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	<title>Unforgiven | Monkeys Fighting Robots</title>
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		<title>Requiem for The Western: Clint Eastwood&#8217;s &#8216;Unforgiven&#8217; at 25</title>
		<link>https://monkeysfightingrobots.co/requiem-for-the-western-unforgiven-at-25/</link>
		
		<dc:creator><![CDATA[Larry Taylor - Managing Editor]]></dc:creator>
		<pubDate>Mon, 07 Aug 2017 15:35:53 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[Gene Hackman]]></category>
		<category><![CDATA[Morgan Freeman]]></category>
		<category><![CDATA[Unforgiven]]></category>
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					<description><![CDATA[Unforgiven is the greatest Western of Clint Eastwood&#8217;s decades-long journey through the genre. It is great because it&#8217;s Eastwood&#8217;s ode to the Western; it is great because it functions with a deft economy of thematics; it is great because it is not a Western, not in the traditional sense, but a mournful examination of what [&#8230;]]]></description>
		
		
		
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		<title>Unrepentant Badass: A Look at my Favorite Clint Eastwood Movie Moments</title>
		<link>https://monkeysfightingrobots.co/clint-eastwood/</link>
		
		<dc:creator><![CDATA[Joshua Versalle]]></dc:creator>
		<pubDate>Wed, 31 May 2017 21:03:05 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[curmudgeon]]></category>
		<category><![CDATA[Ennio Morricone]]></category>
		<category><![CDATA[Gran Torino]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[Sergio Leone]]></category>
		<category><![CDATA[the Good the Bad and the Ugly]]></category>
		<category><![CDATA[Unforgiven]]></category>
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					<description><![CDATA[Clint Eastwood, who turns 87 today, has had one of the most storied careers in Hollywood history. As an actor, he&#8217;s given iconic performances and as a director, he&#8217;s he&#8217;s been just as successful, winning Oscars for both Million Dollar Baby and Unforgiven.  Chronicling the impact he&#8217;s had on Hollywood would be a titanic task, so I [&#8230;]]]></description>
		
		
		
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		<title>Ranking Clint Eastwood&#8217;s 10 Greatest Directorial Efforts</title>
		<link>https://monkeysfightingrobots.co/ranking-clint-eastwoods-10-greatest-directorial-efforts/</link>
		
		<dc:creator><![CDATA[Larry Taylor - Managing Editor]]></dc:creator>
		<pubDate>Wed, 07 Sep 2016 13:44:36 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[A Perfect World]]></category>
		<category><![CDATA[Absolute Power]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[Heartbreak Ridge]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Million Dollar Baby]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[Mystic River]]></category>
		<category><![CDATA[Play Misty for Me]]></category>
		<category><![CDATA[Sully]]></category>
		<category><![CDATA[The Bridges of Madison County]]></category>
		<category><![CDATA[The Eiger Sanction]]></category>
		<category><![CDATA[The Outlaw Josey Wales]]></category>
		<category><![CDATA[Three Billboards Outside Ebbing Missouri]]></category>
		<category><![CDATA[Unforgiven]]></category>
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					<description><![CDATA[Clint Eastwood&#8217;s films &#8211; the ones he directs anyway &#8211; ebb and flow in odd ways over time. Typically, his films are lauded, awarded, celebrated as masterworks when they are first released. But time dilutes their impact more so than any other director&#8217;s works. Recently, however, save for the divisive but popular (and subpar) American Sniper, [&#8230;]]]></description>
		
		
		
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		<title>REVIEW: &#8216;BONE TOMAHAWK&#8217; Is a Pure and Brutal Western</title>
		<link>https://monkeysfightingrobots.co/review-bone-tomahawk-is-a-pure-and-brutal-western/</link>
		
		<dc:creator><![CDATA[Curtis Waugh]]></dc:creator>
		<pubDate>Thu, 08 Oct 2015 05:49:22 +0000</pubDate>
				<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Andy Devine]]></category>
		<category><![CDATA[Bone Tomahawk]]></category>
		<category><![CDATA[Bright]]></category>
		<category><![CDATA[David Arquette]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[Kurt Russell]]></category>
		<category><![CDATA[Lili Simmons]]></category>
		<category><![CDATA[Matthew Fox]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[Patrick Wilson]]></category>
		<category><![CDATA[Richard Jenkins]]></category>
		<category><![CDATA[S. Craig Zahler]]></category>
		<category><![CDATA[Unforgiven]]></category>
		<category><![CDATA[Western]]></category>
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					<description><![CDATA[On paper, claiming Bone Tomahawk to be anyone&#8217;s first film is a nearly unbelievable statement. The film is confident beyond measure and has a firm grasp on its tone which straddles the lines between comedy and horror. Amidst the other genres it plays with, Bone Tomahawk is a Western, through and through. The film&#8217;s writer and first-time director, S. Craig [&#8230;]]]></description>
		
		
		
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