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Review: ‘Namesake’ #1 (Of 4)

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“Once every seven years, Earth overlaps with Ektae, a world where alchemy is not pseudo-science but the driving force of industry. For seven days, Ektae breaches our world, bringing dirty magic and ideas. Jordan Molossus was born of Earth and Ektae and abandoned by both, but when he receives two cast iron urns containing his estranged fathers’ ashes, he’ll leave everything behind to put his parents to rest before Ektae disappears for another seven years.”

Namesake

Namesake #1 (of 4)
Publisher: 
BOOM! Studios
Writer: Steve Orlando
Artist: Jakub Rebelka

WRITING

Namesake, like a lot of fantasy comics, begins in medias res. This technique can be tricky. When done well, action, dialog, and narration fill you in on the story and world. When done bad, the explanations rely heavily on exposition. Namesake lands somewhere to the right of the middle, slightly more on the good side.

Steve Orlando is a talented writer (his recent Midnighter title for DC was excellent), so it’s a bit of a surprise that the story seems a bit muddled and underexplained at times. When you’re trying to do some world building in comics, getting to the point is key. There is some clutter here. And Namesake is solicited as a four issue mini-series, so pacing is crucial.

The book starts with a lot of action (something Orlando excels at), as main character Jordan Molossus  is shown dealing with hectic moments on his job as a kind of magical first responder. Then at the halfway mark, it slows down a bit as we get a pretty long scene of a quite moment between Jordan and his roommate/lover. Although heavy on showing you things, this part is also bogged down by a bit of expository narration. Some of it works though, as Jordan and Sid’s (the roommate) sexuality is made explicit without being addressed too directly. And we learn about Jordan’s parents abandoning him as well. But it ends on a solid cliffhanger as Jordan sets out on a quest to find his still living father, and we get our first glimpse of the world of Ektae as well.

ART

The art by Jakub Rebelka is without a doubt the book’s high point, and it is quite excellent. There is some great use of panel breaking early on to invoke energy and mood, as various images seem to fall over the page, much like party favors. The color pallet is fantastic as well, with a pastel  scheme that really creates a sense of distinct lighting and atmosphere. The design work is incredible, with great character looks and details to marvel at. It’s also not overly flashy and has enough subtleties to warrant a slow and even study of the drawings. It’s simply a gorgeous looking book, and comics are a visual medium.

CONCLUSION

Namesake is a solid first issue overall, and a nice addition to BOOM! Studios original, non-licensed work. As much as I have enjoyed those properties, it’s great to see the publisher step out with more new and original work to put on the shelves. And at just four issues, it’s an investment well worth your time. I’ll stick around and see where this takes me and I think you should do.

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Michael Keaton Confirmed as The Vulture In ‘Spider-Man: Homecoming’

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We’ve known that Michael Keaton was cast in Spider-Man: Homecoming for awhile now, but it’s only recently been confirmed, via an interview with Marvel President Kevin Feige in the Toronto Sun, that the actor is indeed playing Vulture.

“We’ve had a wish list and most of them in the near-term are coming together. Cate Blanchett is playing Hela in Thor: Ragnarok. Michael Keaton’s Vulture in Spider-Man is something. And of course, finally, we’re showcasing Josh Brolin’s Thanos (in Avengers: Infinity War). We’re looking forward to that very much.”

Spider-Man: Homecoming is directed by Jon Watts and stars Tom Holland as Peter Parker, Zendaya as Mary Jane Watson, Robert Downey Jr. as Tony Stark, Tony Revolori as Flash Thompson, and Donald Glover in an unknown role.

The film hits theaters on July 7, 2017.

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Joe Manganiello Calls Ben Affleck’s Batman “Gritty” & “Action-Packed”

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The DC Extended Universe might not have started on the best foot with Batman v Superman, but if anything is certain it’s that fans want more of Ben Affleck’s Dark Knight.

Batman

After appearing in next year’s Justice League, Affleck will direct and star in a solo Batman movie with Joe Manganiello as Deathstroke. Manganiello recently discussed the solo Batman movie with Mark Madden and even went as far as to describe the film. 

His take is a fresh take but I think the audience is going to be surprised. Because it’s a road that no one’s really gone down that’s completely integral to, you know, who Batman is. And I think it’s gonna be refreshing but at the same time completely familiar. But it’s going to take this franchise in a direction that I think a lot of people are going to be really happy about.”

It’s exciting to hear that Ben Affleck is taking a different approach to his version of the character. We know that the actor is a big fan of the Caped Crusader so there’s a good chance we’ll be getting our most comic book accurate version of Batsy yet.

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.  Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat.  But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

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Apparently, the Entire Plot of ‘Game of Thrones’ Season 7 Has Leaked

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Nothing is sacred anymore in these days of immediate online satiation, because now it seems the entire plot of Game of Thrones season 7 has leaked online.

From the Huffington Post report, a Reddit user, “awayforthelads,” has dropped a pretty extensive list of details and spoilers. It’s enough to fill an entire season for sure. And if anyone were suspicious of these details, the Watchers on The Wall, the definitive GoT fan site, has confirmed the majority of this Reddit person’s points.

The Daily Mail has all of the details, and you can look at them there.

You can check it out if you want, but I’d rather not. There’s not really a point to reading about the entire plot of an awesome show 8 months before it comes out, is there? When you read this stuff, what will that do for you?

Nothing. It will do nothing.

Game of Thrones season 7 will hit HBO next summer.

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Should You See The New Sci-Fi Film ‘Arrival’? Here’s 4 Reasons Why!

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‘Arrival’ Delivers On Every Level. It Almost Makes Up For The Rest Of 2016’s Films.

It’s tough to know what to expect from Denis Villeneuve’sArrival‘. With the influx of these humanity driven science-fiction movies, this looked like more of the same based on the trailer. This even looks like 1997’s ‘Contact‘ in a number of key ways.

But what ‘Arrival‘ does well is send you on a compelling journey about how we communicate, which evolves into so much more. What’s crafted on screen is an artful piece that tugs at heart strings and blows minds.

Arrival

Trying to break down the many reasons why you should go see ‘Arrival‘ is hard so I decided to list the four best reasons why any viewer should venture to see it.


Honorable Mentions:

  • The Talented Direction
  • The Interesting Creature Design

4. The Powerful Amy Adams Performance

  • What Amy Adams brings to ‘Arrival‘ is the best performance from anyone in the film. Maybe it’s because she had the best material but she just eats this up. After ‘Batman v Superman‘, this movie, and the upcoming ‘Nocturnal Animals‘, Amy Adams has owned 2016.

3. The Stunning Cinematography:

  • It was too bad Denis Villeneuve couldn’t get cinematographer Roger Deakins to work on this film. But I’m now sorry I ever doubted what cinematographer Bradford Young could do. Every shot took my breath away. The camera was rarely static and Young wasn’t afraid to take risks with the visuals. Credit to the editor as well!

2. The Beautiful Score:

  • Coming fresh off an Oscar nomination for his work with Villeneuve in ‘Sicario‘, Jóhann Jóhannsson is going for it again with this score. The Icelandic composer has an amazing resume with unique scores but this one will stand out for sure. There’s a good chance this leads him to an Academy Award win because the atmosphere set with Jóhannsson’s sounds have never been better.

1. The Masterful Script:

  • Based on an award-winning short story from 1998 titled Story of Your Life, the script for ‘Arrival‘ is unbelievable. Everything is played out with the right tone and it perfectly handles all the complex moving parts. Writer Eric Heisserer is known for horror movies, even writing this year’s ‘Lights Out‘, but his screenplay shows another level of craftsmanship. His work brought the whole movie together.

Arrival’ opens November 11th. Starring: Amy Adams, Jeremy Renner, Forest WhitakerMichael Stuhlbarg, and Tzi Ma. 

Synopsis: “A linguist (Amy Adams), recruited by the military, assists in translating alien communications when 12 U.F.O’s make first contact around the globe.”

Do you want to see ‘Arrival’?

Let me know in the comments below!

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Two New Posters Debut For ‘Rogue One: A Star Wars Story’

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Lucasfilm has unveiled two new one-sheets for the upcoming Rogue One: A Star Wars Story.  The posters, one done for Mexico’s film market, were posted on screenwriter Gary Whitta‘s Twitter account. You can view the two classic looking posters below.

https://twitter.com/garywhitta/status/795686312401465345

The film stars Felicity Jones, Diego Luna, Mads Mikkelsen, Ben Mendelsohn, Alan Tudyk, Donny Yen, Valene Kane, Riz Ahmed, Genevieve O’Reilly, Jimmy Smits, James Earl Jones,  and Forrest Whitaker.  It tells the story of the rag-tag team who steal the famed plans for the first Death Star, an act that allows for its destruction by the rebels in Star Wars: A New Hope. It is directed by Gareth Edwards, from a screenplay written by Chris Weitz and Tony Gilroy

Rogue One: A Star Wars Story will hit theaters on December 16, 2016.

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Max Landis to Write, Direct ‘American Werewolf in London’ Remake Because… 2016

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In an amazing show of nepotism, Max Landis, the son of An American Werewolf in London director John Landis, is writing and directing a reboot of his father’s movie. Because this is 2016, and the night is dark and full of terrors.

The Hollywood Reporter broke the unfortunate news today. Max Landis, who first became a thing after Chronicle was a modest success, has since produced one terrible screenplay after another (anyone remember Mr. Right? Didn’t think so. It was his most recent movie and it grossed $34,694.) and built an online reputation as a garbage human, is now writing and directing a reboot of the film for which his father is most well known.

Time is a flat circle.

The re-booting of a classic is nothing that upsetting. Not anymore; these things happen all the time. But the son of the director, who hasn’t directed anything? Who is horrible to people on Twitter on a regular basis? Whose writing credits include Victor Frankenstein and American Ultra (don’t @ me about American Ultra) is getting his umpteenth opportunity to follow up one modest success with anything remotely watchable?

Anyway, there’s no release date for American Werewolf in London 2.0, so stay tuned. Or don’t, that might be a better plan. Let’s hope this is the worst news we get this week…

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Season 3 Of ‘Young Justice’ Kicks Off Production

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Young Justice fans, get hyped!

Season 3 of the show has been officially confirmed by president of Warner Bros. Animation, who said this in a statement:

“The affection that fans have had for Young Justice, and their rallying cry for more episodes, has always resonated with us. We are excited to bring the show back for this loyal fanbase and to provide an opportunity for new viewers to discover this excellent series.”

The original series’ creators, Brandon Vietti and Greg Weisman, are set to return.

What are your thoughts on this piece of news? Let us know in the comments.

Source: Heroic Hollywood.

young-justice-s3

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The Best Cheap Streaming Services

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Every day more and more streaming services spring up around the Inter-webs. Everyone knows the big players in the business like Netflix, Amazon Prime, and Hulu. Those services offer massive libraries of TV and movies at a cost. More specialized services like Shudder chargers for the love of the horror genre. And if you love screams and guts galore then Shudder is an excellent place to go. But what about if you’re on a budget and still want more streaming entertainment? Never fear, the unsung heroes of streaming are here!

Crackle

crackle-streaming-movies
Sony’s Crackle is the quiet hero of streaming services. Completely free with minor ad breaks throughout movies and shows, Crackle is home to Jerry Seinfeld’s funny and cool Comedians In Cars Getting Coffee. Crackle also produces original films, including two based on the Dead Rising video game series and The Runaways produced by Jeremy “Hawkeye” Renner. Unlike other services, there is no “premium” version of Crackle. It’s free with some ads and that’s it. And with the library available of classic and modern movies, that’s not a bad thing at all.

CruncyRoll

CrunchyRoll-streaming-animeThe home of all things anime. Crunchy Roll is free with minor ads and includes the most comprehensive library of streaming anime anywhere. Hulu and Netflix both do their part to cater to anime fans, but Crunchy is where the real otaku roll. Hits such as Naruto Shippuden, Dragon Ball Super, and One Piece are on Crunchy in their entirety. The service’s premium features offer simulcasting of shows from Japan. The point is, if you love anime, then Crunchy is for you. The free service is great, but if you REALLY love anime and all things Japanese, then the premium is worth every penny.

Spuul

spuul-streaming-bollywood-moviesWho doesn’t like a wacky Bollywood movie from time to time? Spuul specializes in bringing India’s filmmaking industry to the rest of the world with ease. It’s the only place to find such an extensive library of Bollywood films. Spuul offers the chance to download movies to mobile. The number of films depends on your account level. Free can download one video at a time while a premium account can have up to 1- movies for offline watching.

TubiTV

tubitv-streaming-movies
A rising star in the streaming world, TubiTV is free with minor ad breaks. The selection is a little all over the place, but a lot of gems are available, including some you’re paying for if you have Netflix like Freaks and Geeks. Tubi doesn’t have original content (yet) but does include a lot of choices when it comes to independent films of all genres. Tubi even features a few exotic kinds not found on major streaming services like Chinese TV, Grindhouse, and highly-rated Rotten Tomato movies.

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REVIEW: ‘The Walking Dead’ S7 Episode 3 “The Cell” [SPOILERS]

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The Walking Dead’s greatest weakness has always been the need to balance out its storylines. The show often has many irons in the fire, each of which requires attention. The premiere this season focused on the primary characters, and last week caught up up with Carol & Morgan. This week’s episode “The Cell” (no, not “The Well”) is technically about Daryl, who Negan has brought into the fold. However, the episode actually focuses on Dwight, the angsty Savior Daryl clashed with last season. Why The Walking Dead thought that was the protagonist we needed is unclear, but it appears there’s yet another character to worry about.

To the show’s credit, the lack of intrigue around Dwight isn’t for lack of trying. The Walking Dead provides insight into how Dwight came to be part of the Saviors, providing more insight into his life. Dwight’s wife saved his life by agreeing to marry Negan, following their failed escape last season. The majority of the episode is spent on making Dwight a sympathetic character, which makes a certain degree of sense. The show wants to make it clear that Negan is the primary evil, even though Dwight was a more visible villain last season. However, Dwight is set up as a new Merle Dixon, beating up Daryl in order to keep him safe. It’s the kind of character motivation that makes Dwight more interesting, and almost justifies spending a whole episode on him. But it feels like territory we’ve already tread, with a sympathetic antagonist that doesn’t hold the same weight.

The Walking Dead Daryl

Daryl’s role in this episode feels too much like he’s being protected. Not just by Negan, but by the writers as a whole. For a show that seems determined to take down lead characters, The Walking Dead shelters Daryl at every turn. Negan letting him live in the first place doesn’t make sense, since he took out the other threat in the main group (Abraham). So why let a man who’s potentially more dangerous keep his life, after trying to escape? Especially since Negan would have killed Dwight, who also attempted escape, if he hadn’t had a wife to give up? The show keeps trying to set up Daryl as the bad boy, who could flip on a dime & be a villain at any moment. We’ve seen various characters try to recruit Daryl into their gang of vagabonds. However, Daryl hasn’t had a distinguishable edge since Season 3, when he lost his brother. That’s when that type plot line became a dull point, and this is no exception.

The episode touches on several interesting ideas and points, but nothing is fully realized. Negan is still an ALMOST compelling villain, but still doesn’t have enough meat to him. The man Dwight tries to lead back to camp gives a far too impassioned speech to give into Dwight’s threats right away. The Who’s The Boss/“Easy Street” usage feels too messy to provide fully engaging juxtaposition with the gore of The Walking Dead. They’re all interesting elements that have potential, but the execution doesn’t feel earned at any point. There’s still too many balls in the air, and nothing lines up right just yet.

The Walking Dead has clear ideas that it’s working off of that could be immensely satisfying. Negan feels like a real threat to the world, and I want to see him in action. We’ve got loads of characters in the mix, but not enough who feel relevant. The Walking Dead needs to make its priorities clear, and begin working those plots that really matter.

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