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	<title>
	Comments on: On John Williams&#8217; 85th Birthday, We Look At His 10 Most Iconic Soundtracks	</title>
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	<description>Comic Book Review And Commentary</description>
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		<title>
		By: Emma Nicholson		</title>
		<link>https://monkeysfightingrobots.co/on-john-williams-85th-birthday-we-look-at-his-10-most-iconic-soundtracks/#comment-15167</link>

		<dc:creator><![CDATA[Emma Nicholson]]></dc:creator>
		<pubDate>Thu, 09 Feb 2017 20:18:42 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://monkeysfightingrobots.co/on-john-williams-85th-birthday-we-look-at-his-10-most-iconic-soundtracks/#comment-15166&quot;&gt;Charles Clarke&lt;/a&gt;.

I do agree that for Close Encounters he wrote some of his most eerie and engaging music, but for this list it came down to a question of longevity. Home Alone is a questionable addition, but it made it because of it&#039;s familiarity for so many people and its transcendence of generations. By comparison, it could be said that Close Encounters has turned into something of a cult classic. I could have kept going to 25 with this list and I enjoyed looking back at the classics very much!]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://monkeysfightingrobots.co/on-john-williams-85th-birthday-we-look-at-his-10-most-iconic-soundtracks/#comment-15166">Charles Clarke</a>.</p>
<p>I do agree that for Close Encounters he wrote some of his most eerie and engaging music, but for this list it came down to a question of longevity. Home Alone is a questionable addition, but it made it because of it&#8217;s familiarity for so many people and its transcendence of generations. By comparison, it could be said that Close Encounters has turned into something of a cult classic. I could have kept going to 25 with this list and I enjoyed looking back at the classics very much!</p>
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		<title>
		By: Charles Clarke		</title>
		<link>https://monkeysfightingrobots.co/on-john-williams-85th-birthday-we-look-at-his-10-most-iconic-soundtracks/#comment-15166</link>

		<dc:creator><![CDATA[Charles Clarke]]></dc:creator>
		<pubDate>Thu, 09 Feb 2017 20:08:11 +0000</pubDate>
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					<description><![CDATA[For my money, the fugue from Close Encounters, a musical conversation between humans and an alien species, is the best thing Mr. Williams has written. And yet, it doesn&#039;t even make the top ten. There&#039;s no accounting for taste!]]></description>
			<content:encoded><![CDATA[<p>For my money, the fugue from Close Encounters, a musical conversation between humans and an alien species, is the best thing Mr. Williams has written. And yet, it doesn&#8217;t even make the top ten. There&#8217;s no accounting for taste!</p>
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		<title>
		By: ed		</title>
		<link>https://monkeysfightingrobots.co/on-john-williams-85th-birthday-we-look-at-his-10-most-iconic-soundtracks/#comment-15036</link>

		<dc:creator><![CDATA[ed]]></dc:creator>
		<pubDate>Thu, 09 Feb 2017 07:35:01 +0000</pubDate>
		<guid isPermaLink="false">https://temp-monkeysfightingrobots-url.wpmudev.hostm/?p=65916#comment-15036</guid>

					<description><![CDATA[I think the STAR WARS score owe more to Hadyn, shot through with Wagnerian leitmotifs... and John Williams&#039; music for 1941 is his first take for the later RAIDERS music. The jaunty, madcap score for this earlier Spielberg just became more &quot;pulpy&quot; for those films, but it&#039;s the musical mirror to it.

Interesting list. Personally, I&#039;d rank his CLOSE ENCOUNTERS as a representative Williams, just touching the sentimentality of later Spielbergs, IMO. His score for STAR WARS made me get into soundtracks AND Orchestral music when I listened to it as a kid--- nothing made me &#039;decipher&#039; Classical Music as Williams&#039; motifs that fit perfectly as Symhonic Allegro - Adagio - Scherzo - Allegro/Andante of &quot;Main Title&quot; - &quot;Princess Leia&#039;s Theme&quot; - &quot;The Little People&quot; - &quot;Throne Room/ Main Title Reprise&quot;: Classical WAS understandable!


True, his music isn&#039;t as &#039;chunky&#039;, memorable in recognizable motifs to catch the ears, as his late &#039;70s/&#039;80s heyday works--- but he&#039;s still scoring films today with that more &#039;mature&#039; sound. As I&#039;ve always analogised: some people prefer &quot;Symphony No. 9 &quot; over the &quot;Eroica&quot;....



Happy Birthday, Mr. Williams!]]></description>
			<content:encoded><![CDATA[<p>I think the STAR WARS score owe more to Hadyn, shot through with Wagnerian leitmotifs&#8230; and John Williams&#8217; music for 1941 is his first take for the later RAIDERS music. The jaunty, madcap score for this earlier Spielberg just became more &#8220;pulpy&#8221; for those films, but it&#8217;s the musical mirror to it.</p>
<p>Interesting list. Personally, I&#8217;d rank his CLOSE ENCOUNTERS as a representative Williams, just touching the sentimentality of later Spielbergs, IMO. His score for STAR WARS made me get into soundtracks AND Orchestral music when I listened to it as a kid&#8212; nothing made me &#8216;decipher&#8217; Classical Music as Williams&#8217; motifs that fit perfectly as Symhonic Allegro &#8211; Adagio &#8211; Scherzo &#8211; Allegro/Andante of &#8220;Main Title&#8221; &#8211; &#8220;Princess Leia&#8217;s Theme&#8221; &#8211; &#8220;The Little People&#8221; &#8211; &#8220;Throne Room/ Main Title Reprise&#8221;: Classical WAS understandable!</p>
<p>True, his music isn&#8217;t as &#8216;chunky&#8217;, memorable in recognizable motifs to catch the ears, as his late &#8217;70s/&#8217;80s heyday works&#8212; but he&#8217;s still scoring films today with that more &#8216;mature&#8217; sound. As I&#8217;ve always analogised: some people prefer &#8220;Symphony No. 9 &#8221; over the &#8220;Eroica&#8221;&#8230;.</p>
<p>Happy Birthday, Mr. Williams!</p>
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