, there is something for everyone in this comic. The only downside of this comic is knowing we have to wait months for the next one. Doomsday Clock is the series that keeps on giving, and I can’t wait for the next issue.

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BUFFY THE VAMPIRE SLAYER Has a New Home (and Series) at BOOM! Studios

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So, are you #TeamSlayer or #TeamVamp? You don’t have to make a decision straight away, but a decision must be made in January, as Buffy the Vampire Slayer makes her return to comics!

Back in September, BOOM! Studios announced it had acquired the publishing license of Joss Whedon’s Buffy the Vampire Slayer with the intentions of releasing new monthly comic book series, limited series and original graphic novels. That time is now.

From creators Jordie Bellaire and Dan Mora, in conjunction with creator and consultant, Whedon, the character will be reimagined from the beginning. The story will follow Buffy Summers as she tries to make friends at her new school, get good grades and try to escape her predetermined destiny as the next-in-line of a laundry list of vampire slayers that came before. The series will reintroduce fan-favorite characters, both good and evil, as a new threat will soon emerge that lurks underneath Sunnydale High School.

Whedon first-introduced the cheerleading vampire slayer, played by Kristy Swanson, in 1992 as a feature film and, four years later, bestowed the deed to Sarah Michelle Gellar, who took on the role in a series adapted for television, which ran for seven seasons.

In closing, we’ll ask you again, will you stand with the ‘Chosen One’ or will you side with the ‘Blood Suckers’? You have two great choices in the below variants by Miguel Mercado.

Keep an eye out for even more variant reveals, like the Jen Bartel one below, as we draw closer and look for Buffy the Vampire Slayer #1 to debut on January 9, 2019, on digital and in print on Jan. 23.

Click HERE for the official BOOM! Studios press release on the team variants for Buffy the Vampire Slayer and HERE for more information regarding the Bartel variant. You can catch up on the publisher’s acquisition of the rights to BtVS, HERE.

What do you think, are you ready to see Buffy pick up the stake again? Are you excited about BOOM! Studios’ acquisition and plans for the Buffy Universe? Let us know in the comments section below.

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[Review] Mystery Unfolds in IMMORTAL HULK: THE BEST DEFENSE #1

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Bruce Banner stumbles upon the charred remains of a former friend and ally. So begins Immortal Hulk: The Best Defense #1.

Bruce staggers into another dusty town, looking for answers to the question: “who murdered Stephen Strange?” Once he gets there, though, he finds more new questions than answers. The issue is one of two entries in a five-part Defenders event playing out over the next two weeks (the other being Namor: The Best Defense). And if this is any indicator, it will be a great ride.

The Writing

The title of the story in this issue, The Face Underneath, takes on a central significance throughout the book. Strange’s murderer is presumed to have stolen the Eye of Agamotto, and the amulet’s power to strip away illusions and reveal one’s true self becomes integral to the plot.

The tone of Immortal Hulk: The Best Defense will be familiar to fans of Al Ewing’s other Immortal Hulk issues. It’s a lot lighter on the body horror, but the sense of creeping dread remains strong.

The story has a slower pace, but that actually works in its favor in a way. A sense of unease permeates the entire story, and Ewing does a great job of building tension and mystery. Readers are left guessing until the last page, and even then, we’re anxious to see what happens next.

The Artwork

Simone Di Meo provides artwork for Immortal Hulk: The Best Defense. The result is a sketchy, though tastefully dark style well-suited to the story. Di Meo’s character designs are an unusual look for Marvel books, but I love it.

The creative team also repeatedly cut-in panels from the original six-issue Incredible Hulk run from 1962. On one hand, the call-backs honor the works of late greats like Kirby, Ditko, and of course, Stan Lee (though the latter would have died after this issue was already completed). Beyond that, though, they serve to advance the story, touching on some consistent themes in the character’s legacy.

Dono Sánchez-Almara shows a deft eye for earthy colors in Immortal Hulk: The Best Defense. Ironically, though, the color work really shines in the shadows. The darker tones, alongside Di Meo’s eerie and sinister-looking lines, produce some striking images throughout the book.

Final Thoughts

With excellent, suspenseful storytelling and artwork, Immortal Hulk: The Best Defense will get you geared up for the next Defenders reunion. I recommend it.

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Review: THE GREEN LANTERN #2 – Morrison Goes BUCKAROO BANZAI On Us

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The Green Lantern #2 hits your local comic book store this week with Grant Morrison and Liam Sharp taking the Green Lantern Corp. in a bold new direction.

It is insane how Morrison has taken the mundane concept of a ‘police procedural show’ and applied it to Green Lantern, because it works so well. The little details in the story and Sharp’s artwork make the book an enjoyable read. As mentioned in the podcast review of the first issue, Steve Oliff’s colors mesh with Sharp’s art to give the series a Heavy Metal feel. The way Sharp reimagines the Planet Oa is awe inspiring. With the story and art, The Green Lantern is shifting from the superhero genre into the world of science fiction.

Review: THE GREEN LANTERN #2 Morrison Goes BUCKAROO BANZAI On Us

Whereas Geoff John’s Green Lantern dealt with emotions of the character, Morrison is focused on the case. The shift in story type completely changes Hal Jordan from Maverick from Top Gun to Rick Deckard from Blade Runner. Morrison’s The Green Lantern reminds me of when I would spend hours in a video store in the 80s perusing the Sci-Fi section looking for the next film that would blow my imagination wide open. From Alien to The Adventures of Buckaroo Banzai Across the 8th Dimension, you can see the influences from which Morrison and Sharp are pulling.

With the cliffhanger at the end of issue two, Morrison can take this book anywhere. The not knowing is what is so refreshing and exciting about The Green Lantern. DC Comics has some much crazy weird history, it will be interesting if Morrison reinvents a character or creates something new.

Review: THE GREEN LANTERN #2 Morrison Goes BUCKAROO BANZAI On Us

Tom Orzechowski has his hands full as Morrison throws a ton of dialogue at him to letter. How does he decide what to cover in Sharp’s detailed artwork? Did we mention that Orzechowski has to letter alien dialects and accents too! With as much dialogue and general artistic chaos going on, the book is easy to read and follow because of the lettering work.

Sharp and Oliff’s work on Volk, a Green Lantern with an erupting volcano for a head, is just brilliant. The colors pop, and you feel like there’s a movement to the volcano. The artwork is so good it forced me to slow down my first read through of the issue.

Overall, the hype for The Green Lantern is real as it’s become a must-read.


Are you reading The Green Lantern? Comment below with your thoughts.

Review: THE GREEN LANTERN #2 Morrison Goes BUCKAROO BANZAI On Us

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[Review] SHAZAM #1 is a Welcome Return

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Billy Batson has been largely absent from the DC Universe since Rebirth back in 2016. But, with the prospect of a feature film on the horizon, it seems DC felt the time was right to give us Shazam #1. Fortunately, longtime fans who’ve waited more than a decade for an ongoing Shazam title should find plenty to like here.

The book gives us two different stories. First is the reintroduction of the Shazam team as they bust up a museum heist and discover a new subterranean mystery. This is followed by an origin for Billy’s sister Mary, detailing how she came to be part of the family.

The Writing

Geoff Johns is writing with a purpose here, focusing on getting the first story arc going with a running start. He chooses not to go into depths with Billy’s origin, and instead get straight to business with the heroics.

We get just enough backstory to keep up in Shazam #1. We know Billy has magic powers, and he’s living with several foster siblings in the Vasquez home (as seen during the New 52). Most exposition is confined to the first three pages of the first story, Shazam and the Seven Magic Lands. This allows new and old readers alike to jump right in to the action with the entire Shazam family (yes, even Hoppy the Marvel Bunny).

Shazam #1 has charm that can appeal to readers of any age. It also helps that this first issue gives us a chance to get to know our characters. The kids each have a distinct personality, and while some of their interactions can feel a little Hallmark-ish, I buy them as actual kids.

Any issues here are relatively minor; for example, it seems a little strange that a runaway living on the street would simply get filed into the foster care system. However, I’m willing to chalk that up to plot expediency. Beyond that, Shazam #1 is an excellent, lighthearted start to the series.

The Artwork

Different figures tackle art duties on the two stories in this issue. Dale Eaglesham provides ink for the first story, with color work provided by Mike Atiyeh.

Eaglesham does a good job laying out the panels and conveying a sense of motion throughout. However, his attention to detail really shines in the two-page spreads that crop up here and there. If there is a weak point in their pages of Shazam #1, it would probably lie in the facial expressions. Some come across as overly-exaggerated and distorted, appearing more manic than emotive.

Artwork for Mary is provided by Mayo “SEN” Naito, a Japanese artist new to the DC bullpen. The artwork definitely has heavy manga influence with softer line work and colors. It’s an interesting take, but it fit the character and tone of the story well.

Final Thoughts

Shazam #1 is a fun and fast-paced new adventure for the world’s mightiest mortal. This title that should appeal to both new readers and devotees of the character. I recommend it.

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NAMOR: THE BEST DEFENSE #1: Our Favorite Atlantean A**hole

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This week we get our first wave of the new era for The Defenders. Namor: The Best Defense #1 brings readers up to speed on the king of Atlantis. IMPERIUS REX!

Namor the best defense 1 cvr

***SPOILERS LIE AHEAD***

 

The best stance for a king of the sea to possibly take in today’s world is one against those of us on the surface world. From their perspective, we provide nothing but constant dumping of trash and poison into their oceans while we do nothing fight amongst ourselves and seek destruction.

This is a concept that writer Chip Zdarsky leans into hard, as did Jason Aaron recently in Avengers. Namor works best when he’s at odds with the surface dwellers. Which makes for an interesting starting place for a character who’s about to star in a Defenders book alongside a handful of air-breathers.

Here we see King Namor trying to form an allegiance with the Vodan, another underwater nation, against those upon the surface. Diplomacy does not agree with Namor and he finds himself in a savage fight against the other king.

In a time when DC is heavily promoting their own sea king with Aquaman‘s theatrical release around the corner, Marvel reminds us why Namor is superior. It makes for a nice contrast between the two, having so much Aquaman content coming out to compare one’s rule of Atlantis to the other.

Namor: The Best Defense reacquaints readers with the classic Marvel character, original Defender, and first mutant. It’s a pleasing refresher course on our favorite Atlantian asshole. Zdarsky navigates his complicated mindset successfully and takes us through his thought process like a classic Marvel comic.

There’s not much color given to the other characters in this issue, although it appears to be on purpose. If the Vodan are to matter in the future, it will be under new leadership as the old guard had nothing to bring to the table.

The strength of this issue is Zdarsky’s voice for Namor. It’s a perfect balance of smug king asshole and desperate leader working outside his comfort zone for the betterment of his people. Going into this new Defenders series not knowing how Namor fits into it makes for an interesting starting point.

The cosmic reveal at the end of the issue is a puzzling one, as well as the hooded ghost slasher mid-issue. Given that Silver Surfer is also on a member of this classic Defenders lineup, this issue’s cliffhanger raises plenty of questions. One thing is for certain, you’re definitely going to want to see where this goes.

Carlos Magno’s pencils are a joy to experience. They’re a heavily inked, unpolished style that does a service to the landscape. The sea creatures, kingdoms, and action sequences all have a certain flair to them. Magno also makes sure not to look too similar to the Aquaman designs we’ve been seeing in promos recently, which is going to be important for Namor in the future.

Ian Herring’s color elevates these pages even further. The contrast between the undersea trek and Namor’s war flashbacks is beautiful. The subtly in which the ocean backgrounds change color along with the story is eye catching.

Namor: The Best Defense functions as a catch-up issue with a classic character before joining a new team, but with much more to offer. Be sure to check out The Defenders: The Best Defense to see where these mysteries go.

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Review: MARTIAN MANHUNTER #1 Shows us a New Side to J’onn J’onzz

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A new, dark side of Martian Manhunter begins to be seen!

The Martian Manhunter is always that one hero who sits on the outside of the A-Listers. What I mean by that is he’s an interesting character, but because he doesn’t have Super or Bat in his name, he will stay in the back. It’s a shame because I still vividly remember the first time I found the character in the old Justice League cartoon. When I looked more into J’onn J’onzz, I realized how amazing he actually is. We now have a maxi-series for him in the New Justice era of DC. Will this series show the world the Martian Manhunter should be in the spotlight?

Martian Manhunter 1 cover

**Some Spoilers Below**

Story:

Taking place years ago, we follow Martian Manhunter as he investigates a murder in Colorado.

Along with his partner Diane, J’onn finds a family with holes blown in their chests. He learns that one of the members has possibly survived and goes to her room to find clues. The only clue he is able to find, however, is a substance called Fear Foam. This Foam is the equivalent of drugs on Mars, which leads us to a flashback to the planet. We learn that J’onn is less of the hero we have known him to be and more of a rough around the edges crooked cop.

martian manhunter 1 p 1

While I am not always a fan of a story with a slow build-up, but this issue is actually quite interesting. It’s clear this is going to be an origin story for Martian Manhunter and will start changing a few facets. While light on the action, this comic focuses on getting to know our favorite green man. I enjoy seeing J’onn being a character that has flaws that make him more human. By the end of the issue, I want to learn more about J’onn’s life on Mars and how it’s tied to the mystery.

Art:

Riley Rossmo’s style of illustration is going to split people down the middle. On the one hand, it fits the bizarre world that Martian Manhunter originated from. With unique designs and otherworldly settings, the flashback sequences will hook readers. On the other hand, it doesn’t quite fit the Earth sections. It’s hard to take J’onn’s human partner seriously when she has such a bizarre design. To this reader, however, there is plenty of good from the style to overlook the strange. Rossmo’s art captures the bizarre nature of the Martian Manhunter and I can’t wait to see more.

Martian Manhunter 1 p2

Conclusion:

The opening issue to the Martian Manhunter’s new series is an intriguing one. While it might not have action, it does give insight into the character that could bring in new fans. The art style captures the strange life of our favorite Martian, though it hinders the moments on Earth. Overall, I enjoyed this book and recommend it for fans and newcomers alike.

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A Heartfelt Goodbye To Cable In X-MEN: THE EXTERMINATED

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The creative team from Marvel Legacy’s Cable series reunite to give the big guy one last sendoff. X-Men: The Exterminated #1 acts as a bridge from Extermination to the upcoming X-Force series, but delivers much more.

exterminated 1 cvr

***SPOILERS LIE AHEAD***

 

In the wake of Exterminated, Hope Summers is having a hard time adjusting to her father (Cable)’s death. She butts heads with her grandmother (Jean Grey) as they go through all of Cable’s old safe houses to wipe them clean.

Thank god for Zac Thompson and Lonnie Nadler, they’ve shown such a deep love for not only Cable but X-Men comics in general with their brief history of work with Marvel’s mutants. The impact of Cable’s demise didn’t carry much weight until they got a hold of it here.

Making a comic book character’s death matter is no easy task in today’s Marvel continuity. Showing us the grief and pain through both Hope and Jean made this a memorable and touching sendoff for one of the greatest X-Men of all-time. These two go through such deep development in a single issue.

Hope’s surprise showdown with Deadpool is a wonderful interruption. Deadpool meant a lot to Cable, no matter how much Hope likes to disagree. We got to see his passing from both sides and what it means for both of them as they try to move on without Cable.

X-Men: The Exterminated didn’t have to be this profound and heartfelt, but I’m extremely happy that it was. Give it up for Thompson & Nadler again for utilizing Hope Summers as well. She’s a criminally underused character despite the love for her among X-Men faithful. It’s not only great to see her involved, but also to be deployed and developed so flawlessly.

Artist Neil Edwards raises the emotional impact as well. Rarely repeating expressions, there are a huge amount of emotions on display without over-doing anything that would take the reader out of these moments.

The heaviness of this script is illustrated in an effective fashion without bashing us over the head with the tone. Colorist Jay David Ramos keeps the tone lighter as well, never drenching us in dread or sadness but keeping the flow consistent and allowing the story to breathe.

X-Men: The Exterminated #1 is an emotional study of Hope Summers and Jean Grey as they navigate each other’s mourning of Cable together. This is a touching story about loss and family that should hit home with plenty of readers.

Quieter, more human moments like this in an X-Men comic are what makes them such powerful characters. No matter how convoluted or confusing the continuity can be, these characters are very much like us. Thompson & Nadler are a dynamic pair when it comes to telling X-Men stories.

Following the main story, the god of all X-Men creators (Chris Claremont) tells us a tale about Cyclops and Corsair. This story is the definition of short and sweet, showing us a moment in the cloudier days of Cyclops and his newborn son, Cable.

To properly enjoy this short story definitely requires an above average knowledge of X-Men comics. If you can jump in and understand what the hell is going on, you’ll enjoy this quick bit about two terrified fathers trying to do what’s right for their families.

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[Review] KILLMONGER #1 is Brilliant, Classical Tragedy

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Killmonger is a tragedy. It’s a tragedy because revenge is inherently tragic.” So says writer Bryan Hill in the afterword of Killmonger #1, the first chapter in a new five-part Marvel story. Hill’s words cut right to the heart of what this book, and the character himself, are about.

Most people reading this will have some familiarity with the T’Challa’s great antagonist (at least since the box-office smash Black Panther earlier this year). But, what really makes Killmonger tick? What helped shape the calculating figure he becomes?

Following the young N’Jadaka after he is kidnapped from Wakanda, the book explores the adult Killmonger’s quest for revenge against Klaue and the country he believes abandoned him. It’s the story of a man whose flaws will ultimately lead to his own destruction.

The Writing

Bryan Hill shows himself to be a true master dramatist with this book. Killmonger #1 is the first act of a tragedy in the Shakespearean sense. And, like any good protagonist in a story like this, Erik has tragic flaws.

Throughout the book, we see him overplay his hand and allow his confidence to sabotage his plans. Then, of course, there is his single-minded obsession with revenge. We witness Erik’s first steps down the path that will define him, going so far as to quote Moby Dick as he meditates on his hatred. And like Captain Ahab, this is what will ultimately take him down.

Hill suggests the true root of Erik’s desire, even beneath his justified resentment of Wakanda for their silence in the face of injustice, lies in his own fear. “Erik, despite all his power and ability, won’t allow himself to face his fears,” Hill says. “And that’s why this ends the way we all know it will.”

But, even though we know how this story will end, it’s fascinating to watch it unfold.

The Artwork

Artist Juan Ferreyra employs a softly focused style for Killmonger #1. The work has an illustrator-like quality, which comes through strongest in close-ups of characters. There is a level of fine detail present throughout, though, with gorgeous yet minimal backgrounds and designs.

Everything has a sense of motion and energy to it. There are few static panels. Even in quieter moments, you feel the tense weight of the story carry through.

Ferreyra’s art is a pleasure to look at throughout Killmonger #1, even in some of the most brutal sequences. For example, there’s one part of the story in which a character has a particularly nasty encounter with a window. But there’s a sense of refinement even among the gore of the scene.

Final Thoughts

Killmonger #1 is brilliant storytelling, pure and simple. It’s the story of a man consumed by his desire for revenge; a classic drama in contemporary setting. Highly recommended.

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Review: WINTER SOLDIER #1 – Bucky Creates His Own A-Team

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Winter Soldier #1 hits your local comic book store on December 5 with a great setup and an over the top cliffhanger.

The book is written by Kyle Higgins with art by Rod Reis and letters by Clayton Cowles. Winter Soldier #1 is an excellent introduction to the character, as Higgins hits the ground running with a new story but feeds you enough information so you know Bucky’s backstory. Reis’ artwork is what makes Winter Soldier #1 a MUST READ; the Bill Sienkiewicz influence really stand out on several pages.

In 1972, a crack commando unit was sent to prison by a military court for a crime they didn’t commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire… The A-Team.

The above script is from the A-Team, but it works to describe the plot of Winter Soldier #1. Where the plot deviates is with Higgins’ focus on redemption. Bucky is a broken hero and will forever try to repent for his sins. Higgins understands this is a Marvel Comic book and there are lighthearted moments, but when the story gets dark, it gets dark. The book has the feel of a Nightwing or Daredevil title. Heroes you love, but you know they’re destined to be beaten down because of their moral compass.

Review: WINTER SOLDIER #1 Creates The A-Team

As mentioned above, Reis’ art is brilliant. It’s a style that’s extremely appealing to me as it’s both modern and retro-experimental all at the same time (my head exploded coming up with the adjective). When the bullets fly in this issue, you’ll get ripped apart by the emotion on the faces of the people being shot. The violence is raw, and Reis’ work becomes unpolished, but it works for the action. The final page is a cliffhanger, and Reis does his best John Romita Jr. impression, and the angle of the panel is perfect to put you in the point of view of Bucky. Clayton Cowles does a great job with the lettering of the book, complimenting Reis’ retro-experimental style in the action sequences too.

Overall, Winter Soldier #1 is a must-read because of its self-contained narrative and intimate artwork by Reis.


Are you going to add Winter Soldier to your pull list? Comment below, and thank you for reading.

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