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5 Classic Anime You Should Watch: Anime 101

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Welcome to Anime 101! I’m sure there are many new or casual Anime fans wondering, “What anime should I be watching?” In this lesson, there are 5 classic anime you should watch. Since these are well-known by vets of the art form, watching them will help you understand what those fans grew up watching, and subsequently give you more to talk about with them.

Anime 101 Criteria

Anime recommended in Anime 101 lessons will be:

  • Available to stream legally, making them easy to access.
  • Either be classics well-known by veteran anime fans, or recent shows that are popular.
  • 1-2 seasons long, of not more than 26 episodes per season (or, alternatively, a movie)

Do you have ideas for future Anime 101 lessons? Let me know!

Lupin III: The Castle of Cagliostro

Lupin III - The Castle of Cagliostro

Where to stream it: Hulu (dubbed)
Director: Hayao Miyazaki (Princess Mononoke, Howl’s Moving Castle, Spirited away – you know the deal, just about every Studio Ghibli movie)
Animation Production: Not listed; this movie was made before Studio Ghibli existed.
Vintage: 1979 (not dubbed until 1991)
Rating: G

After Arsène Lupin III successfully robs a casino along with his partner, Jigen, he finds that all of the money is counterfeit. He decides to track down the producer of these “Goat Bills” and steal every other treasure in the Castle of Cagliostro once he does so. This includes the resident damsel in distress, Clarisse.

Lupin III - The Castle of Cagliostro

The Castle of Cagliostro is the first movie that Hayao Miyazaki directed. Although it is not as smooth and pretty as many of his other works, it still has that same attention to detail and unexpected camera angles that Miyazaki is famous for. It is the most “friendly” of the Lupin III properties because Miyazaki made alterations to the characters. Usually, the characters are portrayed as much more dark and villainous. Because of this, the movie was criticized by fans when it released, but it gained popularity each time it was re-released. It has influenced scenes in movies such as The Great Mouse Detective, Atlantis: The Lost Empire, and The Simpsons Movie.

Although this film isn’t true to its source material, it is still a great heist flick, which is a genre not particularly plentiful in anime. It’s also a decent family film so you can watch it with your kids (provided you’re alright with gunfights – but there isn’t any gore). Plus, it gives you another Miyazaki film under your belt. There aren’t many available to stream, so you have to take the greatness where you can get it.

Ghost in the Shell

Ghost in the Shell

Where to stream it: Hulu (dubbed)
Director: Mamoro Oshii (Patlabor: The Movie, Urusai Yatsura)
Animation Production: Production I.G (Attack on Titan, Kuroko’s Basketball)
Vintage: 1995
Rated: NR (Mature Audiences Only, for nudity, gore, language)

The story takes place on a futuristic, cyberpunk earth. Technology is highly advanced and many people are cybernetically enhanced – some even to the point of having only their organic brain left. Such a cybernetic body is called a “shell”. Enter Major Makoto Kusanagi, a cyborg who works for Public Security Section 9. She and her team are attempting to track down a hacker known as “The Puppetmaster”, who has been illegally hacking into and erasing peoples’ memories (“ghost-hacking”).

Ghost in the Shell

This movie was animated with what was, at the time, cutting edge digital technology. It does slip into a very-blatant CG mode every so often, but since it’s usually through terminals it isn’t so bad. The rest of it is clean, detailed, and easy on the eyes. The music fits with the tone of the movie perfectly, though perhaps it isn’t the best choice for your everyday playlist. The movie explores some complex themes, such as sexuality and gender identity, which come into play because fully cybernetic bodies cannot reproduce.

Ghost in the Shell has heavily influenced movies such as The Matrix and A.I. Artificial Intelligence. There are even some similarities in Avatar. It is usually found in “top anime movies of all time” lists, and sometimes even “top animated movies of all time” lists. The movie is hard-core science fiction with a lot of technology to wrap your head around, which can be difficult for some to get through. It’s worth the watch, however!

FLCL

FLCL

Where to stream it: FUNimation (dubbed or subbed), Hulu (dubbed or subbed)
Director: Kazuya Tsurmaki (Evangelion 1.0, 2.0, and 3.0, Neon Genesis Evangelion: The End of Evangelion)
Animation Production: GAINAX (Gurren Lagann, Neon Genesis Evangelion), Production I.G (Attack on Titan, Kuroko’s Basketball)
AKA: Fooly Cooly or Furi Kuri
Vintage: 2000-2001

Naota is an elementary school student determined to be mature and act like an adult. Then Haruko, an alien woman on a Vespa, runs him over and smashes his head with a bass guitar. Haruko decides his head is “the right sort of head” to make portals that pull robots from the nearby Medical Mechanica plant. She therefore moves into his house, upheaving his life.

This is the most recent of the classic anime in this lesson, and it is only 6 episodes long so it’s quick to get through. It can be a bit of a difficult watch just because it’s so crazy and the story needs to be pieced together like a puzzle. The soundtrack is amazing. A rock band called The Pillows did all the music for the series, and if you can get a hold of the OST, it is a great addition to your playlist. The animation isn’t great – it is wild and rough, and frequently changes style. However, it’s fun, which is what this show is all about, really.

FLCL: the animation constantly changes style.

It doesn’t surprise me to know that one of the key animators for FLCL worked on Kill la Kill as the animation director. The action animation is similar, and many people from GAINAX left to form Studio Trigger (which produced Kill la Kill). I’m willing to bet the rest of the animation staff between both shows is similar despite the studio change.

Most fans remember FLCL fondly, and it has been on American television as recently as 2014. It’s worth a watch even if you’re just interested in seeing where animators from Studio Trigger came from.

Cowboy Bebop

Cowboy Bebop

Where to stream it: FUNimation (dubbed or subbed), Hulu (dubbed or subbed)
Director: Shinichiro Watanabe (Space Dandy, Samurai Champloo, Zankyō no Terror)
Animation Production: Sunrise (Tiger & Bunny, Accel World, Mai-HiME)
Vintage: 1998

Spike Spiegel, Faye Valentine, Edward Wong, and Ein the corgi are  a team of bounty hunters – referred to as “cowboys” – aboard a spaceship called Bebop. The main storyline is about Spike and his rivalry with Vicious over a woman named Julia. However, the show can be considered fairly episodic and explores a large number of topics such as drugs, homosexuality, existential ennui, and loneliness while documenting the misadventures of the crew.

Cowboy Bebop

Many veteran fans will name Cowboy Bebop as their first anime. It did a lot better in the U.S. than it did initially in Japan, perhaps because of the heavy western and pulp fiction influences that many in Japan wouldn’t identify with. It is hard to place a genre on the series because it crosses so many (also including science fiction, comedy, film noir, detective capers, and more). The animation is consistent – not amazing, but decent enough.

Cowboy Bebop is frequently found in top anime lists, and sometimes even in top sci-fi tv show lists.  The music, composed by Yoko Kanno and performed by The Seatbelts, ranges from wild and funky jazz to soulful blues, is often mentioned as a top anime OST.  The series is often noted for its character development and backstory. It has gunfights, space battles, gambling, and hacking. And if you like the TV series Firefly at all, you should especially check out this show.

Akira

Akira

Where to stream it: FUNimation (dubbed or subbed)
Director: Katsuhiro Otomo (also the creator of the Akira manga)
Animation Production: Tokyo Movie Shinsha (various Lupin III and Detective Conan movies, among others)
Vintage: 1988
Rating: R (language, gore, nudity)

Akira takes place in a post-WWIII, dystopian, cyberpunk Tokyo. It follows Tetsuo, a member of a gang led by his best friend, Kaneda. During a motorcycle chase with a rival gang, Tetsuo almost hits an esper released from a government laboratory by a guerrilla revolutionary group. When Tetsuo is taken into custody, it is found that he has psychic powers similar to those of Akira, the esper who destroyed Tokyo. Tetsuo is to be killed if his abilities go out of control.

Akira

Everything about this movie holds up today (except maybe the year in which it takes place, which is 2019). The story is gripping. The animation is fantastic and detailed. Not just backgrounds, either – character movement was meticulously animated. The music is unique and beautiful, and sometimes haunting. You will never see another movie like this one. I remember watching it as a teenager (my third anime, after Sailor Moon and Ranma 1/2) and being enthralled.

Akira consistently makes it into top science fiction movies lists, and if you ever see a top anime movie list that doesn’t have it listed, that source is bad and you might want to consider ditching it. It continues to influence works even today – one recent example is the movie Looper. It is also continuously referenced and spoofed (go ahead and watch the South Park episode about Cartman’s Trapper Keeper).

In short, if you are at all serious about watching influential classic anime, you need to watch Akira.

Honorable Mentions

Neon Genesis Evangelion: Unfortunately, this is not available to stream online at this time. But everyone knows about it, and many anime series spoof or reference it in some way, even in newer shows. If someone you know can lend you the original TV series, I highly recommend you take the plunge.

Ninja Scroll: I decided this was too graphically gross for a recommendation to new fans, but veteran fans do generally know about it. You can find it on Hulu (along with the worst synopsis ever) if you’re into gore and questionable sexual content.

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‘Game of Thrones’ Casts Legendary Max Von Sydow

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“Entertainment Weekly” is reporting that Game of Thrones has just cast another big name veteran actor. Max Von Sydow has signed on to join the cast for season 6 that is already in production. The legendary actor, who rose to fame for his role in The Exorcist, is also set to be in Star Wars: The Force Awakens this fall.

Max Von Sydow will reportedly play the Three-Eyed Raven, the mystical tutor of Bran Stark, who was briefly seen in the season 4 finale.

What do you think of this casting?

Max Von Sydow

 

 

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‘X-Men Apocalypse’ See 1983 Storm In Action

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X-Men: Apocalypse director Bryan Singer continues to teases his with Instagram photos while filming. The latest photo shows Alexandra Shipp (Storm) looking over Cairo in 1983. Singer is using Simulcam to watch the effects blend with the actors in realtime. This process was invented for Avatar.

Ancient mutant Apocalypse is unearthed after 5,000 years and recruits his four horsemen; Magneto (Michael Fassbender), Psylocke (Olivia Munn), Storm (Alexandra Shipp) and Angel (Ben Hardy). The Four Horsemen of Apocalypse try to reboot the world through destruction.

X-Men: Apocalypse is directed by Bryan Singer and stars Michael Fassbender, Jennifer Lawrence, James McAvoy and Nicholas Hoult, Oscar Isaac (Apocalypse), Sophie Turner (Jean Grey), Tye Sheridan (Cyclops), Alexandra Shipp (Storm), Lana Condor (Jubilee), Olivia Munn, and Kodi Smit-McPhee.

The film is set in 1980s and we will see younger versions of previously-seen characters.

X-Men: Apocalypse opens in theaters on May 27, 2016.

#Storm watches over #1983 #Cairo via the magic of real time #simulcam @alexandrashipppp

A photo posted by Bryan Singer (@bryanjaysinger) on

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Watch out for ‘Freeheld’

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Listen, I hate to be doing this so early, but you would have to say that Peter Sollett’s Freeheld can’t help but trigger Oscar discussions. As early as last October, I was on the airwaves in Dallas boldly proclaiming that Julianne Moore was going to take home the Oscar for Still Alice and if she hadn’t won last year she would almost be a lock to win this year. It will take a massive upset for her not to be nominated for Freeheld. If ever a movie was timely, and we all know how the Academy loves timely films, then this it.

Freeheld is based on a documentary that already has won an Oscar. It reveals the story of Laurel Hester, a New York cop diagnosed with lung cancer, who was trying to pass on her pension benefits to her female partner. Moore plays the lead role of Hester and Page is the younger woman who is facing an uncertain future. So Moore is dealing with a terminal illness, but she is also dealing a very timely cause in a film based on true events. I can actually see the Academy voters doing a happy dance in an anticipation of this picture. Just check out the trailer!

No, I’m not sobbing. I just have really bad allergies. I need to have a second. AGH! Okay!? I think that it’s safe to say that Freeheld will be a major factor during the awards season. I think it will be tough for Julianne Moore to win once again this year because the last time that was done was by Katherine Hepburn in 1967/68.

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Michael Fassbender and James McAvoy Sign On For More ‘X-Men’ Films

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According to a report by Heroic Hollywood Michael Fassbender and James McAvoy have signed on for more X-Men films. The report doesn’t contain specifics about how many films, it does say that FOX is also trying to sign Nicholas Hoult and Jennifer Lawrence as well.

Lawrence did say that X-Men: Apocalypse would be her last film. Money does have a way of changing hearts.

Comic-Con – “X-Men: Apocalypse” Hall H Panel Highlights

Comic-Con – "X-Men: Apocalypse" Hall H Panel Highlights

Check out the X-Men: Apocalypse panel featuring Hugh Jackman, Michael Fassbender, Jennifer Lawrence, James McAvoy and Nicholas Hoult, Oscar Isaac (Apocalypse), Sophie Turner (Jean Grey), Tye Sheridan (Cyclops), Alexandra Shipp (Storm), Lana Condor (Jubilee), Olivia Munn, and Kodi Smit-McPhee.X-Men: Apocalypse opens in theaters on May 27, 2016.

Posted by Monkeys Fighting Robots on Tuesday, July 14, 2015

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Beer Review: Not Your Father’s Root Beer

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Each summer a new drink pops up, quenching the thirst and wetting the palettes of those who desire something different. You may have noticed a new soda pop percolating, that would be Not Your Father’s Root Beer.

Not your Father’s Root Beer, brewed by Small Town Brewery, is promoted as being made from “unique ingredients with an unmistakable taste of nostalgia” or in other words, it tastes just like root beer. That unmistakable taste of nostalgia isn’t just a selling point. The smooth blend took me back to my first time having a root beer as a kid.

Make no mistake, at 5.9% alcohol, it  packs a flavorful punch. An ale with the taste of spices, Not Your Father’s Root Beer in a cold glass is perfect on a warm summer night.

Taste

A rich, sweet flavor that fills your mouth with the spicy aroma of a freshly brewed keg of root beer. Considering the alcohol/volume is higher than that of a beer, the contents are well masked by the full flavor.

Body

As fizzy as a bottle of soda so be careful you don’t rattle the case too much. The beer comes to a nice head when served in a snifter. Also, can be served in a glass with some rocks as it truly does taste identical to a glass of soda.

Price

The six pack at the local distributor ran about $13 with the case (24 Bottles) coming to about $45, which doesn’t offer much insensitive to stock up unless you really are a huge fan. That was the only drawback to Not Your Father’s Root Beer, otherwise I have no aversion to spending more on my beer as long as I know it is worthwhile.

Presentation of the Beer

The bottles and case all have an old school aesthetic which adds to the allure of the beer. The craftsmanship doesn’t stop with the flavor inside the bottle as the exterior is just as well taken care of with a faux wood look that takes you back to a simpler time.

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‘Deadpool’ Gets Meta In New Trailer

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The one thing you can expect from Ryan Reynolds and Deadpool is they will make fun of everyone including themselves. A half a million stopped working today to check out the trailer for the trailer for Deadpool.

When you’re stuck in a day
that’s gray,
and lonely…
Just stick out your chin,
and grin,
and say…
everything looks sexier in red.

Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

Deadpool stars Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano, and Brianna Hildebrand. The Merc With A Mouth will be in theaters on February 12, 2016.

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Joel Edgerton Gets Under Your Skin In ‘The Gift’

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The Gift, a psychological thriller starring Jason Bateman, Rebecca Hall, and Joel Edgerton comes out this Friday, August 7. Edgerton wrote, directed, produced, and plays the creepy ‘Gordo’ in the film.

“I think the big key of a psychological thriller is getting under the audience’s skin in a way that nothing is what it seems. That the question marks are constantly there. Their turning corners every second, thinking I know what’s around the bend and giving them a surprise. In a way that is very socially resonant and has a real domestic feel. That is a journey for them that is unavoidably scary because it is something that could happen in their life,” said Edgerton on what elements make up a good psychological thriller.

Edgerton also talked about his next film Black Mass and how he had a front row seat for Johnny Depp’s performance. We jokingly talked about Owen Lars showing up in an Obi Wan Kenobi solo film and how he should be more of a bad-ass instead of a moisture farmer.

Bonus track: True Detective Season 2 Episode 7 Black Maps and Motel Rooms

ABOUT THE GIFT, OPENING IN THEATERS NATIONWIDE ON AUGUST 7th
STX Entertainment and Blumhouse Productions’ The Gift is a heart-stopping, thought-provoking psychological thriller from producers Jason Blum and Rebecca Yeldham and actor, writer, producer and first-time director Joel Edgerton (The Great Gatsby, Zero Dark Thirty, Warrior), that asks the question: What if someone you wronged long ago reemerged in your life through a chance encounter?

Simon (Jason Bateman) and Robyn (Rebecca Hall) are a young married couple whose life is going just as planned until a chance encounter with an acquaintance from Simon’s high school sends their world into a harrowing tailspin. Simon doesn’t recognize Gordo (Joel Edgerton) at first, but after a series of uninvited encounters and mysterious gifts prove troubling, a horrifying secret from the past is uncovered after more than 20 years. As Robyn learns the unsettling truth about what happened between Simon and Gordo, she starts to question: how well do we really know the people closest to us, and are past bygones ever really bygones?

Along with Edgerton, producers Rebecca Yeldham (Kite Runner, The Motorcycle Diaries, On the Road) and Jason Blum (Insidious, Paranormal Activity, Whiplash), lead a creative team of incredible collaborators: cinematographer, Eduard Grau (A Single Man, Buried, The Awakening), production designer, Richard Sherman (Beautiful Creatures, Kinsey, Things We Lost in the Fire) and editor, Luke Doolan (Animal Kingdom) all working create a stylish, nail-biting thriller that is both artful and commercial.

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‘True Detective – Black Maps And Motel Rooms’ Recap

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True Detective season 2, has officially shed its skin. Gone are the comparisons to the first season, the lamenting of lost potential, the doldrums of boredom. Now, in this penultimate episode, this new amalgamation of True Detective has fully come into its own and become a thrilling endeavor in its own right. “Black Maps and Motel Rooms” is a taut episode from start to finish, with everyone and everything being ironed out; well, ironed out to the best of the ability of Nic Pizzolatto, who’s noir motivations for this season will always leave certain things murky.

One of the most fascinating elements of this seventh episode are the reveals that the three investigators and the plight of Frank Semyon overlap only slightly. As Velcoro, Ani, and Paul stow away in a remote cabin after looting the high-end sex party in last episode, Frank is given enough intel from Ray to go scorched earth on his betrayers. Those betrayers include just about everyone under his employ including, of course, Blake (Christopher James Baker), his slimy girl-running assistant. Once Frank is informed Blake is in with Osip – and a slew of other ancillary plot information that boils down to Frank being screwed out of his casino and nightclub – he decides to wipe the floor with his past and hit the road with Jordan.

True Detective Vince Vaughn

The scene between Frank and Blake is peak Vince Vaughn, at least True Detective Vaughn. It is the one true moment the series when Vaughn’s verbal dexterity feels right, and his imposing frame pays off. Frank kills Blake, puts on a good face when Osip informs him he is no longer the boss (but hey, Osip agrees to put him on the payroll), then proceeds to light up the LA skyline with fire.

Meanwhile, our three gumshoes are having their own problems. Paul is receiving compromising photos of his tryst with his former Black Mountain colleague on his phone, and Ani and Ray are wanted for different reasons. First, Ray and Ani: their romance was inevitable from about the third episode. However, the way Pizzolatto handles this development should be commended. Early in the episode, Ani tries to use her sexuality to deflect Ray’s questions into her past, but he rejects her offer. In the final moments, the two then share a touching and emotionally charged moment of clarity. These are two broken people, perhaps resigned to their own fate, looking for a final human connection. Both Ray and Ani have made amends in their personal lives, and the moment feels right. The way it builds is perfect, an emotionally engaging moment in a season that has been lacking any true, soulful punch.

True Detective Taylor Kitsch

Now for Paul. Once Paul discovers he is being set up with the blackmail photos, he works his way out of a jam only to be murdered by Burris (James Frain), the cop who worked with the Vinci police chief to get Ray on the case and, clearly, set him up in the end. Paul’s death was shocking, but it felt as inevitable as the romance between Ray and Ani. Taylor Kitsch has felt like the outlier this entire season of True Detective, and now perhaps that was the plan all along. Regardless of how loosely drawn Paul’s character may have been, his death was an impactful.

And now we have one ninety-minute season finale next week, as the show has come into its own. After the first three episodes I was wondering how I would make it through eight. Now, after this tightly-wound, completely satisfying penultimate episode, part of me wishes they had chosen to go to ten. While the plot still remains secondary to the characters, at least we have reached some form of clarity as to who did what and why; at least to a point. Leaving confusing threads dangling in the noir winds is par for the course in this type of storytelling, so being confused with the true mechanics of the plot is nothing to worry about. HBO wants a third season of True Detective, and I feel like this second season has finally earned Pizzolatto another go round.

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Review: ‘Irrational Man’ Is Captivatingly Putrid

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What seems to be Woody Allen’s 900th film, Irrational Man, is reminiscent of a collection of sticky notes that, when you put together, don’t make much sense. You get the feeling Allen was cleaning out his production office and found these plot ideas he had written down, and decided to just put it all together and see what transpired.What transpired is an incoherent film, stumbling from beginning to end. Seeing this film was like watching a John Woo style slo-mo car wreck

Irrational Man is about a philosophy professor named Abe (Joaquin Phoenix), who is obsessed with murdering a judge, and Emma Stone as the student he romances.

The biggest problem with this film is the screenplay. Joaquin and Emma try to create characters you can relate to, and even develop some sort of empathy for, but the script keeps putting up road blocks. The script was written with 79-year-old New Yorker sensibilities; too bad Emma Stone is 26 and Joaquin Phoenix is 40. With this confluence of circumstances, the end result is a motion picture equivalent of Ambien.

Irrational Man

Both Phoenix and Stone do their best with what they are given. Joaquin tries his damnedest to deliver line after line, playing the depressed Philosophical scholar, while trying to fend off the affections of his student, Stone. At times, you do see a certain spark on the screen, but then we fall into what I would call the “Woody Vortex”. The Woody Vortex is when you have onscreen voice-overs describing actions that just happened mere seconds earlier. It seems every time I thought we would have some sort of momentum, another voice over would pop off. It was an Irrational decision made by Allen, and contributed to the general malaise throughout the picture.

When faced with these daunting obstacles, it’s hard for even the best of actors to pull of a commendable performance. Stone’s performance is poor, flat out. Nothing she attempts on-screen comes across as believable, but the script didn’t do her any favors.

Joaquin Phoenix’s performance can only be described as… erratic. He is supposedly this highly-regarded college professor everyone fawns over, and he is mired in regurgitating just how horrible his life has become.  Woody Allen expects us to believe these two characters are who they are supposed to be, and doesn’t provide either of them with enough material in the script to achieve that goal. It’s as if he thinks we actually give a damn about his characters just because they happen to be on the screen.

In the end, Irrational Man just keeps tripping over itself from beginning to end. From its lack of cohesiveness to a lack of a polished script ,this movie borders on unwatchable. I truthfully can’t think of anyone I would want to subject to 94 minutes of discombobulation. Irrational Man is one of the most captivatingly putrid movies of 2015.

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