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5 Reasons to Watch Black Lagoon

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There was a post on Tumblr the other day expressing surprise on how small the fandom is for the anime Black Lagoon. I immediately realized there really is very little enduring interest for a show that’s as good and well regarded as Black Lagoon. To remedy that, here are five reasons people need to check it out:

Black LagoonOne: The Wild Dark Style.

 

Black Lagoon is done in a bizarre combination of hyper-stylization and gritty, which is in the end Grindhouse. It was once described to me as “Tarantino meets Die Hard,” and that’s an accurate description of how watching it feels. Black Lagoon is full of dark, gritty urban backdrops and incredibly stylized, blood-filled fight scenes with excessive amount of gunfire and explosions and all this is interspersed, of course, with plenty of swearing for atmosphere. This style gives it a much more Western cinematic feel than most anime.

 

Two: Ethnically Diverse Cast

 

Not many TV series have a main cast as ethnically diverse as Black Lagoon. The main protagonist is Japanese; the group’s muscle is Chinese-American; the boss is a large African-American ex-marine wearing earrings; and the show have a Jewish-American hacker from Florida to round things off. Representatives from Columbian, Russian and Chinese organized crime also appear in the story. With the very strong yearning, especially recently, for ethically diverse films and TV, Black Lagoon should be recognized for doing just that.

Black Lagoon

Three: The Characters and Story Feel Real

 

Plenty of bad action films put the focus on style and explosions over character development and plot creation. Rei Hiroe, Black Lagoon’s creator, spent time and effort creating interesting characters with unique viewpoints and believable worldviews. The show focuses on its protagonist’s story and it’s characters’ relationships with each other. The mental states and philosophies of the main cast are valued more than the action scenes.

 

Four: It holds up

 

This year Black Lagoon celebrated the 10th anniversary of its premiere. It in truth, doesn’t feel that old. There are shows from that time period that don’t hold up nearly as well (Stargate Atlantis, Monk). This doesn’t just hold up; it has the power to continually hold up because the story is not dependent on period technology or American culture. You can watch it now. You can watch it five years from now it wouldn’t make a difference.

 

Five: Pirates!

 

It’s about Pirates, which should be enough to sell it, but it’s about modern pirates. That’s not a topic that get’s a lot of screen time. There are plenty of crime shows floating around, but I can’t name another one that tackles 21st century piracy. It’s a great selling point and done in a believable fashion. Black Lagoon gives a compelling image of modern day pirates.

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‘Chew’ To Kick Off Final Story Arc In July

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Image Comics bestselling title Chew will be ending its run at 60 issues, and the final story arc kicks off this July.

Writer John Layman had this to say about the end of his run:

“Hard to believe we’ve come to the end of things, but here we are, five issues of CHEW left, and we’re now plunging headlong into our last and most consequential storyline. Every issue is a goodbye, and there’s a great many characters who won’t make it to the end. We’re grateful for everybody who has been along with Tony Chu and friends on his 60+ issue journey, and we’re doing our damnedest to send him and the rest of his cast off in a very consistently-CHEW fashion. As the noted thespian and philosopher Shia LaBeouf once said (probably), ‘what a long, strange trip it’s been.’”

See the cover and description to issue 56 below.

Chew

Previously in CHEW, Tony Chu was on the verge of a great discovery—which came at a great cost. Will Savoy’s sacrificial machinations have been in vain?  CHEW #56 signals the beginning of the end: the final story arc. Five more issues. Yum!

Issue 56 hits shelves on July 20th.

June 27th is the cutoff date for retail orders. Ask your local comic shop to order you a copy today!

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Review: ‘Warcraft’ An Assault On The Senses

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Well, at least Garry Marshall can breathe a sigh of relief.

Universal Studios Warcraft, directed by Duncan Jones, produced by Legendary, Atlas and Blizzard Entertainment (the company that developed the game) is an assault on the senses. With CGI that has been plastered all over with little reason behind it, sound quality that will question your ability to hear, and a script that leaves the biggest Warcraft fans puzzled,this film is an enormous failure on all fronts.

warcraftartThis is, in essence, a story concerning the realm of men being attacked by Orcs from another world. There are some familiar elements: A wise king (Travis Fimmel) and a rebel Orc clan leader (Toby Kebbell) want to prevent a war. So with these two elements of a human and rebel leader wanting to work together, one would assume this would be at least the start of a great origin film.Well, those assumptions would be incorrect as Jones doesn’t allow the movie to develop at any point. Instead, the audience endures one jolting plot turn after another. One minute, we are discussing wizards and then suddenly (and without any semblance of a transition), Orcs; then we are talking about the portal that orcs are building, and then without warning it’s back to talking about the King. This schizophrenic plot design is confusing to the most gifted of Warcraft players let alone novice movie goers who are introduced to this universe for the first time.

Industrial Light and Magic had a major hand in developing the Orcs and the final product was shocking. The creatures lack any authenticity and appear to be computer images interacting with other actors. Instead of big budget special effects, we are treated to small market images that bear little resemblance to anything in the game.

As for the sound, the mixer’s sole purpose was to ensure that the sound (whether it’s dialogue or special effects) is blended in with precision. Instead, we get two hours of mumbled dialogue, screeching special effects, and ambient noise was so distracting it was hard even to focus on the putridity on the IMAX screen.

Warcraft fans will argue that it’s hard to evaluate the film unless someone has played the game. No, the audience shouldn’t have to develop the appropriate amount of background knowledge to appreciate this movie. The burden falls on Duncan Jones, Chris Metzen, and Charles Leavitt to develop a narrative that introduces us to the world of Orc and Man, while keeping us engaged. This film slogs along for over an hour until it’s clear who the main characters are. The plot jettisons from one point to another at a rapid rate leaving the audiences head spinning.Jones opted to combine multiple elements from the Warcraft universe when developing his “narrative”. Why? Why not focus on developing one stellar origin film instead of trying to make an epic? Furthermore, why did Jones pick the most mundane characters in the universe for his film? Warcraft is rich with the source material and choose the portion of the saga that had the least amount of fighting. Why didn’t they develop the story around Thrall (that would be the Orc baby that his mom sends down the river for safety)? In Warcraft 3, there is this whole storyline where he learns who he is and rises from an enslaved gladiator to save his people. This story has tons of action and intensity which would have played well on screen.

Some critics might spin this film as simply being okay. How’s this movie even close to being okay? Warcraft had a budget of 160 million and the director spent five years on this project, and the best he does is a film that is no better than a b-grade fantasy film that belongs at the bottom of the bargain bin at Walmart.

Anyone who says otherwise is just living in a fantasy world.

 

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REVIEW: ‘Warcraft’ lacks any WoW whatsoever

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Warcraft is yet another in the seemingly endless stream of poorly conceived feature films developed from video game properties. As bland as bland gets in terms of characters, plot, and execution, it amounts to an experience similar to watching someone else play a video game that’s only interesting to them. It’s occasionally pretty to the eye, but quickly grows tiresome.

What’s it about?

Based on the long-running game series that started in the 1990’s with “Warcraft: Orcs and Humans”, Warcraft the film aims at telling the origin of the Orc-Human conflict at the heart of all the games. Faced with annihilation as their world dies around them, the race of orcs, led by dark sorcerer Gul’dan (Daniel Wu), pour through a magical gateway into another world and set about the task of conquering it.

That other world, Azeroth, is ruled by a benevolent king and queen (Dominic Cooper, Ruth Negga), and protected by magical Guardian Medivh (Ben Foster) and Lothar (Travis Fimmel, TV’s “Vikings“), the king’s most trusted army commander. As the horde of Orcs, unlike any enemy they’ve ever seen, rampage across their world, the king works to rally Azeroth’s defenders into an alliance strong enough to stop the monstrous warriors from trampling all in their path.

With the help of upstart mage Khadgar (Ben Schnetzer) and a half-human, half-orc former slave named Garona (Paula Patton), Lothar and Medivh set out to fight for their world’s future. They find a potential ally in Durotan (Toby Kebbell, Dawn of the Planet of the Apes), a young orc chieftain who sees nothing but evil in the plans of Gul’dan and hopes that orc and human can find a way to co-exist.

But their efforts are threatened from the start by the power of “The Fell”, a magic powered by sucking the life from living things, which Gul’dan used to open the portal between worlds and continues to draw from the people of Azeroth his horde conquers.

The Fell’s reach is long, its power as seductive as it is corrupting, so even the brave hearts, capable sword arms and best intentions of heroes both human and orc may not be enough to stop the horror the Fell brings in its wake.

Warcraft 'sword' teaser one-sheet

Tries to do too much

In taking on Warcraft, writer/director Duncan Jones (Source Code) takes on the orc-sized task of trying to craft a compelling character-driven film story while at the same time making fans of the game happy by honoring the rich history and mythology already developed within the game series.

Unfortunately, he only marginally succeeds in one of those efforts while failing entirely in the other. While the orcs, gryphons, swords and armor all more or less evoke the look of the games, the performers acting in and around all that CGI and green screen-powered peril look stiff and bored.

Dialogue falls flat, drama proves elusive, and suspense is nowhere to be found as characters both live and computer generated lumber from scene to scene reciting lines that feel laden and forced. Even the battles look tame, the blows delivered by warriors with massive swords and monstrous orcs carrying hammers the size of horses all looking soft, timid, and rehearsed.

To his credit, Jones seemed to want more than just non-stop hack and slash for Warcraft, and did try to include some sort of personal drama for each of his principal characters to struggle with while also reacting to the larger plot around them. But those subplots barely have time to breathe on screen, and are done no favors by the listless performances delivered by the actors here.

Arguably, the most disappointing performer here is Fimmel. The talented Australian actor, who delivers fine, nuanced work the History Channel’s “Vikings” season after season, here comes off as stolid and devoid of the charisma necessary to carry a film like this in order to make it memorable.

It’s not all his fault, though. Paula Patton, forced to deliver lines through an underbite and miniature tusks, never looks or sounds comfortable in her green skin, while Ben Foster practically sleepwalks through his scenes, and Dominic Cooper gives genre fans another reason to question his sense when it comes to choosing projects. Need for Speed? Dracula Untold? Abraham Lincoln: Vampire Hunter? Someone needs to get Cooper a new agent.

Worth seeing?

If anything, watching Warcraft may make fans long for far more capable and memorable fantasy fare. It clearly aspires to the grandeur and spectacle of Peter Jackson’s Lord of the Rings and Hobbit trilogies, but has neither the writing nor the performances in front of the camera to come even close to those heights of high fantasy glory.

So skip Warcraft entirely, or if you must see it, wait to watch it at home. In the meantime, pop in that blu-ray or stream some Fellowship of the Ring, or better still, dust off that old “World of Warcraft” character and take him or her online for a bit of hack ‘n slash. Be careful with that route, however, especially if you’re a recovered WoW addict. Old addictions die hard.

Warcraft

Starring Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schenetzer, Rob Kazinsky, and Daniel Wu. Directed by Duncan Jones.
Running Time: 123 minutes
Rated PG – 13 for extended sequences of intense fantasy violence.

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Ron Howard Tackling Adaptation of Sci-Fi Novel, ‘Seveneves’

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Ron Howard, whose had a rough go of things lately, is adapting Neal Stephenson’s sci-fi novel Seveneves. Producer Brian Grazer is, of course, coming along with him.

The synopsis for the book sounds like this will be yet another “the world has ended” scenario with space explorers and an alien planet that is actually Earth:

Five thousand years later after a catastropic event rendered the Earth a ticking time bomb, the progeny of a handful of outer space explorers–seven distinct races now three billion strong–embark on yet another audacious journey into the unknown … to an alien world utterly transformed by cataclysm and time: Earth.

Deadline also says the Apollo 13 screenwriter Bill Broyles is also returning. Ron Howard hasn’t had a hit in a while, and his last decent film, Rush, is getting further and further away. He has the third Dan Brown adaptation, Inferno, coming to theaters this fall. I doubt that will pull him out of the ditch, but perhaps an adventure back into space will do the trick.

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“Hell Yeah” Norman Reedus Wants to Play ‘Ghost Rider’

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Buzz has been building around the idea that The Walking Dead‘s Norman Reedus should play Ghost Rider in a Marvel reboot. The actor himself recently spoke to Uproxx and talked about the possibility of taking on Johnny Blaze, and he sounds totally down for the project.

“Hell yeah,” he said. “It would be a blast. Do I get a skull face that’s on fire and all that stuff? Fu*ck yeah. I’m down.”

Norman Reedus seems absolutely built for the part of Johnny Blaze/Ghost Rider. He events an AMC show coming up that focuses on his love of motorcycles. Plus there was this from The Walking Dead:

Norman Reedus

So the guy basically has the pat down already. And it’s time to wipe the existence of Ghost Rider: Spirit of Vengeance from our collective memories anyway. Let’s get this done, Marvel.

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4 DC Characters That HAVE To Make Into ‘Injustice 2’

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‘Injustice 2’ Has So Many Character Choices But Only So Much Roster Space

The hype became real when the first trailer for ‘Injustice 2‘ was released this week.

Our first glimpse at the game promises stunning visual effects and intriguing character designs. With the trailer also came confirmation for returning characters Superman, Batman, Aquaman, and The Flash as well as new characters like Supergirl, Atrocitus, and Grodd.

DC has a massively expansive universe with near endless choices. Also the previous game showed they can borrow characters from other franchises.

But which characters that missed the first round of fighting should make it the new ‘Injustice’ game? Below are my top 4 fighter choices!

Injustice 2

Honorable Mentions:
-Captain Cold
-Blue Beetle
-Metallo
-Vixen

4. Swamp Thing
Injustice 2

Swamp Thing has to be one of the most underrated characters in all of DC mythos. He’s a unique hero with some wild nature based powers. Seeing him in ‘Injustice 2‘ would be an amazing fan service and provide an interesting fighter.

3. Black Canary
Injustice 2
-The first ‘Injustice‘ game was stacked with awesome female fighters but sadly missing was Black Canary. Her skills in hand-to-hand combat is on-par with Batman and her sonic scream is similar to Sindel in ‘Mortal Kombat‘.

2. Reverse Flash
Injustice 2

-How did Eobard Thawne not make into the first game? The Flash’s main villain is such a key member of the Rogues gallery as well as being one of the best speedsters ever. The fights between FlashReverse Flash would be epic.

1. Darkseid
Injustice 2
-While he may be playable for mobile users of ‘Injustice‘, everyone should be able to play as the big bad Darkseid. With his brutal fighting style and Omega Beams, how awesome would it be to play as this overpowered monster!?

Do you agree with my list? Let me know in the comments below!

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The UnPOP Podcast Shells the Fun Teenage Mutant Ninja Turtles Sequel

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Curtis and Brock traverse the sewers to review Teenage Mutant Ninja Turtles: Out of the Shadows. Find out why certain movies (like this one) can be forgiven of their sins and others cannot (like X-Men: Apocalypse).

This week’s Dwayne Johnson news also brings us to the real possibility of President Rock. In a year where the American public picks its leader from a tire fire pit, would you vote for Dwayne Johnson?

You’ll also learn which movies were too much for the hosts to handle in theaters and Curtis’ thoughts on The Lonely Island film, Popstar: Never Stop Never Stopping. Listen and enjoy!

4:16 Movies that forced us to leave the theater

6:37 Flash director hiring

7:46 Star Wars Rogue One reshoots

12:40 UNseen Classic – An American Werewolf in London

18:40 What’s Cookin’ in The Rock’s Kitchen – President Rock?

23:47 Teenage Mutant Ninja Turtles: Out of the Shadows

24:20 UnPOP 60 second recap – TMNT 2

47:54 TMNT 2 Quizzing – Favorite pizza and Spirit Turtles

58:53 Popstar: Never Stop Never Stopping

Have a topic you’d like to hear UnPOPPED? Send any comments/love/vitriol to unpopentertainment@gmail.com

At long last, The UnPOP Podcast is on iTunes! Check us out there!

We’re on Stitcher! Add us to your playlist and rate and review our show!

Subscribe to our Soundcloud page!

Give the Facebook page a big ol’ “Like”

Follow the show on Twitter @UnpopPodcast and the guys @curtwaugh and @thebrockyroad!

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NXT Takeover Review: Top 5 Moments From ‘The End’

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The Latest NXT Takeover Is The End Of The Beginning

The NXT Takeover PPV has been happening since 2014. After ‘The End’, it looks like they have finally taken over. A night filled with epic debuts and shocking wins, the future of NXT is looking even brighter than before.

Below are the top 5 moments from NXT Takeover: The End!

5. Former “La Sombra” Andrade “Cien” Almas Wins His Debut

Gif Source: totaldivasepisodes.tumblr.com

-Mexican superstar Andrade Almas has made a name for himself in Japan & Mexico. He can now add the USA on the list as he had a strong showing at Takeover. His match against Ty Dillinger was the perfect way to showcase his skills.

4. NEW NXT TAG TEAM CHAMPIONS: The Revival!


Scott Dawson & Dash Wilder have reclaimed their championship gold. Probably the most cerebral tag-team on the NXT roster, their rivalry with American Alpha has been great. It looks like ‘The End’ was also the end of the feud as a new team attacked Alpha after the match.

3. Shinsuke Nakamura Exists


-Nakamura is possibly the best Japanese import since Hello Kitty.  I’ve personally been a fan of his work since his early days in NJPW so to see him at NXT is a blessing. At ‘The End’, he faced independent superstar Austin Aries in one brutal match. His win helps put him further up the rankings to an NXT Title match.

2. An Unstoppable Force Meets An Immovable Object


-Without a doubt, Asuka has to be one of the best wrestler on the entire WWE roster. She’s so quick and so brutal but also makes her opponents look so good. That’s what she did at ‘The End’; Asuka made Nia Jax look like the monster she needs to be. Glad to see Asuka retain her Women’s Championship as well.

1. NXT Has Their First Steel Cage Match


-We’ve seen ladder matches but NXT has never had a steel cage match till ‘The End’. The two competitors in the match were NXT Championship Samoa Joe and Finn Balor; two of the greatest wrestlers in the entire world. The action was back and forth but Joe walked away with the title. What’s next for the champion?

What did you think of NXT Takeover: The End?

Let me know in the comments below!

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‘Flash: Rebirth’ #1 – Recap & Thoughts

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This will have spoilers to Flash: Rebirth, continue at your own discretion.

Synopsis:

The issue starts off with Barry Allen and a few other police officers attending to a gruesome crime scene similar to the murder of Barry Allen’s own mother. While the detectives state their assumption on who perpetrated the murder, Allen insists that they shouldn’t jump to conclusions just yet.

As Allen sees events of his own past that doesn’t remember he arrives to his father to try and figure out what these images mean. His father suspects that this is either the speed force effecting him, or Allen is simply overworking himself. Donning the uniform of his alter-ego the Flash, he begins his work protecting the people of Central City.

It’s at this point that we see a swift recap of the events DC Rebirth where Allen rescues Wally West from being dissolved into the speed force. Following a quick discussion on how much has been altered by a certain naked omnipotent reject from Blue Man Group, Flash decides to visit Batman, who is already working on figuring out why the Comedian’s bloodied smiling button is in his cave.

Both men decide to keep this information to themselves until they get further answers, and the Flash races past the murder scene earlier in the issue, where he over hears (I think) the detectives talking about how they were right on their assumption, and that Allen is sometimes wrong.

Thoughts:

For a single issue story this wasn’t too bad. Dialogue was enjoyable and no one went poured purple prose on the other. I was hoping to have more development on what occurred in Geoff John’s Rebirth. It was nice to see that this was not going to be a story point that was dropped as soon as it was introduced. But it would’ve nice to see Batman and Flash do something more than a glorified “You too!”

This was a problem with Marvel’s recent Avenger’s Standoff, in that the prologue and first chapter were essentially the same story, this was not the case for Rebirth and The Flash: Rebirth. We just didn’t get that much more in moving the Rebirth narrative forward. Though the story was a bit lacking in regards to the greater Rebirth story arc, this was a well written single issue story for the Scarlet Speedster.

Artwork was fantastic, particularly the use of the speed force when either Wally West or Barry Allen were on the move. And the use of color in the issue was in top form as well.

I also thought the memorium to Darwyn Cooke at the end was an excellent tribute someone who knew the value of these heroes.

So what were your thoughts on The Flash: Rebirth?

 

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