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Review: The Flash ‘Gorilla Warfare’ – Grodd Returns To Central City

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Central City just can’t seem to get a week off can it? With metahumans and Zoom terrorizing it, why not have Gorilla Grodd return to the fold?

With the second season quickly gaining it’s feet, I felt that “Gorilla Warfare” was a pleasant change of pace. No Zoom, no other baddies, just a single linear story with a small dose of side story. In a way, it’s a slow episode within the main story, but gives a very strong push for character development.

With a broken spirit and back, Barry faces a road to recovery that doesn’t seem to come quickly compared to his other injuries. Zoom’s postering of him across the city, showing his true vulnerabilities to the city that views him as their champion, leaves Barry in that typical hero’s mindset. If he isn’t winning, he’s letting the whole city down.

But that story is on hold, for now.

Zoom is gone, Jay has been a no show for a few weeks now, no metas have been sent to Earth One and King Shark has been the Gorilla Grodd of last season – a one off waiting to make his return to center stage.

With all eyes focused on the telekinetic ape, we see an emphasis on the true nature of Team Flash. Despite being beaten down they return, week after week, to take on the next problem.

Following a series of pharmaceutical company lab technicians mysterious changes of hearts and the theft of some chemicals, Patty and Joe discover traces of gorilla DNA. Coming to a shock to Patty, Joe quickly realizes the true caliber of the recent attacks.

The Flash -- "Gorilla Warfare" -- Image FLA207B_0178b.jpg -- Pictured (L-R): Carlos Valdes as Cisco Ramon and Tom Cavanagh as Harrison Wells -- Photo: Cate Cameron/The CW -- © 2015 The CW Network, LLC. All rights reserved.
The Flash — “Gorilla Warfare” — Image FLA207B_0178b.jpg — Pictured (L-R): Carlos Valdes as Cisco Ramon and Tom Cavanagh as Harrison Wells — Photo: Cate Cameron/The CW — © 2015 The CW Network, LLC. All rights reserved.

Furthering the character development, Cisco is finally getting his date with Kendra. Things seem to be going great on their way to the theater, where we are led to potentially seeing their first kiss. But, in a twist of fate, the first touch led to Cisco’s first vibe in a bit. An unsuspected vibe shows a vision of a floating person, with wings like an angel, or hawk.

Yes, we are treated to the first in-show look to Hawkgirl, one of the newest members to the future Legends of Tomorrow.

Obviously confused and taken aback from the sudden vision, Cisco shuffles off, stumbling over his vision and away to make sense of everything.

Turning the focus back to Grodd, things are getting tense between Harry and the team, minus one Caitlin Snow.

Disheartened from the lack of progress in saving his daughter, Harry expresses his interest in returning to Earth Two. Hoping to find an answer to catching Zoom, Wells leaves S.T.A.R. Labs to mixed feelings, some saying that if he wants to go, then he should go. Caitlin expresses her desire in having him stay in Earth One, knowing he is close to figuring out a way.

His idea, close all of the breaches down, except for the one that leads right into S.T.A.R. Labs’ basement. With hopes that he will resurface at some point, through the only opening possible, Harry hopes to use the speed canon to in fact lock him in a trap in Earth one. In theory, he has a good idea, but we have yet to see this plan in action against the likes of Zoom, who has thwarted their first bait and tackle attempt. However, it does open the door to an interesting trap for Grodd down the road.

With her sights set on helping Wells, Caitlin and Cisco were conversing in the basement, looking for a solution to closing the breaches. Suddenly, Caitlin goes catatonic and strikes Cisco before disappearing at the hands of Grodd.

Still depressed follow his first battle. Barry falls victim to a post-traumatic stress disorder, one which is hindering his ability to regain his ability to walk and his ability to speed away. After a struggle on the treadmill and a spill, Iris calls in the one person who she knows will restore his strength – Dr. Henry Allen.

After his release from his life sentence, Henry quickly exited from Central City just as quickly as he was released.

I always like an episode that features a man who Barry spent the better part of his short career setting free. His guidance was simple, “protect the city.” With Barry’s second father in Central City, you can clearly see the strong rapport that drove Barry to don the crimson costume in the first place. But without his key ability, he would put his faith in an eerie sight, Harrison Wells in the yellow Reverse Flash suit previously held by the former Wells.

Feeling no restraint, Barry instinctively sped to Wells, clearly lashing out at his former enemy, or the image of him.

Discovering Caitlin’s whereabouts seemed an easy task for the team, being held in a clocktower. Grodd looks to Caitlin for one reason, to make more gorillas like Grodd. While the science behind it was explained, the lack of a blast of dark matter was an obvious hinderance to that goal being accomplished.

With the help of Wells, Barry leads him and Cisco on a rescue mission. Obviously not as well-versed in the art of the yellow suit, Wells nearly performed his Earth One self to a tee, but was quickly foiled by Grodd. Calling out that his master never asked, just took, he threw Wells across the room and took control of Caitlin once more as she fled for the door.

The Flash -- "Gorilla Warfare" -- Image FLA207B_0006b.jpg -- Pictured: Danielle Panabaker as Caitlin Snow -- Photo: Cate Cameron/The CW -- © 2015 The CW Network, LLC. All rights reserved.
The Flash — “Gorilla Warfare” — Image FLA207B_0006b.jpg — Pictured: Danielle Panabaker as Caitlin Snow — Photo: Cate Cameron/The CW — © 2015 The CW Network, LLC. All rights reserved.

Quickly thinking, Barry coached Wells into over-dosing Grodd with the stolen chemicals to overload his brain just enough to escape. Leaving the final encounter, some quick tinkering with the speed canon and a baiting scheme, Barry flushed out Grodd and brought him to the open breach.

Still in his PTSD mindset, Barry flashed into his fall against Zoom, with vivid images of his near-lifeless body being dragged around Central City. Frozen enough for Grodd to get close, he was struck and pinned by the angry ape. With a connection to Grodd, Caitlin quickly jumped to the center of the canon and brought him off of Barry. All it took then was a quick run from Barry and a flick of a switch and they had nearly captured him.

With unbelievable strength, Grodd was able to clamber away from the breach, but a last minute pep talk from good ol’ dad found Barry racing away and back to throw one last punch to throw him into the void.

Overall, this wasn’t an over the top action episode as compared to last week, but it was still a great addition to a growing show. Characters are in-depth and developing, and really nothing is holding back the multiverse from creating a bigger impact some point down the road.

When Grodd was first announced and appeared last season, it was only a matter of time before we saw Gorilla City. The famed city of sentient simians hidden in the center of Africa. After hitting the breach, Grodd was dumped off in a jungle and emerged at the top of the hill near the entrance to the city.

Thus leading the question, will we soon see the Flash’s Gorilla friend in Solovar? While Gorilla City was just a small sight, can we assume that Solovar is the leader of the ape utopia?

Also, Cisco kissed Hawkgirl. While he has no idea who this person is other than a barista at CC Jitters, let’s all just enjoy the fact that Vibe kissed Hawkgirl. Soon to be a staple in the Legends of Tomorrow, of which we will see a small hint of what is to come in 2016 with the show when the Flash and Arrow crossover event takes place in two weeks.

Flash gets a small break for next week, with the return being part one in the two-part, nine superhero event on December 1st.

What are your thoughts? Leave a comment below!

 

 

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Frank Miller To Write A Fourth Dark Knight Installment

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In an interview with Newsarama, Frank Miller revealed that he will return to the ‘Dark Knight’ series after Dark Knight III: The Master Race is released.

“I thoroughly applaud what [Brian Azzarello’s] doing,” Miller said in the interview. “But now that he’s doing his, it’s now a four-part series. I’m doing the fourth.”

It remains unclear if Miller will illustrate the DKIV himself, as he did parts one and two, or if he will collaborate with an illustrator.

Dark Knight III: The Master Race #1, by Frank Miller, Brian Azzarello, Andy Kubert, and Klaus Janson, is scheduled for release on November 25.

 

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Review: ‘Trumbo’ A Movie Destined To Be Blacklisted

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Jay Roach directed Trumbo. Jay Roach? The same Jay Roach who directed the very trite and insignificant Meet The Fockers? The same guy who directed all the Austin Powers films? This is the same Roach who directed HBO’s Game Change, an uneven mostly expose/satirical look at the 2008 McCain/Palin campaign for president. Why would you pick Jay Roach to direct a story about a Hollywood Screenwriter Dalton Trumbo, infamous for being black listed by the film industry during the 1950’s? Roach’s idea of being politically neutral is to make it so blatantly obvious which side he’s on that it’s as if a neon sign is pointing towards his end of the political spectrum. Roach’s impertinence is evident throughout the film, as it seems he’s more concerned about his opinion rather than being accurate about transpired during this time period in American History. Trumbo is an unsatisfying mixture of tones ranging from flat comedy to tedious hagiography.

Trumbo was doomed to falter from the moment they picked Roach to direct. Roach’s lack of seriousness in the film makes the product quite frankly uninteresting and ultimately dull at points. Trumbo is such an awkward mess of that I’m not even sure that the studio will realize what went wrong. The most important element of Trumbo that they had to get right was establishing a credible tone for the clashing of ideologies (the clash between Washington and the Hollywood types). Kirk Douglas, John Wayne, and Edward G. Robinson are impersonated by actors who are so unbelievably unconvincing, you wonder if they were cast straight off of America’s Got Talent. Trumbo makes Guilty by Suspicion look like a rousing success as a black list film.

Bryan Cranston takes on the title role of Trumbo and plays him in such an oversimplified manner that his portrayal borders on cartoonish. It was as if Cranston read  “An Idiots Guide To Playing Vilified 1950’s Hollywood Screen Writers” and went right to work. Cranston seems to base his characterization of Dalton Trumbo based on a famous picture (I’m guessing he read that in Chapter One of “An Idiots Guide To Playing 1950’s Hollywood Screen Writers”) of Trumbo writing in the bathtub, cigarette-holder in hand. He plays that image to the extreme. He’s at his height of mimicry during the famous House Un-American Activities Committee rebellion:” Many questions can be answered ‘Yes’ or ‘No’ only by a moron or a slave.”

Even though there are oodles and oodles of Trumbo that are less factual and more mythological, Jay Roach and screenwriter John McNamara still idealize Trumbo as an example of a Hollywood “Maverick.” Yes, he did buck the system, write under a pseudonym, and won Two Oscars for Roman Holiday and The Brave One. Yes, he also wouldn’t submit to the request to testify in front of the House Un-American Acts Committee and went to jail for his deeply held beliefs. What I don’t get is, if you hold someone in such high regard as Jay Roach and John McNamara do, why wouldn’t you make a more serious film about his life? They completely gloss over the fact that he went to jail and the effect that it had on his family. It’s not like they didn’t have a great actress playing Dalton Trumbo’s wife; Diane Lane is as good as it gets. What about the other members of Trumbo’s group of Hollywood Ten that went to prison? It was as if they were part of this movement to show how wrong the House Committee was and then we hardly hear or see them for the rest of the film. Louis C.K., who plays Arlen Hird, had a pretty big part in what actually occurred. And yet, through Roach’s revisionist history his part is reduced to a small part of what transpired. Excuse me, have we forgotten that he was not only diagnosed with Cancer, his wife left him during the hearings? Do you think that could have been explored just a tiny bit?

All that aside, I wouldn’t say that I hated Trumbo, but I can’t help but think what might have been. Trumbo, with the right writer and director, is rich with so many different idiosyncrasies that it could have been a truly great film at a dark time in our nation’s history.

Trumbo

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Colin Farrell And Ewan McGregor Up For John Constantine

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Justice League Dark begins filming in 2016 and appears that producer Scott Rudin has a few people in mind for John Constantine.

Latino-Review is reporting that Colin Farrell and Ewan McGregor are up for the role. No official announcement has been made.

The report also states that there interest in Ron Perlman to play Swamp Thing, and Monica Belluci for Madame Xanadu, with a comedic presence for Deadman.

The team for Justice League Dark has been rumored to consist of Constantine, Swamp Thing, Deadman, Zatanna, and Etrigan The Demon.

The film still doesn’t have a director or release date.

Who do you want as John Constantine?

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Check Out and Pre-Order The First Official ‘Batman v. Superman’ Tees

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The first official t-shirts for the upcoming Batman v. Superman: Dawn of Justice have hit the web. With alternating “Batman is a demon” and “Superman is a False God” tees, and a couple of logo shirts, there’s something for fans on both sides of this epic battle.

The merchandise was teased in full back at the New York Comic Con in October, but this is the first chance for fans to wear the gear for the upcoming Zack Snyder film.

Check out the tees and pre-order yours here.

gothamdemonfalsegod

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Stapleton & Timberlake Collaborate/Crossover for 2015 CMAs

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Recently Justin Timberlake performed at the 2015 Country Music Awards (CMAs) with up-and-coming country musician Chris Stapleton and it was doozy! Methinks that the entire performance caused many o’ EARGASMS. I definitely had one. Did I mention that Americana/Roots Rock GOD John Mellencamp also appeared on the show? YAAAAASSSSSS!!!

In recent years, with the success of the “new country” sound and its crossover appeal onto the Pop Charts, the CMAs, and shows alike, have made a discernible effort to include music entertainers/artists from other genres as part of collaborative performance events. Many of them have been successful, and others not so much.

[embedyt] http://www.youtube.com/watch?v=9UWqfxH1NwA[/embedyt]

Last year on the CMAs country super group Little Big Town performed collaboration with Ariana Grande. The foursome began there set with a rousing version of their hit song “Day Drinking” backed by an amazing drum line. At the close of the song things shift gear and Ms. Grande explodes onto the scene and they all perform a great version of her hit song, “Bang Bang” – which she originally recorded with pop stars Jessie J and Nicki Minaj – and it had the entire audience on their feet. With that little performance Little Big Town was telling the world that country music and pop can coexist and even complement each other.

This year’s CMAs also had some great collaboration between Keith Urban and John Mellencamp. The duo performed the Mellencamp classic “Pink Houses” and then Urban moved into his latest hit, a partial homage to the Americana great entitled, “John Cougar, John Deere, John 3:16,” (written by Shane McAnally, Ross Copperman and John Osborne). This song is a prime example of “new country” and keeps with the kind of sound that we are accustomed to hearing from Mr. Urban. But what it also does is bring in all the influences that have impacted a vast majority of country music fans and makes it relevant to their lives and values. The song highlights John “Cougar” Mellencamp – an Americana/Roots Rock legend; John Deere – the farming icon; and John 3:16 – a biblical verse about God giving the world his only son [Jesus]. That’s country! Check out their performance here.

During this night of music we also saw country newcomer Thomas Rhett, son of country music star Rhett Akins, performed on the CMAs with the rock band Fall Out Boy. They played their songs “Crash and Burn,” and “Uma Thurman,” to create an interesting mix of danceable country and rock. Both Crash and Burn and Uma Thurman have a 1950s surf music swing to them that is undeniable. In Uma you can definitely hear the Dick Dale influence loud and clear.

[embedyt] http://www.youtube.com/watch?v=ADuUQT_fPCw[/embedyt]

The performance event of the night was definitely Justin Timberlake and Chris Stapleton. Who’d a thunk it that JT would do country so well? Anyone who has been paying attention to the incredibly talented man who is Mr. Timberlake. Oh yeah, and JT is from Memphis, Tennessee which a lot of folks have either conveniently forgotten or never knew. On the CMAs you could hear his roots coming out in the performance. And Justin did something that any fan of his music would appreciate; he let his co-performer of the night share the spotlight equally.

Mr. Stapleton made a wonderful call when he asked Justin to perform with him on the awards. Their voices blended together swimmingly, as did the soul and heart that each of these individuals brings to their music. From the heavily blues influenced “Tennessee Whiskey,” we hear Muddy Waters meets Stevie Ray Vaughan. That guttural roar in Stapleton’s voice that gets under your skin and touches your FEELS just the right way. That, uuuummm, scrunch of up your face kinda soul-touch and the knowing that someone else has been in that love-drunk that you may be experiencing – he connects with his audience because he’s no different than them. He TOO has demons that he must slay and love got him through them. “You’re as smooth as Tennessee whiskey, You’re a sweet as strawberry wine, You’re as warm as a glass of brandy, And I stay stoned on your love all the time.”

[embedyt] http://www.youtube.com/watch?v=G2sW92Hjrm8[/embedyt]

When they move into Timberlake’s “Drink You Away,” the audience is further drawn in the “black magic” that they wove so well. JT’s roots really show in this performance. The choice of pairing these two songs in succession worked because they both deal with coping with the effects of love. One speaks of love as a drink-drug-like elixir; the other deals with the aftermath of love and heartbreak by drinking to numb the pain and realizing that this just doesn’t work. “I’ve tried Jack, I’ve tried Jim, I’ve tried all of their friends, But I can’t drink you away.”

The two songs are the antithesis of each other. Tennessee Whiskey is the before – love when it is sweet and your saving grace. That time in your life when you want to be with that special someone all the time. That space where you want to drown in their love. Drink You Away is the aftermath of that love. When things have gone wrong and you’re still in love with someone and you want to forget them. That hell when the good and bad times creep into your thoughts without warning and hurt you all the same. We’ve all been there, and a lot of us have tried to “drink to forget.”

What is most appreciated about Mr. Stapleton is his music/sound and NOT his looks. Chris Stapleton does not look like a lot of these” new country artists” that Nashville seems to want to churn out – not unlike many of the “hair bands during the latter part of the 1980s and early 1990s. He is not polished and coiffed to excess. He is just himself. An old boy from Kentucky who’s making DAMNED good country-blues music and should be appreciated as such. Pay close attention the expression on the faces of audience and their reaction to him.

For true lovers of music, and audiophiles like me, this collaboration was literally, music to my ears. Chris Stapleton has gained a new lifelong fan. Justin Timberlake continues to solidify his place in my music catalogue. It’s good to see that country music is embracing their “cross-over” musicians and fans. If you’re not listening to Stapleton then you should be; and if you don’t think that Timberlake can contribute anything worthwhile to country, or don’t think he has the background for it, you’re not paying attention. One of the biggest country music stars of current times is hails from Australia by way of New Zealand – Keith Urban.

Timberlake and Stapleton Perform on CMAs 2015

Chris Stapleton and Justin Timberlake are two artists you should be keeping an eye on in country right now. And let us not fail to mention Mr. Sam Hunt who is also an artist to watch. He was nominated at this year’s awards and should NOT be overlooked.

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Richard Linklater’s ‘Everybody Wants Some’ Kicking Off SXSW 2016

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Richard Linklater’s “spiritual sequel” to Dazed and Confused and Boyhood, Everybody Wants Some, has been slated to kick off the 2016 South by Southwest Festival in Austin.

The 23rd SXSW Festival gets going on March 11 in Central Texas, and Linklater’s film is, so far, the only one securing a spot. Here is a quick overview of the film from the report in Variety:

“Everybody Wants Some” follows a group of college baseball players in ’80s Texas as they navigate their way through the freedoms and responsibilities of unsupervised adulthood. The film stars Blake Jenner, Ryan Guzman (who was a college baseball pitcher), Tyler Hoechlin, Wyatt Russell, Glen Powell, Will Brittain and Zoey Deutch.

Everybody Wants Some has gone though a few changes over the past few months. Once it became clear it would be Linklater’s follow up to his Oscar-nominated Boyhood, the film changed from its original title, That’s What I’m Talking About, to the current title. The theatrical release date following its premiere at SXSW is April 15.

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First Teaser For Marvel’s ‘Luke Cage’ On Netflix

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It isn’t much, but the official Daredevil tweeted out the first teaser for Marvel’s Luke Cage on Netflix. The next instalment of the Marvel Cinematic Universe, ‘Jessica Jones’ premieres November 20.

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‘Gods of Egypt’ First Trailer

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Lionsgate released the first official trailer for Alex Proyas’ Gods of Egypt.

Magic, monsters, gods and madness reign throughout the palaces and pyramids of the Nile River Valley in this action-adventure inspired by the classic mythology of Egypt. With the survival of mankind hanging in the balance, an unexpected hero takes a thrilling journey to save the world and rescue his true love. Set (Gerard Butler), the merciless god of darkness, has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict. With only a handful of heroic rebels opposing Set’s savage rule, Bek (Brenton Thwaites), a bold and defiant mortal, enlists the aid of powerful god Horus (Nikolaj Coster-Waldau) in an unlikely alliance against the evil overlord. As their breathtaking battle against Set and his henchmen take them into the afterlife and across the heavens, both god and mortal must pass tests of courage and sacrifice if they hope to prevail in the spectacular final confrontation.

The film stars Gerard Butler, Brenton Thwaites, Nikolaj Coster-Waldau, Courtney Eaton, Abbey Lee, Geoffrey Rush, Rufus Sewell, Elodie Yung, and Chadwick Boseman.

Gods of Egypt will land in theaters February 26, 2016.

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The Return Of The Millennium Falcon, What’s Different

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Wired spoke to Christian Alzmann, senior art director at Industrial Light and Magic about the return of the Millennium Falcon to the big screen.

“The big change on the Falcon is that radar dish, because it was knocked off in Return of the Jedi through some of Lando’s close-quarters flying,” Alzmann says (as if you didn’t know). “As far as the rest of the Falcon goes, we had a whole crew that went up to the archives and saw the original five-foot model from Empire. So the textures are from the original, pretty much. I’m sure our artists put a lot of love into it and fixed anything they found troublesome,” said Alzmann to Wired.

Wired used a single frame from the film for their big Star Wars issue.

Star Wars: The Force Awakens will be in theaters on December 17.

Millennium Falcon Star Wars

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