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Summary

"Peter Cannon: Thunderbolt" begins as an all too familiar story, but winds up becoming a wholly unique superhero adventure.
Writing/Story
Pencils/Ink
Colors
Lettering

Review: PETER CANNON: THUNDERBOLT #3 Battles a Doppelganger

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In the first issues of Peter Cannon: Thunderbolt, the heroes defeat an alien invasion, only to figure out that the real mastermind is the eponymous character – from a parallel universe. Cannon takes his team on a psychedelic trip through other Earths to arrive at the doorstep of the evil mastermind version of Thunderbolt.

In Thunderbolt #3, Peter Cannon comes face-to-face with his genocidal doppelganger, who thinks himself a savior by sacrificing a relative few for the greater good of the multiverse.

**Some Spoilers Below**

Peter Cannon: Thunderbolt #3 Cover

Story

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A thousand dimensions from ours. All Earths’ best hopes, resting on our heroes’ fight. They’ve got everything… except a chance.

Apparently, Alan Moore drew inspiration from the original iteration of Peter Cannon to create his Ozymandias for Watchmen. If this book is meant to return the favor, it is too on the nose at times. From doppleganger Cannon’s supreme intellect, to his motivations, to the circular symbol etched in his head, it’s derivative of the classic graphic novel.

Sure, one could get lost in the fact that the books are dopplegangers of one another. However, if you can move past this notion, you will find that Peter Cannon: Thunderbolt is a bold and exciting superhero adventure.

While writer Kieron Gillen may be cherry picking plot points and character traits from other stories, he blends it all together to make Thunderbolt familiar and fresh at the same time. Gillen crafts a complex story accessible for any fan of the genre to pick up off the shelf. Furthermore, it is unique and gripping enough to keep readers engaged and wanting to read on.

Peter Cannon Thunderbolt #3 Page

Art

Caspar Wijngaard brings Gillen’s multiversal vision to life with different artistic styles. He illustrates different versions of Earth to look as if ripped out from different comic book. The bulk of the pages are filled with a modern style of intense action. Additionally, the flashback panels hearken back to the golden age of comics with more pulpy style.

Mary Safro uses an almost pastel color palette, with hues of peach and blue to give Peter Cannon: Thunderbolt a unique style unlike other superhero titles.

Conclusion

The end of the third issue of Peter Cannon: Thunderbolt will leave readers intrigued and excited to see what happens next. The creatives behind this book have fun as they look for new ways to examine familiar comic book tropes.

What do you think of Peter Cannon: Thunderbolt? Let us know in the comments!

Peter Cannon Thunderbolt #3 Cover Variant A

Peter Cannon: Thunderbolt #3 Cover Variant B

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Michael Frommhttps://www.michaelefromm.com/
Michael E. Fromm is an all-around scrivener, writing screenplays (short and feature), short stories, novels, poetry, blogs, articles, and press releases. Since first learning to hold a pen, he has done little but read, watch, and write about characters and worlds of fantasy. It would be very difficult to find him without a pen in hand and an idea in mind, which is problematic for anyone wanting to have a conversation with him. Michael graduated from Rowan University, primarily focusing on improving his skills as a filmmaker and screenwriter. After said schooling, he joined an elite force of Rowan grads who also had the notion of becoming filmmakers. This group, known as Justice Productions, call on him every so often to write short films. And, until this whole writing thing pays off, Michael currently does development & marketing communication (writing, graphic & publication design, social media and website upkeep, etc.) for a web development company in Central New Jersey, where he currently resides.