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Green Lantern #20 Review

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GLGreen Lantern #20 brings to a close the bombastically epic run of Geoff Johns’ Green Lantern, comprising over 100 issues of will-powered science fiction.  It has been just short of a decade since Johns made a name for himself as the man who put the green ring back on Hal Jordan’s finger in Green Lantern: Rebirth.  Since that time we have seen the meteoric rise of Hal Jordan and Green Lantern-properties, including several ongoing comic book titles, animated features, an animated series and even a (disappointing) Green Lantern film.  In the pages of the comic book itself, Johns has redeemed Hal Jordan, raised the stakes on a universal level and fundamentally changed/strengthened the Green Lantern mythology.

Green Lantern #20  is not only the grand finale to Geoff Johns’ Green Lantern saga, but also the current GL book-spanning story arc “Wrath of the First Lantern.”  While that story tediously dragged along in most of its chapters, the finale is the crazy summer blockbuster ending that Green Lantern deserves.  Volthoom, the “First Lantern” in question, continues his maniacal plan to remake the universe as he sees fit.  The issue isn’t really about Volthoom’s plan however, but it’s more of a tale that yet again reaffirms how strong of a hero Hal Jordan is.  The finale is a “greatest hits” of sorts for Johns and his Green Lantern universe, as we see staples from every major event that has occurred under Johns’ guidance, including Blackest Night and Sinestro Corps WarGreen Lantern #20 has appearances from every major character from the Green Lantern books of the past decade including Kyle Rayner, Larfleeze and of course Sinestro.  One of the high points of the issue is the narrative choice to flash forward to “Beyond Tomorrow,” where a young Green Lantern recruit wants to hear the story of Hal Jordan.  It’s a nice touch that allows readers to reflect on what has come before as well as closing the door on an era.

Of the comic books that I have read this week, this month or even this year, Green Lantern #20 was the one that truly amazed me.  The entire issue is a reminder of how awesome Geoff Johns has made the Green Lantern ongoing series, and it made me smile throughout the entire read.  Johns is at the top of his game with his final issue, giving closure to as many characters as he can while bringing things full circle to where he began.  Regular artist Doug Mahnke handles the majority of the artwork, while past series artists like Ivan Reis and Ethan Van Sciver make cameo contributions as well.  Mahnke ends on as much of a high note as you could possibly hope for.  Though he has his roots in horror and the grotesque, Mahnke has always given a more streamlined approach to Green Lantern that has resulted in some truly beautiful visuals.  The finale alone highlights Mahnke’s skill as an artist, with more single/double page spreads than you could will into existence with a power ring.

Green Lantern #20 is a fantastic farewell of a comic spread across 64 pages with no ad breaks, barring those with (worthy) industry praise for Mr. Johns.  Like many others, I hopped on the Green Lantern bandwagon sometime after the success of Green Lantern: Rebirth.  Thanks to Geoff Johns I have grown to love a character and mythology that I wouldn’t have given a second thought about 5 or 6 years ago.

Geoff Johns is a man who took a B-List superhero and made him a pop culture phenomenon.  He’s a guy who took the simplest and most obvious idea of a rainbow array of Lantern Corps and sold it without coming off as completely ludicrous.  Most importantly Geoff Johns is a visionary writer who truly believes in his work, which is why it’s so astoundingly successful.

Thank you Geoff Johns for sharing the Green Lantern universe with those of us who didn’t know any better.

“In Brightest Day, In Blackest Night…”

 

Final Grade: ★★★★★ 5/5 Stars

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Regular Show #1 A comic so good it will make you have a punchies competition

Regular-Show-1-cover-ERegular Show #1

Written By: KC Green

Art By:Alison Strejlau

Back Up Story and Art By; Brian Butler

The Regular Show #1 comic is a good example of what Television properties should be. Extensions of their characters done faithfully in the medium of comics. For those of you not aware Regular Show is Cartoon Networks second most popular show aside from Adventure Time. Fun for all ages and its characters are always endearing. It even won an Emmy in 2012 for best Animated short for the episode “Eggsicellent”.

Writer KC Green doesn’t play try to change anything that makes the show so fun to watch and its the right call. Rigby and Mordecai are still the main focus. KC nails their dialogue perfectly. Mordecai is still the chill easy-going of the two and Rigby is a spaz that is always seeking attention and approval from Mordecai.. Benson instructs Mordecai and Rigby to clean the local grounds during an out door concert. As if that wasn’t bad enough the band doesn’t rock at all. Out of sheer boredom Rigby and Mordecai decide that it would be way cooler if they could start a Mosh-pit in the crowd. They consider it impossible to do given the crowd, but within earshot of Muscle Man and Hi Five Ghost. Always up for a challenge Muscle Man accepts and it just gets funnier from there.

The rest of the story is too good to ruin but I will say it involves a Demon , Benson , and a giant rescue plan by the end. Artist Alison Stejlau manages to handle the art in this issue very well. The characters look how they should and yet she does a tone of great work during some more of the Mosh-pit sequence that really pops off the page. Specifically her layouts during these sequences are extremely creative and create a kinetic feel while you read that gives this book that sense of anything can happen craziness that works so well for the show.Not to mention the short by Brian Butler is just as funny seeing Rigby and Mordecai in line waiting to ride the Face Melter coaster…which is a coaster that melts faces. Again its simple but you appreciate just how good simple is when it involves these characters.

Kaboom! has another hit on their hands (given the fact that Diamond has already reported Regular Show selling out) and as long as the creators continue to free up their stories and aim for absurdity this book will stay in my pull list. There are far too few books that you and your kid can read and laugh at together. This is one of those books. Oh and for the record I don’t have a kid, I only assume your kid will like this book as much as I did END DISCLAIMER.

REVIEW SCORE: 8.5/10

MIKE DEVIVO

Follow me on Twitter @pandasandrobots

 

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Tales From the Water Cooler #107

Welcome to Tales From the Water Cooler!

Join Infinite Speech, Decapitated Dan, and the Canadian Webslinger each week as they gather around the water cooler of stories to talk about comics.

Listen in this week as the guys discuss Dan Con, play some Super Hero Jeopardy and then take a look at this weeks picks Mars Attacks #8, Uncanny X-Men #3 and Avenging Spider-Man #18.

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Tales from the Water Cooler: Episode #107

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Tales From the Water Cooler #106

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Welcome to Tales From the Water Cooler!

Join Infinite Speech, Decapitated Dan, and the Canadian Webslinger each week as they gather around the water cooler of stories to talk about comics.

Listen in this week as the guys discuss choosing between Blank Man and Meteor Man, play some Super Hero Jeopardy and then take a look at this weeks picks Powers Bureau #2, Colder #5 and Age of Ultron #1.

And don’t forget to LIKE us on Facebook!

Tales from the Water Cooler: Episode #106

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Batman and Robin- Remembering Damian Wayne

Earlier last week in Batman Inc. #8 Grant Morrison decided to end the life of Damian Wayne aka Robin in a heroic and violent fashion. Ive seen a lot of reviews stating that Damian going out like this makes sense and is the only way that Damian’s story could end.  Aside from Morrison having an established pattern of killing characters he himself creates it just left me feeling sad. I thought maybe it was just the brutal way Damian was murdered in the issue, or like all comics when a character dies its suppose to have meaning and in this way yes Morrison succeeds. However I finally realized its Peter Tomasi and Patrick Gleason’s run on Batman and Robin that is responsible for the sadness.

Batman visiting familiar territory
Batman visiting familiar territory
Since the new 52 relaunched  I have been extremely impressed with the amount of depth Peter Tomasi has given Damian. Starting off with Damian taking another life and  crossing that line because he wanted to protect his father was a nice beginning. Tomasi has continued from there on showing just why Damian was such a special member of the Bat Family. in later issues PEter Tomasi has Damian disobey his father to jump into an angry and crazed mob. As the reader you think oh Damian is just being rebellious but at the end of the issue you see that Damian put himself in danger to bring back Bruce’s mothers Pearl Necklace. I’ve wrote before that Tomasi is able to show the Father and Son relationship in his book so well that you believe in the progression of their story and the acceptance and love they have for one another.
Gleason’s art has been just as important to this series. Every facial expression every interaction displayed in perfect detail. Gleason’s pencils have just continued to get stronger and stronger with each issue. When this series ends I have to put it up there with one of the best written and drawn series Ive ever written. From creating new villains each issue to doing an amazing job at making me absolutely terrified with his take on the newly redesigned Joker Gleason’s amazes me with his art each issue. I look forward to picking up whatever project he starts next.
Which brings me back to the last issue they just released with Batman and Robin #18. Which I believe is the best comic I’ve read this year. There is no dialogue , only Tomasi scripting a heart breaking story of Bruce and Alfred coping with the loss of Damian. Gleason’s art again pairing perfectly in each panel as Batman tries to get his mind off of the loss of Damian only to have his memory remind him of his son every step of the way.  Which finally ends with a heart-felt letter Damian leaves for his father explaining why he disobeyed his orders in the first place and tried to save him which leads to his death. It’s a perfectly scripted moment showing how much Damian is in fact like his father. Which brings me back to the fact that yes Damian was Grant Morrison’s creation but in my opinion he felt more like Tomasi’s character in the end. I think the saddest thing about Damian’s death is that Tomasi and Gleason aren’t able to continue creating stories that involve Damian anymore. The first image of Damian I showed was not the way I want to remember the character, thanks to Tomasi and Gleason this is the way Ill always remember Damian Wayne.
Like Father like Son R.I.P Damian Wayne
Like Father like Son R.I.P Damian Wayne

Looking forward to seeing where the Bat Family goes from here..

Mike DeVivo

Follow me on Twitter @pandasandrobots

 

 

 

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Tales From the Water Cooler #105

Welcome to Tales From the Water Cooler!

Join Infinite Speech, Decapitated Dan, and the Canadian Webslinger each week as they gather around the water cooler of stories to talk about comics.

Listen in this week as the guys are joined once again by the Clergyman to play some Superhero Jeopardy and go over this weeks books, Sage #10, Superior Spider-Man #4, Indestructible Hulk #4 and Nova #1.

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Tales from the Water Cooler: Episode #105

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Thoughts on the Justice League Movie Rumors

jla3

If you are a comic book fan or at the very least a fan of Christopher Nolan’s Dark Knight Trilogy, you might have heard the rumor that Nolan and Bale are going to reunite for the Justice League movie.  The story goes that Christian Bale will once again don the cape and cowl, joining Man of Steel’s star Henry Cavill in the Justice League film.  Man of Steel director Zack Snyder is the rumored director, with Nolan in the role of series “Godfather.”  I am pretty cautious when it comes to the rumor mill, though I suppose it could happen, like the surprise announcement of J.J. Abrams directing with the new Star Wars trilogy.

There are several issues with this possibility.  After putting Batman and Gotham City through hell in The Dark Knight Rises, Nolan and co. took the unique route of giving Bruce Wayne a happy ending in a life of retirement with Selina Kyle.  After this reward for the tireless champion, would it really make sense for him to give it all up and re-enter the ring?  The Justice League movie in question could of course provide a high-stakes explanation that would force Wayne out of retirement to save the world with Superman, Wonder Woman and the rest, but I don’t think it would feel right.  Without delving into it heavily, Nolan’s films set up a very finite story for Bruce Wayne and a legacy that will live on through Joseph Gordon-Levitt’s John Blake.  I don’t want John Blake Batman in the JLA, and it’s been confirmed that that wouldn’t be the case, but I think they should just leave Christian Bale Batman alone altogether and start fresh.

Marvel Studios has obviously been successful in their world-building films, and DC/Warner Brothers is most definitely trying to match wits with the giant, but they lack foresight, and always have.   Even though DC Comics gave birth to the popular notion of the superhero (with Superman), they have almost always been behind the curve in relation to Marvel Comics.  The 1960s saw the birth of the Marvel superhero and with it a meticulous interwoven universe where Spider-Man regularly ran into The Fantastic Four and everything was interrelated.  Conversely, outside of Batman and Superman, the DC superheroes didn’t interact as often, and their universes were frequently inconsistent.  Even today, with The New 52, DC Comics massive reboot character depictions don’t really gel among many books.  The Wonder Woman of her own title feels vastly different from the one in Justice League, for example.

Iron Man and Iron Man 2 began the trend of laying the groundwork for future Marvel films, without sacrificing its own story (for the most part.)  I think that if Batman Begins and its subsequent sequels tried to do this by dropping mentions of “Superman in Metropolis” or “that Wonder Woman person” would’ve changed the nature of those films and probably ruin them altogether.  So I hope that DC/Warner Brothers cuts any ties to Nolan’s saga and starts off in a new direction with Man of Steel.  They want so desperately to have a presence as big as Marvel’s in the movie business, but they are nowhere near ready for it.  I pray that they realize this and take a slow-and-steady approach to an Avengers-style Justice League movie.  But I kind of doubt they will.  Oh DC, I love you so very much, but sometimes you are crazy man.

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Tales From the Water Cooler #104

Welcome to Tales From the Water Cooler!

Join Infinite Speech, Decapitated Dan, and the Canadian Webslinger each week as they gather around the water cooler of stories to talk about comics.

Listen in this week as the guys are joined once again by the Clergyman to play some Superhero Jeopardy and go over this weeks books, Sage #10, Superior Spider-Man #4, Indestructible Hulk #4 and Nova #1.

And don’t forget to LIKE us on Facebook!

Tales from the Water Cooler: Episode #104

 

 

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Requiem for a Robin

batman-inc-8DC Comics hasn’t been very discreet when it comes to the dire nature of Batman Incorporated #8, urging retailers to order additional copies, implying something big was going to happen. Then of course there was the recent media blitz where DC basically spoiled the fact that Robin AKA Batman’s son Damian would be killed. While the character has only been around for six years, he went through immense changes over several comic book series that caused him to grow as a more complete and heroic character.

The concept of Batman fathering a child with Talia al Ghul (daughter of enemy Ra’s al Ghul) was originally explored in Mike Barr’s popular 1987 one-shot “Batman: Son of the Demon.” It wasn’t until 2006 when Grant Morrison re-introduced the idea in Batman #655, which kicked off the arc “Batman and Son” as well as Morrison’s book-spanning run on the Dark Knight. It’s no secret that I am a huge Grant Morrison fan, especially of the things he has done with Batman in the past six years. And while I plan to take a greater look at that years-long story when it reaches its conclusion, right now I want to take a retrospective look at the character of Damian.

In “Batman and Son,” Damian was introduced as a nightmare version of Robin, a petulant brat with a taste for blood. Annoyances aside, he was merely a pawn in Talia’s war with Batman. Fans (including me) absolutely hated the character, which was Morrison’s intention. He originally had planned for Damian to die early on in his Batman run, in a drastic situation that demanded a heroic sacrifice, therefore redeeming the little snot. Things did not pan out this way, of course. Damian would make a few cameos here and there in Batman’s nightmares along with scenes where he was faithfully at his mother’s side. In the appropriately named Batman #666 Morrison took readers to a hellish future of Gotham where Damian had inherited the mantle of Batman, still seeking approval from his long-dead father. After the apparent death of Bruce Wayne/Batman in Batman R.I.P. and Final Crisis, a new Batman and Robin team stepped up: former Robin turned Nightwing Dick Grayson as Batman and the arrogant Damian as Robin. It was during the new Batman & Robin series that the character really started to grow, and readers actually began to like him. Damian was allowed to thrive in his role as Robin, under the guidance of the more lenient and understanding Dick Grayson Batman. Damian became a true hero in the 16 issues that Morrison wrote, facing struggles of humility, independence and in one case, physical disability. Once Bruce Wayne “returned from the dead” Morrison seemingly shelved Damian for the most part. It wasn’t until the first volume finale of Batman Incorporated that Damian came back into the fold, breaking his no-killing rule and realizing that Talia was the master villain that our heroes were up against. But despite growing into a hero alongside Dick Grayson, Damian had to prove himself once again to his father; both as Robin and as a son.

Damian Wayne was fearless and headstrong from the get-go. His violent nature and overconfidence made him the perfect pint-sized Batman, undoubtedly the son of Bruce Wayne. The humorous dichotomy of a dark vengeance seeker of justice in the form of a little boy is one of the reasons he was so well received as Robin. In the real world, the concept of Robin is obviously ridiculous. But Damian was truly a product of the comic book world: a 10-year-old boy trained by assassins, with the know-how to operate high-tech motorcycles and Batmobiles and stare the Joker in the face without even flinching. It is fitting that Grant Morrison, the man created Damian, would be the one to kill him; “The Lord gives and The Lord takes away.” Morrison, along with current Batman & Robin scribe Pete Tomasi really shaped one of the most compelling and interesting Batman characters in a long time. Morrison’s tale has obviously been about Batman, but after today it feels like it has simultaneously been Damian’s. He went out heroically, with “The Boy Wonder” fighting his evil clone no less. Comic book deaths can fall victim to being played for cheap shocks, but the death of Damian Wayne felt more deserving. Damian’s “Hero’s Journey” is over; a fitting end for a hero redeemed.

Robin R.I.P.

Source: Michael DeLaney, Comic Books: Requiem for a Robin

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Tales From the Water Cooler #103

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Welcome to Tales From the Water Cooler!

Join Infinite Speech, Decapitated Dan, and the Canadian Webslinger each week as they gather around the water cooler of stories to talk about comics.

Listen in this week as Decapitated Dan and Infinite Speech play some Black History Month Jeopardy and go over this weeks books, Powers: Bureau #1, Batman #17, Todd the Ugliest Kid on Earth #2 and Uncanny X-Men #1.

And don’t forget to LIKE us on Facebook!

Tales from the Water Cooler: Episode #103

You can click the link to listen to the podcast or right click “save link as” to download it.

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