The Simpsons’ Divorce Woes are Much Ado about Nothing

It hasn’t been an easy year for Simpsons fans. First, we saw the much mourned passing of one of the show’s most influential voices, series co-creator Sam Simon. Then it was the announcement by Harry Shearer—via his own Twitter account, no less—that he would not be returning to the series after a 26-year run. And now the internet is abuzz with the notion that Homer and Marge will soon be ending their long and loving—though oft-perilous—marriage in the upcoming 27th season.

It’s that last one that gets me. I’ve actually liked most of the think pieces that have popped up on the importance of Homer and Marge staying together, such as our very own Sarah Yeazel’s piece on Homer and Marge’s divorce. It’s sweet to know that a cartoon can elicit such strong emotions from people, proving that animation isn’t just “kid stuff”. These reaction are also ending up as this interesting commentary on how we view marriage in the modern-day, but that’s a different post entirely. To my point, anyone who’s kept up with the show over it’s long–and sometimes bloated–history, knows not to expect any “game changers” to last longer than the 22-minute length of the given episode. Sure, we saw Maude Flanders die in season eleven’s “Alone Again, Natura-diddily”, but that was largely due to a parting of the ways between Maude’s voice actor at the time and FOX. Bart’s teacher Edna Krabappel, has had a similar fate–albeit much more quiet and dignified—because her voice actor passed away several years ago. We’ve seen side-line relationships ebb and flow over the years—Edna and Principal Skinner, Edna and Ned Flanders, Milhouse’s parents—but there’s never been a true, status-quo altering change at the core of the Simpson family. Need proof? Here are some of the most wild changes to the Simpsons family which were tied up in a nice package by the end of the episode, or simply never discussed again.


The Simpsons' Homer reads in a library with Lisa.

5. Homer’s Intellect – (“HOMR”/”Bart’s New Friend”)

While Homer’s intelligence has varied wildly over the breadth of the series, no two episodes have tinkered with his brain functions to serve the plot, more than these.

In season twelve’s “HOMR”, our constantly lampooned everyman realizes that his sub-par intellect has come from years of having a crayon lodged in his brain. When the doctors remove it, Homer’s IQ jumps up by 50 points or so and he’s finally able to connect with Lisa in a way that he hasn’t before. It’s a truly great episode amongst a sea of crap—season twelve is the show’s lowest point, in my humble opinion—and it all comes from a radical plot change. Still, by the end of the episode, after Homer has dealt with the realities of being a smart person in an oft-dumb world, he decides to have the operation rescinded, going back to his original state and setting the show itself back to the status quo. Homer and Lisa’s bond has grown in our estimation, but it won’t be brought up again by the characters, unless for some sort of neo-Simpsons meta-joke, which doesn’t quite count.

This most recent season’s “Bart���s New Friend”—the episode brandied about as Judd Apatow’s baby–has a similar trajectory, but instead focuses on the underpinnings of Homer and Bart’s relationship. Through a series of events, Homer ends up in the hands of a hypnotist, who throws his mindset back to that of his ten-year-old self. Homer retains no memory of his family or his job, but his relationship with Bart grows into a friendship. Once more, Homer ends up back at square one by the end of the episode, brought back to his adult mindset when the family and police finally catch up with the escaped hypnotist. Much like Lisa and Homer in “HOMR”, here we see that father and son have grown to respect and appreciate each other in a new way, even if Homer isn’t aware of what happened while he was hypnotized.


The Simpsons' Bart majestically dons a Hall Monitor sash.

4. Lisa and Bart’s Education – (“Separate Vocations”/”Bart vs. Lisa vs. the Third Grade”)

Bart and Lisa’s school situation has also fluctuated wildly in certain episodes, from role reversals to role extremes.

Season three’s “Separate Vocations”, finds Lisa and Bart’s educational goals and futures turned upside down, after the results of a school-wide occupation test point to Lisa becoming a homemaker and Bart being best suited for law enforcement. The kids squirm, evolve and adapt to their new roles, each taking the original path of the other, in some ways. Bart’s ultimate sacrifice—taking the fall for Lisa, after she steals numerous teachers’ text books—not only brings us back to the status quo, but gives us one of those sweet sibling moments that no other show seems to handle with such care. Lisa blows her sax in the foreground while Bart is back at the chalkboard, everything right with the world once more.

While season 14’s “Bart vs. Lisa vs. the Third Grade”, handles that sibling affection much less gingerly, it does throw the kids into a similar grinder, looking to see if they make it out unscathed. A school-wide test—nothing to shake up the school system more than standardized tests, I guess—finds Bart to be too inept to stay in fourth grade and Lisa too smart to languish in second. Of course, they both end up in the same class when they’re moved to third grade, leading to a natural rivalry between the two. Eventually, Bart and Lisa have to work together to get out of a rough situation, patching up whatever grievances were caused in the midst of the episode. Meanwhile, Principal Skinner outright states that things should go back to the “status-quo”, which they quickly do.


The Simpsons family, incarcerated as political prisoners.

3. The Family Incarcerated – (“Marge in Chains”/”Bart Mangled Banner”)

You’d think that a family member—or members—being thrown in jail, would resonate over a series’ lifetime, but not so with these two episodes.

In “Marge in Chains”, when Marge becomes increasingly exhausted after caring for her ill and dependent family, she accidentally shoplifts a bottle of bourbon from the Kwik-E-Mart and is promptly arrested. After a lousy trial–Marge in the hands of the not-quite-capable Lionel Hutz–the family matriarch is sent to 30 days in a women’s prison. What could be a fish-out-of-water tale, cleverly betrays that notion, portraying Marge as a woman who gets along quite well in the prison, despite her gentle, homemaker ways. Meanwhile, not only does the Simpsons clan feel Marge’s absence, but the entire town is effected by her incarceration, due to a bake-sale gone wrong. Once again, we’re back at square one; Marge reinstated in her role in her household and her community. The episode gives us a chance to see Springfield sans Marge, and not only points out her contribution to her family–a tried and true motif running through The Simpsons–but the way she helps to shape Springfield at large.

Season 15’s “Bart Mangled Banner” is certainly more slap-dash, dealing in long and winding plot twists which are hardly sensical or purposeful. Nevertheless, the Simpsons family en masse eventually winds up in a prison; the “Ronald Reagan Re-Education Center” (actually Alcatraz). The way they get out, is less important than the simple fact that they do escape, and while the episode sees them off to France of all places at one point, the lackadaisical conclusion finds the Simpsons family boarding a boat and immigrating back to America. It’s the kind of plot line that succinctly defines the post-classic Simpsons era in its sheer zaniness, but it still wraps everything up by the end, assuring us that next week the family will be back where we found them. To be fair, even with 20 different plot twists thrown in its path, “Bart Mangled Banner” manages to make a similar point about an individual’s–or in this case a family’s–effect on a community, albeit in an altogether negative light this time around.


The Simpsons' Homer floats in a NASA space shuttle, aimed at airborne potato chips.

2. Homer’s New Job – (“Deep Space Homer”/”You Only Move Twice”)

At some point, Homer’s weekly job shift–from truck driver, to Navy man, to tomacco planter, to etc.–became indicative of the declining quality of the show, the writers never taking any of these scenarios seriously. From the beginning of the series though, there are plenty examples of classic episodes revolving around Homer engaging in a 22-minute long career switch, only to end up at the Power Plant again in the next outing.

Season four’s “Deep Space Homer” lives in the absurd: NASA decides to shoot two “Joe Schmoes” into space for a ratings grab, Homer saves the day with an inanimate carbon rod–which gets all the credit–and Barney becomes sober for a few minutes. All this and the family is still back on the couch at the end of the episode, Homer lamenting others’ lack of appreciation for him, just as he was in the first act. “Deep Space Homer” still has some of the most iconic scenes in the show’s history, including the one with Homer floating through the shuttle’s cockpit, gracefully munching on airborne potato chips. This very scene was even directly lifted for a recent episode involving even crazier, outer-space Simpson family adventures.

If you’re still not getting it, check out “You Only Move Twice”, an episode from the eighth season where Homer uproots the Simpsons family for a spiffy new job working for a likable tycoon bent on world domination, Hank Scorpio. While Homer mystically climbs his way up the corporate ladder–at one point, his central job is to tell a handful of programmers to work harder–the rest of the family isn’t so lucky. With a self-cleaning house, Marge feels useless and turns to drinking, Lisa develops an allergy to the local pollens and Bart gets pushed back a grade in a school much more discerning than Springfield Elementary. All this begs the question, is one’s own happiness and success worth the price of their family’s misery? Homer makes the right decision at the end of the day, bringing his family back to Springfield and setting everything back to normal.


The Simpsons' Marge attempts to wake up her drunk husband, Homer.

1. The Simpsons’ Marriage Woes – (“The War of the Simpsons”/”Secrets of a Successful Marriage”/Countless others)

Last but not least, comes the category most prudent; episodes revolving entirely around Homer and Marge’s crumbling relationship. That’s right. Before potential divorce, there was marriage counseling, separation and even Marge moving out.

“The War of the Simpsons” is one of those second season episodes that was an instant classic. When the family throws a late-night party for friends, Homer gets wasted post-haste and embarrasses Marge in a number of ways, mainly by openly ogling Maude Flanders. The next morning, Marge decides that a Church-sponsored couple’s retreat is the last beacon of hope for their flailing marriage. Homer follows through–albeit grudgingly–and quickly takes to stories of a mythological fish that’s said to live in the same lake that the retreat takes place at. By the end of the episode, Homer is forced to choose between the fish–his selfish need to be idolized by others–and Marge–his appreciation for what he already has. In true Simpsons fashion, he chooses Marge and she forgives him for his earlier indiscretions. While this wasn’t the first time we delved into the problems of the couple’s marriage, “The War of the Simpsons” still exists as the blueprint for most of the “Homer/Marge relationship” stories that came after it.

Season five’s “Secrets of a Successful Marriage” is just such an episode, although it’s arguably a better and more thorough dissection of Homer and Marge’s marital issues. When Homer becomes a teacher of an adult education course on marriage, he finds himself most revered by his students when he tells gossipy secrets about his and Marge’s relationship–she dyes her hair, she likes Homer to nibble on her elbow, etc. Soon word gets around town and Marge is made the fool, as countless Springfield citizens joke with her about her innermost secrets. “Secrets of a Successful Marriage” is such a milestone of the series because it delves into the rotten core of Marge and Homer’s problems as a couple; Homer’s love for himself and his willingness to do anything for a fleeting moment of acceptance by the outside world. By the end of the episode, Homer proves that he’s come to realize the importance of Marge’s love in his general well-being. In tattered clothes, with shaggy facial hair and unkempt, Homer kneels before Marge and begs her to take him back. It’s a moment as real and true as the Simpsons ever gives, and–here’s a shocker–things are once more back as they were at the beginning of the episode, Homer having learned something in the process. At least this time.


Season after season has seen the Simpsons family go through numerous wild changes to the status quo, only to be brought back to business as usual by the end of a given episode. In the best of these instances, it’s familial relations that are poked, prodded and analyzed amidst said “game changers”. Though the scenarios may only last 22-minutes, what they teach us about the Simpsons family–Homer’s capacity to bond with his kids (given the right circumstances), Bart and Lisa’s sweet appreciation for each other when the going gets tough and Marge’s ability to forgive her husband (despite all his flaws) in the name of love–sticks with us, and is ultimately what brings us back week after week (for those of us still sticking it out, that is).

I’m not saying that this upcoming season’s divorce-related episode is going to have the same kind of impact. I’m not even saying that it will be good, or even tasteful. One has to hope though, that the writer’s have every intention of pointing out the strength of Homer and Marge’s relationship, rather than making light of how quickly 26 years of devotion can turn to dust. A show that’s had as rocky a year as the last one, could certainly use Homer and Marge’s resolve to keep putting up the good fight, in spite of the words of naysayers.

Matthew McCrary
Matthew McCrary
Pop culture writer at Monkeys Fighting Robots and Boom Howdy. Currently hosting the Toondiculous Podcast, where two grown men point out the logic flaws in children's programming. This sort of thing makes him feel like a big man, you see.

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