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Jessica Jones Season 2 And The Defenders Will Shoot Back To Back

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The Marvel Netflix shows have been almost universally praised and seem to be getting bigger and better every day. After Jon Bernthal’s Frank Castle was so well received during Daredevil season two it was really no surprise that they decided to give him his own series. However, it was Jessica Jones that really took the bar and raised it as it tackled touchy subjects such as rape, PTSD, and brainwashing. Jessica Jones was confirmed to get a second season several months ago but Marvel fans have been wondering where the second season would fall on the timeline. Luke Cage is scheduled for a September 30th debut and they are currently filming Iron Fist but what about Jessica Jones and The Defenders? Jessica Jones star Krysten Ritter recently sat down with Digital Spy to give us an update on the highly anticipated second season of the critically acclaimed show.

“They’ll be back-to-back. I don’t know if they’ll overlap a little bit,” Ritter said about Jessica Jones season two and The Defenders. “It’s about to be a serious undertaking. I’m starting my physical training – lots of weight training and boxing.” One of the things fans have wondered is if Jessica will make an appearance in Luke Cage season one. The characters shared a very intense relationship during Jessica Jones season one so it would make sense that she would make an appearance but it seems that Ritter isn’t allowed to say much. “Marvel have this grand plan. Luke Cage will come out, then Iron Fist. In terms of scheduling I don’t know how it will all come out and I can’t even tell you if I’ve filmed Luke Cage . But I’m excited for Mike to have his own show. I know the tone of that show is going to be very different. We couldn’t expose a lot of Luke’s back story because he was getting his own show, so we explored him through Jessica’s point of view. I think that helped give him mystery and tees up his show.”

Luke Cage Netflix Marvel

This explains one of the plot points that some fans had a problem with but I always assumed would be resolved eventually; Mike Colter’s Luke Cage didn’t have a full character arc in Jessica Jones season one because they were saving it for his solo series. As far as Jessica’s next solo outing Ritter was able to reveal that the second season will touch on some of the dangling plot threads left from season one. “I’m excited to see what happens next for Jessica, and the end of season one left a lot of doors open and questions unanswered. Kilgrave was her reason for getting up every morning. Saving people gave her purpose. I wonder how emotionally taxed she’s going to be now. That opens a lot of doors as to who will come out and play. We all live in the same universe, so there are endless possibilities.”

Jessica Jones AKA Crush Syndrome Cover

Marvel is doing something very different with its Netflix series and it’ll be interesting to see if they can truly stick the landing in The Defenders. As for Ritter I wish her good luck in filming two Netflix series back to back. With The Punisher in the works and still no confirmation on a third season for Daredevil fans will have to wait to see how all of these series will come together.

Luke Cage will debuted on Netflix on September 30, 2016. Iron Fist is currently filming its first season due out in 2017. The Defenders and Jessica Jones season two are set to start filming late this year with The Defenders rumored for release in late 2017. Daredevil seasons one and two and Jessica Jones season one are available for stream on Netflix.

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Ten Greatest Roles Played By Robert Downey Jr.

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Once upon a time, Robert Downey Jr. was an actor starring in movies not tied into the Marvel Universe. True, his Tony Stark kickstarted the MCU and remains one of its most indelible characters, but beyond the Iron suit (or maybe alongside it), RDJ explored some challenging, small films, and branched out into more serious and comedic fare. He was a daring young actor, a troubled middle-aged actor, and eventually one of the biggest stars in all the land.

Here are his ten finest roles, and they come in all shapes and sizes:

Robert Downey Jr.

10. Tommy Larson, Home for The Holidays Jodie Foster’s Thanksgiving family comedy taps into a holiday rarely exploited on screen for its stressful and unnerving comedic potential. Downey plays the gay brother of Holly Hunter’s, Claudia, and they absolutely sell their relationship. Downey is the troublemaker here, a perfect fit for the mischievous persona he built early in his career.

Robert Downey Jr.

9. Wayne Gale, Natural Born Killers Downey took a bit part in Oliver Stone’s searing pop culture expose and transformed it into one of the most memorable parts of a fascinating film. Part Robin Leach, part Geraldo, part any number of other salacious TV personalities, Wayne Gale is a schlock salesman ready to exploit the sensational murder spree of Mickey and Mallory Knox.

Robert Downey Jr.

8. Julian, Less Than Zero Revisiting Less Than Zero these days, after we know the trials of Robert Downey Jr’s personal life, his portrayal of Bret Easton Ellis’s troubled LA youth is even more unsettling than it was in 1987. Julian is adrift in a world of morally bankrupt LA teens, and finds himself spiraling out of control. Crippled by drugs and selling his body, a young RDJ shows off his raw acting power like few other actors of his age at the time (he was only 22) could have done.

Robert Downey Jr.

7. Harry Lockhart, Kiss Kiss, Bang Bang Shane Black’s neo noir comedy has gathered a cult following over the years, thanks in part to his stunning ability to get good work out of Val Kilmer many years after he’d burned too many bridges to count in Hollywood. But without the rapid-fire charm of Downey’s wannabe big time crook, Harry, the film wouldn’t sing the way it does.

Robert Downey Jr.

6. Terry Crabtree, Wonder Boys Curtin Hansen’s adaptation of Michael Chabon’s terrific novel is an intimate, sometimes overlooked gem of a picture. Michael Douglas deserved an Oscar nomination for his role as a disheveled writer and professor, but Robert Downey Jr. brought an air of misplaced confidence and arrogance to the film as “Crabs,” his deviously gay editor. Douglas and Downey sell their authentic friendship on screen, and Crabtree’s Eddie Haskell-like meddling is responsible for most of the hilarious moments throughout the picture.

Robert Downey Jr.

5. Tony Stark/Iron Man, The MCU – Where would the Marvel Cinematic Universe be without Robert Downey Jr.? Of all the casting decisions Marvel has made over the years, RDJ and Tony Stark seem to exist as one. It’s almost as if the character was created in the 60s with some sort of prophetic insight into the future. Stark and Iron Man capture all the bravado and wit that defines Downey as a man and an actor.

Robert Downey Jr.

4. Blake, Two Girls and A Guy In the middle of some of his toughest times as a human being, in the throes of dangerous drug addiction, Downey was managing to find his way into incredibly small but fascinating work. In Two Girls and A Guy, Downey’s Blake finds himself in a sticky situation when his two girlfriends find out about one another and decide to confront him in his apartment. This is Downey doing what he does best, using his smarmy wit to create a character we detest but somehow manage to truly enjoy being around at the same time.

Robert Downey Jr.

3. Kirk Lazarus, Tropic Thunder In a perfect sendup of method acting, Robert Downey Jr. played the insanely dedicated thespian Lazarus in Ben Stiller’s pitch perfect comedy. Lazarus is such a method actor, he dyes his skin in order to accurately portray an African-American soldier in Vietnam. Rife with racial barbs and a commentary of “serious” acting, this would be Downey’s second Oscar nomination, an impressive feat since this was a harebrained comedy top to bottom.

Robert Downey Jr.

2. Charlie Chaplin, Chaplin Downey’s performance as Chaplin was set up to be the first of many Oscar nominations, and probably a handful of wins, for the actor. Only his personal life began upending his work. Nevertheless, Downey embodies the legend with a balance of darkness and light. Despite the fact Richard Attenborough’s film around Downey’s performance was lacking, Downey shined through.

Robert Downey Jr.

1. Paul Avery, Zodiac David Fincher’s Zodiac is a film less about the killer himself, and more about the lives the murders affected (beyond the victims and families of course) as they pursued the truth. Jake Gyllenhaal’s obsessed cartoonist may be the lead, and Mark Ruffalo’s desperate detective may have more screen time, but Robert Downey Jr.’s eccentric, drug-addled, alcoholic journalist Paul Avery quietly dominates. The last time we see Avery in the film, crippled by booze and sitting in a darkened boat house watching Pong on his TV, is one of the more unforgettable falls of a human being in all of cinema.

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Elektra and Making Race Neutral Casting Work

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I was very surprised and interested at the announcement that Elodie Yung had been cast to play Elektra in the TV adaptation of Daredevil. A canonically Greek assassin was to be played by a mixed race French/Cambodian. Elodie was certainly an immensely qualified actresses: a martial arts practitioner who had already been the star of a French police procedural and a drama degree from London, she was the type of person you would want to consider for a major action role in a serious series. As it turned out Elodie Yung did a masterful job as Elektra. I have no complaints, but it offers us something very important a successful and seamless race neutral casting decision.

Elodie Yung as Elektra

As someone who has been involved in a lot of fan-casting discussions I know that people can get very rigid about the ethnicity of actors offered for a role. Sometimes that is called for (Ridley Scott’s Exodus Gods and Kings). Other times it seems a little out there, like all the criticism about Idris Elba playing Heimdall in Thor, since Marvel’s Asgard is a sword-and-planet fantasy world, not a true Norse setting.

 

The story, of course, in Daredevil is that Elektra is not adopted and therefore is of unknown ethnicity, but that’s a spoiler and when presented we have no reason to doubt that she is in fact Greek. Elodie can certainly pass as a Greek. That is how race neutral casting should work. There is no reason for the character to be any ethnicity but we clearly accept them for the ethnicity they are. The story makes it believable. Elektra could still be Greek, she could be French we have no idea and we accept it.

 

In Nolanverse Batman we get something very similar with Ra’s Al Ghul. Liam Neeson originally presents Henri Ducard while an Asian man is presented as Ra’s. In the end we know that Neeson is Ra’s and the double was theatrics, because you expect him not to be white. I think you can easily say that Nolan’s Ra’s is not the immortal from the comics and can infer that the title has been given to plenty of people before Ducard. In the end it makes perfect sense that Neeson is the canonically Middle Eastern Ra’s Al Ghul.

Liam Neeson as Ra's Al Ghul

This sort of fiction works by suspending your disbelief that what you see can’t happen. If you really want to cast existing characters in a race neutral way you have to make the audience believe that they are either the ethnicity the character is or the new take on the character makes perfect sense within the confines of the story. That way it’s not jarring and it just is.

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Review: ‘Back to the Future’: Citizen Brown #1: Game On

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Time-travelling into comics directly out of Telltale’s 2010 smash-hit episodic video game BACK TO THE FUTURE: THE GAME, adapted to comics at last! When an empty time-traveling DeLorean suddenly shows up in 1986, Marty McFly quickly learns that his friend Doctor Emmett “Doc” Brown is stranded in 1931 and possibly in mortal danger. Now it’s up to Marty to return to the past to once again save Doc and the time-space continuum! But this time, will he be too late?

Like the description says, this comic is based on the game from Telltale studios and brought to life by original writer Bob Gale with Erik Burnham helping with the script. The pairs commitment to being faithful to the game based on the film really seems to shine through. Marty having to undertake a journey to the past to save Doc really captures the spirit of the film.

Back to the Future

This time around, Marty meets more ancestors of the McFly and Tannen families. He again has no choice but to get the help of Doc Brown`s younger self. And once again Marty`s actions cause problems with the timeline. Kinda sounds like a lot of things are happening “again” aren’t they? This is the one main problem with this series, it’s a bit too formulaic to previous stories in the Back to the Future series.

The art by Alan Robinson updated the characters from the CG designs of the game and make them look more like other versions of the comic series. This is good because the game’s original CG models were a bit too cartoonish and probably wouldn’t have held up in a comic book miniseries. Robinson’s experience with doing issues of the currently ongoing Back to the Future series made it so he knew exactly how to present the characters to make the recognizable to the readers.

The issue feels a bit predictable but will probably pick up later. Hardcore fans of the franchise will want to make sure to check this one out and even those who are only casual to the series will find something to enjoy. It’s an adventure with Marty and Doc Brown, when is this ever a bad thing?

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Michael Shannon, Channing Tatum to Star in Steven Soderbergh’s ‘Logan Lucky’

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In a truly serene combining of talents in front of and behind the screen, Steven Soderbergh’s Logan Lucky is being shopped around Cannes this year. It is set to star Michael Shannon, Channing Tatum, Adam Driver, and now Riley Keough has joined the fray according to THR.

What. A. Cast.

Logan Lucky is a heist film, one that takes place during a high-profile NASCAR race. There are also some thoughts out there that these two brothers may be a little, shall we say… dimwitted?

And again, Steven Soderbergh remains the busiest man of all time who officially retired at a certain point. Though his last feature directorial effort came in early 2013 with Side Effects (also starring Tatum), he’s produced several projects and spearheaded The Knick on Cinemax. Of course, Logan Lucky still needs representation, but I would imagine someone at Cannes is smart enough to realize it’ll be great.

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Kevin Smith Tells Variety He Wants to Direct on Arrow

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In an interview with Variety, Kevin Smith stated  he would enjoy the opportunity to write an episode of the CW’s hit series, Arrow. Smith, whose credits range from writing and directing feature films (Mallrats, Dogma, Clerks, etc), comic books (Batman, Daredevil, Green Arrow, etc.), the reality series Comic Book Men, and the popular Youtube show “Fat Man on Batman”, has long established his place in various realms of Geekdom.

And given his experience in writing several series for DC, this would not be a major learning curve for Kevin Smith, if given the chance. This would certainly open up possibilities for interesting and unique story lines within the entire DC television universe.

Arrow

Credit: CW Television

Having already directed an episode of CW’s Flash, Smith stated, “I prefer not writing the episode because what we were able to do with me not writing it was, at least for me, substantial and wonderful…just as a directing exercise, I was so happy with it…So I wouldn’t want to write on ‘Flash.’ I would, though, like to write on ‘Arrow.” Smith also stated he would love to make Onomatopoeia, a character he introduced as an enemy of Green Arrow and Batman, as the main villain of what would be a two-episode arc.

Flash
Credit: CW Television

Both Arrow and The Flash are a part of a growing television universe alongside CBS’s Supergirl and  CW’s Legends of Tomorrow. One of three major continuities being cultivated by DC and Warner Brothers (along with DCMU and their recent animated films), the series have helped bring public interest to several key figures of the DC universe normally looked over by other popular staples of the company’s intellectual properties.

Given Kevin Smith’s prominence in Geek and Hollywood cultures, this could help introduce more talent in both sphere into DC’s television efforts. As such fans of the characters and of Smith’s own works would have much to look forward to if this went past mere speculation and hopes.

Source: Variety Magazine

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Run, Barry, Run: Kevin Smith Directs My Favorite Flash Episode

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Kevin Smith Knocks It Out The Park With “The Runaway Dinosaur”

To be honest, ‘The Flash‘ on CW has been kind of stuck in a rut. The story hit a stand-still and we were just waiting for another big moment to shift the show in another direction. We finally got that shift when nerd legend Kevin Smith directed one of the most intriguing episodes of Flash to date.

Kevin Smith

I’m admittedly very intrigued by high concepts in DC like “The Speed Force“. There is a certain sense of mystery and magic to it; I never knew how going deeper into the speed rabbit-hole would translate to TV. Well, ‘Clerks‘ director Kevin Smith did a fine job with attempting to bring the “Speed Force” to mainstream audiences.

Borrowing heavily from the DC Comics limited series ‘Flash: Rebirth‘ from 2009, Smith and the team of ‘The Flash‘ wrapped up a 2 season long story with Barry and his mother as well as furthering the mythos of the show. It also brought some much-deserved heart to the show. That scene with Barry & Nora Allen was one of the most heartbreaking moments I’ve seen in years.

A problem with episodes like this is the main focus goes to the Barry’s Flash storyline while the secondary story gets lost in the shuffle. Maybe it was seeing the other characters get a chance to shine or the shoutout to ‘The Walking Dead‘ but I loved the mayhem of Zombie Tony. We got to see some stellar character development from Barry’s father Henry Allen as well the usual comedic moments from Cisco.

That’s not to take away from the main story as Barry’s self-discovering journey in the “Speed Force” was one of the most powerful things the show has done.

There is a term in cinema called “magic-realism”. It’s basically defined as “an unexpected alteration of reality”. In the world of superheroes, this happens quite often but it’s more than a simple label. It’s an entire art-form that this episode got right. The world of the “Speed Force” instantly felt off. The cinematographer of the episode gave the world a de-saturated look; we know this is the familiar Central City hangouts but why does everything look so different? It was a visual cue to show you that this reality has been altered. Once you met Joe West in this dimension, you know things are running completely different from the natural order.

“We pretty much invented trippy here”
Speed Force (Joe West)

Maybe it was because he had the chance to work on a smaller scale but Kevin Smith really captivated me with this episode. I’ve always thought the man can make a fun film but to me, rarely has he shown this much raw passion for a project. The episode “The Runaway Dinosaur” hits all the notes you want if you are a Smith fan. His infamous natural dialogue, self-referential humor, and comic book love was all there. He even managed to not-so-subtly sneak his longtime friend and frequent collaborator Jason Mewes into the episode.

Showcasing his style wasn’t the only thing Kevin Smith did. He also furthered the story of ‘The Flash‘ to new heights. Now that we have Barry back and his speed batteries recharged, there might also be one (maybe two) new good speedsters as Jesse Quick woke from a coma very similar to the one that Barry Allen was in before he became The Flash. While the show tried to say that Wally West wasn’t affected by the particle accelerator, I don’t believe that for one second. I think we shall be seeing Kid Flash soon enough.

On top of a zombie version of a previous villain, Barry’s “Speed Force” journey, and the growth of different characters…we now know that Zoom is creating an army of meta-humans in order to take over the world! Oh and let’s not forget that Barry & Iris are finally on the path of love. What a jam-packed episode!

Kevin Smith didn’t hold back when it came to directing his episode of ‘The Flash‘. He’s is a huge-fan of all things comics but Smith rarely creates within the genre. With an episode as this strong, I want to see Smith work more with superheroes.

https://www.youtube.com/watch?v=QVrpaq8-ys0

Did you like Flash’s latest episode titled “The Runaway Dinosaur“?

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The UnPOP Podcast’s Spoiler Discussion of Captain America: Civil War

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Cap vs. Iron Man. Steve vs. Tony. Curtis vs. Brock. The UnPOP Podcast battles it out over Captain America: Civil War, a Marvel Comics-themed binge, Michael Bay, questionable U.S. History and more in this VISIONary episode!

3:56 Civil War topics

19:49 This week in movie news

31:19 What’s Cookin’ in The Rock’s Kitchen

36:12 Captain America: Civil War review – Spoiler-free comments

39:00 Marvel Comics ‘Civil War’ binge challenge

51:40 Captain America: Civil War review – Full spoilers

Have a topic you’d like to hear UnPOPPED? Send any comments/love/vitriol to unpopentertainment@gmail.com

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‘Voltron: Legendary Defender’ Newest Trailer

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The newest entry into Netflix original content comes on June 10 with the release of Voltron: Legendary Defender. The original series Voltron: Defender Of The Universe debuted in 1984 and ran until 1986. A huge success, it spawned two follow-up animated series, comic books, and some tv specials.

This series seems to mix humor with a more serious tone than the original animated series. In the midst of a galactic civil war, 5 young pilots from Earth are dropped right into the middle of it, facing the invading Drule Empire, and the discovery of the greatest weapon in the universe, known as Voltron.  A question that many fans have is the role of Princess Allura. In the original series, Allura would become the pilot of the Blue Lion when original pilot Sven was severely injured and then captured by Zarkon’s forces.

Dreamworks and Netflix have compiled an impressive voice cast for the new series which includes Steven Yeun (The Walking Dead), Bex Taylor-Klaus (Arrow), Tyler Labine (Tucker and Dale vs. Evil), and Rhys Darby.

Voltron Crew
Keith, Lance, Pidge, Shiro, and Hunk
photo: Netflix / Dreamworks Animation

 

While this is not the first animated entry from DreamWorks Animation and Netflix, it can likely be its first big success, and can add to the growing selection of original content.

Can a 20 year old property recapture the magic of the orginal series that other subsequent series failed to? The second Voltron series, Voltron: The Third Dimension, and Voltron Force, which aired on Nicktoons, were all met with middling response and only aired a single season.

Voltron: Legendary Defender will debut on June 10 with 13 episodes and exclusively on Netflix.

 

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Review: Batman #52 “All Good Things…”

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History will ultimately be the judge of whether or not the New 52 was a worthy endeavor, but needless to say many fans still have their gripes about the campaign. Much about the reboot was criticised with series either sacrificing some of their more interesting elements or simply re-threading character arcs that had been fully fleshed out decades before. Yet Batman by Scott Synder and Greg Capullo emerged as the bastion of comic story-telling in a post-New 52 world. From introducing new iconic characters and villains, to fundamentally revamping the Dark Knight’s definitive origin story, Synder and Capullo, told “THE” modern Batman story. Whereas some series fluctuated in quality, for over five years this creative team maintained a consistent quality and ingenuity befitting the legacy of the character. All good things must come to an end, however, and the aptly numbered issue 52 sees writer; James T. Tynion IV and artists; Riley Rossmo and Brian Level set the stage for what is to come.

Tynion’s Batman is very reminiscent of Warren Ellis and Declan Shalvey’s run in that there is a whimsy to this version of the Dark Knight. While remaining a tragic figure, there is a palpable joy within this Batman as he takes to the streets. This isn’t a Bruce Wayne who just needs to be Batman, he actively wants to be that symbol. One gets the sense that this Bruce has developed to the point that he is no longer fighting for his parents per se. While they may be his inspiration, Bruce is finally donning the cowl for himself and because it’s what he feels is right. Tynion really channels the voice of Batman through this issue, almost as if Kevin Conroy is narrating it to the reader.

Story-wise, it features a dual narrative as Batman on the hunt for a new villain as flashbacks reveal various pivotal moments in his training. Thematically, this issue reflects the circular nature of the comic book industry itself. Runs ends, creators come and go, but the characters themselves and their narratives continue. Batman is a character whose entire motivation is around centered on that never-ending struggle against crime, corruption and a cavalcade of bad guys. This issue is an ending to one era for the Caped Crusader and a distinct beginning of another. Stylistically, it may fall into the latter category more so than the former as this issues lacks the feel of Synder/Capullo issue. The transition between creators isn’t as smooth as one might hope. This issue is more focused on defining the new direction and less about seamlessly blending the two styles to make the hand-over feel more natural. One wonders if this was an issue that could have been left until the re-launch and whether the temptation to have the series finish on #52 was too meta for the DC marketing department to ignore.

Fittingly, one of the panels (which can be seen in the preview below) contains a great visual callback to the phenomenal Batman: the Animated Series. The issue itself, both in terms of story and artwork is structured like a standalone episode of that show. Rossmo and Level use simplistic, but effect panel composition to bring the story to life. TFurthermore, the design of the new villain debuted in this issue is a refreshing contrast to Batman’s usual rogues gallery. he interiors themselves are just as Batman book should be; dark, gothic, but with a pulp affectation that makes Gotham City a character in and of itself.

Batman returns next month with Batman: Rebirth before the launch of another ongoing later this year written by Tom King. Until then this issues serves as a fond farewell to a legendary run, with the promise a more adventures to come. For as long as criminals remain a superstitious and cowardly lot, there will always be a Batman.

A review copy was kindly provided by the publisher.

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