Home Blog Page 1367

Anime Offers More Than Live Action TV

Monkeys Fighting Robots

I never was a real believer in Anime being the one true form of entertainment. However as I get older and start to look for things with the content and structure that I like, most of it seems like its only available in Anime. Now I know that only sounds natural when you think about it. I mean I’ve been watching Anime for over ten years and did so at a very influential part of my life. However I am a firm believer that Anime is a medium and stems off into every possible variety of storytelling however live action shows in the west do not.

For me its honestly hard to think of live action shows, outside of sitcoms, that I actually love. I usually use Breaking Bad as the ace in my repertoire but that’s almost a given. Fargo and Game of Thrones have been good to me so far but like Breaking Bad they all have something that I think is kind of a misstep. They are all way too cynical. HOLD ON, and hear me out. Personally I think that the reason that I watch so much Anime is because it has a wide selection of good/happy shows.

When I say good and happy I tend to mean shows that are essentially good in quality and have generally happy or inspiring narratives. Most western stories that aren’t aimed at kids are almost exclusively dry and dower stories about how shitty life is through the lens of shitty people, and I’m tired of it. Western media has lost its “heroes” as in there really isn’t anyone willing to take the road of good anymore. Don’t get me wrong because some of my favorite shows both Anime and Live Action are dark and depressing stories with less than upstanding people, but when that’s all you see on TV here in the states, it gets me kind of worried. Maybe I could be reading it entirely wrong, but I feel that people see that and think that’s what life is like. I could be too much of an optimist and see the best in people, but I think that’s something that should be explored more in American television nowadays.

Now don’t get me wrong I’m not necessarily knocking the scenarios in these live action shows, most of them are actually very interesting. It’s the way they are treated and where the attention is being drawn to. The Walking Dead isn’t about surviving in a world with zombies, it’s about seeing how shitty humans can be to each other and justifying your horrible actions. Game of Thrones isn’t about trying to repair a nation that has been ruined by horrible people, it’s about seeing who gets killed next and whether they deserved it or not. Jessica Jones isn’t about a young woman trying to find her place in a world that has repeatedly kicked her to the curb, it’s about revealing the horrible and petty nature of human beings. Do you see a common theme here? These are all widely popular shows all with great dramatic premises but they are all churning out the same view of humanity, just in different stories. Now again this isn’t a bad thing but it seems all the effort and creativity seems to be going into these kind of shows with this kind of world view, and that’s the problem.

I don’t know of a show that has family friendly concepts, can be both enjoyed by both adults and children, is live action, and is well written. Sure that may seem like it sounds like a lot to ask for, and I’m far from the mindset that if a show slips up once in its tone that its immediately damning. Still even with that I couldn’t think of a single show that comes to mind. I even tried to cheat and looked at a bunch of top tv series lists and couldn’t find a single show that didn’t focus on the themes and world views that I complained about earlier.

Now Anime on the other hand has a huge variety of shows that spans almost any kind of theme or story that you have an itch for. Naturally its easy to find to family friendly shows that also have some deep and challenging themes and are well written without a horribly cynical view of humanity. Just a few to name, and I promise most of these are off the top of my head, Death Parade, Gurren Lagann, Mawaru Penguindrum, FullMetal Alchemist, Noragami, Blood Blockade Battlefront, and not to mention the plethora of sports and idol anime. Each one of these shows surely has some elements of the live action series I aforementioned but one clear difference. The main themes are generally good-natured and positive. These shows don’t make their bank on the badness of humans but make it on the good. They show struggle, but don’t always have it end in such a dark and unfulfilling way. There are moments of happiness and levity where characters gain true bonds instead of “friends for personal gain”. Again I can’t express enough that I’m not saying that American live action shows don’t have similar things in their shows, it’s what is focused on and given the most attention is what I’m talking about.

So variety is probably the main reason that I almost exclusively watch Anime. I know that idea may have been lost in my ramblings but I think this was also a chance to say what I think about modern television in our culture. Anime just has the wider range of things I like and I personally think a balance is good for people in general and that maybe there should be some more kid accessible shows that are also good. Sure there are things like Steven Universe and Avatar/Legend of Korra, but certainly nothing live action. Meanwhile there are new Anime coming out every season with a wide variety of stories for every age. That is why I mainly watch Anime, because Anime has a variety of genre’s I want to watch and live action only has one. And while there will still be live action shows that will hold my interest, I’m not in the business of having those kind of dark and depressing stories as the basis of my entertainment. I’d also like to be so bold to say that you shouldn’t either.

Monkeys Fighting Robots Youtube

Diamond Talk: 10 Essential Baseball Movies

Monkeys Fighting Robots

It’s that time of year, when America’s pastime is in the hearts and minds of fans around the country. The Spring Training has kicked off the grind. Baseball is as much a thread in the fabric of our history, and baseball movies have almost always followed in its footsteps. Throughout the years, baseball movies have stoked the fires of our love for the game as much as the game itself; maybe they are even more important these days. Say what you will about the corporatization of the sport, baseball at its core is still pure and beautiful, at least to this fan of the game. And the greatest baseball movies carry that spirit with them. Here are 10 essentials.

10. Bang the Drum Slowly – Part baseball film, part terminal-illness melodrama, one of Robert De Niro’s earliest roles had him playing a dimwitted catcher suffering from Hodgkin’s Disease. De Niro’s Bruce Pearson and star pitcher Henry “Author” Wiggen (Michael Moriarty) are the focus of the film, and their friendship carries the emotion of the story. This is a baseball film about the way tragedy can cloud even the most beautiful and purest of games.

Baseball Movies - Moneyball

9. Moneyball – Brad Pitt and Bennett Miller’s surprising 2011 hit was based on what seemed to be an unfilmable book by Michael Lewis. The focus here was less about the game on the field, and more about the influx of analytics into the game and Athletics’ eccentric GM Billy Beane struggling to change the way we see the game. With all the mechanics of a plot like Moneyball, one of the greatest achievements of Miller’s film is the way it captures the essence and emotion of the truest baseball movies, and Pitt delivers a complete and layered performance with a fantastic assist from Jonah Hill.

Bad News Bears - baseball movies

8. The Bad News Bears – Arguably the most infamous character in the history of baseball movies is one Morris Buttermaker (Walter Matthau), a burnout and a lush former minor-league manager tasked with coaching a ragtag group of little league miscreants. The Bad News Bears became shorthand for any sad-sack team throughout the years, and the hilarious glimpse at late 70s little league organizations is a wonderful time capsule of a bygone era.

baseball movies - The Sandlot

7. The Sandlot – The Sandlot was an important film for a generation of kids. Here, the magic of baseball was encapsulated by the unwavering desire of neighborhood kids to play the game anywhere and everywhere. They lived and breathed baseball, and it shaped almost everything in their young lives. And the imaginative framework of the film – like the fantastic embellishment of the junkyard dog eating their errant baseballs – captures what it means to be a child, yet unfettered by harsh reality.

baseball movies

6. The Pride of The Yankees – Gary Cooper delivered an Oscar-nominated performance in one of the most celebrated early cinematic glimpses into the world of baseball. Cooper plays New York Yankees star Lou Gehrig, who was forced to retire from the game after being diagnosed with ALS, a disease which would eventually carry his name. The most heartbreaking moment here is also one of the more heartbreaking moments in the history of baseball; Gehrig’s “Luckiest Man” speech. And Cooper nails it.

Baseball movies Major League

5. Major League – While it did borrow a great number its colorful characters from Bull Durham, Major League amped up the nuttiness and built a great comedy on the shoulders of truly convincing performances. There is the aging catcher, the flashy speedster who isn’t as great as he thinks, the imposing voodoo masher who can’t hit the curve, and a wild thing. And on and on we go through a delightful summer journey with the hapless Cleveland Indians.

baseball movies a league of their own

4. A League of Their Own – Such a unique baseball movie, not only because it focuses on the short-lived women’s baseball league that sprung up during the height of World War II. Geena Davis and Lori Petty anchor a stellar team of female actors, and Tom Hanks ties the whole thing together with one of his best and brightest comedic roles. I still wanna know what he says when he hops off the bus and yells at the girls to get back on board.

baseball movies The Natural

3. The Natural – Barry Levinson’s love letter to an era of baseball that has long since disappeared, The Natural strikes all the right chords of melodrama, triumph, and longing. Robert Redford’s aging masher Roy Hobbes is so ingrained in the culture of baseball he almost feels like a real player from the past. The Natural captures something magical at the core of baseball, the mystical side of a sport played, at one time, by hardworking men. And that final shot, it’s one for the ages.

Field of Dreams

2. Field of Dreams – And now we get to Kevin Costner, who is as much a part of this country’s baseball narrative as some of the players who have come and gone. Field of Dreams, much like The Natural, deals almost entirely in the magic intangibles that elevate baseball beyond sport. Ray Kinsella hears the voice in his field, he builds a baseball diamond to resurrect “Shoeless” Joe Jackson, he travels to Chicago to rescue a former revolutionary author and a doctor who played one inning in the big leagues, and he eventually is given the opportunity to make amends with his late father. none of it makes sense in the real world, but in Field of Dreams, flights of imagination supersede reality. We go with it, and we are swept up in the very human emotions in this very inhuman world.

baseball movies bull durham

1. Bull Durham – What makes Ron Shelton’s seminal baseball movie so incredibly textured is the authenticity at play. Shelton played for a cup of coffee in the minors, so he knows the material, and he loves the sport, and this all is woven masterfully into a film about the nostalgic charm of a town and their minor-league Durham Bulls. Kevin Costner is the aged vet, Tim Robbins the dopey superstar pitcher, and Susan Sarandon is the woman in the middle of these two vastly different representations of minor-league ballplayers. These hopefuls ride buses and carry their own luggage, and they love the game. And Bull Durham loves them back.

 

Monkeys Fighting Robots Youtube

Review: ‘Allegiant’ Is a Lifeless and Laughable Film

Monkeys Fighting Robots

Call me annoyed.

Here we are with yet another Divergent movie (Allegiant), inspired by the razor thin narrative written by Veronica Roth. Lionsgate couldn’t possibly be thinking of releasing yet another one of these films across the globe this weekend … right? Just when it seemed that it couldn’t get much worse, we get a screen filled with our teen savior Tris, her boy-toy, Four, a post-apocalyptic Chicago that closely resembles a dump, a lot of running, and wondering what lies ahead of us. As they say in the faction Candor, “ May the truth shall set you free” and the truth is that Allegiant is a lifeless, laughable, coma inducing film that will leave people feeling as if they experienced a head trauma.

In this latest installment of The Divergent Series, dystopian Chicago is erupting in a civil war. Without Jeanine in place (Kate Winslet, killed in the last film) a power struggle is starting to emerge between Evelyn (Naomi Watts) and Johanna (Octavia Spencer). Here’s where it could’ve got interesting because, amongst this power struggle, Tris (Shaline Woodley) and Four (Theo James) decide to escape from the city with their friends (Zoe Kravitz, Miles Teller, Maggie Q, and Ansel Elgort.) They decide that the best way to escape the city is to scale a gigantic wall and cut through a fence (that’s electrified). Spoiler Alert: If Tris turns to any of your favorite characters in the movie and utters the phrase “We made it”, they are seconds away from being killed.

They eventually make it over the wall after experiencing a “shocking death” and make it to the remains of Chicago’s O’Hare Airport. The Airport is a Genetic headquarters run by a person named David (Jeff Daniels). The group realizes they have been part of a larger genetic experiment where this group has been trying to create a perfect society. David has been leading the charge in this experiment, and the only success that he has had was Tris. He wants to take her to Providence (which I guess is some home base in this new world) to show that his experiment could work.

You’d think with all these factors occurring that we would, at least, get some palpable performances from this cast. After all, we are dealing with some shocking events – dystopian world, finding out that your whole world was some experiment, and, of course, being shot at regularly. Instead, everything is on autopilot. Shaline Woodley, no matter what’s occurring on screen, has the same hopeful/optimistic look. Theo James (Four) is constantly sporting the very generic look of a man with a “past”; the problem with that is no one is interested, and nobody cares about his past anymore. Miles Teller is mildly amusing in the film, and the laughter he elicits is more of a shock than anything. Jeff Daniels has this glazed look in his face as if he’s in shock that he agreed to be in such an awful project. Speaking of terrible, let’s talk about the special effects.

Visually, here is an uninspired shellacking of red paint on green screens. Never will anyone ever see a more hideous shade of red as the mess we get about 20 minutes into the film. The special effects weren’t much better, seemingly conjured up on iMovie. A real sign that your film is headed into a deep dark abyss is when your scenes that involve special effects are funny when they aren’t supposed to be. Maybe they did this to detract from the terrible writing and awful performances in the film? If they did then bravo, because it’s distracting.

Allegiants screenplay was written by Adam Cooper and Noah Oppenheim. It would seem that neither of them had any desire to try and entertain audiences. However, they sure as hell built a cookie-cutter screenplay and teased a grand finale occurring in the final film (yes, that’s right, we have to endure another one of these films in March of 2017).We shouldn’t have expected much from a writing duo who’s claim to fame is that one of them wrote A New York Minute (that’s right … it’s the Mary Kate and Ashley Olson film), and the other is best known for his producing work on the Today show.

So yes, you can call me annoyed. I’m annoyed that we are expected just to be okay with horrendous films. Annoyed that studios don’t seem to understand that not every Young Adult novel needs to be turned into a full-length movie.

Allegiant

The Divergent Series: Allegiant

Director: Robert Schwentke

Cast: Shailene Woodley, Theo James, Naomi Watts, Jeff Daniels, Ansel Elgort, Miles Teller, Zoe Kravitz, Octavia Spencer, Johnny Weston

Screenplay: Noah Oppenheim, Adam Cooper, based on the novel by Veronica Roth

Rating: PG-13; violence, profanity, silhouette nudity

Running time: 121 min.

Monkeys Fighting Robots Youtube

‘Superman: American Alien #5 – Eagle’: Freshman Superman

Monkeys Fighting Robots

Superman: American Alien #5 is a blast. Like each issue so far, this one  feels like it’s over too soon. It deals Superman’s early days “on the job” with him mixing his internship at the Daily Planet with his “flying vigilante” activities. Unlike the Superman we know and love, he has donned a Batman-esque costume, with cape and goggles. Don’t expect armor of any kind, for Clark only wears a shirt and jeans.  Clark generally seems to be having a good time flying around and saving people, but he wonders: Is it all worth it? Can he stand up to his enemies like he means to?

The best Superman stories acknowledge that being the most powerful man in the universe is harder than it looks.  With this issue, I can safely say that American Alien is one of the best Superman stories. Writer Max Landis doesn’t settle with giving Clark an easy way out with his powers. Instead, he goes straight to his head and his heart. We witness how Clark’s good conscience can get the best of him despite his powers.  Landis  honors characters like Lois Lane and Lex Luthor, while also keeping them fresh.  Clark gets a great rapport with Lois;  she plays her smart, no-nonsense personality against his sweet naïveté. Meanwhile Luthor’s manipulative nature can even set the Man of Steel against himself. It’s almost heartbreaking to read.

And like the rest of the series so far, this issue is beautifully illustrated. The art by Francis Manapul offers some stunning panels. I am sure that in years to come, comic fans will want them framed and hung in their walls. Once this issue was over, I felt a tug in my heart. I wanted more.  It’s sad to realize that this series will soon come to an end. I can’t wait to see what its final destination has in store for us.

Monkeys Fighting Robots Youtube

‘Worlds Finest’ Supergirl – Flash Crossover Teaser

Monkeys Fighting Robots

CBS Wednesday afternoon, released the first teaser to the Supergirl – Flash crossover episode ‘World’s Finest.’

In the episode entitled “Worlds Finest,” Supergirl joins forces with a lightning-fast—and super dreamy—hero, The Flash to take out two villains. Lost and confused after spiraling from his universe and landing in Kara’s, The Flash asks for her help in finding his way back home. Kara agrees on one condition: The super-runner has to help her take down her ultra-competitive co-worker and screeching malefactor Siobhan, aka Silver Banshee, and Supergirl’s old nemesis, Livewire.

CBS promises an episode packed with action and a bit of super-flirting. ‘Worlds Finest’ premieres Monday, March 28 at 8/7c.

Monkeys Fighting Robots Youtube

‘Avengers Infinity War’ The End For Robert Downey Jr.’s Iron Man

Monkeys Fighting Robots

Fans are less than two months away from Captain America: Civil War, and you better enjoy Robert Downey Jr.’s performance as it appears that his run as Tony Stark is coming to an end.

Downey spoke to USA Today about a potential fourth Iron Man film.

“I don’t think that’s in the cards, in a way it’s Cap 3 but for me it’s like my little Iron Man 4 and then it’s back to the thing we all recognize. Everything pulls over to the side of the road when the thunder of an Avengers thing comes through because that’s how it is until it changes. If it changes,” said Downey.

Downey does sound like this is the end of the line for him, but there is still the brutal film schedule of Avengers: Infinity War ahead of him. Part 1 and 2 will shoot back-to-back starting this fall, and the expectations are the filming will take nine months.

Avengers: Infinity War – Part I May 4, 2018
Avengers: Infinity War – Part II May 3, 2019

2019 would put Downey at 54-years-old, and if a film came out in 2021, that would put the star at 56 at the time of release.

If this is the end, at least fans will get to enjoy his work the next three out of four years.

Monkeys Fighting Robots Youtube

‘Bill and Ted 3’ Is Closer To A Reality, But Not Actually

Monkeys Fighting Robots

Chris Tilly the Entertainment Editor for IGN has been keeping tabs on a potential ‘Bill and Ted’ third adventure, and the editor checked in with Keanu Reeves for the most recent update.

“We’re closer, and we’re not closer. We’re expecting another draft, and hopefully, we’ll get closer. We’re just trying to get the script together. We’re trying to get the story right. We’re working with this studio, so we have a little bit of support, in a sense of like if the material comes through we’ll try and make this picture. We’re really just still trying to get the story right,” said Reeves.

At what point do you let it go? Reeves and Alex Winter are both in their fifties. Bill & Ted’s Excellent Adventure came out in 1989, Bill & Ted’s Bogus Journey created a franchise in 1991. Here we are 25 years later; the cards are stacked against Ted ‘Theodore’ Logan and Bill S. Preston making a successful comeback. Plus, who would cast to replace George Carlin?!

Bill & Ted’s Excellent Adventure (1989)
Budget: $10,000,000 (estimated)
Gross: $40,485,039 (USA)

Bill & Ted’s Bogus Journey (1991)
Budget: $20,000,000 (estimated)
Gross: $38,037,513 (USA)

Both films turned a profit, so expect to see the “Wyld Stallyns” ride again!

Monkeys Fighting Robots Youtube

‘Better Call Saul’ Renewed For A Third Season

Monkeys Fighting Robots

Better Call Saul will get a 10-episode third season, AMC and Sony Pictures Television announced Tuesday.

“Better Call Saul” is set six years before Saul Goodman meets Walter White. When we meet him, the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny and hustling to make ends meet. Working alongside and often against Jimmy is “fixer” Mike Erhmantraut, a beloved character first introduced in “Breaking Bad.” The series will track Jimmy’s transformation into a man who puts the criminal in “criminal lawyer.”

The show stars Bob Odenkirk, Jonathan Banks, Rhea Seehorn, and Michael McKean. Vince Gilligan and Peter Gould serve as showrunners.

“What Vince, Peter, Bob and the entire team have accomplished with ‘Better Call Saul’ is truly rare and remarkable. They have taken one of the most iconic, immersive and fan-obsessive (in the best possible way) shows in television history and created a prequel that stands on its own. Watching Jimmy McGill’s thoughtful, melodic and morally flexible transformation into Saul Goodman is entertaining and delighting millions of fans, whether their starting point was ‘Breaking Bad’ or not. This series has its own feel, pace and sensibility and we can’t wait to see what this incredibly talented group comes up with next in season three,” said Charlie Collier, president of AMC, SundanceTV and AMC Studios.

“It’s been an extraordinary show that lives up to its predecessor. Vince, Peter, Bob and the team are delivering brilliant storytelling, and we’re proud to have AMC as our partner for another well-earned season,” said Jamie Erlicht and Zack Van Amburg, presidents of programming and production for Sony Pictures Television.

Better Call Saul was nominated for seven 2015 Emmy Awards, including Outstanding Drama Series, Outstanding Supporting Actor in a Drama Series for Jonathan Banks, and Outstanding Lead Actor in a Drams Series for Bob Odenkirk.

Check out Odenkirk’s Sunday book reviews:

Monkeys Fighting Robots Youtube

Todd McFarlane Updates ‘Spawn’ Reboot

Monkeys Fighting Robots

Todd McFarlane went to Facebook to give fans an update on the Spawn film reboot. The creator is working on trimming the script down to 120 pages.

In the video below McFarlane explains that he has plans for a few people to review his script draft, talk with at least two actors about the project, and announce where the financing will come from.

Yes… The Spawn Movie Is Happening.

LIVE update on my Spawn movie script….

Posted by Todd McFarlane on Monday, March 14, 2016

With no official studio or financing onboard, the earliest the Spawn reboot could be here is 2019, 2020.

Monkeys Fighting Robots Youtube

Han Solo Casting Down To Five Actors

Monkeys Fighting Robots

Disney and Lucasfilms have taken its time with a search for a young Han Solo, for Phil Lord and Christopher Miller’s Star Wars spin-off. The studios have reportedly auditioned thousands of actors and now the list is down to five names, according to Heat Vison.

Young Han Solo Short-list:
Taron Egerton

Alden Ehrenreich

Jack O’Connell

Blake Jenner

Jack Reynor

According to the report, tests were conducted in London last weekend that involved all those actors. There could also be a few wild cards added to the list due to the high level of secrecy surrounding the casting.

The untitled Star Wars film is scheduled for release in 2018.

Monkeys Fighting Robots Youtube