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Advance Review: THE DEPARTMENT OF TRUTH #1 — Uncomfortably Good

The Department of Truth #1 Cover

The Department Of Truth #1 hits your local comic book shop on September 30, but thanks to Image Comics, Monkeys Fighting Robots has an advance review for our readers.

Wow, it must be the pandemic or 2020 in general, but The Department Of Truth was so intense it felt like someone was going to drive a nail through my hand as I read the book. Martin Simmonds art is so gorgeously disturbing that, if it were a film, it would be the scariest movie ever. The jitteriness of Aditya Bidikar’s letter work is going to have me questioning reality for the next week. When you add this to James Tynion IV’s slow burn of a story, it makes for a blockbuster of a comic book.

Tynion IV takes all the best parts of Fight Club, X-Files, Dark City, The Thirteenth Floor, Netflix’s Mindhunter, and The Matrix and delivers a disturbing tale with such detail that, when combined with Simmonds’ art, you can smell the world from within the comic book. Tynion IV worldbuilds at a tremendous pace and also creates a vast mystery at the same time. The Department Of Truth #1 is like a great magic trick with illusion and sleight of hand, and the last page will compel you to read the next issue.

Advance Review: THE DEPARTMENT OF TRUTH #1 - Uncomfortably Good

When filmmaker David Fincher dreams at night, he sees the world as a Simmonds-drawn comic book. The splatters, scratchiness, and double exposures get under your skin, but there is also something about Simmonds’ art that is organic and familiar that draws you and creates added tension. The angles Simmonds uses in the above set of panels is a prime example of intensity and movement. If you’ve ever been car sick before, you understand the main character Cole Turner’s pain. You can feel Cole’s sway across the page, and everything is directed at the one clear shot of eyes in those five panels creating an intense confrontation between characters. The angles on the four bottom panels also take you up and down and you start to feel car sick yourself the more you look at it.

Bidikar’s letter work in the first issue is so amazing that he deserves an Eisner. The design of the word balloons and narration boxes adds so much to the story. The tension that he creates is like bamboo shoots under the fingernails! The style shouldn’t work, it’s stylistically unfinished, but it works so well. Bidikar’s letter work enforces the tension and lack of trust. As an added bonus, I became uncomfortable with myself because I was comfortable with Bidikar’s style by the end of the issue.

The Department Of Truth #1 is everything great about comic books right now. It has a big-budget film quality with independent ideas. Tynion IV, Simmonds, and Bidikar take risks, and it pays off with a fantastic first issue, and it will be something Monkeys Fighting Robots will talk about when “Best of 2020” comes around.


Do you have The Department Of Truth on your pull list? Comment below with your thoughts.

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10 Reasons Why Martin Scorsese’s CASINO is a Classic

10 Reasons Why Martin Scorsese's CASINO is a Classic

When it comes to making movies about people involved in violent or shady business, Martin Scorsese has no equal. The corrupt Wall Street financiers, Chicago mobsters, a deranged would-be assassin – the subjects explored by Scorsese through his movies are quite diverse.

Thanks to its long association with organized crime, the Vegas gambling business makes the perfect backdrop for a Scorsese movie. When it was released in 1995, Casino was both a critical and commercial success. It continues to enthrall us today as one of the finest movies set in Sin City. Here are a few reasons why Casino is such a beloved classic:

1. It is based on real people

All the main characters are based on individuals who lived and worked in the Vegas casino industry in the 1970s and 80s. Frank Rosenthal, a manager at three different Vegas casinos, is the inspiration for De Niro’s Sam Rothstein. The notorious Nicky Santoro (Joe Pesci) is based on real-life mobster Anthony Spilotro, and Ginger McKenna (Sharon Stone) was Geri McGee, a Vegas socialite.

2. It captures the essence of Vegas 

No other movie has done such an excellent job of portraying what Las Vegas is all about. They barely scratch the surface, only showing the “good” side of partying and weekend getaways. But Casino digs deep, laying bare the origins of the city and its past ties with organized crime while at the same time showing the opulence, neon signs, and gamblers having fun at cards and slots.

3. It was one of De Niro’s finest performances 

There is a reason why De Niro and Scorsese have done nine epic movies together. They are both icons in their respective fields. De Niro’s portrayal of Sam Rothstein is perhaps the last role in his career where he was allowed to flex his considerable acting chops to the fullest. A Jewish gambling expert working for the Italian mob makes for a fascinating character study indeed.

4. It had a stellar cast with Pesci and Stone

De Niro is not the only great thing about the Casino cast. In fact, Sharon Stone probably eclipsed all others with her stunning portrayal of the blonde hustler Ginger McKenna. The ever-reliable Joe Pesci adds tension to every scene, portraying a man whose menace far exceeds his short and stocky frame. His Santoro’s dynamic with the more refined Sam Rothstein makes the three-hour-long movie a compelling watch throughout.

5. It was shot in a real casino

The movie was not shot in a Hollywood replica of a casino. All the indoor shots were filmed inside the Riviera in Vegas. The grand old casino had a history dating back to 1955, making it the ideal backdrop for this movie. The crew shot the scenes after midnight, to avoid causing too much disruption to clients. The extras in these scenes are all real casino dealers, pit bosses, and players, all adding to the realism and authenticity of the movie.

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6. The violence depicted actually happened 

In many ways, Casino is Scorsese’s most violent movie. Scenes involving the torture of a man using a vice, the attempted murder of De Niro using a car bomb, the death by overdose of Stone’s character, and the murder of Joe Pesci’s character (buried alive in a cornfield) are all over the top in many ways. But the shocking thing is – they all happened to these character’s real-life counterparts. Scorsese did not use violence purely for shock value or style. He was just faithfully portraying the reality.

7. It is based on excellent investigative reporting

Unlike other epic crime dramas, Casino is more like a documentary in many ways. It lays bare the intricate web of corruption that was centered in Las Vegas, with tendrils reaching out to politicians, Teamsters unions, Chicago mob, and the Midwest mafia based out of Kansas City. The movie is based on the investigative non-fiction work Casino: Love and Honor in Las Vegas. Its author, Nicholas Pileggi, co-wrote the screenplay for the Casino movie with the director.

8. The movie holds your attention from beginning to the end

At almost three hours, Casino is one of the longest movies from Martin Scorsese. Yet it never lags in the middle or runs out of steam by the end. From its shocking opening scene with the car bomb, Casino is riveting till the end. With masterful editing and taut narration, Casino manages to stay a lean, mean thriller throughout. For a movie depicting the excesses and lavishness of Vegas, the director remains in control till the end.

9. It makes you feel and care for the characters

There are no good guys in a movie like Casino. With greed and corruption as the central theme, there is no space for heroes and heroines. Every key character is mired in violence, treachery, and avarice. Yet when these characters get their comeuppance in the end, we do feel sorry for them in some ways. This is especially true in the case of Sharon Stone’s Ginger. Casino is a very convincing and touching depiction of human tragedy.

10. It is truly an epic movie with a massive scope

While Scorsese does focus on three key characters, the story of Casino unfolding in the background has massive implications. It explains how the mafia lost control of a city that was basically minting money in the billions. We see how huge gambling corporations took over the desert city. It shows how Vegas continues to reinvent itself. In many ways, Casino is an epic history lesson about Vegas.

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ComiXology Originals Preview: 40 SECONDS To The End Of The Universe

40 Seconds #1, Mitten cover

ComiXology Originals has released preview images for their upcoming title, 40 SECONDS, available on ComiXology on August 25th. 40 SECONDS #1 follows a ship of space explorers racing to answer a distress call on the other side of the universe. What they encounter along the way promises to surprise you.

Written by Jeremy Haun and drawn by Chris Mitten, ComiXology describes 40 SECONDS as “an epic, 5-issue mini-series that spans the universe, featuring amazing creatures, epic vistas, character drama, and just a bit of horror.”

You can check out a selection of preview pages, and read the full ComiXology press release below.

Are you looking forward to a colorful sci-fi comic? Let us know what you think onf the preview in the Comments section, and please share this post on social media using the links below.

ComiXology Originals Presents 40 Seconds, a Widescreen Sci-Fi Adventure Comic Book Series Written by Jeremy Haun with Art by Chris Mitten

August 20, 2020 – New York, NY— Grab some popcorn and a soda and prepare to be transported across the galaxy with 40Seconds, a widescreen, sci-fi adventure available from comiXology Originals. Writer Jeremy Haun (Red Mother), acclaimed artist Chris Mitten (Witchfinder: The Reign of Darkness), colorist Brett Weldele, and letterer and designer Thomas Mauer have created an epic, 5-issue mini-series that spans the universe, featuring amazing creatures, epic vistas, character drama, and just a bit of horror. Part of the comiXology Originals line of exclusive, creator-owned content, 40 Seconds debuts August 25th with issue #1.

When a team of science explorers set out to answer a distress call a galaxy away, they have no idea what they’re in for. Their mission: make it to Terminus. Tasked with investigating what happened to the previous team and gathering data, they find themselves traveling through a series of alien gateways, jumping across the universe through strange and beautiful landscapes only to be hunted by a vast inexplicably unstoppable horde. Truths lie at the final gate. If only they can make it in time.

“Chris Mitten and I had been planning on doing a project together for…ever,” says Haun. “When the stars aligned and we were both available to do something, I asked what he wanted to draw and he said ‘big sci-fi fantasy’. I had just the thing. And 40 Seconds was born. Chris Mitten is brilliant at everything he does, but when he draws science fiction fantasy it’s just… perfect.”

Perhaps best known for illustrating Hellboy stories, 40 Seconds marks Mitten’s return to sci-fi.  “Summer is about big, blockbuster storytelling and, with 40 Seconds, the chance to zip around the universe is just a click away,” said Mitten.

“I love the big weird sci-fi comics from the 1950’s, the wild science fiction of the ‘70’s and the blockbusters of the ‘80s,” said Haun. “More than ever we need big fun escapist stories. We can’t really get that in the theater right now. We can’t quite go on grand adventures. With a comic story like 40 Seconds, we can bring an epic, world-hopping adventure straight to readers.”

Part of the comiXology Originals line of exclusive content, 40 Seconds #1 will be available upon release August 25, 2020 at no additional cost, for members of Amazon Prime, Kindle Unlimited, and comiXology Unlimited, and for purchase on Kindle and comiXology. Prime Reading offers all Amazon Prime members a rotating selection of thousands of top Kindle books, magazines, short works, comic books, children’s books, and more – all at no additional cost. Kindle Unlimited offers over 1 million titles, thousands of audiobooks, and select current issues of popular magazines for just $9.99 a month with a 30-day free trial at amazon.com/kindleunlimited. ComiXology Unlimited now offers over 25,000 comics, graphic novels and manga for just $5.99 a month with a 30-day free trial at comixology.com/unlimited.

For more updates on comiXology Originals, check out http://comixologyoriginals.com.

About the Creators

Jeremy Haun is currently writing 40 Seconds from comiXology as well as Red Mother from BOOM! Studios. He is the artist on Final Witness from Valiant. Jeremy is also the artist and creator on The Realm and The Beauty, from Image Comics. Other projects include Batwoman, Constantine, and Wolf Moon. Jeremy has worked for nearly every publisher in the industry as well as doing self-publishing via Kickstarter. Jeremy resides in a crumbling mansion in Joplin, Missouri with his wife and two superheroes-in-training.

Christopher Mitten is originally from the cow-dappled expanse of southern Wisconsin, he now spends his time roaming the misty wilds of suburban Chicago, drawing little people in little boxes. Christopher is best known for his work on Hellboy: The Return of Saturn, Witchfinder: The Reign Of Darkness, Rise of the Black Flame, Rasputin: The Voice of the Dragon, Wasteland, and Criminal Macabre. He can be found online at www.ChristopherMitten.com and on Instagram  @Chris_Mitten.

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Review: CAPTAIN AMERICA #22 — A Stunning Battle

Captain America #22 Cover

Captain America #22, published by Marvel Comics this week, is the third part in the “All Die Young” arc and features Captain America fighting Selene from the Power Elite for a fragment of Sharon Carter’s soul. The epic battle comprises most of the issue and builds up to a stunning conclusion.

Captain America #22 Battle

About the book:
A new threat called the Power Elite framed and imprisoned Steve Rogers for the murder of Thunderbolt Ross. He was later freed by Sharon Carter and the Daughters of Liberty. After finding out that Selene from the Power Elite stole a bit of Sharon Carter’s soul, Captain America, along with Falcon and the Winter Soldier, went undercover in the town of Adamsville, Ohio, where Selene is currently based. Eventually, Captain America and his allies broke their cover to stop Selene. She, in turn, dropped her own disguise and set a mob of controlled men against them…

With writing by Ta-Nehisi Coates, art by Bob Quinn, colors by Matt Milla, and lettering by VC’s Joe Caramagna, Captain America #22 is built to be a thrilling, action-packed issue. The battle between Selene and Captain America’s team has begun by the time we start the issue, so we have an entire comic to enjoy the epic battle.

Captain America #22 Story

Captain America #22 is split between two main scenes: one where Captain America is fighting Selene, and another where Sharon Carter is talking with Thunderbolt Ross and colleagues of hers. The issue changes back and forth between these two settings multiple times, and Coates uses captions to further the sense that these scenes are happening concurrently. Dialogue from a previous scene will overlap actions happening in another, which helps the reader to understand that these scenes are occurring at the same time and not one after another. Time is important because characters in one scene only have a small space to act, and captions are an incredibly effective way to drive this point across.

Falcon Fighting Selene

This issue of Captain America focused mainly on action, which allowed for some stunning art, but the story lacked slightly in substance. While the arc itself may be an exciting story, this particular issue seemed to do little more than build up to a reveal that will have consequences in the following issues. The reveal itself was exciting and motivates the reader to continue following the arc, but the rest of the comic seemed somewhat dull.

Art

The art of Quinn allows the story to flow easily and also provides incredibly expressive characters. The forms are always dynamic, creating some profoundly stunning action scenes. Much of the issue focused on the battle between Captain America and his crew against Selene and her controlled goons, so the fantastic work of Quinn stood out.

Milla’s use of color in Captain America #22 adds much to the issue. Many explosions, costumes, and backgrounds are quite striking. An interesting aspect of the coloring appeared in some action panels, where a background was omitted so that the reader could easily focus on those fighting. Milla chose bright background colors for these panels that did not match any of the items in the setting. By doing this, not only does it give energy to these combat-focused-panels, but it also provides a stark contrast to the main focus of the panel. This causes the characters to pop out even more than they would have with just a plain, single-colored background.

Captain America #22 Color Example

Captain America #22 was lettered by Caramagna, who does a spectacular job; the dialogue goes along with the flow of the story. The most interesting technique done by Caramagna in this issue was to have words expand past the borders of their word bubble. This was done whenever a character was screaming in agony and was incredibly effective. The words exceeding the space in the balloon gives the impression that the noise made was both loud and difficult to contain. This makes sense because this technique was used only when characters made an involuntary shriek of pain.

Conclusion

Captain America #22 is a beautifully put together issue that lacks slightly in terms of story. It is much stronger when looking at it as a piece of the arc being told, but standing alone isn’t very substantial in terms of story. However, the art of Quinn and colors of Milla more than makes up for any lack in story, and certainly make the issue worth purchasing, especially if you have been following along with the arc. It would be difficult to read this issue and not be excited about what is to come, and the ending is sure to excite many readers.

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BATMAN #99 Preview: Dick Grayson Joins “Joker War”

Batman 99 cover

The finale of “Joker War” is coming up fast, and DC Comics has revealed a preview of September’s Batman #99. Batman’s oldest partner returns for the fifth part of the epic showdown.

Check out the preview art and covers for #99 below:

The Joker has Gotham City in a complete state of chaos as his war against Batman careens headlong into a final showdown against The Dark Knight. But before Batman squares off against the Clown Prince of Crime, he’s going to need the help of all of his allies to regain control of the city!

This issue has everything! Clownhunter, dishing out his own brand of justice! The return of Dick Grayson! Punchline! Harley Quinn!

And remember that shiny Batman costume from issue #95? Well, [REDACTED] and it will set up a finale you won’t believe.

Here’s your first look!

Batman #99

Written by JAMES TYNION IV

Art and cover by JORGE JIMENEZ

Ghost-Hunter card stock variant cover by DERRICK CHEW

1:25 card stock Nightwing variant cover by JORGE JIMENEZ

On Sale 09/15/20

$3.99 US | 32 PAGES | FC | DC

CARD STOCK VARIANT COVERS $4.99 US

“The Joker War” part five of six! Things have changed, as Batman realizes he can’t fight this war alone. He’s going to need help. Before he faces down The Joker, he must call up his trusty partner Dick Grayson! But can Dick reclaim his lost memories in time to join the battle?

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Marvel Comics Exclusive Preview: SPIDER-MAN NOIR #3 – Electro’s Sting!

Marvel Comics Exclusive Preview: SPIDER-MAN NOIR #3

Spider-Man Noir #3 (of 5) hits your local comic book store next week, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive four-page preview for our readers.


About the issue:
A murder investigation may have led Spider-Man a thousand miles from home, but DANGER is close behind! And as the specter of war looms in Europe, a dangerous operative shrouded in mystery has designs of his own, with ELECTRO leading the charge!


Spider-Man Noir #3 is written by Margaret Stohl, with art by Juan Ferreyra, you will read Travis Lanham’s letter work, and Dave Rapoza is the cover artist.

CHECK OUT THE PREVIEW BELOW

Are you reading Spider-Man Noir? Comment below with your thoughts.

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ComiXology Exclusive Preview: FUNNY CREEK #4

ComiXology Exclusive Preview: FUNNY CREEK #4

The ComiXology Originals’ FUNNY CREEK #4 drops on August 25, but thanks to ComiXology and Stout Club, Monkeys Fighting Robots has an exclusive five-page preview for our readers.


About the issue:
Showdown
Lilly and Cody set out for a decisive showdown against Cold Joe and his goons. But she’ll find out that being a hero isn’t simple as she thought before.


FUNNY CREEK #4 is written by Rafael Albuquerque and Rafael Scavone, with art by Eduardo Medeiros, Priscilla Tramontano dropped some colors, and you will read Bernardo Brice’s letters.

CHECK OUT THE PREVIEW BELOW


What ComiXology Originals are you reading? Comment below with your thoughts.

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Marvel Preview: Latest Variant Collection Inspired By Native American Art

Marvel Comics is no stranger to producing variant cover collection based on a central theme. Now, Marvel has released a preview of variants inspired by Native American art, all painted by artist Jeffery Veregge.

The new collection, titled NATIVE AMERICAN HERITAGE TRIBUTE VARIANT COVERS, will showcase Veregge’s art through the assortment of Native American characters within the Marvel Universe. The covers will all be available through the release of Marvel upcoming series, MARVEL’S VOICES: INDIGENOUS VOICES #1, available to retailers in November.

You can take a peek at previews of all the Veregge covers, and read the full Marvel press release below.

Which one of the variants is your favorite? Let us know what you think in the Comments section, and please share this post on social media using the links below.

MARVEL HONORS INDIGENOUS HISTORY WITH NATIVE AMERICAN HERITAGE TRIBUTE COVERS BY JEFFREY VEREGGE

New York, NY— August 20, 2020 —Yesterday, Marvel announced MARVEL’S VOICES: INDIGENOUS VOICES #1, a landmark special written and drawn by some of the industry’s most renowned Indigenous talent including celebrated artist and writer Jeffrey Veregge. Veregge, who just wrapped up his exhibition Jeffrey Veregge: Of Gods and Heroes at the Smithsonian’s National Museum of the American Indian, also lent his talents to produce an extraordinary series of variant covers in November. The NATIVE AMERICAN HERITAGE TRIBUTE VARIANT COVERS will showcase Dani Moonstar, Black Panther, Spider-Man, Black Widow, Iron Man, Captain America, Hulk, and Thor depicted in Veregge’s iconic artistic Formline style.

“The story of the hero is an ancient one. Starting with the very first cave drawings, artists and writers from across the globe have both captured and shared the fateful acts of their people’s heroes. Being from the Pacific Northwest, my own people, the S’Klallam Tribe, have used the art style known as Formline to record and share the stories of our people since time immemorial. The art style I use in my own work today is an extension of the same shapes and forms used for hundreds of years by Native artists from and around the very same region,” Veregge said. “As a lifelong comic fan, artist and Native American, I am truly honored to work with Marvel Comics today. Not only to create pieces that represent a voice for Indigenous People in honor of Native American Heritage month, but also for the opportunity to share the same storytelling spirit of my ancestors by sharing the tales of some of today’s heroes.”

Check out the full list of NATIVE AMERICAN HERITAGE TRIBUTE VARIANT COVERS below and collect all eight of these unique covers by Jeffrey Veregge at your local comic shop this November! For more information, visit marvel.com.

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AfterShock Exclusive Preview: JOIN THE FUTURE #5

AfterShock Exclusive Preview: JOIN THE FUTURE #5

Join the Future #5 hits your local comic book shop on September 9, but thanks to AfterShock Comics, Monkeys Fighting Robots has an exclusive four-page preview.

The book is written by Zack Kaplan, with art by Piotr Kowalski, Brad Simpson dropped some color, and you will read Hassan Otsmane-Elhaou letters.

About Join the Future #5:
The Future. A high noon showdown between country vs. city, independence vs. technology, and individual vs. society. Clementine is the sole remaining resident of Franklin, and the only thing standing in the way of its decimation. Armed only with a revolver, her wits, and her unwavering willpower, she will have to draw against the futuristic lawmen of the region. Will she finally get her revenge or die in heroic glory?

CHECK OUT THE PREVIEW BELOW


Join The Future is not just a compelling and beautiful comic. It’s also the kind of emotionally engaging and thought-provoking story that makes the best use of speculative fiction.From Manuel Gomez’s review of the first issue.


Are you reading Join the Future? Comment below with your thoughts.

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INTERVIEW: Actor Michael DeVorzon Is Sweet And Crazy In HER DEADLY GROOM

Actor Michael DeVorzon (The Real Drakoolavs) brings two sides of a psychopath to life in the film Her Deadly Groom, where the actor must woo then torment a recent divorcee trying her luck at dating.

Her Deadly Groom stars Kate Watson as Allison, a woman looking for love despite being nervous about dating again after a recent divorce. Allison’s friends set her up on a dating site that matches her with Michael’s Vincent Black. At first, Vincent is too good to be true. He’s gentle, sweet, and romantic. But, will Allison uncover his dark side in time to save herself?

PopAxiom interviewed Michael about becoming an actor and creating the duality of a psychopath like Vincent Black.

Tickled Pink

For Michael, acting started as the sincerest form of flattery. “As a kid, I was obsessed with the old Pink Panther movies starring Peter Sellers. I thought those were the funniest movies I’d ever seen. I’d run around and try to imitate Inspector Clouseau.”

Between Pink Panther and Smokey and the Bandit, somewhere in there, I thought ‘Yeah, I want to be an actor one day.’”

Years of watching Peter Sellers, Burt Reynolds, and other inspirations, Michael, “… started doing some plays. I had no training. I was going with instinct. People seemed to think I had a knack for it.”

Michael’s road to acting, though, drove him through other aspects of filmmaking, first. “You gotta go with the flow. I got an opportunity to interview on the production side for the TV show Melrose Place. I met with the producers and interviewed for a production job.

Michael started working on the second season of Melrose Place and “…and learned about the behind-the-scenes and everything that goes into making a TV show run, and run smoothly. I spent three seasons there. All the while, I studied acting in LA.”

Michael’s goal was to get in front of the camera. “So, when I got that opportunity, I set off on that path.”

Michael DeVorzon-Her Deadly Groom-Film-Lifetime

About Her Deadly Groom

Michael’s twenty-seven acting credits deep now on IMDB. It includes starring in The Real Drakoolavs, a horror-comedy and the upcoming Fast and Fierce: Death Race film. Her Deadly Groom came about in the traditional way. “I auditioned for the movie, which at the time had a different name. I didn’t know anybody or much about the movie or where it was going to get placed.

For the audition, Michael only knew what he needed to know. “I was auditioning for a character who was being very romantic, sweet, and out to dinner in one scene. In the other scene, he was menacing and violent, clearly was an evil guy.”

Michael used that knowledge to its fullest advantage. “It was interesting to prepare for because you had the two ‘colors’ that were contrasting. They liked what I did with it, and honored to take the role on.”

Once cast, Michael says, “I read the script, and it was great. Full of great twists and turns. A lot that I could do with the role as far as the duality of Vincent Black.”

To Lifetime

Partway through shooting, Her Deadly Groom’s production team learned it would be likely heading to Lifetime for its premiere. Did that change the course of production in any significant way for Michael? “I approached it the same way. There couldn’t be any cursing in the movie; not there was any cussing in the script.”

It’s not often but, “… some of these films you have a little flexibility with the dialogue to play around with it. So, if a f*ck or sh*t comes in there, it’s no big deal. Here we had to stay away from that.”

Michael also says, “The romantic scenes that got a little sexual had to be just enough. A little hint to what is happening.”

What did Michael do to become a psycho? “To prepare, I watched a few movies with serial killers or psychopaths in it and watched what those actors did. I did research.

However, all the preparation in the world, things change once you’re on set with cameras rolling. “Ultimately, when you’re there, in the moment, in the scene, I bring myself. I try to let go and allow that character to come through me.”

“When you get into violence and this kind of menace, it’s very easy as an actor to fall into the trap of getting crazy, wild, and loud,” Michael says, “Actors want to get angry, but humans are trying not to get angry.”

Michael’s Vincent is ripe with a nuance of character. “I played with the scenes and had some humor in the menacing moments in that Vincent enjoys tormenting people and inflicting pain.”

“There were moments,” Michael says, “… where I just unleashed the beast. I went full tilt. Leading up to that, I definitely had a subtle approach to how I wanted to play him.”

Vincent’s brand of crazy is a fun role for any actor. “In one scene, you’ve got him being romancing and sweet and gentle. In another scene, he’s incredibly violent.”

Michael’s control of the chaos is a mix of preparation and something more profound. “For me, it’s about trusting my instincts, remembering my character’s objective, and what he wants. Vincent Black would go to any length to get what he wants. He has no remorse. Kind of characteristics of a psychopath.”

Michael DeVorzon-Her Deadly Groom-Lifetime

Playing Crazy

Michael’s friends and family fully support his professional life. But, playing a character like Vincent has some quirky side effects. “I do find myself having to apologize to people ‘I’m really not a psychopath, it’s a movie.’ I’ve had some people say they’re scared of me and I say, ‘You know me?!’”

Michael loves “… that people can have that degree of sensitivity.”

Was Michael’s excellence at playing due to, perhaps, him being a little crazy too? “I do believe we all have a little bit of craziness in us. And you know what they say, if you can admit that you’re crazy then you’re not all that crazy. It’s the ones that deny it that we have to watch out for.”

Wrapping Up

Michael’s work in front of the camera continues. However, is there more coming beyond acting? “I’ve gotten into screenwriting in the last few years. I just finished my third feature script.”

We begin discussing other artists who’ve inspired Michael past and present. “I would have to say, today, Daniel Day-Lewis. I appreciate the work that so many actors do. DiCaprio does incredible, deep, rich work. I grew up studying actors like Paul Newman, Steve McQueen, Marlon Brando, Al Pacino, and Robert DeNiro.”

Michael reminisces about 1995, the summer when two acting legends were on screen together for the first time. “I remember when Heat came out in the 90s, and it was this face-off between DeNiro and Pacino. I thought it was legendary. I was so obsessed with that movie that I ended up with a billboard. Like a ten-foot poster.”

Michael continues listing off actors he admires. “Meryl Streep is phenomenal. Denzel is incredible. There are so many great actors.”

The conversation turns to directors. “Robert Zemeckis makes incredible movies. I think his movies have a wonderful touch to them all. Can’t forget about Stanley Kubrick, Steven Spielberg … Clint Eastwood is another one that his films just have that magic touch. They have so much much heart and richness.”

Michael is a frequent movie audience member too, in part as a fan, but mostly as a classroom. “I’ve always been a student. I never walk out of a movie without learning something. I study and try to absorb what a film did right.”

What’s a dream role for Michael? “In a dream world where anything is possible? That’s an easy choice for me. If I got to play a version of Inspector Clouseau in a reboot of Pink Panther, that would definitely be at the top of my list. I’d love to do a western, a remake of The Good, The Bad, And The Ugly.”

Her Deadly Groom premiered on Lifetime in July (2020) and is available on streaming services, including Amazon and Apple TV. So, what’s next for Michael? “I’m focused on writing.”

Is Her Deadly Groom on your watch list?

Thanks to Michael DeVorzon and October Coast
for making this interview possible.

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