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Why Are Supernatural Horror Films Like ‘Lights Out’ So Popular?

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Horror Films Come In All Shapes And Sizes But We Just Keep Getting Supernatural Jump Scares

Horror works in trends. We get one concept that runs American cinemas for years. The 80’s had the rise of slashers while the 00’s introduced American audiences to J-horror films. Recently, those Japanese ghost stories have influenced a massive paranormal sub-genre that dominates box-offices.

First, ‘Paranormal Activity‘ re-introduced haunted films. Then the genre was taken over by James Wan. Before he was the ghost movie master, he ushered in the torture horror films with ‘Saw’. Ever since then, Wan moved away from gore and became known for his “jump scares” with films like ‘Insidious‘ and ‘The Conjuring‘. His influences can be found over in almost EVERY paranormal film that has come out in the 2010’s.

Lights Out’ is no different.

Producer James Wan and relatively new director David F. Sandberg crafted yet another movie in a long list of haunted horror films. ‘Lights Out‘ originally started as a short film directed by Sandberg that went viral. Facebook pages re-posted it daring viewers to watch; this attention sparked the interest of many producers. Now, Sandberg directed the project on a much larger scale. Sadly, he falls into some tropes that are far too typical within the studio horror system.

Some will say the horror genre is based on cliches. That excuse causes lazy scares. Audiences jump when that loud score strikes and something lunges at you but the terror is superficial. That’s why a strong story needs to be in place to make up for Hollywood faults. ‘Lights Out‘, like many of these horror films, had the jump scares that weakly work but Sandberg’s film was backed by an interesting explanation for the haunting. If only the screenwriters didn’t pile on so much useless exposition.

“You were right to be afraid of the dark.”

I believe the simple scares are what attracts people to these types of films. With the real-world being so cruel, films tinged with reality scare people off. These supernatural boogeymen save viewers from the real things that go bump in the night. I personally loved to be challenged on a deeper level in horror films. Pieces like ‘Neon Demon‘ and another 2016 standout ‘The Shallows‘ scared me beyond some simple jumps. You carry the terror dealt with in the films long after the credits.

I’m thankful that this is one of the rare original horror films and not a franchised project but I can’t help but feel ‘Lights Out‘ blends into the other supernatural films like this year’s ‘The Conjuring 2‘. I’m a minority in my feelings towards the sub-genre. As of now, Sandberg’s film is sitting at 100% on Rotten Tomatoes with little negative feedback. Compare that to the 51% on a film that I believe is far superior, ‘Neon Demon‘, and you can see my confusion on the beloved status of films like ‘Lights Out‘. Only thing they have in common in some serious Dario ArgentoSuspria‘-inspired cinematography.

Horror FilmsIt will be interesting to see if ‘Lights Out‘ makes their small budget back and grab sequel buzz. The story seemed fairly contained and ended on a VERY definitive note BUT studios can always squeeze the most out of any idea. I’m not against more supernatural films, especially if they are all handed with this raw style of a new director, but studios like Warner Bros. needs to back more than just one type of horror. The audiences deserves more and so do the artist creating the films.

“Whether it’s a popcorn movie or some really intellectual sociopolitical movie, I think to some degree they’re all influenced by the social climate that we’re living in.”
James Wan

We are in a time where our horror needs to reflect our times. It’s been a duty of the genre long before ‘Night Of The Living Dead‘ was a social commentary on race. If the Hollywood studio system wants to keep pumping out these ghost movies year after year, the viewers will never get the chance to deal with real horror. Sure, we get one or two genre pieces that are different but mainstream audiences are only treated to the lowest common denominator in horror.

When will we get another revolution in horror films? Before that, when will supernatural films start to decline with critics & viewers? I believe the sub-genre will be around for a few more years as James Wan is producing two films next year: ‘Annabelle 2‘ and ‘Insidious Chapter 4‘.  As he leaves the horror genre for bigger pieces like ‘Furious 7‘ and the upcoming ‘Aquaman‘, who will replace him as the leader of modern horror? Creators like Adam Wingard and Fede Alvarez could lead their pack with their inventive edgy films. We also could see deeper horror films to provoke audiences.

How do you feel about supernatural horror films?

Let me know in the comments below!

Lights Outs‘ hits theaters July 22, 2016.

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Review: ‘Steven Universe’: Mr. Greg: Song Of Forgiveness

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Steven visits Empire City with Greg and Pearl.

Man, this one really hits right in the feels. Picking up where the previous episode left off, Steven’s dad Greg has been given a very large check because his song has been turned into a jingle for a burger joint. Deciding it’s best to splurge a bit, Greg, Steven, and Pearl head to Empire City and live it up Broadway style. All is not well in this group thought as Pearl is still holding onto negative feelings which really help to kill the mood. Will the power of song be able to bring her around?

This episode is full of singing. This shouldn’t be surprising to anyone as a character breaking out in song is common in Steven Universe but this time around the entire episode is packed with songs. It’s like the creators were trying to have a musical spectacular. Given how deep and emotional some of these songs can be it really is a spectacular.

Focusing on Pearl and Greg’s relationship really is a great place to tap into some deep drama. Pearl still hasn’t gotten over what happened between Greg and Rose and how Rose seem to abandon her to be with him. This is all portrayed through singing and stirs up some tearful emotions in all who listen to it. Luckily, by the time the episode is over, the two are able to bridge some common ground they can start walking across.

It’s good to see Pearl and Greg will finally be getting along. Considering they are the two people Steven looks up to the most in his life, it will be nice to see them interacting without a feeling of awkwardness. Sure, no action or fight scenes are present but with great storytelling like this those things aren’t really needed.

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‘My Little Pony’ And ‘Kid Rock’ Used In Defense Of Melania Trump

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The news of the similarities of Melania Trump’s speech to one previously given by Michelle Obama has spread like wildfire across the internet. In an effort to try and defend the possible future first lady, Sean Spicer, the Communications Director of the Republican National Committee rushed to her aid. Unfortunately, he may have done more harm than good.

Spicer began by comparing quotes made by John Legend and Kid Rock to previous statements by Mrs. Trump. To bring his point home, he decided to pull a quote from a certain Princess of Friendship named Twilight Sparkle and made the following statement,

“Melania Trump said, ‘The strength of your dreams and your willingness to work for them.’”

“Twilight Sparkle from My Little Pony said, ‘This is your dream. Anything you can do in your dream you can do now.’”

The full section of this discussion can be found at the bottom of this article. Considering these two quotes seem to only have similar themes instead of being close to one another, it’s hard to tell what kind of a point Spicer was trying to make with this statement.

Quick to react to the use of one of her lines, Tara Strong, voice actress for Twilight Sparkle issued the following response:

Tara Strong Tweet

Obviously not everyone is okay with Spicer’s poor attempt to prove Melania Trump’s innocence. Still, the entertainment value of it cannot be ignored.

https://www.youtube.com/watch?v=o-BaWHGEaDs

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Tom Delonge And Sekret Machines Reveal Alien Life On Earth?

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When you think about Blink 182 and extra-terrestrials, you may think the only connection between them is their now decades-old song “Aliens Exist.” Former guitarist Tom Delonge has made it abundantly clear that the title wasn’t a throwaway line, it’s his battle cry. Most recently, the first book in his “Sekret Machines” series reveals how deep he’s into this.

Tom Delonge meme

DeLonge left Blink 182 “officially” (more on that later) several years ago. His post-band project, To the Stars, is a multi-media monster which he hopes will help reveal the secrets (Sekrets?) of aliens on Earth once and for all. At the heart of the project is the “Sekret Machines” series. Here’s what you need to know about this crazy new career.

“To the Stars Inc.” is Sekret Machines Headquarters

to the stars twitter logo

There is one place online to catch all the DeLonge/space-related news, updates on what’s coming out, and even blog posts about NASA. To the Stars is that place. You can buy merchandise from books and music to tees and sunglasses, join the official fanclub, chat with others in forums, read press or news relating to the project… the list goes on (and on…reckless abandon…).

The Project DOES Blend Fact and Fiction

Sekret Machines Hardcover Book

Book 1 of Sekret Machines is technically a novel, titled Chasing Shadows. However, almost everything in the novel is deeply researched, and references tons of very real people who have lived and worked in the world of U.F.Os. In almost every real-life interview with Delonge, he talks about how the early stages of the project are mostly laying groundwork for much more science-based writing in the future. More specifically according to an article in L.A. Weekly, “Two other novels, a documentary television series, nonfiction books and a new Angels & Airwaves album will follow [Chasing Shadows].” Delonge explains further in the same article: “‘We want to build on a very strong foundation of credibility by talking to very high-level people.'”

Music Has Taken a Back Seat

blink 182 in the 90s

This particular fact is actually the hardest part of the project to determine fact from fiction so far. In official forums like interviews, articles, and even news on To the Stars, Delonge has claimed a voluntary hiatus from Blink 182, and a hold on his other musical pursuits. However, on his facebook and twitter accounts, he has been advertising personal music equipment for sale, claiming he won’t be needing any of it anymore. The equipment is also listed on To The Stars, without an explanation re: his motivation to sell. Further, when former bandmates Travis Barker and Mark Hoppus discuss DeLonge’s split, they don’t even inch towards the word “amicable.” In fact the words they chose when speaking with Rolling Stone Magazine were “ungrateful” and “disingenuous”. Oops.

So what’s really going on here? Is DeLonge going crazy? Is he secretly an alien himself? Or is he about to blow the lid on one of the government’s best-kept sekrets?

Let us know what you think in the comments below.

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The Dark Side Of Fandom: Leslie Jones Incident Exposes A Deeper Issue

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While some might argue that the internet is a wealth of information, on Monday night the internet showed that it was a pool of hate.Leslie Jones

Leslie Jones, one of the stars of Ghostbusters, was the target of internet bullies who channeled their hatred for the rebooted film into a mountain of racist rants meant to tear her down.

Here is one. (Disclaimer – these tweets are pretty horrible, so read at your own risk)

 

 

 

and another –

Here’s one more example –

and one more –

Now most assume that this type of vile behavior has been directed just at Leslie, but Ghostbuster director Paul Feig has dealt with this behavior as well.

 

It’s one thing to critique a film, and it’s another to make this personal. It seems that the internet tough guys think that it’s their right to attack anyone associated with this film on a hurtful personal level. Some might argue that this is simply the drawbacks of being a celebrity but just because someone makes a movie that shouldn’t allow a person to be treated as less than a human being. Where do we draw the line? How do we draw the line? Is this the dark side of fandom that will never go away?

ghostbusters reboot

What are your thoughts? Do you think that these are just overzealous or a few bad fans that make the rest look bad? Let us know!

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REVIEW: ‘Lights Out’ delivers scares, little else

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Lights Out delivers on its premise — it’s well acted and it’s got its fair share of good scares. If that’s all you’re looking for out of the film, then its unlikely you’ll be disappointed.

Just don’t look any closer at the production or think too much about what you’re actually getting. The writing is thin, and the characters are more or less one-note. An astute viewer should have the film’s ‘mystery’ figured out even before the characters literally talk it out on-screen.

Those limitations point to a certain lack of ambition and limited scope for the film. In this case, though, it’s forgivable, because the areas where the production does show ambition and inventiveness work.

What’s it about?

In Lights Out Teresa Palmer (Warm Bodies) plays Rebecca, a twentysomething who’s been on her own since her teens after leaving her home and her depression-prone mother, Sophie (Maria Bello) behind. Audiences soon learn that Rebecca and Sophie were themselves abandoned by Rebecca’s father when she was young, and his leaving took a terrible toll on them both.

As an adult, Rebecca avoids emotional entanglements, and her relationship with her mother is nonexistent. However, she’s drawn back home when her 10-year-old half-brother, Martin (Gabriel Bateman, TV’s “American Gothic“), appears to begin experiencing what Rebecca herself experienced living with Sophie years before.

In particular, Martin is seeing something in the house when the lights go out. What’s worse, it appears that Sophie, his mother, cannot or will not protect him. She seems to know what it is skulking and clawing in the dark. In fact, she talks to it like a friend.

Once Rebecca has her own encounter with what’s terrorizing Martin, she resolves to get him away from Sophie for good. But once they uncover what the entity is and its connection to their mother, they realize that they may never be safe, no matter where or how far they run.

Lights Out one-sheet

Humble origins

Swedish director David F. Sandberg makes his feature film directorial debut with Lights Out, a project that sprang from his short film of the same. That horror short, featuring Sandberg’s wife Lotta Losten, introduced the “blink-in, blink-out” aesthetic to the being that haunts the proceedings in the full length movie. (Losten also appears in the feature-length version in a small role.)

It’s easy to see why the concept would attract the attention of producer James Wan, who himself directed Saw and The Conjuring films. The “rules” the film establishes for how the evil operates in Lights Out provide for lots of opportunities for creativity with different light sources, turning on and off at opportune or inopportune times.

To his credit, Sandberg makes the most of those opportunities. Lights go out, or in some cases turn back on, at just the right moments to build or pay off anticipation. His efforts should lead to lots of gasps and involuntary starts and maybe one or two cases of insomnia even among seasoned horror fans.

Character complexity lacking

Where Lights Out falls short is during the moments between the scares. The script by Eric Heisserer (Final Destination 5) doesn’t give the leads a whole lot to work with. The characters are more or less one-note, and while the actors make them likeable, there’s not enough there to make them truly resonate.

Are they the sort of stock characters from horror films of a bygone age that we’ve seen lampooned in modern horror films that skirt the edge of parody, like Scream and The Cabin in the Woods? Not remotely, but they and the family drama between them meant to give Lights Out depth and heart ends up just feeling like obligatory melodrama.

Thankfully, at only 81 minutes, there’s not a whole lot of it to slog through in order to get to what audiences are really paying for.

Worth seeing?

For fans of recent supernatural horror films such as The Conjuring films and Annabelle,, Lights Out should be a fun, scream-filled night out at the movies. It’s best enjoyed in a dark theater, surrounded by a receptive audience who will likely be jumping and crying out right along with you. Admittedly, though, seeing the movie alone at home with all the lights turns off might do the same trick.

However, if you’re not a horror film fan and/or you’re prone to insomnia, best give this one a wide berth. Script limitations aside, it’s done just well enough to maybe leave you hesitant about turning the lights out at bedtime.

Lights Out

Starring Teresa Palmer, Gabriel Bateman, Billy Burke, Alexander DiPersia, and Maria Bello. Directed by David F. Sandberg.
Running Time: 81 minutes
Rated PG-13 for terror throughout, violence including disturbing images, some thematic material and brief drug content.

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‘Batman: The Telltale Series’ Gets World Premiere Trailer

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A new trailer for the upcoming Batman: The Telltale Series has been released.

The trailer sheds light on the tone of the game, and gives us a few looks at some villains, heroes, and supporting characters we’ll get to know in the story.

Batman: The Telltale Series will be shown off at San Diego Comic-Con International 2016, with its first five episodes titled “Realm of Shadows” being released on August 2.

“Enter the fractured psyche of Bruce Wayne and discover the powerful and far-reaching consequences of your choices as the Dark Knight. In this gritty and violent new story from the award-winning creators of The Walking Dead – A Telltale Games Series, you’ll make discoveries that will shatter Bruce Wayne’s world, and the already fragile stability of a corrupt Gotham City.”

What are your thoughts on the trailer? Drop a comment down below and let us know.

Source: Youtube (via Collider).

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Review: ‘Absolutely Fabulous’ A Smashing Good Time Sweetie

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This weekend, Fox Searchlight Pictures is set to release Absolutely Fabulous: The Movie, in limited release this weekend. Jennifer Saunders and Joanna Lumley return as the persistently hung over BFF’s Edina Monsoon and Patsy Stone. While the biggest obstacle facing this film is attracting an audience of new fans, Absolutely Fabulous: The Movie certainly has all the familiar elements that will thrill hardcore fans of the show. Can you name me another film this summer that includes a jacuzzi that’s described as a “smoothie of old sperm”, an elaborate drag show to the song “At Seventeen”, the murder of a supermodel, a gender fluid wedding, and the details of Jon Hamm losing his virginity?

No one will ever say that Absolutely Fabulous is a great film, but it is a smashing good time darling (Edina Voice).

Absolutely FabulousWhile Absolutely Fabulous the television show had it focuses on more domestic issues, the film has more of an international flair. The film starts off during London’s fashion week during Giles Deacon Runway show. Saunders and Lumley show off some of their slapstick ability as they fight the models to have the best seat during the show. Edina is now 60 years old and is still muddling away as the world’s worst PR agent. She so lacks self-awareness that she writes her memoirs only to be told that her life is worth living but not worth reading. Instead of taking this as a cue to reassess her life choices, Edina decides that she needs to snag the biggest PR client possible to put her in the spotlight once more. Patsy is told that Kate Moss has fired her PR firm and is looking for representation and lets Edina know the good news. The two of them hatch a plan to woo Moss to sign with Monsoon PR but as always something happens when Patsy and Edina are involved. Edina goes to approach Kate at a fancy fashion event but only manages to push her into the River Thames appearing to kill her. Instead of staying in England to face the music, the girls decide to run away from the police or as Patsy calls them “The Pigs” and heads off to the south of France.

One of the highlights of this film was the smart script that Saunders came up with. Saunders managed to develop a narrative with the familiar beats that we’ve grown accustomed to as well as something even more. For example, throughout the film we see Edina grappling with the reality that she’s getting an old and the world is passing her by. Now, no one is saying that she handles this is the most effective manner (remember this is Edina we are talking about), but this shows a level of depth that Fabulous didn’t strive during its initial run on television. This sort of topic would have been taboo for the TV show as the deepest they indeed reached was what type of booze Patsy was going to drink next.

Where this film struggles mightily is the direction of Mandie Fletcher. This movie shows no creativity in its shot selection and what was crazy is that it wasn’t due to the movie lacking elaborate locales. Fletcher has locales ranging from the south of France to the most high-end areas of London. How can you not highlight those areas in your shot selection? The shots are constricted and tight like they’re on a TV set. The lack of creativity in shot selection caused the film to visually bland at times.

Absolutely Fabulous also falls into the same type of trap that the A-Team movie did a few years back. It’s awfully challenging to take a 30-minute show and stretch into a 90-minute film. Audiences know with A-Team that they will be given a task that seems impossible and pulls it off in the end ( while maybe shooting a few bad guys). The same can be said about Absolutely Fabulous. Everyone knows that you will get the drunken exploits of Patsy and Edina and in the end, they will stumble their way to a resolution to whatever problem they are facing. The source material doesn’t lend itself to any expansion.

This film isn’t going to blaze any trails cinematically but does provide enough fun that audiences won’t leave disappointed. Whether it’s enough to motivate groups to go see it this weekend, remains to be seen.

 

 

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REVIEW: ‘Absolutely Fabulous’ perfect cure for Brexit blues

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Absolutely Fabulous: the Movie aims to deliver everything fans of the classic ’90s British sitcom adored about the show sans the laugh track. Beloved main and recurring cast members of the program return, older but not the least bit wiser, beset by new problems brought upon by life in the 2010’s in addition to the eternal problems of finding the next party and the next bottle of Bolly.

The writing is sharp, and the actors are on point delivering characters fans should remember. Those coming into the film not having seen the show shouldn’t worry, however. Absolutely Fabulous wastes no time in letting audiences know just who the characters are, their relationships to one another, and how they keep each other float while at the same time driving each other crazy.

What’s it about

For PR maven Edina “Eddy” Monsoon (Jennifer Saunders) and fashion magazine editor Patsy Stone (Joanna Lumley), life is very much what it has been for years: a neverending (hopefully) cycle of glitzy parties, bottles of champagne, and hangovers. Their selfish and hedonistic antics continue to drive Edina’s long-suffering daughter Saffron (Julia Sawalha) to look and sound twice her age, while at the same time driving everyone else they deal with to consistently wonder just what it is they actually do or what they’re good for aside from drinking and ruining social occasions.

But the end may be near, at least for Edina. The money’s running out, her PR client list lacks the starpower it once boasted (at least, in her mind), and, well, age and all that eating and drinking have started to take their toll.

An opportunity to reverse her fortunes presents itself in the chance to sign the most prized PR client in all the British Isles, UK fashion icon Kate Moss (playing herself). But when the recruiting effort goes horribly, hilariously awry, Eddy and Patsy find themselves on the run from the police and worse: the paparazzi.

Fleeing the country with Saffron’s daughter Lola (Indeyarna Donaldson-Holness) in tow, the priority for this Dynamic Duo becomes avoiding becoming the Destitute Duo. They need money to keep the party going, and if there’s one thing Eddy and Patsy are good at, it’s finding ways to keep the party going, even when that pesky thing called reality keeps trying to come calling.

Absolutely Fabulous the Movie one-sheet

Writing Top Drawer

The script for Absolutely Fabulous: The Movie of course comes from star and series creator Jennifer Saunders. Saunders’ writing effort displays all the wit and bawdy charm that made “Ab Fab” such an instant hit and its characters classics in the Brit TV lore. Fans of the original should be thrilled with the results, at the very least.

Nostalgia and the spectacle of middle-aged women behaving badly alone, however, are not all that make Absolutely Fabulous: The Movie enjoyable. Saunders has a keen eye for the absurdities of the UK pop culture, fashion, and socialite worlds that Eddy and Patsy hang on to for dear life. One particular running gag about how the nation is thrown into cultural chaos at the possible loss of a pop culture figure revered as a national treasure serves as arguably the best evidence of Saunders’ sense of these things, but there are many others in the film.

Missing the laugh track

There is, however, a downside to the production’s devoted efforts to recreate as much of the show’s magical tone and chemistry as possible.

Yes, many of Saunders’ one-liners and zingers in the script hit home. A few of them, however, fall flat simply because they’re staged as though they’ll be followed immediately by canned laughter.

Veteran TV director Mandie Fletcher (BBC TV’s “Blackadder“), who directed a number of “Ab Fab” episodes herself, alas doesn’t serve this production particularly well in terms of crafting scenes and set pieces that feel cinematic. Despite the production trading in the confines of a sitcom sound stage for lavish, majestic backdrops in London and the French Riviera, the timing and staging in many scenes still feel as though they’re meant for the small screen.

Put another way, the movie looks and feels very much just a long, well-budgeted episode of the series, for better and for worse. If that doesn’t bother you, and it probably won’t if you’re a fan of the show, well that’s fabulous, sweetie darling. Be sure to sneak in a flask of you-know-what into the theater with you to enjoy the proceedings properly.

Worth seeing?

For fans of Eddy and Patsy’ sordid escapades, yes, Absolutely Fabulous: The Movie is an absolute must-see, bordering on a moral imperative.

For everyone else? Well, if you enjoy comedy from across the pond and/or smart comedy that gleefully turns British pop culture on its ear, then don’t hesitate to dive right in, as there’s lots of fun to be had here.

Absolutely Fabulous: the Movie

Starring Jennifer Saunders, Joanna Lumley, Julia Sawalha, Jane Horrocks, June Whitfield, Chris Colfer, Kate Moss, Lulu, Emma Bunton, Robert Webb, Barry Humphries, and Indeyarna Donaldson-Holness. Directed by Mandie Fletcher.
Running Time: 90 minutes
Rated R for language including sexual references, and some drug use.

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Laura Vandervoort Interview: ‘Bitten,’ ‘Super Duper Deelia’ And Beyond

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Laura Vandervoort, the star of ‘Bitten,’ called the Monkeys Fighting Robots hotline to chat about ‘Bitten: The Final Season,’ the future on Indigo on ‘Supergirl,’ and the struggles of producing her own show ‘Super Duper Deelia.’

Vandervoort also mentioned that she just wrapped on a comedy that she could not reveal. She expects an announcement shortly.

‘Super Duper Deelia’ is a live action TV series in development based on the children’s book written by Vandervoort.

The series follows the adventures of a plucky young girl who discovers she has superpowers on her 10th birthday and that super abilities run in her family. While learning to use her new skills in positive ways, Deelia turns to her wise grandmother, a superwoman herself, for advice and gets help from her inner circle of friends and her lovable canine sidekick Shadow, who has the ability to talk.

‘Bitten: The Final Season’ is available digitaly and on DVD.

#SDD Super-Duper-Deelia at #MipCom #Cannes #shaftesbury proud to see something I've created here in Cannes

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