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Agent Carter Season 2: “Monsters,” A Recap and Review

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The Recap

This episode of Agent Carter, “Monsters,” which aired immediately after the previous episode, “Life of the Party,” starts off with a bang. Frustrated with the lack of follow-through in getting his containment device completed, the otherwise polite and sunny Dr. Wilkes has an emotional outburst in which he questions the necessity of hunting down Dottie Underwood. Wilkes demands that more work be done to solve his problem and I don’t blame him. If he may actually disappear forever at any moment, who cares about the well-being of a Soviet killing machine when the life of an apparently good-natured genius hangs in the balance?

Agent Carter Season 2 "Monsters"
Only Whitney Frost can break Dottie Underwood

Kicking off this episode for the baddies, we see Vernon Masters hard at work attempting to get information out of Dottie Underwood. As an interesting twist, though, Dottie resists Masters’s attempts to break her. Instead, the woman with the sparkly facial tattoo, Whitney Frost, is the only one who can break Underwood. And break her she does. Dottie spills every bean she has. She tells Frost about the mission she was involved in to steal Frost’s blood (last episode) and that Agent Carter needs the Zero Matter in Frost’s blood to help save Wilkes who is “a ghost.”

This was a good sequence. The belligerence that Dottie (Bridget Regan) treats Masters (Kurtwood Smith) with as he tries, and fails, to torture her is noticeably different from the childlike fear Dottie shows when she breaks after just a few seconds at the hands of the super-powered Frost (Wynn Everett). Information extracted, Frost reactivates the homing device that Peggy had previously supplied Dottie with and leaves Dottie tied up.

Agent Carter Season 2
One of the kisses you’ve been waiting for … kinda’: Agent Carter and Dr. Wilkes make it personal in “Monsters”

Meanwhile, Peggy and company are finally getting Dr. Wilkes’s containment device going thanks to the pilfered Zero Matter and the construction efforts of the tangible members of Peggy’s team. Zero Matter and sparks fly as Dr. Wilkes’s containment device makes him tangible again. After a polite handshake or two, kissing Peggy is one of the first things he does with his reacquired body. Some more good news: Dottie Underwood’s tracker has reactivated. So, Jarvis and Peggy decide to locate her by “walking into a trap.” Sousa won’t be able to assist in Dottie’s recapture since he is unavoidably detained by a meeting with Masters. In the meeting Masters, on orders from Whitney Frost, instructs Sousa to track down the plutonium that Sousa–and Jarvis–helped Peggy steal in “The Atomic Job.”

Then after a couple of touching scenes, one between Jarvis and his wife (Lotte Verbeek) and one between Jarvis and Peggy about the budding love triangle Peggy’s involved in, the two get trapped by Whitney Frost’s goons. They escape relatively easily with Dottie Underwood in tow. Unfortunately, it had been Frost’s plan all along to lure Peggy away from Howard Stark’s mansion so that she would be able to get near Dr. Wilkes. After a short discussion and exchange of powers between Frost and Dr. Wilkes, she and Joseph Manfredi kidnap Dr. Wilkes after shooting Mrs. Jarvis in the gut. At the same time this is going on, Sousa is getting the crap kicked out of him in his own home by a couple of men in masks. On their way out, one of them makes reference to being a hero, a direct reference to the meeting Sousa had earlier with Masters.

“Monsters” ends on a decidedly maudlin note. Masters takes over the LA branch of the SSR until further notice citing Sousa’s battered physical state as the official reason. Jarvis and Agent Carter sit in the waiting room during Mrs. Jarvis’s life or death surgery, and Dr. Wilkes has been kidnapped by Whitney Frost.

My Critique

This episode addressed a few unanswered questions that Agent Carter viewers may have had up to this point. For instance, Whitney Frost in a single line addresses why Zero Matter affects her so differently than it affects Dr. Wilkes. And, although it’s a throwaway line, at least this question was dealt with in some fashion: Zero Matter is an amazing substance that affects different people differently. It was also great to see some engaging scenes between some good actors: Atwell/Regan, Atwell/D’Arcy, D’Arcy/Verbeek, Regan/Smith, and Regan/Everett.

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Anthony Mackie Reveals Major Plot Twist In ‘Captain America: Civil War’

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Anthony Mackie is out promoting the John Hillcoat film Triple 9, and while talking with Ali Blumb of the BBC, Mackie may have given away a major spoiler for Captain America: Civil War during the interview.

Spoiler after the jump.

Thor: Ragnarok Jessica Jones Star Wars The Walking Dead

At the beginning of production for Captain America: Civil War there were rumors about the Hulk’s involvement in the film and even the possibility of the appearance of Red Hulk. Since then it’s been established the next time we see Bruce Banner would be in Thor: Ragnarok, but the Falcon thinks otherwise.

It is possible that Mackie misspoke during the interview, and Blumb doesn’t ask a follow-up question to confirm the answer, but Mackie states that Mark Ruffalo is in Captain America: Civil War.

“Having seen the movie, it’s Marvel’s best movie so far. And I’m being honest – if a Marvel movie sucks, a movie in the Marvel universe, I’ll tell you it sucked. Winter Soldier and (the first) Iron Man are probably Marvel’s two best movies, and I feel like (Civil War) beats both of those movies. It’s really, really good. It’s because it’s more of an acting movie than an action movie. I feel like the story is very concise and interesting, and you get to see Robert Downey Jr and Chris Evans and Scarlett Johannson and Mark Ruffalo and everybody just do really, really good ACTING. And then there’s action in it. I think it might be the first superhero movie that might be up for Best Picture,” said Mackie.

Go to the 17:11 mark of the show to hear Anthony Mackie talk about Captain America: Civil War.

The plot development would majorly change the dynamic if the Hulk were in Civil War. This could be how the Marvel Cinematic Universe establishes how Bruce Banner gets to Planet Hulk.

Do you think Mackie misspoke or is the Hulk in Captain America: Civil War?

Captain America: Civil War is directed by Anthony & Joe Russo from a screenplay by Christopher Markus & Stephen McFeely, Captain America: Civil War picks up where Avengers: Age of Ultron left off, as Steve Rogers (Chris Evans) leads the new team of Avengers in their continued efforts to safeguard humanity. After another international incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability and a governing body to determine when to enlist the services of the team. The new status quo fractures the Avengers while they try to protect the world from a new and nefarious villain.

The film stars Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Paul Bettany, Jeremy Renner, Don Cheadle, Elizabeth Olsen, Paul Rudd, Chadwick Boseman, Emily VanCamp, Daniel Brühl, Frank Grillo, William Hurt, and Martin Freeman.

Captain America: Civil War is set for release on May 6, 2016.

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Oscars 2016: As a New Frontrunner Emerges, Best Picture Still Anyone’s Guess

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Depending on who you talk to, when you talk to them, or maybe even where you are when you’re talking and the weather outside and the moon’s current stage… the frontrunner for this year’s Best Picture is one of three and maybe even four films. A new favorite has emerged, The Revenant. Make no mistake, The Revenant has been in the front of the pack for many many weeks now, despite the eye-rolling backlash directed at Alejandro Gonzalez Iñárritu and Co. for their relentless publicity campaign telling us how difficult the shoot was.

But then there was Spotlight, a film almost immediately anointed when it started slowly hitting cinemas last fall. And it still belongs there, it’s my personal favorite. And as the award nominations and ceremonies began rolling out, one of the darkest of horses in awards season history crept into the forefront, taking home noteworthy awards: Adam McKay’s The Big Short.

The Big Short, McKay’s visceral and constantly moving take on the housing crisis in the mid 2000s, is a powerful and energetic picture. And deeply unsettling when you think about it. The film grabbed five Oscar noms, including Best Picture and Director among others, and everyone began to take notice. Fast forward to the AFI Awards, where The Big Short took home Movie of The Year, and has continued to swipe a number of critics association awards this season. The Dark Horse grew into the favorite, albeit for a little while.

Best Picture

But it all comes back to The Revenant.

Despite what you may think about the film, all sizzle and little steak, a beautiful film lacking any true emotion, The Revenant led the field with 12 nominations. That’s a salty haul. And the publicity campaign, as relentless as it’s been, is working on those in charge of these awards. It’s the sort of prestige picture academy voters eat up. Meanwhile, here are two recent headline-fueled films in Spotlight and The Big Short, duking it out with one another. The similarities in those two will undoubtedly split votes, leaving The Revenant alone to rake in all the votes it would have gotten in the first place. Unless, of course, one man’s world of fire and blood can cut into those votes.

Yes, Mad Max: Fury Road has an outside chance at winning the big prize. George Miller has a great shot at director simple because Iñárritu won last year and only John Ford and Joseph Mankiewicz have pulled that off in the history of The Oscars. And that is what gives Fury Road an outside shot.

All that being said, expect The Revenant to collect four or five technical awards, a Best Actor statue, and walk away with Best Picture February 28.

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Review: The 100 ‘Hakeldama’ – Retribution & Evangelism

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In ‘Hakeldama’, The 100 draws a line in the sand when it comes to reacting toward injustice. Each of our major characters are given opportunities in this matter and each of them have something different to say. These moments serve as the most direct insight into where The 100 wants to take us. Characters are either going to learn from past mistakes, or allow the past to continue its vicious cycle. At the end of ‘Hakeldama’ (which translates to “Field of Blood”), claims are staked and positions are taken. For now.

Clarke and Lexa have finally come to rule on the same wavelength. Initially, Lexa keeps Clarke “prisoner” once they discover the field of massacred Grounders caused by Pike, Bellamy and Skaikru. It isn’t long until Lexa lets Clarke have a shot at trying to understand the situation at Arkadia as she goes on a covert mission to meet with Bellamy. In the end, despite Bellamy betraying Clarke in a heartbreaking scene, Clarke escapes and is able to convince Lexa that old “eye for an eye makes the whole world blind” lesson is true. If there’s to be Grounder retaliation, it won’t come from the hand of Lexa.

Bellamy has every opportunity in the world in ‘Hakeldama’ to reverse his decision to join Pike’s army. He defends himself saying he’s always been this person and, in some ways, he’s right. Bellamy grew up as a selfish protector, willing to sacrifice anything and everything for his sister and only his sister. Octavia is the only person who can truly convince Bellamy of something and even though she currently identifies herself as a Grounder, Bellamy believes that this newfound strength keeps her safe. His relationship with Lincoln seems destined for doom, however, as Bellamy cements himself as the enemy in Lincoln’s eyes. Bellamy doesn’t want to hurt Lincoln, but he believes Trikru as a whole are responsible for this entire mess started back when The 100 first landed on earth. I’d love to see more feisty bro-downs between these two as friends and Bob Morely and Ricky Whittle have a really easy chemistry that is fun to watch. I have a feeling that train has come and gone.

Getting back to Bellamy’s scene with Clarke, all of the Bellarke ‘shippers out there surely had their heart torn out as we were led down what felt like a road of healing and accord, only for Bellamy to slap handcuffs on Clarke’s wrist. I don’t believe Bellamy and Clarke make a good romantic couple, but they do make a good King and Queen. If they could be co-Chancellors, I’d vote for them. They understand each other’s faults, failings and strengths more than any other duo on the show and have truly been through hell together. When Bellamy looked as if he might backtrack his newfound path with Pike, I should’ve been more wary of my joy. The 100 doesn’t have to kill off characters to provide a good gut punch. It has deftly made us invested in these people’s futures and this moment is a sure step back. Delicious.

And then we have Thelonious Jaha. For a man that has given himself over to death in sacrifice of his own people, it makes the most sense he would be The 100‘s take on faith or religion. His faith-based trek across the Wasteland was entirely biblical and he found exactly what he was looking for! Of course he now feels assured in his beliefs, even if they are most definitely a horrifyingly rotten cyber-evil.

The 100 has been very, very light on religion, almost suggesting that this new world is post-religion. There isn’t mention of any of the major religions or figures and characters seem to believe in themselves and the basic will of good when it comes to deity. I’ve found this to be an incredibly refreshing and hopeful take on the apocalypse. Our biggest enemies are ourselves and the only thing that will change that is ourselves. In today’s society, we see religion and technology as entirely mutually exclusive. We created technology, not God. That society is gone in The 100, and it makes sense that in a world devoid of technology and religion, that they become the same thing. We don’t yet know the motives of A.L.I.E. or the City of Light but they are using Jaha as their Son and guiding his hand when spreading the good word.

In the path of this evangelism, we find Raven. Poor, poor Raven. She’s arguably the strongest character on the show and her despondency regarding her physicality is heartbreaking. She’s smart but she doesn’t know yet how to employ her brain without her physical self as well. She’d do anything for a cure to her injury. Enter Jaha. Raven initially refutes Jaha’s claims but we know that won’t last long. She takes the “red pill” and discovers that the pain is gone. A.L.I.E. has another crusader and a very powerful one at that.

For a plot that originally scared me as I didn’t feel the need to employ technology as a story element in this world, I couldn’t feel more different today. The City of Light represents religion, technology and drugs and temptation all in one. For a world where tribal fighting is the biggest cause of discord, everyone on earth pretty much has it figured out. Everything terrible in the world has been jettisoned but it’s all about to come back as one mean, pissed-off ex-boyfriend. This might be The 100‘s most brilliant move yet.

“People die when you’re in charge!” – Bellamy

Check out Monkey Fighting Robots’ reviews of previous episodes of ‘The 100’ here:

Watch the Thrones

Ye Who Enter Here

Wanheda Part 2

Wanheda Part 1

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Review: 11.22.63 ‘The Rabbit Hole’ – A Multi-Layered Mystery

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11.22.63 is Hulu’s House of Cards. I can already tell this is going to truly kick off Hulu’s original programming in a proper manner. Sure, Hulu has had original shows on its service already, but it was nothing too special. This is what happened with Netflix and House of Cards. It showed you don’t need a network like CBS or AMC to produce a good TV show, it just took a while for Netflix to get it just right. Now Hulu has done the same with 11.22.63.

11.22.63 is a Hulu original based off of the Stephen King novel of the same name. An ordinary English teacher by the name of Jake Epping finds a closet in his friends dinner that is actually a portal to the 1960’s. Once Jake comes back to the present, his friend tasks him with stopping the assassination of John F. Kennedy. Quite a lot to take in, right? After much convincing, Jake accepts and throws himself into the charming era of the 1960’s. With only enough money to buy himself some new clothes and a car, Jake has three years to find out if it was really Lee Harvey Oswald that killed JFK and stop whoever it was that committed the fateful act on the tragic day in 1963. Jake also attempts to take advantage of the past to change things in his personal life in the present day, but this may do more harm than good.

When this show was brought to my attention, the things that really intrigued me were the three big names attached to the project. Director of Star Wars: The Force Awakens, J.J. Abrams, Acclaimed novelist, Stephen King, and the incredibly talented, James Franco. It’s rare when you get three massive names like this working on one very ambitious project like this, so right off the bat, I was sold. Then I was told the actual concept of the show which sold me even more. Time travel is unique, JFK assassination conspiracy theories are interesting to me, mesh those two together with the three massive names I mentioned previously, you’ve got the most interesting premise for a story in years.

The show does some unique things with time travel that I have personally never seen explored in any time travel story. For example, Jake’s friend, Al Templeton, who owns the diner with the portal to the 1960’s, goes through the portal and comes back to the present all while Jake is sifting through divorce papers with his soon to be ex-wife. This takes about two minutes, and it is later revealed that Al was in the 1960’s for a total of two years but in present day he was only gone for two minutes. In the two minutes, he was gone, he developed cancer. So, he was aging and slowly dying while in the 1960’s and these things will carry over with him when he returns to the present day. This is just one of the many unique things the show does and I am excited to see what other creative and ingenious things they come up with.

Anyone who worked on the set design for 11.22.63 should be applauded for nailing the accuracy of the period. We’ve seen Mad Men replicate the 60’s and 70’s in a bustling New York City, but no modern TV shows that I can think of have shown a small town like this depicted in this time period. Everything looks so beautiful. There are so many eye-popping colors, the attire and cars people have are so exotic compared to today’s standards, it’s a beautiful setting filled with things to look at. It feels like they nailed the setting perfectly.

Everything about 11.22.63 is brilliant. The only bad thing is, we will be saying goodbye to it very soon. As the show is just an eight episode mini-series, and with one down that means there are only seven left to go. Regardless, I am excited to see how it plays out and how the character of Jake Epping develops and adapts to his new surroundings. Come back next week to see my review of episode two “The Kill Floor” when it debuts on Hulu.

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Avengers Standoff: Welcome to Pleasant Hill #1: The Town is Open

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Pleasant Hill Welcome #1They have tried everything. Prisons, Prison Islands, Negative Zones and all the other types of holding grounds for the worst and most deadly villains. But time and again the worst of the worst villains have returned. Often more powerful or with more convoluted plans than the time before. Yet S.H.I.E.L.D. has never been the type of organization to back down from a challenge. Their newest strategy: Welcome to Pleasant Hill.

Something untoward appears to be going on under the helm of Director Maria Hill. Something so unimaginable that it pulls Bucky Barnes, the Winter Soldier and The Man On the Wall, away from his duty as a cosmic protector. With the help of the Cosmic Cube, Director Hill is taking the lives of the most evil into her hands. And the consequences may be dire.Pleasant Hill Welcome #1 Hip Hop CVR

Is it surprising that an experienced creative team like Nick Spencer (Ant-Man) and Mark Bagley (Trinity) would put together a solid prelude to the beginning of the next Marvel crossover event? Of course not! The book is inventive and compelling, with all the twists and turns of a perfect pre-beginning. Offering up just as many questions as unexpected answers. Pleasant Hill is just as welcoming as it will be earth shattering.

Along with inker, Scott Hanna (AvengerPleasant Hill Welcome #1 Young CVRs v. X-Men), and colorist, Paul Mounts (Fantastic Four), Bagley’s work is spot on. Creating intrigue and mystery, something similar to the beginning of a classic spy film. Shadows darkening even the brightest panels. Large and emotive eyes that suggest they are “watching you”. Bright reds to develop a feeling of loss and confusion, while the typical blues lead to the serene that may be a little too inviting.

Spencer does not hold anything back on the espionage side of S.H.I.E.L.D. or the growing manipulative personality of Director Maria Hill. Pleasant Hill is a warm and hospitable place, but so obviously horror-movie-esque, the want of escape is inevitable. Spencer builds the need to ask questions, to know more about each character and this new glittering town. While answering just enough to force you to the turn the page. But, as you flip from page to page, each one seems a little darker than the last.Pleasant Hill Alpha #1

Spencer has a big event on his plate, the main series of books consisting of a 15 issue crossover. He, with artists Jesus Saiz (Assault on Pleasant Hill Alpha #1) and Daniel Acuña (Assault on Pleasant Hill Omega #1) will helm the lead and conclusive issues of the crossover. The main event includes titles such as Illuminati, New Avengers and Captain America: Sam Wilson. For a full list, check the very last page of Avengers Standoff: Welcome to Pleasant Hill #1.

Make sure to stop by your local comics retailer and pick up Avengers Standoff: Welcome to Pleasant Hill #1. And keep a look out for Avengers Standoff: Assault on Pleasant Hill Alpha #1, arriving in stores March 02.

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‘To Kill a Mockingbird’ Author Harper Lee Passes Away At 89

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Nelle Harper Lee, who won the Pulitzer Prize for fiction in 1961 for her book, “To Kill a Mockingbird,” has died at the age of 89, multiple sources in her hometown of Monroeville confirmed Friday morning, according to AL.com.

“Real courage is when you know you’re licked before you begin, but you begin anyway and see it through no matter what.” – Nelle Harper Lee

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Shia LaBeouf Is Live-Streaming From An Elevator For 24-Hours

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For the 24 hours Shia LaBeouf, Nastja Säde Rönkkö and Luke Turner will be occupying the elevator at EC English Oxford in Gloucester Green (OX1 2BT), from 9am on 19th February until 9am on 20th February.

A live audio and video feed of the elevator will be broadcast inside the debating chamber of the Oxford Union for the duration, as well as online acting as an extended 24 hour talk.

Visitors will be able to join LaBeouf, Rönkkö & Turner inside the elevator during this time, and are invited to address the artists, the debating chamber, and the internet, so that their collective voices may form an extended, expansive and egalitarian Oxford Union address.

The performance and access to the Union debating chamber will be free and open to the public for the full 24 hours.

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DC Comics ‘Rebirth’ Is Here – Full Details

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DC Entertainment Co-Publishers Dan DiDio and Jim Lee, and Chief Creative Officer Geoff Johns announced a company-wide reboot, with lower prices on books, and an emphasis on why fans love DC Comics.

The announcement was made at ComicsPRO Annual Membership meeting in Portland.

“At DC we believe in superheroes, and what makes them great,” said Dan DiDio, co-publisher of DC Entertainment. “And, we also believe in the direct market and the core comics fan. REBIRTH is designed to bring back the best of DC’s past, embrace the stories we currently love and move the entire epic universe into the future. We are returning to the essence of the DCU. With REBIRTH we are putting the highest priority on the direct market and we will continue to create and cultivate new opportunities for retailers to thrive and prosper, grow readers, fans and customers.”

Johns outlined his perspective on the elements that make DC great and teased the opening line of his 80-page DC UNIVERSE: REBIRTH Special.

“I love this world… But there’s something missing…”

DC UNIVERSE: REBIRTH Special is written by Johns, and will feature an all-star roster of artists: Ethan Van Sciver, Phil Jimenez, Ivan Reis, and Gary Frank.

Beginning in June, all DC Universe monthly and twice-monthly titles will ship at a new, lower price of $2.99. This new lineup includes a combination of DC favorites and new titles; titles will begin their runs under the “REBIRTH” banner and follow with another issue #1 beginning the series proper. Also, DC’s two flagship titles will resume their original issue numbering, also shipping twice monthly: DETECTIVE COMICS will pick up with issue #934, while ACTION COMICS will continue with issue #957.

A special event revealing all talent and creative teams is scheduled to take place at WonderCon in Los Angeles, CA on Saturday, March 26. This press conference will be live-streamed on the DC Entertainment’s YouTube channel.

The REBIRTH title lineup was announced as follows:

DC UNIVERSE: REBIRTH – May 25

June:
Rebirth Specials:

AQUAMAN REBIRTH #1
BATMAN REBIRTH #1
THE FLASH REBIRTH #1
GREEN ARROW REBIRTH #1
GREEN LANTERNS REBIRTH #1
SUPERMAN REBIRTH #1
TITANS REBIRTH #1
WONDER WOMAN REBIRTH #1

New #1 Issues (Shipping twice monthly):

AQUAMAN #1
BATMAN #1
THE FLASH #1
GREEN ARROW #1
GREEN LANTERNS #1
SUPERMAN #1
WONDER WOMAN #1

New Issues (Shipping twice monthly):

ACTION COMICS #957
DETECTIVE COMICS #934

July
Rebirth Specials:

BATGIRL & THE BIRDS OF PREY REBIRTH #1
HAL JORDAN & THE GREEN LANTERN CORPS REBIRTH #1
THE HELLBLAZER REBIRTH #1
JUSTICE LEAGUE REBIRTH #1
NIGHTWING REBIRTH #1
RED HOOD & THE OUTLAWS REBIRTH #1

New #1 Issues (Shipping twice monthly):

HAL JORDAN & THE GREEN LANTERN CORPS #1
JUSTICE LEAGUE #1
NIGHTWING #1

New #1 Issues (Shipping monthly):

BATGIRL #1
BATGIRL & THE BIRDS OF PREY #1
THE HELLBLAZER #1
RED HOOD & THE OUTLAWS #1
THE SUPER-MAN #1
TITANS #1

Fall
Rebirth Specials:

BATMAN BEYOND REBIRTH #1
BLUE BEETLE REBIRTH #1
CYBORG REBIRTH #1
DEATHSTROKE REBIRTH #1
EARTH 2 REBIRTH #1
SUICIDE SQUAD REBIRTH #1
SUPERGIRL REBIRTH #1
TEEN TITANS REBIRTH #1
TRINITY REBIRTH #1

New #1 Issues (Shipping twice monthly):

CYBORG #1
DEATHSTROKE #1
HARLEY QUINN #1
JUSTICE LEAGUE AMERICA #1
SUICIDE SQUAD #1

New #1 Issues (Shipping monthly):

BATMAN BEYOND #1
BLUE BEETLE #1
EARTH 2 #1
GOTHAM ACADEMY: NEXT SEMESTER #1
SUPERGIRL #1
SUPERWOMAN #1
SUPER SONS #1
TEEN TITANS #1
TRINITY #1

Source: DC Comics Media

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Top 10 Comic Book Films Of All-Time

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With the release of Deadpool and its unexpected success, it is now time to rank the film among the greatest comic book films of all-time.

Box Office Mojo has a list of 136 films they consider were adapted from comic books. From the 1978 Superman to The Peanuts film of 2015, and everything in between. Animated films will not be considered as we are looking for the best live-action version of the source material. I do apologize to Batman: Mask of the Phantasm as it is a great film I fondly remember viewing in the theater. This list will cover the past 38 years of filmmaking.

Deadpool is definitely in the Top 15 Comic Book Films Of All-Time, but it gets really hard to find room for the film in the Top 10. Currently, on my list, I have Sin City at ten. Is Deadpool better than Sin City? That’s a tough call. Deadpool is funnier than Sin City; Rhett Reese and Paul Wernick push the script further than Frank Miller did with his books. Visually, Miller and Robert Rodriguez create a masterpiece. Ryan Reynolds gives the comic book world something new, and he and his crew deserve tons of credit for their hard work, but film-wise it’s Lethal Weapon.

Sin City is a work of art and that is why it remains in the Top 10.

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1. 1. Superman

December 15, 1978
Director: Richard Donner
Writers: Mario Puzo, David Newman, Leslie Newman, Robert Benton, Tom Mankiewicz

At one point in time, the stars aligned to bring together a great director and a star-studded cast for an adaptation of a pop culture icon in Superman. Warner Bros. captured lighting in a bottle by casting a relative unknown in Christopher Reeve as Clark Kent, and then surrounding him with a supporting cast of Marlon Brando, Gene Hackman, and Margot Kidder. No actress since has come close to Kidder’s performance as Lois Lane. The visuals may not be as over the top as the CGI today, but in 1978, everyone in that theater believed every spectacle presented before their eyes. Then add an original score by John Williams as the icing on the cake and you have the number one comic book film of all-time.

Films that didn’t make the Top 10 but were right on the edge:
Road to Perdition
Avengers
History of Violence
300
Blade II
Teenage Mutant Ninja Turtles (1990)
The Rocketeer
The Losers
30 Days of Night
Watchmen
X-Men: Days of Future Past

What is your all-time favorite comic book film?

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