The remaining Power Rangers storm the Command Center in hopes of taking back their home from Rita and her forces. But is it already too late for Zordon and Alpha 5?
Writing
This issue decides to decrease the action and instead focuses on more world building, flushing out the alternate world and how people have been living under the rule of Lord Drakkon. Billy and Tommy meet up with the Coinless, a group of freedom fighters made up of some of the former Power Rangers and trying their best to continue the good fight against evil. It’s interesting to see the characters who appear in this group. Bulk and Skull as legitimate supporting characters is one thing, but they also find a way to introduce Aishia into the mix.
The issue also features a lot of preparation for the coming confrontation. Finster is working on a new monster to fight against the Power Rangers who have been working to regroup and retake their command center. Lord Darkkon is disciplining his troops as he mounts an all out raid on the Coinless. It’s revealed Scorpina has been the one who has been communicating with Lord Darkkon in this world. Not a major surprise but it’s still interesting to see the two interact together. Just a lot of building tension throughout the issue.
Writer Kyle Higgins has a lot planned out and is obviously just letting the characters take a moment to breath before a final battle. Also, just going to call it now: Billy’s other self did more with Trini in the other world than simply save her. Not saying they have a kid together, but if this turns out to be the twist, remember you heard it here first.
Artwork
The art still remains at a top notch level thanks to the team of Hendry Prasetya and Matt Helms. The appeal of this issue is the introduction of more of Power Ranger sentries. These protectors of Lord Drakkon have very impressive design work to them. Hopefully someone will be inspired by them and real life costume versions will be replicated at conventions in the near future.
Conclusion
An issue which is building towards an incredible battle may seem less impressive compared to previous issues, but this issue is solid. A calm before the storm moment isn’t necessarily bad as the audience needs time to figure out what is at stake before going full force into an epic battle. The series is still incredible satisfying and just needs to deliver more intensity in the next issue.
Jeff Sneider, veteran film reporter formally with The Wrap, has revealed a potential director for the Green Lantern Corps film. Sneider dropped the rumor in the latest episode of “Meet The Movie Press”.
“This one doesn’t have a director either. But it has a writer and a producer, and what if they’re one in the same? I’m hearing David Goyer could very well end up directing Green Lantern Corps himself.”
Sneider is a pretty reliable source in the world of film journalism, but this should still be classified as a rumor for now.
How would you feel if Goyer ends up directing Green Lantern Corps? Comment below!
The latest subscriber-only cover of Empire Magazine features Baby Groot from Guardians of the Galaxy Vol. 2.
“Set to the backdrop of ‘Awesome Mixtape #2,’ Marvel’s Guardians of the Galaxy Vol. 2 continues the team’s adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill’s true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes’ aid as the Marvel cinematic universe continues to expand.”
The film stars Chris Pratt as Star-Lord/Peter Quill, Zoe Saldana as Gamora, Bradley Cooper as the voice of Rocket Raccoon, Vin Diesel as the voice of Groot, Michael Rooker as Yondu, Kurt Russel as Ego The Living Planet, Karen Gillian as Nebula, Dave Bautista as Drax, Pom Klementieff as Mantis, Sean Gunn as Kraglin, and Sylvester Stallone in a currently unknown role. The film is directed by James Gunn.
Guardians of the Galaxy Vol. 2 hits theaters on May 5.
Currently, Injustice 2 is slated to come out on the Xbox One and Playstation 4. However, if anything is to be perceived from Ed Boon’s Twitter, it’s that the Nintendo Switch will indeed receive a port of the game. Boon is a Creative Director at NetherRealm Studios, the company behind Injustice 2.
On February 23, Boon tweeted this out. No, it’s nothing special, but perhaps he was trying to see if his audience was interested in the system.
My OCD would never allow me to buy the Nintendo Switch with the different colored side controllers. pic.twitter.com/tVJH6B1lt1
Then, on St. Patrick’s Day, the Creative Director gave his biggest tease yet. What does the holiday have to do with Nintendo’s latest console? Nothing. The answer is nothing.
So, my point in all this? While nothing has been confirmed yet, it’s safe to assume that there is a good chance of the Switch getting a port of Injustice 2. Either that or Boon is a super-troll to Nintendo loyalists.
With all the evidence presented, do you think there’s a chance we’ll see Injustice 2 on Nintendo’s latest console? Comment below!
Injustice 2 is going to be released on May 16, 2017.
In a recent interview with Screen Crush, actor J.K. Simmons briefly discussed Commissioner Gordon’s role in Justice League, its sequel, and The Batman.
“My part in the first film coming out this fall is very, very small. It’s a little introduction of the character. But whenever the next one gets off the ground, whether it’s The Batman movie or the Justice League sequel, and I know those things are getting shuffled around right now … we thought we might be getting to work pretty soon on The Batman, but we’ll see what the future brings. Hopefully that’ll be another comic-book character that I get to take two or three or four cracks at.”
Are you looking forward to Simmons’ performance as Gordon? Comment below!
“Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.”
Justice League stars Gal Gadot as Wonder Woman, Ben Affleck as Batman, Ezra Miller as Flash, Jason Momoa as Aquaman, Ray Fisher as Cyborg, Henry Cavill as Superman, Amy Adams as Lois Lane, Amber Heard as Mera, Jesse Eisenberg as Lex Luthor, Jeremy Irons as Alfred Pennyworth, Willem Dafoe as Vulko, and Connie Nielsen as Hippolyta.
The film is slated to hit theaters on November 17, 2017.
Los Angeles, Calif. (March 16, 2017) – BOOM! Studios and Saban Brands are proud to debut three new Power Rangers Sentries in Mighty Morphin Power Rangers #13, the latest issue of their best-selling comic book series. The issue went on sale March 15 in comic book shops.
Following the debut of the Mastodon Sentries in issue #11, this issue features the Tyrannosaurus Sentries, Sabertooth Sentries, and Pterodactyl Sentries, troopers molded after the original Mighty Morphin Power Rangers and under the command of Lord Drakkon on an alternate timeline Earth. In the story, Tommy Oliver and Billy Cranston have been transported to that universe, in which Lord Drakkon—the Tommy Oliver of this timeline—and Rita Repulsa have conquered the planet. In eluding capture by the Sentries and trying to find their way back to their own world, the pair find allies with an underground resistance called The Coinless.
Mighty Morphin Power Rangers #13 is written by Kyle Higgins and illustrated by Hendry Prasetya. The Sentries were designed by MMPR cover artist Jamal Campbell and Saban Brands.
Mighty Morphin Power Rangers is an ongoing comic book series published monthly by BOOM! Studios.
DISCLAIMER: This review only covers the first six episodes. A full series of ‘Iron Fist’ will be coming soon, and may already be out when you read this. If so, you can find it linked here.
There’s been a lot of controversy around Marvel’s latest foray into television. Iron Fist, one of the final Defenders series, came to Netflix this week. Ahead of its release, critical reviews around the first few episodes were largely negative. In this reviewer’s opinion, these super bad reviews seem overly dramatic. The series is far from the worst superhero tale on television – but it certainly is formulaic. Iron Fist is, by far, the weakest Defenders tale, but it isn’t super terrible. In fact, it isn’t super-ANYTHING. Iron Fist is, by all accounts, a purely run-of-the-mill superhero series.
Danny Rand isn’t exactly the most unique hero of Marvel’s many properties. He’s got the same basic origin as CW’ Arrow – rich boy, presumed dead, comes back after several years with new badass abilities. It’s not the only element that superhero fans might recognize. He’s got Daredevil’s martial arts, Iron Man’s money, Doctor Strange’s mystic roots, Star-Lord’s childhood tunes, and even some strange variation on Falcon’s bird sidekick. However, these comparisons don’t determine the quality of the show.Lots of superhero origins are comparable, and it’s an easy critique. What matters isn’t how Iron Fist mirrors other series.
What matters is that it fails to properly utilize its uniqueness. Much of the series plays to standard television fare, not just with superhero shows. You have the optimistic & naive lost sheep, the cruel father, the jealous infighting siblings – common TV tropes. All of the cast feel like a rehash of other television characters, superhero and otherwise. It’s not the “white savior” trope that many critics had skewered the series for. However, it’s a host of other tropes wrapped into a superhero series. Perhaps for diehard Mavel fans, Iron Fist delivers. But for the more casual television viewer, there’s little to make it stand out.
The closest we get to a unique character is Colleen Wing. Much like Misty Knight in Luke Cage, Colleen gets to spend time being badass in her own right. Her scenes fighting in the underground league, and training her students, is a compelling side story. However, as the romance between her and Danny two blossoms, Colleen falls into common sidekick-romantic tropes. She devolves into a shy, smitten love interest in episode five, seemingly out of the blue. It’s like her character morphs into tropes as the writers hit each standard beat.
The villain doesn’t break much ground for Marvel either. Villains in Marvel movies are almost always disappointing, failing to inspire true fear. For Iron Fist, it takes a while to decipher who the villain even is. Harold Meachum’s evil businessman is common fare – and we’ve seen thousands of foul father figures. It’s also hard to distinguish how much more villainous he is compared to his offspring. Likewise, there’s little Iron Fist does with The Hand that Daredevil’s second season hasn’t covered. Outside of busting heroin dealers and rogue mental patients, Iron Fist doesn’t have a super compelling crusade.
While the characters may be bland, the performances are certainly admirable. All of the actors are clearly putting their best foot forward. It’s just that the material they are given doesn’t make them stand out from Marvel characters of the past. Finn Jones is charming and charismatic, but Danny Rand is only so interesting. Jessica Stroup gives Iron Fist great emotional moments, but her motivations are inconsistent. Tom Pelphrey’s cold, jealous routine is a solid take on material we’ve seen a thousand times over. And Rosario Dawson’s performance does just as well as she does in any other Marvel series. Nothing makes a good case for why it should be held in higher regard than other Netflix shows.
By the time Iron Fist‘s action picks up, it feels like a different show entirely. Episode six brings about the high stakes martial arts madness we craved. The episode is directed by RZA, who’s more than qualified for telling tales of men with iron fists. It has solid action, with opponents capable of matching Rand’s combat skills. It gives insight into Rand’s past, with flashes of a mysterious and unkind master. There’s even a fun side-quest with Colleen and Claire. But the fact that it is both compelling and different highlights the problem of Iron Fist. It shouldn’t take a show six episodes to draw viewers in.
Iron Fist seems to suffer from the same problem as his fellow hero for hire. Luke Cage, another Defender, had a phenomenal first half of a season. However, upon the introduction of Diamondback, things quickly went south. Now many early review of Iron Fist, which were overly negative, were based around only the first few episodes. Perhaps the latter half of Iron Fist will mirror the quality of “Immortal Emerges from Cave.” I certainly hope that is the case. But if half of a show is utterly bland, why shouldn’t it be held accountable?
You can compare Iron Fist to similar superhero origins all you like. Yes, it hits the same beats as the shows that have come before. But the most accurate comparison one could make is to Thor. It’s a solo outing Marvel had to slog through for team-building. As Marvel sets up Defenders to mirror The Avengers, they need to make sure every viewer knows the key players. Iron Fist does a good job of introducing who Iron Fist is, and it will be interesting to see how he functions on the team. But as a protagonist, driving his own independent series, Iron Fist doesn’t inspire much intrigue.
Meet Sarah, an astronaut traveling from dead planet to dead planet, talking to the ghosts of dead worlds… as she fights to discover the secret that’s killing the universe. But Death doesn’t give up its secrets so easily, and as she’s hunted from planet to planet, Sarah struggles to maintain the trust of her crew and her own sanity in the endless ocean of lives. Every world has a story, and if she can find the secret tying them all together, she can save Earth from being the next world to die.
From JIMMY KIMMEL LIVE! and GROOT writer Jeff Loveness and AMERICAN MONSTER and ANIMOSITY: THE RISE artist Juan Doe, comes the chilling, epic new series that will be sure to appeal to fans of ARRIVAL, INTERSTELLAR and THE EXPANSE.
Writing
The power of talking to the dead isn’t an original idea. Now an astronaut being able to talk with ancient lost civilizations is a unique one. This is the concept presented in this new series and it succeeds in being a very fascinating idea to keep the audience intrigued. There is a lot of emphasis on allowing the art tell the story of what is happening instead of having it spelled out through dialogue boxes. It’s a interesting approach and pays off pretty well here by showcasing what happened to a lost society and an impending danger is looming in the future. The issues triumphs in introducing what it’s about and where it will go from here.
It’s not without a few flaws though. The first issue opens the series on a slow start. Little is revealed about about Sarah other than she has the ability to talk with the dead and her captain hates her. She is portrayed as an intriguing character though who does come off as caring and curious about the worlds she is researching. Writer Jeff Loveness succeeds in presenting a new galaxy to explore but needs to work on flushing out the characters more from here on out.
Artwork
If you’re going to rely on the art to tell part of the story, then you have to make sure the artist is able to bring some high caliber work. Luckily, artist Juan Doe presents some striking art which helps to make the book such an appealing read. There is a lots of great visual effects through the issue to showcase Sarah’s mental explorations into the planet’s past. The one page splash introducing the series villain is very striking and menacing in a way which leaves a great impression.
Conclusion
A slow start, but it introduces a distinct concept, stylized colors, and shading which makes it a very pleasant read. It’s a successful first issue – something which is a rare feat. Comic fans will want to be on the lookout for more World Reader in the future.
There has been a lot of pre-release controversy surrounding Marvel’s Iron Fist. From allegations that the casting of Finn Jones perpetuated the “white saviour” mentality to the harsh reactions of critics to its first six episodes, things were not looking good for the immortal weapon’s debut outing. Fans of the character and the wider Marvel Cinematic Universe will be glad to hear that rumours of Danny Rand’s flopping have been greatly exaggerated, but only just.
Danny Rand, heir to a global conglomerate, returns to New York having been assumed dead following an airplane disaster that took the lives of his mother and father. The years abroad have changed Danny from a timid child to a fierce warrior trained in ancient martial arts. The current holder of the Iron Fist mantle seeks answers about the nature of his parents deaths and what became of his father’s company. If you’ve seen Arrow or Batman Begins, then Iron Fist‘s general premise won’t shock or surprise you and the initial outing does little to change up the formula. The sole twist to this classic origin is that Danny’s childhood friends and current heads of Rand Corporation: Ward and Joy Meachum, do not believe that this mysterious man could be who he says he is. As you may have guessed, there is more to the Meachums than meets the eye and it is heavily implied that their father had something to do with the Rands’ untimely demise.
From the start Finn Jone’s take on the character comes across as likable, if a bit naive. For someone who has not had the best childhood, Danny is facing surprisingly taken aback by people’s unwillingness to take his story on face value. He seems oblivious to how crazy his situation is and gets easily frustrated as a result. It is often frustrating for the viewer as well, but there is a charm to this kind of sincerity which tells us that this is a man who is trying to do right by everyone, but is unable to adapt to the brave new world he now finds himself in. It is that earnestness which makes his budding friendship with a fellow homeless man quite touching. Most of the people who encounter this man would have ignored him, but Danny, seeing the value in everyone, takes the time to talk with him about life and what their respective futures hold. We see the signs of someone who could be a hero, a symbol for others to look up to, but isn’t quite there yet.
The Meachums have yet to establish themselves as two-dimensional corporate villains, concerned primarily with their bottom-line. The Netflix Marvel properties have until now managed to avoid the villain problem that has plagued their big screen siblings. Unfortunately, Iron Fist‘s antagonists are, at first glance, uncompelling and show little evidence of the depth that has fueled the other shows in The Defenders sub-series. There is simply nothing remarkable about them. Even their apparent role in the death of Danny’s parents seems cliched and par for the course. In a universe where characters like Kilgrave, Diamondback and the Kingpin all challenge our expectations, being average isn’t good enough.
Colleen Wing, played by Jessica Henwick, has the potential to become a scene-stealer. She is a fighter in body, mind and spirit. Everything the character does, merely emphasises that fact. The seeds of her future relationship with Danny are firmly planted in this inaugural outing with what begins as an awkward, borderline creepy attempt at getting a job by one turns into a fascination for the other.
Some critics have complained that for a show ostensibly about a master martial artist, it feels oddly like an episode of Days of Our Lives. There is no denying that the series relies heavily on tropes of the comic book and soap opera genres, but to say this is inherently a bad thing is misguided and smacks of lazy writing. There is a risk in all superhero and comic book properties that they turn into mere slug fest. Iron Fist attempts to effectively blend its melodrama with its elegantly choreographed fight scenes.
The fight scenes have been the subject of much discussion. Whereas the other Netflix Marvel shows featured raw, striking fight scenes that highlighted the underlying brutality and strength of their respective characters, Iron Fist understands that its protagonist isn’t a brawler. Danny Rand is first and foremost a martial artist and the fight scenes reflect that, channeling a mixture of kung-fu, karate and aikido. Other writers have suggested that they are to fluid and dance-like for their liking, but anyone with a passing knowledge of martial arts will understand that mastery brings with it elegance. Daredevil may have been trained by Stick, but he still fights with the soul of a boxer and this is what distinguishes him from Iron Fist. Danny’s fights are an exercise in using minimal force, but maximising his personal outcomes. No doubt they will maintain their beauty, but increase their stakes as more skilled fighters come to challenge our favourite immortal weapon.
Unfortunately, despite impressive performances by the cast and a hypnotic opening title sequence, this is the weakest first outing for a Defender to date. This will come as a disappointment for many. Iron Fist was after all, thanks to the work of Ed Brubaker, Matt Fraction and David Aja, the star of one of the greatest runs in modern comic history. The look and feel of The Immortal IronFist, if not the story,could have been easily translated into the Marvel Cinematic Universe and for it to fall short of that aspiration is devastating. None of this is to say that Iron Fist is a bad show, but it is not a unique show. At best, it is a good show that has the potential to be a great show. In many ways, this potential to be better is something that the comic incarnation of Danny Rand has struggled with his entire life. If the show can follow that progression, then it truly will become immortalised.
Jurassic Park is one of, if not, my all-time favorite movie, but I had never read the book which has always hung over me like a dark cloud. So in honor of the big-budget dinosaur flick making its way onto Netflix this month, I picked up the Michael Crichton classic and dug in on some dinosaur action!
I don’t expect the books and the movies to be exactly the same. Obviously, a lot the book is not going to make it to the big screen, often for the better. But it’s fun to compare the books to the movies especially when the movie is better (I’m looking at you Bourne Identity and every James Bond movie).
So if you’ve never read Jurassic Park or it’s been a while since you basked in the glory that is Jeff Goldblum in a mostly-open shirt here are the five biggest ways it differs from the movie.
If you’ve only seen the movie you think of John Hammond as the Santa Claus lookalike who delivers dinosaurs instead of presents. Richard Attenborough’s character is a rich guy, who despite creating the world’s deadliest zoo, mostly had good intentions. Even admitting that he no longer endorses Jurassic Park by the end of the movie.
Hammond in the book is a bastard. He believes in his park, no matter what evidence is presented to him showing how dangerous it is. He is ruthless putting his own grandchildren in harm’s way just to prove that kids will love his park. Hammond sees his employees as replaceable parts and blames their lack of “vision” for all the park’s problems. Even after the dino disaster is over, he begins plotting how to make his next park better. His comeuppance was much deserved.