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Joseph Fiennes is Michael Jackson in This ‘Urban Myths’ Trailer and Yes, This is Real Life

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Urban Myths is a UK TV show that features, among many other strange and confusing things, Joseph Fiennes as Michael Jackson.

You see, according to a Vanity Fair article, shortly after 9/11 Michael Jackson took a road trip with Elizabeth Taylor (played here by Stockard Channing) and Marlon Brando (Brian Cox). Totally crazy, and deserving of a completely batshit TV series like Urban Myths apparently is. And if that weren’t enough, this show appears to have actors portraying many other famous and infamous people.

Just… see for yourself:

https://youtu.be/le7214gXqB0

Fiennes had this to say about his controversial role in 2016:

“[Jackson] definitely had an issue, a pigmentation issue, and that’s something I do believe. He was probably closer to my color than his original color… [It’s] not in any way malicious. It’s actually endearing.”

Channing and Brian Cox look spot on in their roles. As for the rest of the cast, they look fine I guess. I don’t really know what to say or do after watching this. Is it offensive having Fiennes play Michael Jackson? Or is this entire thing just offensive and weird and totally insane? That’s probably the right answer.

However, Iwan Rheon, a.k.a. Ramsay Bolton, as Hitler is an inspired bit of casting. There’s no word on when Urban Myths gets going across the pond, so keep your eyes peeled for updates.

Probably elsewhere… I can’t post anymore of those pictures.

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Production On ‘The Inhumans’ Reportedly Begins In March

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Production on Marvel’s The Inhumans is scheduled to start in March, according to SeasonZeroCom on Twitter.

Assuming the report is true, we should be getting casting information extremely soon.

ABC ordered The Inhumans as a television series that will premiere this year. The first two episodes will shot with IMAX technology, and showed in movie theaters on September 4.

Are you looking forward to the show? Let us know in the comments below!

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Behind the Brews: Oak Park Brewing Company- An Oral History

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In November, Oak Park Brewing Company celebrated its two-year anniversary. In those two years, it’s become one of the region’s most celebrated breweries and restaurants which isn’t bad considering it was all started by four friends brewing in their garage with little to no restaurant experience. Ask anyone about opening a brewery and they will tell you it’s a risky endeavor, tell them you’re planning on opening a brewpub and they’ll probably call you crazy. I sat down with Bonnie Peterson, Tom Karvonen and Dave Estis to find out how they were able to make it work, even when the odds were stacked against them.

ON GETTING STARTED

Oak Park Brewing

Tom: We started as homebrewers, in (Bonnie and Dave’s) garage. Started doing these brew day parties, we called them big brew days. We’d invite people over, we’d do barbecue and Dave and I would brew. We always jokingly called their garage “Oak Park Brewing Company” never thinking at the time that we were going to open a commercial brewery.

After entering some contests and winning contests with their beer, Tom, Dave, Bonnie and Shannon decided they would open a real pub. The next question: where?

Bonnie: When we were looking for buildings we looked all over the Sacramento area and at one point we were going to do that industrial park model with a food truck. It’s funny, every time we looked at a building I’d have some excuse for why it didn’t work. I think all of us want to be a neighborhood space that people can come and enjoy themselves. I love Oak Park

Dave: I argued many nights with people that it really wasn’t worth looking anywhere else unless we change the name.

Bonnie: This building came up for sale actually. The broker that was helping us look for buildings contacted somebody who would be interested in buying it. He bought it with us in mind and did the remodel on the historic façade. We did all the remodels on the inside. Having a building owner like that who was so engaged and willing to help was really important. We wouldn’t have been able to do both, a remodel of a building like this and put the money into the brew house if we had to do it on our own.

TAKING ON A BREWERY AND A RESTAURANT

The initial plan never called for opening a restaurant. They were probably going to open a brewery in an industrial area like many of the other breweries in the region. Only they didn’t. They opened a brewpub in the heart of Oak Park. So, how’d that happen? None of them can say exactly, it just sort of ended up that way.

Bonnie: I like to say we got sucked into it.

Dave: I definitely didn’t want to do it.

The Oak Park Menu

Bonnie:  None of us had it as our main goal; it just kind of evolved into that. Originally the building was going to be leased by a restaurateur and we were going to lease next door. And then it just sort of evolved into use sharing the space. And then they had some trouble coming up with their investment so we ended up building the kitchen. And then, once you put everything into it, you end up running it too.

DON’T FORGET THE BEER

At the heart of Oak Park was still the beer. It was the beer where it all began and it was still the beer they wanted to be most known for.

Tom: We decided early on, we’ve been saying British and Belgium ales with a West Coast edge, we didn’t want to just try to be another IPA house. Our main thing is doing more balanced beers. That’s one thing people like about our IPA. It’s more like an East Coast IPA than a West Coast IPA.

Bonnie: I think the other kind fun thing we kind of do, and maybe it’s because we started brewing in the garage, we really don’t take the styles too seriously. We let our brewers have fun.

Oak Park Brewing System

Tom: (We want our beer to be) something a little different, something that’s a little more balanced and drinkable than a lot of the wreck your palate IPAs that are out there.

Oak Park Beer Menu

RUNNING A BREWPUB

You’ve got good beer and good food. On paper, those are all the ingredients you need for a brewpub. But as the four friends would discovery, running a brewpub is a whole other challenge. Dave and Tom had been project leaders and managers in their previous professions, but neither had ever run a restaurant.

Dave: It was 7 days a week, 16 hours a day for a while. It was bad.

Tom: Everyone told us you’re going to have to hire twice as many people as you think you need because half of them are going to suck so bad.

Dave: We had an initial general manager who put a really good team together and trained us how to do the restaurant side.

Tom: We have two sets of employees. We have our restaurant employees and our restaurant employees. We lucked out and got some really good people on the team early on and made (running Oak Park) possible.

OPENING WEEKEND

Oak Park Brewing Company now has around 45 employees. Dave and Tom pretty much split the business with Dave running the restaurant side of things and Tom handling the brewing. None of this made opening day weekend any easier.

Inside Oak Park

Dave: Opening weekend, two days, 12-hour a day shoulder-to-shoulder the entire time, it was that packed the entire time. You didn’t have time to think. You just did what you possibility could.

Bonnie: We knew it would be difficult if we got big crowds. We knew we couldn’t do the full table service that was ultimately going to be the plan and our staff was trained for.

So was Dave nervous?

Dave: I wouldn’t say nervous. I tend to have a, “it’s too late to be nervous” attitude about things. Once it’s started and happening, it’s happening. There’s nothing you can do about it. All you can do is keep pushing forward.

PUB DESIGN

One of the best things about Oak Park is the feel. It’s a lot of brick and steel but yet feels welcoming.

Dave: Kind of Victorian-industrial, steam punkish look without trying too hard to do steampunk.

Bonnie: I think the other thing we can’t leave out is that a lot of the credit for the style of the building goes to our fourth partner, Shannon (Karvonen), who’s not involved in the day-to-day basis. She did most of the interior design herself, she really has an eye for that just came up with some really creative things we wouldn’t have been able to do on our own.

Pretty much everything you see in here is designed to look like it was here, but it’s all new.

Dave: It’s just supposed to be kind of a community place, where you can go and have some food, hang out with some friends, have a few drinks. You know that third place.

Tom: First place being home, second place being work and then third place being the pub.

EVOLVING ON THE RUN

The Oak Park owners had a team and an ambitious plan of running a brewpub with what they described as a white napkin menu. But you know what they say about best-laid plans.

Bonnie: A little too ambitious for our location and for a brewpub. Anybody that has visited us from the beginning until now has seen we shifted a lot.

You’re making really good food and you’re working really hard, and you’re not making any money on it. We had some really creative chefs that came up with amazing food, but when we started to push back because it wasn’t making financial sense to continue with that really amazing food, we lost some people.

Tom: We had to change the food around to be a little more friendly. We have some great dishes, seared ahi with wasabi mashed potatoes and stuff like that, but we definitely added a lot more things like sliders and wings.

And it’s not just the menu that’s evolving. It’s the location and their approach to the business as well.

Bonnie: We did the little beer garden area in the corner that now you can just seat yourself and come in and order at the bar. And that was in response to a lot of people who didn’t want full table service and didn’t want to wait 45 minutes for a table in order to have a beer.

Oak Park Patio

That’s one of the adjustments we made to accommodate both sides of the equation and really make it a more pleasant experience.

WHAT’S NEXT

It’s fair to say that Oak Park has been a success. Call it a combination of offering something a bit different plus a unique location. Not the team is looking toward the future. They are bottling and selling their beers in the stores and are looking to expand their production facilities.

Dave: We’ll continue to building the brand. Continue refining the pub itself, while saving up to do a production facility. Kind of the ultimate goal is to be a regional brewery, kind of like Track 7.

Whatever the future holds its clear Oak Park Brewing Company plans to stay a part of the neighborhood where it all began.

Bonnie: The four of us always held our ownership in the brewery separately. It really was something each of us wanted to do. I don’t think any of us would give this up because it’s ended up being such a special place in the neighborhood, I love Oak Park.

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Marvel Teases ‘Secret Empire’ Series With Political Slant

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In a timely move, Marvel announced the return of the politically villainous Secret Empire, according to The Hollywood Reporter.

The comic publisher released a teaser image for the series, which features no information beyond the name of the series and Captain America’s shield. The image included the tagline “A House Divided Against Itself Cannot Stand”–a quote appropriately borrowed from President Abraham Lincoln concerning the American Civil War. “Secret Empire” follows on the heels of Civil War II, a line-wide event that tore the Marvel Universe apart.

Secret Empire And Tricky Dick

Secret Empire has popped up in Cap comics before, most notably in Steve Englehart’s 1973 run on Captain America And the Falcon. Without showing his face or explicitly naming him, “Number One” turned out to be the POTUS. 1973 was the heart of the Watergate scandal that eventually lead to President Nixon’s resignation. Even beyond Nixon’s resignation in ’74, political events continued to show up in Englehart’s writing.

Nick Spencer, currently writing both Captain America titles, has similarly included politics in his writing. This combination, while logical, has drawn plenty of criticism from fans and detractors alike. Considering the Presidential Inauguration is only days away, it’s likely Spencer will use Secret Empire’s pedigree to comment on current events.

Captain America Hydra Secret EmpireSpencer is still in hot water with many Marvel fans for introducing Hydra-Cap last year. While the story line has taken a few twists and turns since its inception, fans are still divided. However, it does present a unique opportunity. Secret Empire’s leader is more a figurehead than a person himself (think Dread Pirate Roberts a la Princess Bride). Perhaps this time around Rogers is the real Number One.

Secret Empire will release later in 2017.

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Twin Peaks Revival Set For May Premiere

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David Lynch’s Twin Peaks is aiming for a May 21st premiere on Showtime. David Nevins, Showtime CEO, states viewers can also watch the episodes through Showtime On Demand.

As IndieWire reports, the two-hour premiere airs on May 21st at 9 p.m. Showtime will then stream the third and fourth hours. Fans can also view them via Showtime On Demand.

“The version of Twin Peaks you’re going to see is the pure heroin version of David Lynch,” Nevin says.

During the second week, the third and fourth hours will air back to back. Then the rest of the series will air one hour per week.

Lynch is going to direct all 18 episodes. This marks his first TV series since Inland Empire.

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New ‘Riverdale’ Character Portraits Are Bathed in Sexy Noir Angst

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With a little over two weeks before the premiere of the long-awaited Riverdale series, a collection of new character photos has been released by The CW (via CBR). The portraits, displayed below, were shot by acclaimed photographer Frank Ockenfels III and show (in order) the moody teens, Archie, Betty, Veronica, Jughead, Josie and Cheryl in an otherwise empty diner, a location we saw in the trailer.

The series is based on the characters created by Archie Comics, written by their chief creative officer Roberto Aguirre-Sacasa and executive produced by Greg Berlanti. The show is a subversive take on Archie and his friends, a group of teens negotiating small-town life and a bubbling weirdness complete with love triangles, teen angst and murder:

“Riverdale may look like a quiet, sleepy town, but there are dangers in the shadows…”

K.J. Apa stars as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, Cole Sprouse as Jughead Jones, Ashleigh Murray as Josie McCoy and Madeleine Petsch as Cheryl Blossom.

Riverdale premieres on the 26th January 2017 at 9/8c on The CW.

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Review: ‘Voltron: Legendary Defender’ Season 2: Separation and Growth

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Spoiler Alert For Season One

After months of waiting, the second season of Voltron: Legendary Defender is about to come out. Before it does, Monkeys Fighting Robots has been given the unique opportunity to check out the first three episodes of the new season and review them for the public. Needless to say fans have a lot to look forward to and this review will try not to spoil anything too thrilling which came from this small sample of what’s to come.
Voltron

Across The Universe

Picking up from the moment when the first season ended, the team is thrown into a wormhole which causes them to be separated from one another. Keith and Shiro wind up on a savage planet which wishes to tear them appear, Pidge land in space junk, and Coran and Allura wind up in a reality bending loop. Of the three, its Coran and Allura’s adventure which turns out to be most entertaining. The episode also features a moment which truly calls back to the original series. No spoilers of what it is because it’s too good to wreck. This episode is the perfect balance of action, drama, and comedy and starts the season off on a very high note.

Voltron

The Depths

Next up is Lance and Hunk’s turn as they go under the sea. Stuck on a water planet they meet a race of merpeople who welcome them into their safe and warm society. Unfortunately, it’s far from a perfect utopia and the pair must find a way to get out before it’s too late. Just as it seems like there won’t be much development, it takes a turn, and makes the episode one which shouldn’t be passed up.

Fans will notice Weird Al and Mae Whitman (Katara from Avatar: The Last Airbender) providing their voices in this episode. They do such an entertaining job, fans will no doubt be hoping they show up again later in the series.

Voltron

Shiro’s Escape

The title is a little misleading for this one. A flashback to Shiro escaping from the Galra empire is mentioned but from there it instead explores another element introduced in the flashback. The team also confronts Allura about Zarkon being the original paladin of the black lion but it doesn’t get flushed out nearly as much as it should. Also the show names Zarkon’s creatures Robeasts, the original name for the large monsters from the original series. Probably a good idea as the fan community have already been referring to them as such since the series began. This episode is filled with far too many revelations to discuss any further but it leave this reviewer wanting the rest of the season to be here as soon as possible.


Voltron: Legendary Defender Season 2 will premiere on January 20th. Are you looking forward to more action staring the paladins of Voltron? Leave a comment below and let us know.

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JJ Abrams Has Had Enough of the Reboot/Franchise/Sequel Business

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JJ Abrams told People Magazine on the Golden Globes red carpet that his relationship with reboots, sequels and franchises has run its course, and that he wants to tell original stories from now on, according to Screen Crush. Abrams was at the Globes on Sunday representing Westworld, for which he is executive-producer, the hugely popular sci-fi thriller nominated for three awards including Best Television Series – Drama. When asked what he plans to do next, he said he hopes his future lies outside the world of non-original content:

“You know, I feel incredibly lucky to have gotten involved in things that I loved when I was a kid. In fact, even Westworld, which we’re here for tonight, is one of them. But I don’t feel any desire to do that again. I feel like I’ve done enough of that that I’m more excited about working on things that are original ideas that perhaps one day someone else will have to reboot… You know, I do think that if you’re telling a story that is not moving anything forward, not introducing anything that’s relevant, that’s not creating a new mythology or an extension of it, then a complete remake of something feels like a mistake.”

Besides his singular departure from trend with Super 8 in 2011, Abrams has focussed his attention on sci-fi and thriller franchises including Star Wars: The Force Awakens, Star Trek (multiple) and a handful of Missions Impossible. He concedes that he is incredibly lucky to have been a part of the projects that have been part of pop culture for decades, but he’s looking forward to developing new stories that might even be revived by others one day.

It has to be said, Abrams has put himself in a great position to do so. If it hadn’t been for all the sci-fi spectacle that he has directed, produced and written in his career so far, he’d have no hope of getting original content near the cinema. But Abrams has dealt with the Hollywood machine admirably, producing popular movies and television, and earning reputation and acclaim to support his ambitious future.

Before we get to see what his future holds, however, we still have an Abrams-produced Star Wars: Episode VIII to look forward to on December 15th 2017. Then in 2018 we can expect an untitled Star Trek sequel and a summer release of Mission Impossible 6.

What sort of “mythology” do you expect to see JJ Abrams create? Let us know in the comments.

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Forgotten Films Archive: ‘Bringing Out the Dead’ (1999), the Best of Martin Scorsese’s “B-Sides”

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Every great filmmaker with enough time and experience under their belt has a considerable selection of, for lack of a better term, “B-sides.” Scattered amongst the output of Jaws, Raiders of The Lost Ark, and Schindler’s List, Steven Spielberg has 1942, Empire of the Sun, Hook. David Lean has Lawrence of Arabia and Bridge on The River Kwai on his ledger, but he also has Madeleine and Summertime; these undercard films have their fair share of fans out there, and some of the movies are terrific in their own right. But they will never be confused for the best of the best.

Of all the greats, Martin Scorsese has one of the most curious collection of “minor” works. Films like Mean Streets, Taxi Driver, Raging Bull, and Goodfellas all helped cement Scorsese as one of the very best (if not THE best) American filmmakers of all time. But scattered throughout his classics are smaller films: the underrated After Hours, the off-kilter King of Comedy, and the 1999 story of an ambulance driver, haunted by the ghosts of patients he couldn’t save, losing grip on his own sanity: Bringing Out the Dead.

At the time, the Scorsese/Nicolas Cage collaboration – made back in the days when Cage was more concerned with delivering his very best work than digging himself out of tax debt – was a film without an audience, as strange as that sounds. It was a little manic, a little zany, incredibly dark. And late 90s, pre 9/11 Manhattan was depicted as a much more pleasant world than what Scorsese shows here. Audiences weren’t drawn to such a bleak tale of burnouts and drifters making their way through the midnight hour of downtrodden Manhattan. Outsiders had no interest in the disturbing world of a New York ambulance driver scuffling through night shifts and crack dens.

Bringing Out the Dead

Bringing Out the Dead exists in the same theoretical world of Travis Bickle, an underbelly of Manhattan that seems to be literally on fire, melting in a pit of its own insanity (the comparison makes sense, given that Taxi Driver scribe Paul Schrader helped pen the screenplay). But unlike Taxi Driver, Scorsese regularly abandons the confines of reality here to flirt with spiritual explorations of the afterlife. Fitting, given that his protagonist this time is an ambulance driver, Frank, trying his damnedest to get fired. Except his boss won’t hear of it.

Like it’s unofficial anthem, Van Morrison’s “TB Sheets,” screeching and crying on the soundtrack, Bringing Out the Dead is a passionate trip into a dispassionate world. The gallows humor of Frank’s desperation often keeps us afloat as an audience through all the underlit, depressive Manhattan apartment buildings.

There is no tangible plot here, only the warped existence of our poor protagonist. Frank has three different partners throughout the movie: there is Larry (John Goodman), a despondent, jaded pragmatist more concerned with dinner than saving lives. Then, Marcus (Ving Rhames) treats his shifts like a mixture of barroom banter and spiritual evangelism. And finally, Frank’s third partner is Walls, a man who’s gone totally off the rails, played fittingly by Tom Sizemore. There is the interpretation out there that this film as an adaptation of A Christmas Carol, which makes real sense if you assign each partner a ghost of present, past, and future.

And along the way, Frank finds comfort in the daughter of one of his patient’s, Mary (Patricia Arquette), who’s saintly name should absolutely be read into, depending on which angle you approach the film. Interesting side note, and one I forgot altogether: Cage and Arquette were married at the time.

Bringing Out the Dead

As is usually the case, Martin Scorsese is more concerned with mood and feeling than technical precision. His films are often messy and manic, but they capture the exact tone for which Scorsese is aiming. Bringing Out the Dead is a dark, dreary, unforgiving look at a dark, dreary, unforgiving profession in a city that seems to be barely hanging on, still in need of Travis Bickle’s cleanse so many years prior. Nicolas Cage is at his frazzled best here, matching the gaunt stare and sunken eyes he had in Leaving Las Vegas… without the crippling alcoholism. It’s a tough performance physically and emotionally, but one that late 90s Cage was game to play.

Calling this one of Scorsese’s undercard films isn’t a slight against the incredible energy he pours into each and every scene – despite the fact he admitted the shoot was particularly grueling, given the late night sets in the middle of December. Some of your favorite bands’ greatest songs are on the flip side of that vinyl. Bringing Out the Dead may not be in the same stratosphere as Goodfellas or Raging Bull, or any other handful of Scorsese’s classics. But a step down from that level is nothing to shake a stick at.

Silence is in wide release this Friday.

___

Other Films in The Archive:

Judgment Night (1993)

Shoot to Kill (1988)

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Looking Back 30 Years At The Awesome Action Movies Of 1987

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No two cinematic solar cycles are ever the same. Though hundreds of movies are released every year, some years are better than others. This is particularly the case when you look at specific genres. One year will see the release of a host of great horror films, for instance, while other years don’t have any worth mentioning. Thirty years ago, 1987 experienced one fantastic 365 days of awesome action movies.

 

Predator

“You’re one ugly mother fu@#er!”

predator-movie-scifi-actionBy 1987, Arnold Schwarzenegger was in full-swing as an action movie star. Nothing proves this more than him having TWO great action films in one year — The Running Man and Predator. While The Running Man failed to catch on, The Predator was a smash hit that spawned sequels, comics, video games, and more. Director John McTiernan takes a very simple story and fills it with colorful characters and pulse-pounding action. Legendary creature and effects creator Stan Winston, with a tip from James Cameron (mandibles!) worked his magic on the now-iconic Predator creature.

RoboCop

“Dead or alive, you’re coming with me.”

robocop-action-movieThe 80s were all about excess and by 1987 the more blood packs you could erupt in a film, the better. Paul Verhoeven’s RoboCop features the director’s over-the-top violence mixed with satire and social commentary. RoboCop made multinational corporations and excess itself the enemy and a working class cop the hero who rises to help the people. And it’s all deliciously quotable!

Running Man

“Who loves you and who do you love?!”

running man-action-movieSchwarzenegger’s second action movie of 1987 was The Running Man. This prophetic film saw the collapse of society to sensationalist television and economic meltdown. Schwarzenegger plays, Ben Richards, a man forced to play on a deadly game show called Running Man. Like a video game, Schwarzenegger has to defeat several levels, including mini-bosees and a main boss. The scratchy, exuberant voice of Richard Dawson, host of Family Feud when the film was made, plays the perfect game show host/villain.

Lethal Weapon

“I’m too old for this shi—!“

lethal weapon-action-movieThe films that seem to become timeless are the ones that are the most quotable. Special effects evolve rapidly and age quickly, but a great character delivering an iconic line lives on for ages. When quotes become part of pop culture, generation after generation will rediscover the film. There’s no shortage of quotable lines in 1987, and Lethal Weapon has a few of them packed into a fine wine of a buddy cop movie.

Beverly Hills Cop II

“F@#k, Rambo!”

beverly hills cop-action-movieBelieve it or not, kids, but there was a time when Eddie Murphy was a supremely edgy comic with the number one action movie and a feature-length hit comedy special in the same year. Murphy was the 80s version of Kevin Hart, if you will. Beverly Hills Cop II was the biggest action movie of 1987. Murphy’s return to play Detroit-based cop Axel Foley is spot-on in a solid sequel.

The Untouchables

“So much violence …”

untouchables-action-movieIn 1920s and 30s Chicago, infamous gangster Al Capone ruled the streets. Like any great villain an even bigger hero, Eliot Ness, in this case, was there to put an end to the criminal’s activities. A star-studded cast with Kevin Costner, Sean Connery, and Robert DeNiro as Capone, put out great performances in this underrated action movie of 1987.

Masters of the Universe

“I must possess all, or I possess nothing!”

he man-action-movieThe 80s were a decade of pop culture classic cartoons and the race to get those animated characters to film was in full swing. Transformers and GI Joe scored hits with animated movies. But Producer Edward R. Pressman took Mattel’s homoerotic He-Man and went live action. The result is a film that’s so bad it’s good. The worst part is the plot device which brings He-Man and the gang out of Eternia, the world in the cartoon, and drops them on present day Earth. The best parts were a young Courtney Cox, Dolph Lungren’s cheesetastic performance, and Frank Langella as skin-deprived villain Skeletor.

The Princess Bride

“You’re trying to kidnap what I’ve rightfully stolen!”

princess bride-action-movieA classic action comedy that’s only improved with age. Cary Elwes is perfect as Westley, the farmhand turned hero in the name of love. The object of Westley’s affections is Buttercup played by Robin Wright. Quotable as quotable can be, The Princess Bride exists in that stream of films that works for kids and adults alike. It’s reminiscent of a Bugs Bunny cartoon in that watching it as a kid and then again as an adult reveals jokes you never knew were there.

Honorable Mention: American Ninja 2: The Confrontation

“This is really beginning to get on my tits!”

american ninja-action-movieRight here is purely a guilty pleasure pick. Michael Dudikoff’s American Ninja is one of my favorite 80s action b-movies and American Ninja 2 is more of what I love. The acting is shaky by the entire cast, the plot doesn’t entirely make sense, and the villain is ridiculous. But that’s sort of the reason to love it. It’s a live-action cartoon with above-average action.

What action movies from 1987 would you add to the list?

Author’s Note: 1987 was also a good year for horror movies. But that’s an article for another time. 😉

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