Check out the latest Star Wars: The Force Awakens Poster that was just released.
What do you guys think?
Okay, so there is a part of me deep down that really disliked this episode of Comet Lucifer and want to tear it a new one. The only reason I am not going to do that is because it’s still early in the show and I guess I haven’t grasped the entire tone of what it’s going for. That said, there are many things in this episode that made it feel like a big fucking waste of time.
So life goes on as normal, I guess. Even though Felia and Moura have moved in and we know Moura can transform in a giant robot, everyone is treating it extremely casual. That is until Do Mon’s pot of curry is spilled over (his roof being destroyed was no big deal, but wasted food is grounds for kicking everyone out for the day). So Sogo, Kaon, and Felia are left to explore the town.
Then some wacko who sees Felia’s magic decides to take control of the whole cities electronics to scare, I think, Felia because he is intrigued by her. It takes till the tail end of the episode for Sogo to activate Moura and Moura takes out a hijacked mech. This also puts the random guy out of commission because of collateral damage. The episode ends with the brown-haired military guy recruiting this random for some sort of team he’s forming, which probably also includes that blood thirsty boy.
I knew this would come eventually. There would come a show that intrigues me visually and has a couple okay opening episodes. Then it would proceed to immediately shit the bed. Okay maybe that’s not what Comet Lucifer has done just yet, but if the rest of the episodes are like this I don’t know what I’m going to do. So lets start off with the negatives so I can finish this article with some positivity.
So yeah there’s a lot of dicking around this episode with the protagonists just walking around town and Felia being amazed at everything. I think this is super unnecessary because we got plenty of that last episode. I get it, everything is new to her, move on. Don’t get me wrong I don’t expect Felia to not be amazed by the town life but I don’t think it was necessary for half of an episode.
Also there’s a point where a sandwich shop owner mentions that Kaon and Sogo might be on a date. Kaon refutes it and gets all embarrassed. Then Sogo (who was standing two feet away from her) asks what she’s so embarrassed about. That was stupid. It falls under that unaware love interest male trope, but when its this obvious its painful. Although its stupid it doesn’t compare to some of the other absurdities that happen in the second half.
This random glasses guy, who I’ll refer to as glasses for the episode, was making me roll my eyes for the rest of the episode. Glasses clearly doesn’t know how to show affection in any way possible. But not only that but he for some reason likes to hold responses to questions other people ask until several minutes later. There’s this point where the protagonists apologize to Glasses for dropping cake on him and they ask him if he’s alright. He gives a normal response, then two scenes later responds to the same question truthfully with devious connotations. Do people actually do that? Maybe only the crazy ones.
Comet Lucifer also has one of the biggest misintentional fakes I think I’ve ever seen. Theres a point where one of Glasses’ robots is chasing after them and Sogo stares at it all intense, and then does nothing. What the fuck! Why didn’t he activate the crest and have Moura get in there. Did he just want to stare down the robot before turning tail and running? It so made it seem like he was going to deal with this robot and activate Moura, but he doesn’t. There’s another scene where he attacks it with flying scooters, so I assume it wasn’t out of fear. Did he just forget? This episode is littered with points in where the plot moves in the most retarded way and listing them would be too much of a chore. You’ll just have to go see for yourself. But believe it or not there is a reason for me to not give up and continue watching this show.
One of those reasons is that despite the convenience and convoluted way they introduced Glasses, he’s going to be sticking around. The execution was bad but the concept of the chief guy collecting dangerous people for his team is kinda interesting. Plus we won’t need an introduction because this episode showed us exactly what Glasses is all about. Still the convenience of the chief and Glasses just running into each other is annoying.
Also it’s just the fact that nothing really did happen this episode. There really wasn’t anything that changed the story. In fact well still don’t know the story. So that’s what I’m holding onto for the most part. This show seems to have a bunch of good ideas and a good foundation, but they seem to be tripping in execution. If they keep tripping into important plot points and character moments, I am not going to have a fun time. But hey, at least the opening is pretty!
Matt Reeves, director of War For The Planet Of The Apes, made this announcement on twitter.
#It has begun.@ApesMovies pic.twitter.com/6AZVzWfJXW
— Matt Reeves (@mattreevesLA) October 17, 2015
It seems that filming has begun on the third installment of The Planet Of The Apes prequels. What we have here is two actors both wearing motion capture suits. Woody Harrelson has signed on to play the main villain. Andy Serkis seems to be excited about this casting. Check out this tweet.
Excited to work with the one & only Woody Harrelson & back with @mattreevesLA very soon! #WarForThePlanetOfTheApeshttp://t.co/k5UaASRtMq
— Andy Serkis (@andyserkis) September 16, 2015
Are you excited to see War For The Planet Of The Apes?
A short time ago this tweet was sent out from the Good Morning America twitter handle. 
The tweet was quickly deleted a short time later but then this commerical was shown as well.
Could we be getting two surprises that tie into the release of the final The Force Awakens trailer? Monday is turning into quite a Star Wars day!
A tweet from ESPN Caribbean account confirmed the biggest rumor floating around the internet as it pertains to Star Wars: The Force Awakens.
https://twitter.com/ESPN_Caribbean/status/655473431354482689
The trailer for The Force Awakens will debut on Monday Night Football during the Giants and Eagles game. Speculation is that shortly after the trailer airs you will be able to purchase tickets and that the trailer will hit the internet as well. Star Wars and Football in the same place , seems like a match made in heaven!
As we countdown to the debut of Star Wars: The Force Awakens, details are emerging about ticketing and how you can go about purchasing them. Fandango released this image accidentally but we were able to get a screen shot of it.
It seems as if the people at Fandango had a bit of an itchy trigger finger on the send button, but as you can clearly see, you will be able to purchase a marathon ticket in the same way you were able to before Avengers: Age Of Ultron opened. The run-time for all the films is somewhere in the neighborhood of 15 hours which means if the movie theaters plan on having an early 7 pm screening on the 17th of December, that the marathon would have to start at 3 am. Would you sit through 15 hours of Star Wars?
Following the disappointment that was the Rugby World Cup for English fans Doctor Who can return to its status as top dog of Saturday Night TV in the UK and the episode “Before the Flood” starts out in the most epic way possible – having The Doctor playing Beethoven’s Symphony No. 5 on an electric guitar.
The previous episode “Under the Lake” ended on a huge cliffhanger with The Doctor seemingly dying in 1980 and his ghost appearing in 2119. Clara and two other members are trapped in the base and have to flee from ghosts wanting to kill them for their energy. In 1980 The Doctor and the other two members of the crew go back to the abandoned village before the flood, trying to figure out how to stop an alien threat and prevent their own deaths.

This episode has a ballsy introduction, having The Doctor speak directly to the camera, describing an event from his past and the concept of a Bootstrap Paradox (as The Doctor says ‘Google it!’). It is a daring opening, setting up the concept of the episode and giving Capaldi’s Doctor more personality and character traits. Capadi is coming more into his own in this version of The Doctor, being more distinctive then he was in the previous season. Capadi is now showing a greater mix of light-heartedness and while keeping his serious side. One of the best moments in the episode is when The Doctor sacrifices one of the people who travel back to 1980 with him and is chastised for valuing one life over another. It hits harder because it was the character who most idolized The Doctor and who was excited to be a part of one of his adventures. This Doctor shows a colder edge to his previous incarnation of the famous Gallifreyian.
“Under the Lake” was a simple base in peril storyline and effective at using its limited space. “Before the Flood” expands on the story, effectively blending the parallel timelines and how they collide together, being a brilliant piece of writing by Toby Whithouse – who brings it all together at the end. In 2119 Clara has to use to intelligence, ingenuity and experience to ensure her own survival and to help The Doctor as much possible – who is stuck in 1980. When The Doctor was unable to return to 2119 because he was stuck in his own timestream and this leads to a story reference to Back to the Future Part II, a movie whose future date, October 21, 2015, is fast approaching.

The premise is The Doctor trying to prevent his own death, but long time viewers know that this was a fake out before the episode even started: there was no way the show would kill off The Doctor. There was obviously going to be some sort of twist and lowered any scene of tension that the episode would have had. We have been spoiled by shows like Game of Thrones and The Walking Dead that is willing to kill of major characters at a moment’s notice.
“Before the Flood” also introduces the villain The Fisher King, the body that was being transported in the previous episode. He was voiced by Peter Serafinowicz, best known for his roles in Shaun of the Dead, Spy and voicing Darth Maul and had Corey Taylor, the lead singer of Slipknot, doing the monster’s roar: they were the best part of the monster. They ensured The Fisher King has a sinister presence, giving him a very menacing voice as he taunts The Doctor and the history of his race. Despite being a fairly generic monster-of-the-week, you would want more of Seranfinowicz’s voice. The design is more disappointing, looking like a very tall cross between the aliens in Independence Day and the Predators. The Fisher King could have been a great villain if he was developed more.
“Before the Flood” is a solid entry for Doctor Who and a slight improvement over “Under the Lake” because of its use of more ambitious writing. Season 9 is so far a massive improvement over the previous one and next up we have The Doctor teaming up with Ayra Stark.
The Horror Advocate makes cases for the under-appreciated cinematic treasures that lurk just beneath your bed. If your horror film is publicly derided, undeservedly ridiculed or generally forgotten, you may find yourself in need of… The Horror Advocate.
Resolved: Trick ‘r Treat remains a criminally under-seen masterpiece that could very well stir young, unawake horror fans into consciousness and guide the genre for years to come.
If I was a parent* whose child wakes them one night in a near catatonic state of fear exclaiming, “Daddy, the little pumpkin boy is after me!”, I’d know they’d found my copy of Trick ‘r Treat and held a wonderfully unsupervised screening. I would probably pick him or her up and let them cold turkey the nightmare in my bed, but inside I’d be smiling, twiddling my fingers like Mr. Burns. Eggcellent.
In today’s world, rummaging through mom and dad’s collection of VHS tapes, discovering the strange titles that hold their interest isn’t commonplace. Now, with the whole of history’s collection of movies and tv available at a moment’s notice, everyone is able to discern their own tastes from the comfort of their own couch. This library of knowledge and entertainment assuredly has its benefits but without essential guidance beginning at the outset, the path to an understanding of the medium becomes more muddled and difficult to navigate. It’s why, as children, we are placed in schools separated by grade level and not just kicked to the curb of the local library by our mom saying, “Go forth and learn, my child!”
Curation is key to the process of a refined education (your experience with The Cabin in the Woods is heightened after you know the unspeakable terror Ash and Friends faced in that horrible cabin 30 years ago). Also key is the idea of accidental curation. I sure as hell wasn’t meant to discover that recorded version of John Carpenter‘s The Thing at the ripe age of 10. My parents had to know, me being the industrious movie fiend I was shaping up to be, that I would subject myself to that torment without their considered approval. But the tape was in the collection, and was hereby dignified with the value that it held value with my parents. That was good enough for me.
I’m not implying that you should encourage your children to go and find all this stuff on their own and I don’t believe that just anyone can handle the horror and understand the meaning of The Shining. It’s because I believe this that I think introducing adolescents to the genre’s offerings should be selected and shown under comforting supervision. Some films are intentionally more harmful than others and many films, while explicit and horrifying in their own rights are completely harmless and healthy in the growth of a young horror mind.
Trick ‘r Treat is exactly in the latter category. The 2007 horror anthology by Michael Dougherty is a sprawling love letter to Halloween. It brings together four intertwining stories, all taking place in the same quaint Ohio town, about people defacing and learning to respect exactly why we celebrate this most holy of unholy holidays. This intertwining nature works so well to set up and pay off all characters and story threads that I don’t want to spoil it here by undoing the knots. It works as the best kind of anthology film, telling one full story through the guise of many smaller ones. Trick ‘r Treat deals with the ideas of lighting jack-o-lanterns, passing out candy, checking your candy, dressing in costume, being a little promiscuous, etc.
All of these issues are ones that growing children are dealing with and will deal with very, very soon. The movie posits that growing up with respect for others and respect for yourself is paramount to being a good person — or at least to not getting your throat cut with a pumpkin lollipop. Stars Anna Paquin, Dylan Baker and Brian Cox all relish their characters’ stereotypes while never actually being bound by them because of the smart scripting by director Dougherty. The gore is abundant and the scares are real and develop naturally but the film is never mean-spirited. Laughs are peppered in just as much as the blood and the film is lit with the comforting hues of fall weather so that things never feel too dark.
The bottom line is that there are moments in Trick ‘r Treat which will scare and amaze children and young teens in ways they might not yet have experienced (a scene involving a few pairs of breasts might likely be their first isn’t played purely as sexual, but rather a transformation into one’s true self). The film walked a very difficult road to the screen and was virtually dumped into a handful of theaters and thusly shoveled onto home video. The film has thrived in that format despite its initial struggles but remains a title that hasn’t received the attention it deserves. It is a holiday movie that should be on rotation just like It’s a Wonderful Life at Christmas. The next time you watch it, consider grabbing your curious 12-year-old who prefers monsters over football and see if Trick ‘r Treat ignites the spark that could create the next Sam Raimi. At the very least, it should deter them from defacing private property for quite some time.
If you haven’t seen it, change that now (it’s currently on HBOGO)!
*I don’t have kids, but I used to be one.
Wherever man hungers for flesh, “There too Lilith shall repose.” ~ Isaiah 34:14
I recently had the opportunity to screen the new psychological thriller Lilin’s Brood. Intrigued?
Lilin’s Brood is the new psychological thriller written and directed by the creative team, MansA Mojo Brothers (P.W. Simon & Arti Smith) from Some Sirius Ship Productions. The cast is comprised of virtual unknowns, but a couple of times you have ah-ha moments of: It’s ‘that guy’ from that ‘that thing’ you just watched and don’t know their names – tis the curse of the character actors. There are definite aspects of the film I appreciate, but it has flaws as well.
Lilin’s is presented in the “found footage” style akin to The Blair Witch Project. It is the story of a “new media” investigative team, W.H.I.S.T.L.E., which is trying to solve the mystery of the disappearance of several men. The men, as far as the team can tell, were not connected to each other in any way. Their personal and private lives did intersect.
In digging deeper into the lives of the missing men, the investigators – Vanessa, Wolf, Danny, Thomas, and Art – discover a possible connection between the missing and group of brothels. What is interesting about these brothels is that they are rumored to be connected to the illegal organ harvesting and trafficking trade and the team finds this compelling enough to go in search of one particular house of ill-repute.
Their mobile investigative RV gets into an accident, they encounter a creepy stranger that offers help for a ride, and they stumble upon the brothel, or so they think they did. The whore house is run by Madame Plu (Melinda Milton), an odd woman with an indistinct accent (she’s was going for Creole, but at times is waffles on some indistinct African accent). Truthfully, her accent is so “put on” and campy that it becomes annoying and painful to the ears. There is also the African-house music playing in the background that adds to the cheese and euro-trash creep factor.
While waiting, in the brothel, for AAA the cameramen go exploring the grounds in hopes of finding some evidence to link them to the disappearances. Their “bathroom” breaks are covers for them to covertly place hidden cameras around the house. One of the investigators follows a mysterious girl into a secluded lower level. The girl is quite animalistic and she feigns to seduce him and then bites him. He freaks out and gets away and notices that there are men – Johns – kept in the depths. Something isn’t right about this place.
At the same exact moment, Madame Plu is attempting whew Vanessa, the female crew member, into the fold. She wants her to become part of “family.” This female-centric cult dedicates their existence to the service of the mythical being Lilith. The legend goes, she was the mythical first wife of Adam in the Garden of Eden and that she left Adam because she did not want to submit to him. The cult is dedicated to her path and service. There is a lot of lady-parts imagery around. The Madame of the house connects with Vanessa because they are both from Louisiana and she feels a kinship with her spirit. She wants her to succeed her as new leader of the clan.
The crew’s arrival at the door of the brothel falls on a very special night. It appears that it is the night of some sort of mystical birth/rebirth or ascension for their deity Lilith. The male crew members become sacrifices and possibly food. Madame Plu remarks, “Wherever man hungers for flesh, you too shall repose.” Once men pass over the threshold they can never leave alive…it’s a darker Hotel California.
The found footage is dark, confusing, and sometimes terrifying. As a female I like the vagina-centric slant, but I root for some of the men to survive. All men, the weaker sex they may be, do not deserve to die.
The depiction of Madame Plu is annoying and over-the-top. Her accent is never quite right, and the character is so campy and OVER acted that you can barely stand to listen or look at her. Apparently she did not watch True Blood to see, with the exception of Bill Compton, what people from Louisiana are ACTUALLY supposed to sound like. But if you can get past that character the rest of the acting is not too bad and the story moves along well-enough.
The character of Vanessa is portrayed by a fresh face Maxine Goynes and she carries the role with ease. She doesn’t overact; she delivers her lines in a very natural way. She has conversation with her costars in instead of just delivering lines. Brent King (Danny), Martin Sensmeier (Wolf), and Arti Smith turn in nice performances as well. The men also bring a humor and realism to the story with their gross-out behavior – which is often needed in this genre of films so that they are not complete downers.
Although Lilin’s Brood can be a bit convoluted at times – I believe that this can be solved with some additional editing – it is an interesting and worth a watch.
While speaking to IGN during promotional rounds for his upcoming The Last Witch Hunter, actor Vin Diesel gave fans a sneak peak of his take on Black Bolt, the leader of Marvel’s Inhumans. Diesel has himself fueled rumors and has all but admitted to the fact that he will be playing the character in the upcoming film scheduled to be released in 2019 (Despite several unconfirmed rumors to the contrary).
Speaking of the project, Vin Diesel thinks his casting in the role would be genius. Saying
“It would be… put it this way, when Kevin Feige started talking to me about… who would ever think? A voice for one thing and presence for another would be pretty genius – it’d be pretty genius. Whenever my father sends me an email, at the end of it he says ‘stay human’ – and it’s cool and beautiful, but what is he really trying to say. Is he trying to say I’ve been affected by Terrigen Mist? Does he want to cocoon me again?”
At this point, unless Marvel Studios decides to throw fans a curveball, it appears Vin Diesel would definitely be playing the Silent One. Be sure to watch Vin Diesel’s “Black Bolt Audition” in the video above and leave your thoughts in the comments!