Netflix has released a full-length trailer for The Punisher, their upcoming Marvel series with Jon Bernthal in the title role. This trailer brings all the violence with it, the appropriate fetishistic glimpses of weapons, and arguably the best Metallica song of all time.
Check it out:
There’s a plot here, but it doesn’t really matter, does it? The plot to The Punisher has become an archetype in action filmmaking, the more important part of this is they absolutely nail the aesthetic of the comics. I dig the inclusion of “One” in the trailer, the look of the skull feels right, the settings are sharp light and shadow. Solid.
Jon Bernthal is perfect for Frank Castle, because he’s kinda perfect for everything he does. His appearance in the second season of Daredevil was a definite bright spot for that show (which nobody really talks about anymore, huh…), so this might be worth your time. LEt’s hope it has at least a little more than The Defenders brought to the table. Anyone remember that one?
The Punisher will drop on Netflix… some time this year? No official date yet, but expect that before long.
Monkeys Fighting Robots has teamed up with Uncanny Heroes in Tampa for a new show – Wednesday Comics. This episode is an origin tale as we introduce our characters; Ivan Plaza the owner of Uncanny Heroes, Chuck Fenech of Big Red Vintage Toys, and Matthew Sardo the founder of Monkeys Fighting Robots.
Picks of the week:
Batman: The Red Death #1
Artist: Carmine Di Giandomenico
Cover: Jason Fabok
Writer: Joshua Williamson
As the events of DARK NIGHTS: METAL rock the DC Universe, the creatures of the Dark Multiverse stand ready to invade our world! How can even the World’s Greatest Heroes stop a horde of deadly beings that appear to be powerful, nightmare versions of familiar figures? Find out in these special tie-in issues!
ANGELIC #1
Story: Simon Spurrier
Art / Cover: Caspar Wijngaard
Humanity’s long gone. Its memory lingers only as misunderstood rituals among mankind’s leftovers: the genetically modified animals they used and abused for eons. But for one young flying monkey, QORA, the routines are unbearable. All she wants is to explore. Instead, she’s expected to settle down, to become a mother…to lose her wings.
Batman, Kite Man and The Riddler (with a little help from Catwoman and a few other villains) make a final move to infiltrate the Joker’s hideout. But what they find is a terribly unhinged Joker who will do anything to win this war. Can a well intricate plan defeat a man of true chaos and madness? Or have Batman and his ragtag team made a horrible and fatal mistake? A mistake that seems to haunt Batman to this very day.
Batman #31 “The War Of Jokes and Riddles” Part 5 Written by: Tom King Art by: Mikel Janin Inks by: Mikel Janin Colors by: June Chung Lettered by: Clayton Cowles
We are right back into the action after last month’s interlude and we finally get to see Batman, Kite Man (who becomes more heroic by the page) and Riddler make a physical play for the Joker. This is a fast-moving issue that features a great action scene, some much needed and welcome humor, grand visuals and one truly disturbing and out of control Joker who seems to have given completely into his madness and chaos.
Art by Mikel Janin
Writing
Tom King has really shown us all his cards in this arc. This issue is filled with not only some nice, soaring action but some of the funniest exchanges between characters I have read. The back and forth between Killer Croc and Kite Man actually made me chuckle out loud.
On the flip side of that, his Joker is certainly no joke. The entire sequence with Joker mentally, emotionally and then finally physically torturing a man is one of the most brutal things I’ve read in any recent comic.
King also continues to make Kite Man completely endearing, giving us a complete 180 from the one-page joke we had seen before. “Hell yeah!”
And although it’s brief, we also do get another great scene and exchange between Batman and Catwoman that not only adds levity but is also filled with charm. It’s a great beat that shows you how much affection King has for these two lovebirds, and just gets us even more riled up to finally see how Selina will answer Bruce’s proposal.
Art by Mikel Janin
Art
Art-wise, this issue (the whole arc really) is a thing of beauty. The scene of the kite winged hero and villains flying into the Joker’s stronghold is a masterclass in illustration, layout, and design. It’s fluid, crisp and beautiful. In short, worthy of being framed.
But it’s not just the ‘big’ moments that are rendered well. Even the subtle moments, the slight expressions in faces and body language and movement are all great.
June Chung colors are vibrant without being overly glossy or distracting. They serve the pencils and inks by helping create a complete package and also adding atmosphere.
And it’s not often I notice or mention lettering, but Clayton Cowles creates almost audible voices and cadence with his fonts, sizing, and letter placement. It’s great to read a comic where something often overlooked stands right out with the writing and the rest of the art.
Art by Mikel Janin
Conclusion
‘The War Of Jokes And Riddles’ has proven to be so unique, giving us so many different tones, so many variations, and pacing. This has been a hell of a ride, and this issue had a little bit of everything that has made the arc great as a whole. Next month we find out how this war ends and I can’t wait.
Todd Haynes has been quietly churning out brilliant films for years now, and his latest work, Wonderstruck, has been making the rounds at film festivals this year.
While it hasn’t set the world on fire the way his Dylan docudrama I’m Not There did, or the way Carol did a couple of years ago, Wonderstruck still looks like a heartwarming fantasy adventure movie about two kids in different eras.
Check out the trailer:
Based on Brian Selznick’s critically acclaimed novel Ben and Rose are children from two different eras who secretly wish their lives were different. Ben longs for the father he has never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue in his home and Rose reads an enticing headline in the newspaper, both children set out on quests to find what they are missing that unfold with mesmerizing symmetry.
Wonderstruck stars Julianne Moore, Michelle Williams, Jaden Michael, Oakes Fegley, and it will open October 20th. Are you excited or nah?
Whether anyone wants it or not, this new Terminator reboot thing is a real thing. James Cameron is going back to the tiredest of tired wells, and the thought of another Terminator film has sure sounded horrible, until now. Linda Hamilton, Sarah Connor herself, will return to the franchise.
The Hollywood Reporter had the story last night, and from their report it seems like the only exciting thing about Linda Hamilton returning is the fact she’s… returning. Because this explanation from Cameron is… oof:
“We’re starting a search for an 18-something woman to be the new centerpiece of the new story… We still fold time. We will have characters from the future and the present. There will be mostly new characters, but we’ll have Arnold and Linda’s characters to anchor it.”
You see? They will still “fold time.” Everything should make total sense and not be confusing and stupid at all.
Oh yeah, and Arnold Schwarzenegger is coming back as well, but that’s hardly news. Arnie can’t say no to his most iconic character, and he was pretty much the only watchable part of Genysis anyway, so… whatever.
Linda Hamilton back on board isn’t enough to excite me for another Terminator film, but it’s at least an interesting surprise. Tim Miller is directing for some reason, and David Goyer is working on a story. That’s not the most promising development, but maybe they will surprise us all.
Welcome to the thirteenth episode of the Comic Show by Monkeys Fighting Robots! This week we are interviewing creators Matt Fraction and Chip Zdarsky about their hit series over at Image Comics, Sex Criminals. We’re also reviewing Batman #31, Batman The Red Death #1 (a book that finally gives event tie-ins a good name), and Savage Town, an Image original graphic novel from about Irish gangsters.
The year is 2020, and hell is literally on Earth. Ching Dai, sick of relying on screw-ups like Lo Pan to do his bidding, has broken the barriers between Earth and the infinite hells and declared himself ruler of all. Sixty-year-old Jack Burton is alone in a tiny corner of Florida with only his broken radio to talk to, until one day it manages to pick up a message. Someone is out there in the hellscape, and they know a way to stop Ching Dai.
Big Trouble in Little China: Old Man Jack #1 Written by: John Carpenter & Anthony Burch Art by: Jorge Corona Colored by: Gabriel Cassata Lettered by: Ed Dukeshire
Published by: BOOM! Studios
Big Trouble In Little China is one of those properties from the 1980s that will probably never die. It’s the kind of cult classic that sort of defines that very term and it’s not surprising to see it jump into other mediums. Still, not all properties translate to the comic book medium well. However BOOM! Studios have had huge creative and commercial success in expanding a lot of these classic licensed properties and I am happy to say Old Man Jack, while not groundbreaking comics, is definitely a hell of a lot of fun and a must read for Little China fans!
Writing
Story-wise the book totally captures the spirit, tone, and attitude of the movie. Anthony Burch, with help from filmmaker/creator John Carpenter, nails down the lovable sleazeball we all know as Jack Burton. He’s is exactly the kind of guy who would totally venture into Hell for some pretty young thing, and end up saving the world in the process. He is selfless yet selfish too. Brave yet kind of dense. A hero but a bit of dunce and a jerk. Jack Burton was always a humorous study in contrasts and Burch totally gets that. You can also practically hear Kurt Russell’s ‘John Wayneish’ drawl when you read the dialogue; the slightly inappropriate (but smart) humor lands well too. Being able to have all this was a huge factor in making this sequel/concept work and the writing team succeeds there.
The plot itself is actually a sequel to an earlier Big Trouble In Little China comic book but works well enough on its own that if you have only seen the movie you can jump right in with no problem. And there is some quick exposition that also helps catch you up. Its accessibility is another big factor in what I liked about it.
The one weakness for me was the story didn’t pick up the steam it needed until we get to the end where…SPOILER ALERT…we get the very welcome return of movie villain David Lo Pan! It’s going to be interesting to see an old Jack Burton take on Lo Pan since young Burton pretty much fought his way through the first movie with sheer luck and the help of way more capable friends. But who knows, perhaps Egg Shen and the Wing Kong are just around the corner!
Art
The art by Jorge Corona, with excellent colors by Gabriel Cassata, is vibrant and energetic. It has an animated feel, with cartoonish qualities that add much to the tone of the book. This is a story about action and adventure, but not dark. It’s supposed to be fun and slightly campy. The visuals accentuate this, delivering pages and layouts that move smoothly and are pleasing on the eyes. It’s well produced too, with a definite weight to the art. It looks good both on the printed page and on a screen which is a quality necessary for comic books in the digital age. There are also plenty of cool creature and demon designs. And of course, everyone’s favorite 80s big rig, the famed Pork Chop Express, is rendered nicely as well.
Conclusion
Every time I check out one of Boom! Studios licensed books they end up being entertaining, fun and easy to pick up and read. It’s nice to see comics like this, where all you need is a love of property, character, or story to get a nice piece of sequential storytelling. Big Trouble In Little China: Old Man Jack is totally worth your time. Do yourself a favor and have fun with this book.
The Star Wars rumor mill is burning red hot with the thought of Darth Vader appearing in the ‘Han Solo’ film. Who could blame them, remember the last five minutes of ‘Rogue One,’ one of the most brilliant Darth Vader scenes ever.
Spencer Wilding played Vader in ‘Rogue One,’ and has stated he is not involved in the ‘Han Solo’ film. But…
That Hashtag Showis reporting a source close to the production has revealed to us that someone—presumably not Wilding, given his pretty definitive statement that he isn’t involved—was on the set of Howard’s Han Solo reshoots in Darth Vader’s armor as recently as two weeks ago.
If Vader does appear in ‘Han Solo’ this would be a younger version than in ‘Rogue One,’ but Han doesn’t meet Vader till ‘Empire Strikes Back.’ How does Howard make this work as the Vader / Solo relationship gets got complicated pretty quick? Vader could appear and never cross paths with Solo.
Vader is a massive presence in Star Wars Universe, and it would be a shame if he didn’t get a few minutes of screen time to choke someone out.
The film will explore Han and Chewbacca’s adventures before the events of ‘Star Wars: A New Hope,’ including their early encounters with that other card-playing rogue from a galaxy far, far away, Lando Calrissian.
The ‘Han Solo’ film is directed by Ron Howard and stars Alden Ehrenreich, Donald Glover, Emilia Clarke, Woodly Harrelson, Paul Bettany, Thandie Newton, Phoebe Waller-Bridge and Joonas Suotamo.
Han Solo’s return is slated for a May 25, 2018, release.
Deadpool 2 is the follow-up to 2016’s smash-hit from 20th Century Fox. It will star Ryan Reynolds as the title character, Brolin as Cable, Morenna Baccarin as Vanessa, Brianna Hildebrand as Negasonic Teenage Warhead, Zazie Beets as Domino, Karan Soni as Dopinder, and Stefan Kapicic as Colossus. The film is coming out in 2018, although a specific date has not been set.
Are you looking forward to the sequel to Deadpool? How did you feel about the original movie? Start a conversation in the comments below.