reflection

Batman Annual #5 highlights the paradoxes of Batman and the ability to live in the same as him. When rules seem to change on a whim, Stokoe's artwork brings both catharsis and genuine hope.
Writing
Art
Lettering
Monkeys Fighting Robots T-shirt store

BATMAN ANNUAL #5: Hope Is Found In The Grotesque

[Editor's Note] If you like what we do, please consider becoming a patron. Thank you.

Become a Patron!

Batman Annual #5 out now from DC Comics displays new and old Batman mythos meeting at a junction. Batman writer James Tynion IV with artist James Stokoe showcase dealing with the absurdities of Gotham and Batman. Joining them is letterer Clayton Cowles to display the voices of everyone dealing with the absurd.

Batman Annual #5: Finding Common Ground

Tynion thankfully takes steps to introduce readers to Leslie Thompkins, Batman’s childhood caretaker. By juxtaposing Leslie’s presence and influence in Crime Alley, readers see her parallel with Batman. While Batman prefers to strike fear into criminals’ hearts, Leslie hopes to rehabilitate people by helping them work out their issues properly. This leads her to the main element of Batman Annual #5, the Clownhunter.

Leslie serves as an intersection for Bao Pham in his criticism of Batman. Like Bao, she thinks Batman isn’t doing what he is supposed to do while also disagreeing with Bao’s slaughter of clowns. Leslie empathizes with Bao’s struggles with the absurdities surrounding Gotham and Batman. Because needing to make sense in the absurd is a very human thing to do.

These struggles with identity and finding someone to bounce off make both Leslie and Bao good characters. It’s the interactions between different parties that can lead to greater developments. I certainly want to see where the Clownhunter goes after this.

Absurdly Grotesque

Monkeys Fighting Robots T-shirt store

Batman Annual #5 doublespreadStokoe’s art returning from Joker War Zone fits perfectly into Batman Annual #5. The inherent absurdity of Gotham City can feel like a walk through Hell, and Stokoe’s grotesque imagery displays that in full. That is certainly what Bao’s perspective has when it comes to his family’s murder.

At the same time, Stokoe’s art showcases a cooler colored glow that displays some hope in dark places. It’s something that comes to a head when Bao removes his red-accented helmet to speak with Leslie under this glow.

Cowles’ lettering showcases how characters speak under the circumstances. Most of the characters speak in an easy to follow format through the standard word balloon. Then there’s the Clownhunter who speaks in lowercase font, unlike his younger self who spoke like most people. It displays his trauma and how small he feels after encounters in the main comics.

The use of SFX from Cowles even showcases Bao’s transformation into the Clownhunter. Bao’s flashbacks have rather simple effects like knocking on a door until, eventually, Stokoe’s SFX takes over with how over-the-top they get. Every crack and crash gets as absurd as the situations they’re in.

Batman Annual #5 Is Climatic

Batman Annual #5 takes itself a step further by showcasing character development. By clashing one of the newer characters with an old but important one, a compromise is found. It’s almost like Batman’s fans, and critics find common ground by learning to live with the absurdities. Because living with that instead of against it might just be healthier. The Clownhunter is certainly a character to invest interest in his origin story.

Avatar
Jake Palermohttps://gutternaut.net/
Greeting panel readers, My name is Jake but I never replace anyone or anything; I merely follow and fill in the gaps. I write stories and articles that help people piece together anything that helps them understand subjects like culture, the people who write their favorite stories, and how it affects other people.

LEAVE A REPLY

Please enter your comment!
Please enter your name here

This site uses Akismet to reduce spam. Learn how your comment data is processed.