Amazing Spider-Man #694
Writer: Dan Slott
Art: Humberto Ramos [Pencils], Victor Olazaba [Inks], and Edgar Delgado [Colors]
If Amazing Spider-Man #692 and 693 were about introducing Alpha, then this week’s #694 is all about setting the character up for his next chapter–whenever that may be.
Deciding to take a break from his research at Horizon Labs, Peter Parker heads out to the airport to say goodbye to his Aunt May and her husband, J. Jonah Jameson Sr., before they head back to Boston. As is the case when he has something to do or somewhere to be, he’s interrupted. The Avengers request his help fighting off Terminus, who’s once again intent on taking over the Earth.
The Avengers unfortunately have the bright idea of having Spider-Man summon Alpha, and the egotistical teen hero with more power than everyone else present darts across the world from Japan to lay the smackdown on Terminus. This causes problems, as the fight takes place above the airport and Alpha’s irresponsible use of his powers short circuits all of the planes currently in the air–including the jet carrying May and Jonah Sr. Naturally, the day is saved, but as soon as Alpha leaves, Spider-Man and the Avengers all agree his powers, created in a lab accident by Peter’s “Parker Particles,” must go.
But, irreparable damage may have already been done.
Dan Slott packs a lot of great moments into this issue, continuing to showcase Alpha as an extraordinarily unlikeable character. At least two recurring members of Spidey’s supporting casts get apparent status quo changes here, as well. Seeing Peter act in a more stern, almost parental-like manner was different for a change, and I especially enjoyed Dan’s nod to all of the people who are unclear as to whether or not Spider-Man is still a Future Foundation member. Combine this with Ramos’ art and a nice lead-in to the “Danger Zone” arc and you’ve got a solid conclusion to Slott’s 50th Anniversary story arc.
RATING: A Tantalizing Tale in the Mighty Marvel Manner!
*ALSO: If you didn’t notice, this issue’s cover was an homage to a classic cover from when the “big two” comic publishers could play nice every now and then.
