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NXT and Me: Losers Are Okay

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I’m going to unveil the worst kept secret this side of Mr. America’s identity and say I’m an NXT fan. Not only am I an NXT fan but I’m a bigger fan of NXT than I am WWE. Yes I hear you cry, they’re the same company you drunken fool! They are, but then again they’re not. I say that because of the vast differences in everything from presentation to the actual product between NXT and anything else WWE puts out and has done in recent years. Many wrestling fans who watch both would also say it’s currently the better product, which for something that’s supposed to be the feeder league is a pretty big statement.

Specifically NXT does something very well that is currently one of if not WWE Raw’s biggest problem, at least in my opinion. It’s that NXT has clear winners and losers in their wrestling matches, something that happens rarely on Raw due to the level Raw creative try and protect their stars with the booking.

The 2nd December NXT episode as an entire show served as a great example of how NXT do this so I’ll take it as the case study.

In last week’s episode of NXT there was no distraction, disqualification or any other kind of shenanigan filled finish. There were six matches that resulted in six losers who clearly lost their match. But it also resulted in six winners who clearly won their match and this is the key. My biggest issue with how Raw is booked right now is that’s rare for anyone to cleanly lose or win a match and that means people aren’t being helped as much as they’re not being hurt in equal parts, I appreciate this is done to protect WWE Superstars but losses don’t have to hurt too much and NXT shows how this can be the case.

Of the six matches on the show in question I would consider that two of those “losers” were NXT stars who had something to lose, the Vaudevillains and Tommaso Ciampa. Neither can be accused of looking bad as both were very competitive, back and forth matches won by top level guys. The vaudevillians were beaten by Jason Jordan and Chad Gable, a team very much on the rise and as recent champions the vaudevillians are still totally credible. Ciampa was beaten by Samoa Joe who’s in the run up to an NXT title match with Finn Balor at Takeover: London and has been booked like a machine since his debut. Due to going in as the underdog and it being a high quality, even match I’d actually make the argument Ciampa came out better than he went in, looking like a resilient, brave fighter.

Samoa-Joe-Tommaso-Ciampa

Having wins in that fashion against competition of that calibre does a huge amount of good for both Joe and Jordan and Gable, making them look like top class pro wrestlers capable of winning the next match whoever it’s against and that’s the point. Going into that next match it helps creates the feeling that both competitors have a chance of winning and that’s what sells tickets. Predictability can sometimes work as a grand pay off but wrestling needs an aspect of watch to see who is going to win, that’s obvious and basic.

Two of the matches were lost by Tye Dillinger and Adam Rose, two guys who are NXT stars (in Rose’s case a WWE star) and have characters but aren’t in programs right now so win or lose, the result doesn’t really do a lot for them. What the match does though is keep then visible and keep them relevant, with both displaying their respective gimmicks on the show and reminding the fans what they’re about. On top of this, Dillinger was beaten by Baron Corbin, who is near-main event level for NXT and James Storm, who is a special attraction right now and there is really no damage nor shame in either loss. It does help Corbin and Storm though by giving them wins over recognised names keeping Corbin looking like a threat going into his Takeover match with Apollo Crews and making Storm look legitimate an matching any name value he’s coming in with. Here’s where Raw could take a page from the NXT playbook, why have stars in programs and who need to look good constantly in matches against one another when you have a roster of guys like Heath Slater and Bo Dallas? Need to make Wade Barrett look good, give him a five minute clean win against Fandango. Help Cesaro recover from his latest loss on a PPV with a competitive victory over Curtis Axel. I’m not saying construct the entire show out of these matches but I’m sure there’s room in the three hours to spread a few of them.

Finally the other matches were Nia Jax Vs Blue Pants and Emma Vs Liv Morgan, both of which I’d say fit the established star versus jobber criteria. The argument could be made that Blue Pants isn’t due to having a bit of name recognition and an established image but she’s not a regular and is literally only there at this point to make others look good. As far as the matches go, both were glorified squashes with Nia Jax totally overpowering Blue Pants in two minutes and Emma demonstrating how to be a heel all the way to the finish in three and a half minutes.

Back when Saturday Night Main Event was WWE’s (then WWF) main programming a good proportion of the matches would be superstars beating faceless jobbers, used to make them look like superstars and build them towards the next big event. While jobber matches have been used on WWE programming since, it’s only been on the C-List shows such as Heat and more to fill time than anything else. NXT have used the tactic to maximum affect as it was in the 80’s to make their stars look like stars and top tier pro wrestlers going into the next Takeover or match against other stars. In the case of Nia Jax she’s been running through jobbers since her debut which has gone a long way towards establishing her as an unstoppable force as someone with her build and style should be presented. She’s now seems to be headed to a showdown with NXT women’s champion Bayley so she needs to be looking at her strongest to be a credible threat. Emma has a match with Asuka booked and has to be built to again, be a credible threat as Asuka has been on a roll since her debut and hasn’t really been slowed thus far. Critically I use the phrase “credible threat” as I don’t think neither Jax nor Emma are winning those matches and I suspect most of the fanbase feels the same so build and presentation going in is of the utmost importance.

When it comes to jobbers it really is okay to lose, there’s no damage to be done, no image to be hurt and in the event said jobber goes on to do something significant in the future, no one will remember when they had the generic ring gear and no music. But it gives those stars wins in a ring and they can look like absolute killers if necessary as these types of matches don’t have to be competitive in the slightest. Go and check out Baron Corbin matches from a couple of months ago where he was beating guys with one move.

To come back to the Raw comparison now I’ve delved into how NXT do it, I have no issue with protecting talent via the booking of matches, that’s essential in pro wrestling. But you can’t do it in every match on every show, no one looks bad, no one looks good and you end up with one giant mid-card, something I think you’re seeing happening now. Throw in WWE’s back and forth PPV booking where if one person wins the win has to be gotten back, whether it is at the next PPV or at a Raw rematch and everyone suffers.

midcard

I appreciate certain ideas on NXT wouldn’t work on Raw, regardless of how long the show is, a primetime audience isn’t going to watch jobber matches but I think certain ideas could and would be good for the show, even if they were intermixed with what they do now. For every screwy finish, two clean ones perhaps? I know I’d be happy with that.

Hopefully I’ve made a little sense here and if so please reassure me I’m not the only one in the comments section. Otherwise I’ll be back at the weekend for WWE TLC.

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Worst “Read the Manga” endings in Anime

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We’ve all had that show where were super into. Everything seemed to be leading up to something, but we feel that something isn’t right. We look to see how many episodes are left and we think “Theres no way they can wrap this up in three episodes”. And when we get to that final few minutes of the last episode we realize our suspicions were true. It just ends, with no conclusion.

Now while a conclusion can be subjective when it comes to what you want, that’s not really what I’m talking about here. I’m talking about a very specific kind of anime ending. The endings that hold up a big sign saying “Read the Manga”. This sign is something I think everyone has had waved in their face at least once, and it can be anything but satisfying. So today I’m gonna do a little rant on Anime with “Read the Manga” endings that I hated the most. For this list I’m not going to be counting shows that have come out in the last 3 years. The reason being there are some shows that still have a chance at continuation. The shows I’ll talk about are shows that have had a long enough time to get a sequel and will likely never get a conclusion adapted into anime.

Also I am fully aware that if I really wanted to know the endings of all these shows I could just read the manga, but that’s not how I roll. Besides that’s not what I think a good adaptation does to its viewers anyway. If you’re going to make a show, make a show, not an advertisement for the manga. So with that aside here are the anime “Read the Manga” endings that angered me the most.

Air Gear

air gear

One of the older shows on my list, Air Gear ended its run in 2006. Along with that run we were only introduced to about a couple of the AT kings and there was still no direction of Ikki ever becoming the “Sky King”. It just ends with him passing an overly hyped test after literally getting a thousand tries. That might be good enough for a lesson learned mid series, but not something you slap on at the end.

To make matters even more spiteful there were three separate OVA’s released for Air Gear between  2010 and late 2011. These stories are more like one shots of manga stories and don’t really make much sense unless you’ve read the manga, which I didn’t.

Sekirei

Sekirei

Now I know there are many reasons to watch Sekirei other than the story (Mainly giant boobs). But during the second season things were actually heating up in the tournament. There were some back stories that fleshed out the story in a cool and interesting way and a lot less dicking around with harem stuff as opposed to the first season. Ultimately these improvements and cool ideas will probably never be brought to animation. While the second season ends in a more satisfying way than with Air Gear, it promises so much more which makes it a big let down.

Berserk

berserk

This one is more understandable than most on this list just for the fact that, unless they drastically changed the art style, doing a full series of Berserk would be impossible. I mean every panel of Kentaro Miura’s manga is so detailed it would run any animation company bankrupt if they would try to faithfully adapt it. But they just couldn’t resist and adapted the Golden Age arc TWICE. its bad enough to leave someone at basically the threshold of the real story, but to do it twice is just mean. So unless you read the manga you’ll never get the satisfaction of the adventure after the golden age and just be left with a depressing and rape filled ending.

Heavens Lost Property

heavens lost property

This one stings me a little more than others just because I, for some reason, like this show more than I should. So they built up the whole story line with “god” and “heaven”, and started to really build on the relationship between Ikarus and Tomoki. So what do the people who licensed it do? They make two movies. Now that would sound good but they instead decide to make one that really has nothing to do with the overarching plot and another that just finishes up the series entirely. The final movie is the biggest slap in the face. It opens in medias res of the final-final arc where the “anime only” viewer wouldn’t know that the hell is going on. It also has the gall to hint at cool ending plot lines to try to coerce you to read the manga. STOP! Don’t try to make me read your manga with your anime adaptation. Why don’t you make the anime good enough to where you make money there?

Spice and Wolf

spice and wolf

So to find out what happens in Spice and Wolf you’ll have to read the light novel because there is no manga adaptation, but its the same concept. You spend two whole seasons of getting to watch these two characters grow to love each other. They face trials for their love and grow to know more about each other and we get hints at what will come of their relationship as they go north. Sadly we never will see them go north, or if they end up together. Heck the anime just kinda ends, with the cliché of “we’ll continue on together”. BULLSHIT! Finish your romance or else all the build up is kind of wasted, especially if that’s the focal point of your story. I love Spice and Wolf, but it will never be satisfying because I know it goes nowhere.

Honorable Mentions

For the most part those are the most annoying endings for me personally. Other notable shows with “Read the Manga” endings but don’t hold a special place in my heart are as followed.

.Hack/Roots

Basically ended the show putting the main character back to square one and introduces three new enemies.

BTOOOM!

Resolve a small part of the main goal and hints at something big in the after credit scene. Will they get off the island? We’ll never know.

High School Of The Dead

Why did they throw that shot of the mall at the end? If not I wouldn’t still be waiting and wanting a sequel.

Claymore

They decide to make an “anime only” ending and still resolve nothing. Just a gross steroided monster girls brawl. (On second thought that might not be that bad). Still, ends in a draw and nothing gets resolved.

Legend of the Legendary Heroes

The story stalls with the main characters hang ups and nothing having to do with the main objective gets resolved. Also I think it hints at a love triangle in the future. But I already know Keifer would win.

So I don’t like “Read the Manga” endings, but what does it all mean?

I’m almost positive there are more but these are the only ones that I can speak on since I have personally seen. Another things I want to make clear is that I am NOT saying that you shouldn’t watch any of these shows listed because they don’t end properly. I’m just saying its annoying and it really makes me question the intention of anime companies when they take a manga and only adapt a section of it with a “To Be Continued” asterisk at the end.

 

 

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Review: ‘Batman/Teenage Mutant Ninja Turtles’ #1

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Strange comic book crossovers have been around for decades. Archie and the Riverdale gang have met both the Punisher AND the Predator, and survived both encounters. With these absurdities in mind, it’s easier to swallow a crossover between two franchises that both center on street level martial arts masters. But being able to swallow it doesn’t mean it tastes great.

Batman/Teenage Mutant Ninja Turtles is the latest crossover between publishing powerhouses, pairing DC Comics with IDW. It finds the Heroes in a Half Shell in Gotham City, teleported from their universe by as yet unknown circumstances. But, however they got there, the Foot Clan came along for the ride and are stealing expensive laboratory equipment from various Gotham R&D departments. Enter the Batman.

In typical crossover fashion, it looks like the heroes are going to be at odds before realizing they have a common enemy. However, outside of that cliché, this first issue sets up an interesting story. It starts off with a bang and doesn’t feel clunky supplying the necessary exposition. It doesn’t give away any answers as to how these worlds came together, or what the Foot Clan’s motivations are, which ultimately leaves the reader wanting to pick up the subsequent issues looking for answers. This intrigue is the highlight of the book, and its greatest strength.

TMNT

Writer James Tynion IV is no stranger to Gotham; he got his start writing backup stories for Batman in the New 52, and has since gone on to write several of the annuals, and the two weekly series Batman Eternal and Batman and Robin Eternal. He continues to prove his worth here, mixing action with mystery, and wit with grit. Ironically, though despite his experience in this world, Tynion seems to write the Turtles better than even Batman. Their dialogue flows naturally and supplies humor to the book, whereas Batman’s can come off feeling cold, contrived, and expository. It doesn’t always feel this way, thankfully, but even when it does, it doesn’t take away from the book. Someone needs to be the voice of reason in this insanity, and obviously, it has to be Batman.

The art by Freddie Williams II is good, albeit also a bit inconsistent. The Turtles look great, and Gotham oozes the dark, gritty tone that it requires, especially with the work by colorist Jeremy Colwell. There’s an extended scene in the city’s sewer system, where Killer Croc runs into the visiting reptile brothers, and it’s brilliant. The action sequences and the slimy atmosphere is everything you would want in this crossover, especially coupled with Tynion’s witty banter among the Turtles.

The biggest drawback in terms of art is Batman, unfortunately. Williams aims to portray him as a large, menacing figure. Again, sometimes this works fantastically. Other times, Bruce comes off looking a little puffy (like most people do this time of year). Luckily, the good outweighs the bad in terms of penciling, and Williams’ art is going to be a big reason people pick up the remaining five issues.

Batman
Not *quite* Rob Liefeld’s Captain America, but a little too close for comfort.

This book is exactly what was expected: a fun read that brings a child’s action figure fantasies to life. It bleeds nostalgia, which makes up for its minor inconsistencies. It’s inviting to fans of either franchise, but especially to fans of both. Tynion finally gets to explore writing the witty banter that Batman usually denies him, and it’s clear that he should do more of it. His story is the strength of this book and leaves you wanting more.

Overall, the issue was worth its $3.99, which is really what it comes down to. When it’s good, it’s very good. But even when it’s bad, it’s not terrible. It’s an easy to swallow crossover, and, even though it doesn’t taste amazing, it’ll have readers going back for another bite.

Syncing up perfectly, the trailer for Teenage Mutant Ninja Turtles 2 also came out yesterday. Check out Monkeys Fighting Robots coverage of it here.

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REVIEW: “In the Heart of the Sea” – Howard’s seafaring epic lacks authenticity, depth

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Though cast and crew certainly give it their all, particularly during sequences in the film clearly shot at sea versus on a sound stage, there’s simply too much of In the Heart of the Sea that looks and feels false to complete take audiences in and feel immersive. Especially when held up to other 19th Century period pieces and maritime action dramas to come to theaters in recent years, it falls far short of what it could and should have been: a cinematic experience dramatizing the incredible story that inspired a timeless literary classic.

In August 1819, the American whaleship Essex, under the command of Captain George Pollard (Benjamin Walker, Abraham Lincoln: Vampire Hunter) and First Mate Owen Chase (Chris Hemsworth), set sail from Nantucket, Massachusetts on what it hoped would be yet another profitable whale oil expedition in the South Pacific, expected to last no more than three years. But by November of the following year, the ship was destroyed, its surviving crew set adrift aboard its three intact whaleboats on the open sea with minimal provisions and even less hope of ever seeing land again. Miraculously, some members of that crew did survive, but what really happened to them out there was covered up, buried beneath a story about the ship running aground, a story most of the maritime community and the public came to believe.

But thirty years later, aspiring and inquisitive author Herman Melville (Ben Whishaw, SPECTRE) comes across the story and isn’t convinced by the official accounts. He seeks out the Essex‘s only living survivor in 1850, Thomas Nickerson (Brendan Gleeson), who at age 14 served as a cabin boy on the ship’s fateful trip. From a haunted and reticent Nickerson, Melville then learns the truth: about the tensions and rivalry between Pollard and Chase that divided the crew, about just how far the Essex had gone “off the map” in search of whales to harvest in order to fill the ship’s hold with oil and set sail for home, and just what it was that really sunk the ship, left the men stranded for months and fundamentally changed for the rest of their lives.

A whale. A larger, stronger, more intelligent and seemingly vengeful whale with white skin that proved more than a match for the Essex, its inexperienced captain, and the capable but arrogant whalemen who thought their humanity, their ships and their harpoons made them masters of the seas.

321827id1_InTheHeartOfTheSea_EyeOfTheWhale_FinalRated_27x40_1She

A little more than twenty years ago, Ron Howard made his first directing foray into 19th Century period pieces with Far and Away, the Tom Cruise and Nicole Kidman Irish immigrant epic that today is generally regarded at best as “uneven”: grand and opulent production, bland and shallow story. Though that production has little in common with In the Heart of the Sea aside from its general historical setting, this film may end up being cataloged along with Far and Away as strong arguments for why Howard should steer clear of period dramas and stick to stories in contemporary settings. He seems to be visually “tone deaf” in terms of just how to set a scene in a time and place far removed from his own without it coming of as staged; he understands “grand” without grasping “authentic”, something his contemporaries — most notably Steven Spielberg — have shown far more mastery of in film after film. The scenes in this film set in 1800’s Nantucket are, by far, the worst offenders in this regard — they all scream “green screen”, “matte painting”, and “hollow set”, especially thanks to the murky green patina through which the entire film seems to be filtered. When added to the stiff dialogue in the early going and the general lack of depth to the majority of the characters here, the sum total just serves as a reminder that you’ve seen this time and place in history depicted with a much more deft and capable touch than what you’re getting here. Watch Spielberg’s Lincoln again, or go back a bit further to Peter Weir’s Master and Commander: the Far Side of the World, and the difference in the directors’ facility and comfort with style, tone, and period are all too clear.

Speaking of the characters and the actors portraying them, if you’re a fan of Chris Hemsworth’s superhero film work, you might be more apt to accept and enjoy what he delivers in In the Heart of the Sea, as the film’s take on Owen Chase is as close to a mortal version of the actor’s most recognized recurring role, the thunder god Thor in the Marvel films, as is possible. As Thor was particularly in his first film appearance back in 2011, Chase is confident, capable, and charismatic, but temperamental and driven to the point of rash action to prove himself and his worthiness to lead. Unlike Hemsworth’s last collaboration with Howard, 2013’s Rush, in which the Australian actor demonstrated remarkable range beyond his well-known on-screen superhero persona, the work he delivers here feels like a regression. In comparison, Benjamin Walker, playing Chase’s rival and foil, Captain Pollard, fares a little better, as the film’s writers give that character more to work with in terms of internal turmoil and Walker makes the most of it. But the rest of the film’s impressive casting, which includes Cillian Murphy in a rare, non-creepy role, Michelle Fairley of “Game of Thrones” fame, and Tom Holland, the talented young actor who is next in line to play another major Marvel hero, Spider-Man, in multiple films starting with next year’s Captain America: Civil War, feels wasted considering how little they’re all given to work with. It’s like they’re there only because they can all carry off a period accent convincingly, rather than their capacity to actually bring to life a well-written film role.

So is it safe to dismiss In the Heart of the Sea with an awful pun, that it’s a whale of a disappointment? Sadly, yes. As a period drama, a seafaring epic, and a story of grim survival, the film pales in comparison to other films with similar settings and themes coming from Hollywood in recent years. The real-life story, as well as the bestselling non-fiction book by Nathaniel Philbrick, certainly deserved better. Save your money at the box office, and read the book, instead. It will quite likely be a much more rewarding experience.

In the Heart of the Sea
Starring Chris Hemsworth, Benjamin Walker, Cillian Murphy, Tom Holland, Ben Whishaw and Brendan Gleeson. Directed by Ron Howard.
Running Time: 121 minutes
Rated PG-13 for intense sequences of action and peril, brief startling violence, and thematic material.

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Amazon Original’s ‘Mad Dogs’ Trailer

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Mad Dogs, the dark comedy from Amazon Studios, released their first official trailer. The trailer starts off like any Adam Sandler vacation comedy, but gives more production value and less slapstick humor.

Here’s the trailer:

Mad Dogs is based on a U.K. series of the same name that ran from 2011-2013 for four seasons. According to an article published by Variety, Amazon has brought on several of the crew from the original production including Andy Harries, Suzanne Mackie, and creator Cris Cole as executive producers. Shawn Ryan, known for The Shield, is credited as the showrunner.

Steve Zahn, Romany Malco, Michael Imperioli, and Ben Chaplin make up the group of clueless and hopeless 40-somethings. The trailer shows viewers glimpses of dark events, with blood and scary night scenes. Intercut this with Zahn’s signature yelling and screaming for comedic relief, and the show will appeal to a wide audience. In terms of the main cast, outrage over lack of diversity is waved away with Romany Malco as the ‘token black guy.’ It’s important to note Malco is actually West Indian, as stated by his IMDB page. The trailer also gives viewers a look at a few non-stereotypical supporting female roles, and this provides hope for rounding out the cast.

Mad Dogs air on January 22, 2016 and is produced by Amazon Studios and Sony Pictures TV.

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The New International Trailer Puts A Few Dents In The Millennium Falcon

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Lucasfilm and Disney released an exclusive Chinese trailer for Star Wars The Force Awakens Wednesday. Chinese teen idol Lu Han’s introduce the trailer that featured new footages.

This new footage could be considered spoilish, watch with caution.

Episode VII in the Star Wars Saga, Star Wars: The Force Awakens, opens in theaters December 17, 2015.

Star Wars: The Force Awakens, directed by J.J. Abrams from a screenplay by Lawrence Kasdan & Abrams, features a cast including actors John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Academy Award winner Lupita Nyong’o, Gwendoline Christie, Crystal Clarke, Pip Andersen, Domhnall Gleeson, and Max von Sydow. They will join the original stars of the saga, Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels, Peter Mayhew, and Kenny Baker.

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2016 Golden Globe Awards – Film Nominations

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Nominations for the 73rd annual Golden Globe Awards were announced on Thursday morning.

The Golden Globes hosted by Ricky Gervais will be broadcast by NBC on Sunday, Jan. 10, 2016.

Best Motion Picture, Drama
Carol
Mad Max: Fury Road
The Revenant
Room
Spotlight

Best Motion Picture, Musical or Comedy
The Big Short
Joy
The Martian
Spy
Trainwreck

Best Original Score – Motion Picture
Carter Burwell – Carol
Alexandre Desplat – The Danish Girl
Ennio Morricone – The Hateful Eight
Daniel Pemberton – Steve Jobs
Ryuichi Sakamoto & Alva Noto – The Revenant

Best Foreign Language Film
The Brand New Testament
The Club
The Fencer
Mustang
Son of Saul

Best Animated Feature Film
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun The Sheep

Best Original Song – Motion Picture
“LOVE ME LIKE YOU DO” — FIFTY SHADES OF GREY
Music by: Max Martin, Savan Kotecha, Ali Payami, Ilya Salmanzadeh
Lyrics by: Max Martin, Savan Kotecha, Ali Payami, Ilya Salmanzadeh

“ONE KIND OF LOVE” — LOVE & MERCY
Music by: Brian Wilson, Scott Bennett
Lyrics by: Brian Wilson, Scott Bennett

“SEE YOU AGAIN” — FURIOUS 7
Music by: Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz
Lyrics by: Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz

“SIMPLE SONG #3” — YOUTH
Music by: David Lang
Lyrics by: David Lang

“WRITING’S ON THE WALL” — SPECTRE
Musicby: Sam Smith, Jimmy Napes
Lyrics by: Sam Smith, Jimmy Napes

Best Screenplay – Motion Picture
Emma Donahue
Tom McCarthy/Josh Singer
Charles Randolph/Adam McKay
Steve Jobs
Quentin Tarantino

Best Actor in a Motion Picture, Musical or Comedy
CHRISTIAN BALE, THE BIG SHORT
STEVE CARELL, THE BIG SHORT
MATT DAMON, THE MARTIAN
AL PACINO, DANNY COLLINS
MARK RUFFALO, INFINITELY POLAR BEAR

Best Director – Motion Picture
Todd Haynes
Alejandro G. Inarritu
Tom McCarthy
George Miller
Ridley Scott

Best Supporting Actress in a Motion Picture
Alicia Vikander
Kate Winslet

Best Supporting Actor in a Motion Picture, Drama
Paul Dano
Idris Elba
Mark Rylance
Michael Shannon
Sylvester Stallone

Best Actor in a Motion Picture, Drama
Bryan Cranston
Leonardo DiCaprio
Michael Fassbender
Eddie Redmayne
Will Smith

Best Actress in a Motion Picture, Musical or Comedy
Jennifer Lawrence
Melissa McCarthy
Amy Schumer
Maggie Smith
Lily Tomlin

Best Actress in a Motion Picture, Drama
Cate Blanchett
Brie Larson
Rooney Mara
Saoirse Ronan
Alicia Vikander

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2016 Golden Globe Awards – TV Nominations

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Nominations for the 73rd annual Golden Globe Awards were announced on Thursday morning.

The Golden Globes hosted by Ricky Gervais will be broadcast by NBC on Sunday, Jan. 10, 2016.

DRAMA SERIES
Empire
Game of Thrones
Mr. Robot
Outlander
Narcos

DRAMA – ACTOR
Jon Hamm, Mad Men
Rami Malek, Mr. Robot
Wagner Moura, Narcos
Bob Odenkirk, Better Call Saul
Liev Schreiber, Ray Donovan

DRAMA – ACTRESS
Caitriona Balfe, Outlander
Viola Davis, How to Get Away With Murder
Eva Green, Penny Dreadful
Taraji P. Henson, Empire
Robin Wright, House of Cards

COMEDY OR MUSICAL SERIES
Casual
Mozart in the Jungle
Orange Is the New Black
Silicon Valley
Transparent
Veep

COMEDY OR MUSICAL SERIES – ACTRESS

Rachel Bloom, Crazy Ex-Girlfriend
Jamie Lee Curtis, Scream Queens
Julia Louis-Dreyfus, Veep
Gina Rodriguez, Jane the Virgin
Lily Tomlin, Grace & Frankie

COMEDY OR MUSICAL SERIES – ACTOR

Aziz Anzari, Master of None
Gael García Bernal, Mozart in the Jungle
Rob Lowe, The Grinder
Patrick Stewart, Blunt Talk
Jeffrey Tambor, Transparent

TV-MOVIE OR MINISERIES
American Crime
American Horror Story: Hotel
Fargo
Flesh & Bone
Wolf Hall

TV-MOVIE OR MINISERIES – ACTOR
Idris Elba, Luther
Oscar Isaac, Show Me a Hero
David Oyelowo, Nightingale
Mark Rylance, Wolf Hall
Patrick Wilson, Fargo

TV-MOVIE OR MINISERIES – ACTRESS
Lady Gaga, American Horror Story: Hotel
Sarah Hay, Flesh & Bone
Felicity Huffman, American Crime
Queen Latifah, Bessie

SERIES, TV-MOVIE OR MINISERIES – SUPPORTING ACTRESS
Uzo Aduba, Orange Is the New Black
Joanne Froggatt, Downton Abbey
Regina King, American Crime
Judith Light, Transparent
Maura Tierney, The Affair

SERIES, TV-MOVIE OR MINISERIES – SUPPORTING ACTOR
Alan Cumming, The Good Wife
Damien Lewis, Wolf Hall
Ben Mendelsohn, Bloodline
Tobias Menzies, Outlander
Christian Slater, Mr. Robot

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First Trailer For ‘Teenage Mutant Turtles: Out Of The Shadows’

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Paramount Pictures released the trailer for Teenage Mutant Ninja Turtles: Out of the Shadows Wednesday night. This film looks insane, not sure how well the movie will play out with the mass audience, but the creative team did a fantastic job creating Rocksteady and BeBop.

Teenage Mutant Ninja Turtles: Out of the Shadows is directed by David Green, from Josh Appelbaum and André Nemec’s script, and stars Megan Fox, Will Arnett, Alan Ritchson, Noel Fisher, Pete Ploszek, Jeremy Howard, Stephen Amell, Tyler Perry, Brian Tee, Laura Linney, Sheamus, and Gary Anthony Williams.

Teenage Mutant Ninja Turtles: Out of the Shadows
will be in theaters on June 3, 2016.

What did you think of the trailer?

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Yobogoya! The League says goodbye after 7 seasons

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The League is a show about fantasy football.  Not actual football, not the inner workings of a football team, but fantasy football that premiered on FX in 2009. A mixture of scripted and improvised scenes, coupled with some talented comedians and character actors gave FX one of their surprise hits as the channel was trying to have more original programming to couple with its movie and syndicated series offerings.

Showcasing razor-sharp humor, cameos from across professional football and crafting its own terminology, which has made its way into fantasy football leagues all over, The League has grown from a 6 season first episode to a solid performer for FX across 7 seasons and was moved to FXX in 2013 to assist in the launch of that channel.

The show’s strengths came from many different directions. The improvisation of the cast and the willingness to make it weird and revel in it, it does what a lot of comedies don’t do these days and didn’t play it safe.  Looking at you, Big Bang Theory. The characters are easy to see in your own group of friends, or fantasy football leagues.

Ruxin Kevin and Jenny (The League)
Ruxin (Nick Kroll), Kevin (Steve Rannazzisi), and Jenny (Katie Aselton)
Photo: FX Networks / FXX

The Lineup

Kevin and Jenny MacArthur (Kevin Rannazzisi and Katie Aselton) are the married couple struggling for fantasy domination in their own home. Jenny won the league in season 5, Kevin never has.  Kevin traded the naming rights of his second child for a 1st round draft pick to his younger brother, and Chalupa Batman MacArthur was introduced to the world.

Taco (Jon Lajoie), Kevin’s younger brother and CEO of TacoCorp, likes to stack his team with kickers, sing songs about private parts, and was paid off by Jerry Jones when he bought the Dallas Cowboys domain name when it had lapsed.

Andre (Paul Scheer) is the whipping boy of the group, but has won the league twice. He also briefly dated Shiva, the namesake of the league trophy. A successful plastic surgeon, the group constantly ridicules his fashion choices (and rightly so) but also give him a hard time for not being a “real” doctor.

Rodney Ruxin (Nick Kroll) is an unscrupulous corporate lawyer who traded a draft pick with Kevin in season 1 so Kevin could get his client a plea deal. He also tried to manipulate a sick kid in a hospital, who wanted to meet Ravens player Terrell Suggs, to try and meet former Cleveland Browns player Josh Cribbs.

Pete (Mark Duplass) appears to be the smartest of the group, manipulating them to get what he wants. His wife Meegan left him in the pilot episode, only to reappear in season 7 as Andre’s new girlfriend. He once conned Jenny into walking down an alley naked when he tricked her into admitting that she ran Kevin’s team when had made “the usual bet” with Kevin during that week’s game.

A Deep Bench 

The League has given its characters a stellar cast of recurring characters that have grown the world around them and showcases how the lengths the main characters will go to get an edge in fantasy football.

ShivaKamini Soma Kandarkram (Janina Gavankar) is the namesake of the league trophy, The Shiva.  Kevin lost his virginity to Shiva and briefly dated Andre during season 1. She also used one of Andre’s medical mishaps to get a case study published.

Rafi (Jason Mantzoukas) is the brother-in-law of Ruxin and even more outlandish than the main characters. He was briefly part of the league before being kicked out and starting his own “domination league”. He keeps hot dogs on hand and has a “toilet kitchen” in his apartment, which is occupied by a single mattress and dozens of chairs.

Ellie MacArthur (Alina Foley) is the daughter of Kevin and Jenny. Inheriting her parents fondness for profanity and sarcasm, her appearances in the series aren’t lengthy but still hilarious.

Sofia Ruxin (Nadine Velasquez) is Ruxins’ wife. She only gets along with Taco and has kicked the group out of the house at least once each season.

Wavier Wire

Various NFL players and personalities have also made appearances and have been woven into storylines.  Houston defensive star J.J. Watt has made multiple appearances.  Cameos by Marshawn Lynch, Terry Bradshaw, Rich Eisen, Robert Griffin III, and Jason Witten have given a sense of legitimacy to this irreverent show. There was even an episode filmed, in part, at the NFL Draft this season.

The League with Arizona Cardinals
Cardinals players Tyrann Mathieu and Calais Campbell with Pete and Andre
Photo: FX Networks

You don’t need to know much, or really anything about football, fantasy or otherwise to enjoy this show. Great comedy tends to come from unexpected places and this show goes in directions most wouldn’t. Wrapping up 7 seasons tonight, you can find The League online on both Hulu and Netflix.

 

 

 

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